Die 10 Symphonien / Orchesterlieder

~ Release by Gustav Mahler; Philharmonia Orchestra, Staatskapelle Dresden, Giuseppe Sinopoli, Edita Gruberová, Waltraud Meier, Bryn Terfel u.a. (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Symphonie Nr. 1 in D-Dur "Der Titan": I. Langsam. Schleppend
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler16:30
2Symphonie Nr. 1 in D-Dur "Der Titan": II. Kräftig bewegt
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler8:10
3Symphonie Nr. 1 in D-Dur "Der Titan": III. Feierlich und gemessen
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler11:57
4Symphonie Nr. 1 in D-Dur "Der Titan": IV. Stürmisch bewegt
recording engineer:
Hans‐Rudolf Müller (engineer)
executive producer:
Wolfgang Stengel
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1989-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1989-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1989-02)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1989-02)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (in 1989-02)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler20:41
5Symphonie Nr. 2 in c-Moll "Auferstehung": I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": I. Allegro maestoso (Symphony no. 2 in C minor “Resurrection”: I. Allegro maestoso) (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
version of:
Totenfeier (Funeral Rites)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler21:45
2▼CD
#TitleArtistRatingLength
1Symphonie Nr. 2 in c-Moll "Auferstehung": II. Andante moderato. Sehr gemächlich
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": II. Andante moderato (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler9:20
2Symphonie Nr. 2 in c-Moll "Auferstehung": III. Scherzo. In ruhig fliessender Bewegung
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": III. In ruhig fließender Bewegung (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
premiered at:
[concert] (1895-03-04)
premiered at:
Philharmonie in Kreuzberg, Berlin, Germany (on 1895-03-04)
is based on:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler12:09
3Symphonie Nr. 2 in c-Moll "Auferstehung": IV. Urlicht. Sehr feierlich, aber schlicht "O Röschen rot!"
producer:
Wolfgang Stengel
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Symphony no. 2 in C minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht (Symphony no. 2 in C minor “Resurrection”: 4. Primeval Light. Very solemn, but simple) (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
[anonymous] (special purpose artist)
arrangement of:
Des Knaben Wunderhorn: Urlicht
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler5:12
4Symphonie Nr. 2 in c-Moll "Auferstehung": Va. Im Tempo des Scherzos. Wild herausfahrend
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler14:32
5Symphonie Nr. 2 in c-Moll "Auferstehung": V. Wieder zurückhaltend. Langsam. Misterioso
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1985-09)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
soprano vocals:
Rosalind Plowright (soprano / mezzo soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
chorus master:
Andrew Greenwood (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
partial recording of:
Symphony no. 2 in C minor "Resurrection": V. Im Tempo des Scherzos. Wild herausfahrend (in 1985-09)
composer:
Gustav Mahler (composer) (from 1888 until 1894)
librettist:
Friedrich Gottlieb Klopstock and Gustav Mahler (composer) (from 1888 until 1894)
part of:
Symphony no. 2 “Resurrection”
Gustav Mahler23:03
3▼CD
#TitleArtistRatingLength
1Symphonie Nr. 3 in d-Moll: I. Kräftig. Entscheiden
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden (in 1994-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler32:22
2Symphonie Nr. 3 in d-Moll: II. Tempo die minuetto. Sehr mäßig
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto (Sehr mäßig) (in 1994-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler10:41
3Symphonie Nr. 3 in d-Moll: III. Comodo. Scherzando. Ohne Hast
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando (Ohne Hast) (in 1994-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
is based on:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
part of:
Symphony no. 3 in D minor
Gustav Mahler18:24
4Symphonie Nr. 3 in d-Moll: IV. Sehr langsam. Misterioso: "O Mensch! Gib acht!"
