Secular Songs & Dances from the Middle Ages

~ Release by Modo Antiquo, Bettina Hoffmann (see all versions of this release, 1 available)

Annotation

Cardboard box, containing 6 individual cardboard sleeves for each cd.

Individual barcodes:

CD 1: 5028421288819
CD 2: 5028421288826
CD 3: 5028421288833
CD 4: 5028421288840
CD 5: 5028421288857
CD 6: 5028421288864

92888/* are the individual disc cat#s.

Annotation last modified on 2017-07-23 00:00 UTC.

Tracklist

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1▼CD: Carmina Burana, Part I
#TitleArtistRatingLength
1Ich was ein chint so wolgetan, CB 185
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Ich was ein chint so wolgetan (Carmina Burana)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Amoris Infelicis and Carmina Burana (number: 185)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]4:04
2Axe Phebus aureo, CB 71
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Axe Phebus aureo
composer:
[anonymous] (special purpose artist)
part of:
Carmina Amoris Infelicis and Carmina Burana (number: 71)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:35
3Bache bene venies, CB 200
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Bacche, bene venies
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 200)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]4:28
4Dulce solum, CB 119
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Dulce solum
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 119)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]9:48
5In taberna quando sumus, CB 196
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
In taberna quando sumus
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 196)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:14
6Veris dulcis in tempore, CB 85 e 159
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Veris dulcis in tempore
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 159)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:09
7Alte clamat Epicurus, CB 211 e 211˚
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Alte clamat Epicurus (Carmina Burana)
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 211)
parody version of:
Nu alrest lebe ich mir werde (Palästinalied)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:07
8Exiit dilucolo rustica puella, CB 90
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Exiit diluculo
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 90)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:23
9Olim sudor Herculis, CB 63
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Olim sudor Herculis
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 63)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Petrus Blesensis9:44
10Virent prata hiemata, CB 151
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Virent prata hiemata
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum, Carmina Veris et Amoris and Carmina Burana (number: 151 et 151a)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:44
11Sic mea fata, CB 116
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Sic mea fata canendo solor
part of:
Carmina Burana (number: 116)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]6:26
12Walthers ton (da CB 211)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Walthers ton
part of:
Carmina Burana (number: 211a)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Walther von der Vogelweide1:18
13Tempus transit gelidum (CB 153)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Tempus transit gelidum
part of:
Carmina Burana (number: 153)
is based on:
Fulget dies celebris
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:12
2▼CD: Carmina Burana, Part II
#TitleArtistRatingLength
1Bonum est confidere, CB 27
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Bonum est confidere
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 27)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Philippe Le Chancelier2:39
2Nomen a solemnibus, CB 52
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Nomen a solemnibus
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum, Carmina Moralia et Divina and Carmina Burana (number: 52)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:54
3Dic Christi veritas, CB 131 / Bulla fulminante, CB 131
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Bulla fulminante
part of:
Carmina Moralia et Divina and Carmina Burana (number: 131a)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
recording of:
Dic Christi veritas
composer:
[anonymous] (special purpose artist)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 131)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Philippe Le Chancelier6:02
4O varium Fortune lubricum, CB 14
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
O varium Fortune lubricum
part of:
Carmina Burana (number: 14)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:01
5Fas et nefas, CB 19
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Fas et nefas
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 19)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Gualterus de Castiglione3:08
6Veritas veritatum, CB 21
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Veritas veritatum
part of:
Carmina Burana (number: 21)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Philippe Le Chancelier2:12
7Currit ad vocem, CB 47a
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Curritur ad vocem
part of:
Carmina Burana (number: 47a)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]1:47
8Crucifigat omnes, CB 47
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Crucifigat omnes
composer:
[anonymous] (special purpose artist)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 47)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:38
9Procurans odium, CB 12
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Procurans odium
part of:
Carmina Amoris Infelicis, Carmina Burana (number: 12) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]1:51
