Symphony No. 8 in E-flat major "Symphony of a Thousand": Part 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick

~ Recording by Philharmonia Orchestra, Giuseppe Sinopoli

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
12.15Symphony no. 8: Part II. Una poenitentium: »Vom edlen Geisterchor umgeben« / Mater gloriosa: »Komm! Hebe dich zu höhern Sphären« / Doctor Marianus: »Blicket auf zum Retterblick, alle reuig Zarten«8:03Gustav MahlerThe Complete RecordingsMahler; Philharmonia Orchestra, Giuseppe SinopoliAlbum + Compilation
Deutsche Grammophon471 451-2
2.15Symphony No. 8 in E-flat major: Part 2: Una poenitentium "Vom edlen Geisterchor" - "Komm! Hebe dich" - "Blicket auf zum Retterblick"8:03Gustav MahlerSymphonies Nos. 8 & 10Gustav Mahler; Giuseppe Sinopoli; Philharmonia OrchestraAlbum
Deutsche Grammophon459 406-2
6.15Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick8:03Gustav MahlerDie 10 Symphonien / OrchesterliederGustav Mahler; Philharmonia Orchestra, Staatskapelle Dresden, Giuseppe Sinopoli, Edita Gruberová, Waltraud Meier, Bryn Terfel u.a.Album + Compilation
  • DE2010-06-18
Deutsche Grammophon480 3742
1.166Symphony no. 8: Part II. Una poenitentium: "Vom edlen Geisterchor umgeben" / Mater gloriosa: "Komm! Hebe dich zu höhern Sphären" / Doctor Marianus: "Blicket auf zum Retterblick, alle reuig Zarten"8:03Gustav MahlerThe Great ConductorGiuseppe SinopoliAlbum + Compilation
  • -2021
Deutsche Grammophon

Relationships

producer:Wolfgang Stengel
choir vocals:Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1990-11 until 1990-12)
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1990-11 until 1990-12)

Related works

Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor)

composer:Gustav Mahler (composer)
librettist:Johann Wolfgang von Goethe
part of:Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust) (order: 16)

Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor)

composer:Gustav Mahler (composer) (in 1906)
librettist:Johann Wolfgang von Goethe
part of:Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust) (order: 17)