producer:
Wolfgang Stengel
alto vocals:
Hanna Schwarz (mezzo soprano) (in 1994-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: IV. Sehr langsam (Misterioso. Durchaus ppp) ('O Mensch! Gib acht!') (in 1994-02)
lyricist:
Friedrich Nietzsche
composer:
Gustav Mahler (composer) (from 1893 until 1896)
part of:
Symphony no. 3 in D minor
Gustav Mahler11:04
5Symphonie Nr. 3 in d-Moll: V. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
producer:
Wolfgang Stengel
alto vocals:
Hanna Schwarz (mezzo soprano) (in 1994-02)
choir vocals:
New London Children’s Choir (in 1994-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck ('Es sungen drei Engel') (in 1994-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
is based on:
Es sungen drei Engel
part of:
Symphony no. 3 in D minor
Gustav Mahler4:08
4▼CD
#TitleArtistRatingLength
1Symphonie Nr. 3 in d-Moll: VI. Langsam. Ruhevoll. Empfunden
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1994-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1994-02)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-02)
recording of:
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden (in 1994-02)
composer:
Gustav Mahler (composer) (from 1893 until 1896)
premiered at:
[concert] (1897)
part of:
Symphony no. 3 in D minor
Gustav Mahler23:08
2Symphonie Nr. 7 in e-Moll: I. Langsam. Allegro risoluto
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-05)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: I. Langsam – Allegro risoluto, ma non troppo (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler24:36
3Symphonie Nr. 7 in e-Moll: II. Nachtmusik. Allegro moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-05)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: II. Nachtmusik I. Allegro moderato (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:04
4Symphonie Nr. 7 in e-Moll: III. Scherzo. Schattenhaft
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-05)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: III. Scherzo: Schattenhaft – Trio (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler9:53
5▼CD
#TitleArtistRatingLength
1Symphonie Nr. 7 in e-Moll: IV. Nachtmusik. Andante amoroso
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-05)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: IV. Nachtmusik II. Andante amoroso (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler17:35
2Symphonie Nr. 7 in e-Moll: V. Rondo. Finale. Allegro ordinario - Allegro moderato ma energico
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-05)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-05)
recording of:
Symphony no. 7 in E minor “Lied der Nacht”: V. Rondo - Finale (in 1992-05)
composer:
Gustav Mahler (composer) (from 1904 until 1905)
part of:
Symphony no. 7 in E minor “Lied der Nacht”
Gustav Mahler18:22
3Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Veni creator spiritus
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: a. Veni creator spiritus (Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:22
4Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Imple superna gratia
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: b. Imple superna gratia (7 Soli, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:58
5Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Infirma nostri corporis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: c. Infirma nostri corporis (7 Soli, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler2:44
6Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Tempo I. Allegro, etwas hastig
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: d. Tempo I (Allegro, etwas hastig) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler1:27
7Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Infirma nostri corporis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: e. Infirma nostri corporis (7 Soli) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:17
8Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Accende lumen sensibus
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: f. Accende lumen sensibus, infunde amorem cordibus (7 Soli, Chor, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler4:57
9Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Veni creator spiritus
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: g. Veni creator spiritus (reprise) (7 Soli, Chor, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:52
10Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 1: Hymnus "Veni creator spiritus": Gloria sit Patri Domino
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano III]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus”: h. Gloria sit Patri Domino (7 Soli, Chor, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: I. “Veni, creator spiritus” (Symphony No. 8 in E flat major "Symphony of a Thousand": Part I. Hymn: Veni, Creator Spiritus)
Gustav Mahler3:30
6▼CD
#TitleArtistRatingLength
1Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: a. Poco adagio (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:48
2Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Più mosso. Allegro moderato
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: b. Più mosso (Allegro moderato) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:34
3Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Waldung, sie schwankt heran
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: c. "Waldung, sie schwankt heran" (Chor und Echo) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:07
4Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ewiger Wonnebrand
producer:
Wolfgang Stengel
solo baritone vocals [Pater Ecstaticus]:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: d. Ewiger Wonnebrand (Pater Ecstaticus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:28
5Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Wie Felsenabgrund mir zu Füßen
producer:
Wolfgang Stengel
solo bass vocals [Pater Profundus]:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: e. Wie Felsenabgrund mir zu Füssen (Pater Profundus) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:50
6Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Gerettet ist das edle Glied - Hände verschlinget euch
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: f. "Gerettet ist das edle Glied" (Engel - Chor und Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:53
7Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Jene Rosen, aus den Händen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g1. "Jene Rosen, aus den Händen" (Engel - Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:43
8Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Uns bleibt ein Erdenrest
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo alto vocals:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: g2. "Uns bleibt ein Erdenrest" (Engel - Chor mit Alto solo)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler2:24
9Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Ich spür' soeben - Freudig empfangen wir - Hier ist die Aussicht frei
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h1. "Ich spür' soeben" (Die jüngeren Engel - Knaben Chor)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: h2. "Hier ist die Aussicht frei" (Doctor Marianus, Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler1:10
10Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Höchste Herrscherin der Welt
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: i. "Höchste Herrscherin der Welt" (Doctor Marianus, Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler5:07
11Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Dir, der Unberührbaren - Du schwebst zu Höhen
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: j. "Dir, der Unberührbaren" (Chor, Una Poenitentium)) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:29
12Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Bei der Liebe - Bei dem Bronn - Bei dem hochgeweihten Orte
producer:
Wolfgang Stengel
solo alto vocals [Maria Aegyptiaca]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo alto vocals [Mulier Samaritana]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Magna Peccatrix]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: k. Bei der Liebe, die den Füssen (Magna Peccatrix, Mulier Samaritana, Maria Aegyptiaca) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler4:21
13Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Neige, neige du Ohnegleichen
producer:
Wolfgang Stengel
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: l. "Neige, Neige, du Ohnegleiche" (Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler0:58
14Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Er überwächst uns schon
producer:
Wolfgang Stengel
choir vocals:
Southend Boys’ Choir (from 1990-11 until 1990-12)
solo soprano vocals [Una Poenitentium]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: m. "Er überwächst uns schon" (Knaben Chor, Una Poenitentium) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler3:46
15Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Vom edlen Geisterchor umgeben - Komm! Hebe dich zu höhern Sphären - Blicket auf zum Retterblick
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo tenor vocals [Doctor Marianus]:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: n. Komm! Hebe dich zu höhern Sphären! (Mater Gloriosa und Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: o. "Blicket auf zum Retterblick" (Doctor Marianus, Chor und Knaben Chor) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler8:03
16Symphonie Nr. 8 in Es-Dur "Symphonie der Tausend": Teil 2: Schlusszene aus Goethes "Faust": Alles Vergängliche ist nur ein Gleichnis
producer:
Wolfgang Stengel
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1990-11 until 1990-12) and Southend Boys’ Choir (from 1990-11 until 1990-12)
solo alto vocals [Alto I]:
Waltraud Meier (mezzo-soprano) (from 1990-11 until 1990-12)
solo alto vocals [Alto II]:
Kazuko Nagai (soprano) (from 1990-11 until 1990-12)
solo baritone vocals:
Sir Thomas Allen (baritone) (from 1990-11 until 1990-12)
solo bass vocals:
Hans Sotin (operatic bass) (from 1990-11 until 1990-12)
solo soprano vocals [Mater Gloriosa]:
Sumi Jo (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano I]:
Cheryl Studer (soprano) (from 1990-11 until 1990-12)
solo soprano vocals [Soprano II]:
Angela Maria Blasi (soprano) (from 1990-11 until 1990-12)
solo tenor vocals:
Keith Lewis (tenor) (from 1990-11 until 1990-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1990-11 until 1990-12)
conductor:
Giuseppe Sinopoli (conductor) (from 1990-11 until 1990-12)
balance engineer:
Klaus Hiemann (engineer/producer) (from 1990-11 until 1990-12)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1990-11 until 1990-12)
recording of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust: p. "Alles Vergängliche ist nur ein Gleichnis" (Chorus Mysticus, soloists) (from 1990-11 until 1990-12)
composer:
Gustav Mahler (composer) (in 1906)
librettist:
Johann Wolfgang von Goethe
part of:
Symphony no. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust (Symphony No. 8 in E-flat major “Symphony of a Thousand”: Part II. Closing Scene from Goethe's Faust)
Gustav Mahler6:31
17Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:48
18Lieder eines fahrenden Gesellen: Ging heut' morgen übers Feld
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:22
19Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:23
20Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1985-09)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1985-09)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (in 1985-09)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:46
7▼CD
#TitleArtistRatingLength
1Das Lied von der Erde: Das Trinklied vom Jammer der Erde