10Ave nobilis, CB 11
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Ave nobilis
part of:
Carmina Divina and Carmina Burana (number: 11)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]7:06
11Ecce torpet probitas, CB 3
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Ecce torpet probitas
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 3), Carmina Moralia and Cambridge University Library MS Ff.I.17(1)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Gualterus de Castiglione4:35
12Planctus ante nescia, CB 14
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Planctus ante nescia
writer:
Godefroy de Breteuil (carmina burana. c.1130-c.1194, sub-prior to Abbey of Saint-Victor, Paris)
part of:
Carmina Burana (number: 14)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]7:03
13Licet ager cum egrotis, CB 8
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Licet eger cum egrotis
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 8) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
Gualterus de Castiglione7:07
14Celum non animum, CB 15
orchestra:
Modo Antiquo (from 1998-10-20 until 1998-10-29)
conductor:
Bettina Hoffmann (viol player) (from 1998-10-20 until 1998-10-29)
recorded at:
Oratorio di San Francesco Poverino in Firenze (Florence), Firenze, Toscana (Tuscany), Italy (from 1998-10-20 until 1998-10-29)
recording of:
Celum non animum (from 2000-01-24 until 2000-01-29)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 15)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]4:14
3▼CD: Music for the Crusades, Part I
#TitleArtistRatingLength
1I. Appellatio Crucifigat omnes, CB 47
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Crucifigat omnes
composer:
[anonymous] (special purpose artist)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 47)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:39
2I. Appellatio, Seignor, sachiez qui or ne s'en ira
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Seignor, saichies qi or ne s'en ira (from 2000-01-24 until 2000-01-29)
lyricist and composer:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253)
Thibaut de Champagne6:56
3I. Appellatio, La Quinte Estampie Real
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
La quinte Estampie real (from 2000-01-24 until 2000-01-29)
writer:
[anonymous] (special purpose artist)
[anonymous]3:12
4I. Appellatio, Parti de mal et a bien atourné
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Parti de mal (from 2000-01-24 until 2000-01-29)
writer:
French medieval anonymous ([anonymous], special purpose artist)
[anonymous]5:14
5I. Appellatio, Chevalier, mult estes guariz
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Chevaliers, mult estes guariz (from 2000-01-24 until 2000-01-29)
writer:
[anonymous] (special purpose artist)
[anonymous]6:14
6I. Appellatio, De transfretantibus
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
[anonymous]1:45
7I. Appellatio, Au tans plain de felonie
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Au tens plain de felonnie (from 2000-01-24 until 2000-01-29)
writer:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253)
translated version of:
Pieśń malkontenta (Au tans plain de felonie)
Thibaut de Champagne3:44
8II. Dure Departie, La Seconde Estampie Royal
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
[anonymous]2:01
9Bien me defisse targier
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Bien me deüsse targier (from 2000-01-24 until 2000-01-29)
writer:
Conon de Béthune (in 1188)
Conon de Béthune7:22
10II. Dure Departie, Dame, ensinc est qu'il m'en covient aler
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Dame, ensinc est qu'il m'en covient aler
composer:
Thibaud de Navarre (Theobald I of Navarre, French medieval ruler & trouvère, c. 1201-1253) (in 1225)
Thibaut de Champagne5:01
11II. Dure Departie, A vous, Amors, plus qu'a nule autre gent
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
A vous, Amors, plus qu'a nule autre gent (from 2000-01-24 until 2000-01-29)
writer:
Le Chatelain de Coucy
Le Chatelain de Coucy5:07
12II. Dure Departie, Li departirs de la douce contree
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Li departirs de la douce contrée
writer:
Chardon de Croisilles
Chardon de Croisilles5:53
13II. Dure Departie, Li nouveax temps et maiz et violete
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Li noviaus tens (from 2000-01-24 until 2000-01-29)
writer:
Le Chatelain de Coucy
Le Chatelain de Coucy7:44
14II. Dure Departie, Aler m'estuet la ou je trerai paine
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Aler m'estuet la ou je trerai paine (Lyrics excerpted from "Du Secrestain et de la Dame au Chevalier") (from 2000-01-24 until 2000-01-29)
lyricist:
Rutebeuf
writer:
[anonymous] (special purpose artist)
[anonymous]8:16
4▼CD: Music for the Crusades, Part II
#TitleArtistRatingLength
1III. Passagium Laboriosum, Ja nuns hons pris, 1
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Ja nus hons pris (from 2000-01-24 until 2000-01-29)
lyricist and composer:
Richard I (king of England)
Richard I.8:18
2III. Passagium Laboriosum, Ja nuns hons pris, 2
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Ja nus hons pris (from 2000-01-24 until 2000-01-29)
lyricist and composer:
Richard I (king of England)
Richard I.1:17
3III. Passagium Laboriosum, Desolata mater / Que nutritos / Filios enutrivi (from Roman de Fauvel)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
[anonymous]2:45
4III. Passagium Laboriosum, Maugré tous sainz et maugré dieu ausi
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Maugré tous sainz et maugré dieu ausi (from 2000-01-24 until 2000-01-29)
writer:
Huon D'oisy (Medieval Poet)
Huon d'Oisi4:27
5III. Passagium Laboriosum, Congregati sunt
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
[anonymous]2:44
6III. Passagium Laboriosum, La Quarte Estampie Royal
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
La quarte Estampie real (from 2000-01-24 until 2000-01-29)
