Secular Songs & Dances from the Middle Ages

~ Release by Modo Antiquo, Bettina Hoffmann (see all versions of this release, 1 available)

Annotation

Cardboard box, containing 6 individual cardboard sleeves for each cd.

Individual barcodes:

CD 1: 5028421288819
CD 2: 5028421288826
CD 3: 5028421288833
CD 4: 5028421288840
CD 5: 5028421288857
CD 6: 5028421288864

92888/* are the individual disc cat#s.

Annotation last modified on 2017-07-23 00:00 UTC.

Tracklist

1▶CD: Carmina Burana, Part I

2▼CD: Carmina Burana, Part II
#	Title	Artist	Rating	Length
1	Bonum est confidere, CB 27 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Bonum est confidere composer: [anonymous] (special purpose artist) part of: Carmina Burana (number: 27) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Philippe Le Chancelier		2:39
2	Nomen a solemnibus, CB 52 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Nomen a solemnibus composer: [anonymous] (special purpose artist) part of: Carmina Gulatorum et Potatorum, Carmina Moralia et Divina and Carmina Burana (number: 52) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		3:54
3	Dic Christi veritas, CB 131 / Bulla fulminante, CB 131 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Bulla fulminante part of: Carmina Moralia et Divina and Carmina Burana (number: 131a) part of: Carmina Burana (original manuscript of poetry, ca. 1230) recording of: Dic Christi veritas composer: [anonymous] (special purpose artist) part of: Carmina Moralia et Divina and Carmina Burana (number: 131) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Philippe Le Chancelier		6:02
4	O varium Fortune lubricum, CB 14 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: O varium Fortune lubricum part of: Carmina Burana (number: 14) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		5:01
5	Fas et nefas, CB 19 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Fas et nefas lyricist and composer: [anonymous] (special purpose artist) part of: Carmina Moralia et Divina and Carmina Burana (number: 19) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Gualterus de Castiglione		3:08
6	Veritas veritatum, CB 21 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Veritas veritatum part of: Carmina Burana (number: 21) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Philippe Le Chancelier		2:12
7	Currit ad vocem, CB 47a orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Curritur ad vocem part of: Carmina Burana (number: 47a) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		1:47
8	Crucifigat omnes, CB 47 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Crucifigat omnes composer: [anonymous] (special purpose artist) part of: Carmina Moralia et Divina and Carmina Burana (number: 47) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		3:38
9	Procurans odium, CB 12 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Procurans odium part of: Carmina Amoris Infelicis, Carmina Burana (number: 12) and Carmina Moralia et Divina part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		1:51
10	Ave nobilis, CB 11 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Ave nobilis part of: Carmina Divina and Carmina Burana (number: 11) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		7:06
11	Ecce torpet probitas, CB 3 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Ecce torpet probitas composer: [anonymous] (special purpose artist) part of: Carmina Burana (number: 3), Carmina Moralia and Cambridge University Library MS Ff.I.17(1) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Gualterus de Castiglione		4:35
12	Planctus ante nescia, CB 14 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Planctus ante nescia writer: Godefroy de Breteuil (carmina burana. c.1130-c.1194, sub-prior to Abbey of Saint-Victor, Paris) part of: Carmina Burana (number: 14) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		7:03
13	Licet ager cum egrotis, CB 8 orchestra: Modo Antiquo conductor: Bettina Hoffmann (viol player) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Licet eger cum egrotis composer: [anonymous] (special purpose artist) part of: Carmina Burana (number: 8) and Carmina Moralia et Divina part of: Carmina Burana (original manuscript of poetry, ca. 1230)	Gualterus de Castiglione		7:07
14	Celum non animum, CB 15 orchestra: Modo Antiquo (from 1998-10-20 until 1998-10-29) conductor: Bettina Hoffmann (viol player) (from 1998-10-20 until 1998-10-29) recorded at: Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29) recording of: Celum non animum (from 2000-01-24 until 2000-01-29) composer: [anonymous] (special purpose artist) part of: Carmina Burana (number: 15) part of: Carmina Burana (original manuscript of poetry, ca. 1230)	[anonymous]		4:14

3▶CD: Music for the Crusades, Part I

4▶CD: Music for the Crusades, Part II

5▶CD: French and English Instrumental Dances in the Middle-Ages

6▶CD: Dança Amorosa, Italian Dances

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Discogs:	https://www.discogs.com/release/5842683 [info]
ASIN:	DE: B000E40P2K [info]

Secular Songs & Dances from the Middle Ages

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