producer:
Werner Mayer (classical producer)
tenor vocals:
Keith Lewis (tenor) (in 1996-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1996-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1996-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1996-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1996-01)
recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows) (in 1996-01)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:43
2Das Lied von der Erde: Der Einsame im Herbst
producer:
Werner Mayer (classical producer)
contralto vocals:
Iris Vermillion (mezzo-soprano) (in 1996-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1996-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1996-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1996-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1996-01)
recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn) (in 1996-01)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起 (Qián Qǐ)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler9:48
3Das Lied von der Erde: Von der Jugend
producer:
Werner Mayer (classical producer)
tenor vocals:
Keith Lewis (tenor) (in 1996-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1996-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1996-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1996-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1996-01)
recording of:
Das Lied von der Erde: III. Von der Jugend (The Song of the Earth: III. Of Youth) (in 1996-01)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler3:17
4Das Lied von der Erde: Von der Schönheit
producer:
Werner Mayer (classical producer)
contralto vocals:
Iris Vermillion (mezzo-soprano) (in 1996-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1996-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1996-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1996-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1996-01)
recording of:
Das Lied von der Erde: IV. Von der Schönheit (The Song of the Earth: IV. Of Beauty) (in 1996-01)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
采蓮曲
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler6:53
5Das Lied von der Erde: Der Trunkene im Frühling
producer:
Werner Mayer (classical producer)
tenor vocals:
Keith Lewis (tenor) (in 1996-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1996-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1996-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1996-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1996-01)
recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring) (in 1996-01)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler4:45
6Das Lied von der Erde: Der Abschied
producer:
Werner Mayer (classical producer)
contralto vocals:
Iris Vermillion (mezzo-soprano) (in 1996-01)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1996-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1996-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1996-01)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 1996-01)
recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell) (in 1996-01)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler30:35
7Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht teilen - Recht gemächlich
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: I. Bedächtig. Nicht eilen - Recht gemächlich (in 1991-02)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler16:18
8▼CD
#TitleArtistRatingLength
1Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: II. In gemächlicher Bewegung. Ohne Hast (in 1991-02)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler10:08
2Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: III. Ruhevoll. Poco adagio (in 1991-02)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
Gustav Mahler21:52
3Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. Wir genießen die himmlischen Freuden
producer:
Wolfgang Stengel
soprano vocals:
Edita Gruberová (soprano) (in 1991-02)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1991-02)
conductor:
Giuseppe Sinopoli (conductor) (in 1991-02)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1991-02)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1991-02)
recording of:
Symphonie Nr. 4 in G-Dur: IV. Sehr behaglich. „Wir genießen die himmlischen Freuden“ (in 1991-02)
composer:
Gustav Mahler (composer) (from 1899 until 1901)
part of:
Symphony no. 4 in G major
revision of:
Des Knaben Wunderhorn: Das himmlische Leben
Gustav Mahler9:54
4Kindertotenlieder: Nun will die Sonn' so hell aufgeh'n
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1992-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-11)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-11)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (in 1992-11)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:22
5Kindertotenlieder: Nun seh' ich wohl, warum so dunkle Flammen
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1992-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-11)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-11)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (in 1992-11)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:10
6Kindertotenlieder: Wenn dein Mütterlein
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1992-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-11)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-11)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (in 1992-11)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler5:00
7Kindertotenlieder: Oft denk' ich, sie sind nur ausgegangen
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1992-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-11)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-11)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (in 1992-11)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler3:17