composed in:
France
composer:
XIIIth Century French anonymous ([anonymous], special purpose artist)
[anonymous]2:24
7III. Passagium Laboriosum, In gotes namen fara wir
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
[anonymous]0:58
8III. Passagium Laboriosum, Chanterai por mon coraige
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Chanterai por mon corage (from 2000-01-24 until 2000-01-29)
lyricist:
Guiot de Dijon
Guiot de Dijon7:48
9III. Passagium Laboriosum, Diro satis percussus vulnere - Tristan's Lament
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
Riccardo di San Germano / Anon.3:59
10III. Passagium Laboriosum, Nus ne porroit de mauvese reson
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Nus ne porroit de mauvese reson (from 2000-01-24 until 2000-01-29)
writer:
French anon. of the Crusades ([anonymous], special purpose artist)
[anonymous]3:40
11IV. Hierosolyma Caelestis, Ierusalem mirabilis
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
[anonymous]4:53
12IV. Hierosolyma Caelestis, Nû alrêst lebe ich mir werde
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (from 2000-01-24 until 2000-01-29)
lyricist, writer and composer:
Walther von der Vogelweide
Walther von der Vogelweide11:28
13IV. Hierosolyma Caelestis, Nomen a solemnibus, CB 52
orchestra:
Modo Antiquo (from 2000-01-24 until 2000-01-29)
conductor:
Bettina Hoffmann (viol player) (from 2000-01-24 until 2000-01-29)
recorded at:
Oratorio della Compagnia del Santissimo Sacramento (Calenzano) in Calenzano, Firenze, Toscana (Tuscany), Italy (from 2000-01-24 until 2000-01-29)
recording of:
Nomen a solemnibus (from 2000-01-24 until 2000-01-29)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum, Carmina Moralia et Divina and Carmina Burana (number: 52)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:57
5▼CD: French and English Instrumental Dances in the Middle-Ages
#TitleArtistRatingLength
1Ductia Manuscript London, British Library, Harley 978, f. 8v-9r
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]1:22
2Petrone Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43v
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]4:37
3Nota Manuscript, Oxford, Bodleian Library, Douce 139
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]2:20
4Ductia Manuscript London, British Library, Harley 978, f. 9r/I
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]2:05
5Ductia Manuscript London, British Library, Harley 978, f. 9r/II
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]4:18
6Fragment Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]1:44
7Ductia Manuscript London, British Library, Add. 28550 (Robertsbridge Codex), f. 43r
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]6:29
8Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Prime Estampie Royal
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]3:10
9Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seconde Estampie Royal
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]2:04
10Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Tierche Estampie Roial
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]5:39
11Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quarte Estampie Royal
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]2:21
12Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Quinte Estampie Real
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]3:14
13Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Seste Estampie Real
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]4:31
14Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Septime Estampie Real
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]6:25
15Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Uitime Estampie Real
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]3:02
16Manuscript Paris, Bibliothèque Nationale, f. f. 844: Dansse Real
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]3:16
17Manuscript Paris, Bibliothèque Nationale, f. f. 844: [untitled]
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]7:38
18Manuscript Paris, Bibliothèque Nationale, f. f. 844: Danse
recorded in:
Firenze, Toscana (Tuscany), Italy (in 1999-09)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player)
[anonymous]1:52
6▼CD: Dança Amorosa, Italian Dances
#TitleArtistRatingLength
1Ghaetta
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]4:18
2Saltarello (2)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]1:32
3La Manfredina, Rotta della Manfredina
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]3:20
4Chançoneta Tedescha (2)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]2:09
5Isabella
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]4:33
6Saltarello (4)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]2:19
7Saltarello (3)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]3:03
8Chançoneta Tedescha (1)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]4:54
9Chançoneta Tedescha (4)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]3:00
10Principio di virtù
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]6:21
11Dança amorosa, suo Troto
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]3:20
12Chominiciamento di Gioia
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]5:49
13Chançoneta Tedescha (3)
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]4:04
14Trotto
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]1:50
15Bel fiore dança
orchestra:
Modo Antiquo (in 1994-04)
conductor:
Federico Maria Sardelli and Bettina Hoffmann (viol player) (in 1994-04)
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
recording of:
Bel fiore dança (in 1994-04)
composer:
[anonymous] (special purpose artist) (in 1400)
[anonymous]2:54
16Lamento di Tristano, sua Rotta
orchestra:
Modo Antiquo
conductor:
Bettina Hoffmann (viol player) and Federico Maria Sardelli
recorded at:
Chiesa di Santa Maria a Casavecchia in San Casciano in Val di Pesa, Firenze, Toscana (Tuscany), Italy (in 1994-04)
[anonymous]5:48