8Kindertotenlieder: In diesem Wetter, in diesem Braus
producer:
Wolfgang Stengel
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1992-11)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992-11)
conductor:
Giuseppe Sinopoli (conductor) (in 1992-11)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1992-11)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1992-11)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (in 1992-11)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:32
9▼CD
#TitleArtistRatingLength
1Symphonie Nr. 5 in cis-Moll: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) (in 1985-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler12:09
2Symphonie Nr. 5 in cis-Moll: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I. Subito
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz (in 1985-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler13:45
3Symphonie Nr. 5 in cis-Moll: III. Scherzo. Kräftig, nicht zu schnell
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: III. Scherzo. Kräftig, nicht zu schnell (in 1985-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler17:24
4Symphonie Nr. 5 in cis-Moll: IV. Adagietto. Sehr langsam
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam (in 1985-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler10:26
5Symphonie Nr. 5 in cis-Moll: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Günther Breest (producer for classical music)
producer:
Wolfgang Stengel
editor:
Oliver Rogalla
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-01)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-01)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1985-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1985)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1985-01)
recording of:
Symphony no. 5 in C-sharp minor: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch (in 1985-01)
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler15:10
10▼CD
#TitleArtistRatingLength
1Des Knaben Wunderhorn: Selbstgefühl
baritone vocals:
Bernd Weikl (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Des Knaben Wunderhorn: Selbstgefühl (orch. Byrns)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: XIV. Selbstgefühl (for voice and piano)
Gustav Mahler1:58
2Des Knaben Wunderhorn: Frühlingsmorgen
baritone vocals:
Bernd Weikl (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Des Knaben Wunderhorn: Frühlingsmorgen (orch. Byrns)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: I. Frühlingsmorgen (for voice and piano)
Gustav Mahler2:35
3Des Knaben Wunderhorn: Nicht wiedersehen
baritone vocals:
Bernd Weikl (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Des Knaben Wunderhorn: Nicht wiedersehen (orch. Byrns)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: XIII. Nicht wiedersehen (for voice and piano)
Gustav Mahler5:46
4Des Knaben Wunderhorn: Zu Straßburg auf der Schanz
baritone vocals:
Bernd Weikl (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Des Knaben Wunderhorn: Zu Straßburg auf der Schanz (orch. Byrns)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: X. Zu Straßburg auf der Schanz (for voice and piano)
Gustav Mahler3:59
5Des Knaben Wunderhorn: Ablösung im Sommer
baritone vocals:
Bernd Weikl (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Des Knaben Wunderhorn: Ablösung im Sommer (orch. Byrns)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: XI. Ablösung im Sommer (for voice and piano)
Gustav Mahler1:33
6Des Knaben Wunderhorn: Um schlimme Kinder artig zu machen
baritone vocals:
Bernd Weikl (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Des Knaben Wunderhorn: Um schlimme Kinder artig zu machen (orch. Byrns)
orchestrator:
Harold Byrns (conductor)
composer:
Gustav Mahler (composer)
orchestration of:
Lieder und Gesänge: VI. Um schlimme Kinder artig zu machen (for voice and piano)
Gustav Mahler1:45
7Symphonie Nr. 6 in a-Moll: I. Allegro energico, man non troppo. Heftig, aber markig
producer:
Wolfgang Singer
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1986-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1986-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-09)
recording of:
Symphonie Nr. 6 in a-Moll: I. Allegro energico, ma non troppo. Heftig, aber markig (in 1986-09)
composer:
Gustav Mahler (composer) (from 1903 until 1904-08)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler25:08
8Symphonie Nr. 6 in a-Moll: II. Scherzo. Wuchtig
producer:
Wolfgang Singer
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1986-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1986-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-09)
recording of:
Symphonie Nr. 6 in a-Moll: III. Scherzo. Wuchtig (sometimes II.) (in 1986-09)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler13:40
9Symphonie Nr. 6 in a-Moll: III. Andante moderato
producer:
Wolfgang Singer
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-09)
conductor:
Giuseppe Sinopoli (conductor) (in 1986-09)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1986-09)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-09)
recording of:
Symphonie Nr. 6 in a-Moll: II. Andante moderato (sometimes III.) (in 1986-09)
composer:
Gustav Mahler (composer) (in 1903)
part of:
Symphonie Nr. 6 in a-Moll (Symphony no. 6 in A minor)
Gustav Mahler19:53
11▶CD
12▶CD

Credits

Release

alto vocals:松尾和子
Waltraud Meier (mezzo-soprano)
フランク永井
Iris Vermillion (mezzo-soprano)
baritone vocals:Sir Thomas Allen (baritone)
bass vocals:Hans Sotin (operatic bass)
choir vocals:Southend Boys’ Choir
mezzo-soprano vocals:Brigitte Fassbaender (mezzo-soprano)
soprano vocals:Angela Maria Blasi (soprano)
Rosalind Plowright (soprano / mezzo soprano)
Cheryl Studer (soprano)
tenor vocals:Keith Lewis (tenor)
part of:Eloquence (Deutsche Grammophon/Decca/Philips Classics, et al.; classical series established in 1999) (order: 317)
ASIN:DE: B003LQSHBO [info]