Bach & Beyond

~ Release by Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Annotation

Discs aren't numbered in this boxset.
Included in this set:
BIS-CD-807
BIS-CD-819
BIS-CD-821
BIS-CD-831/32
BIS-CD-865
BIS-CD-871
BIS-CD-891/92
BIS-CD-961
BIS-CD-1011
BIS-CD-1071/72
BIS-CD-1411
BIS-CD-1951

Annotation last modified on 2012-12-30 10:21 UTC.

Tracklist

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1▼CD: Missa in illo tempore / Vespro della Beata Vergine (opening)
#TitleArtistRatingLength
1Missa In illo tempore: 1. Kyrie
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Messe Nr. 1 "In Illo Tempore": Kyrie (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi3:55
2Missa In illo tempore: 2. Gloria
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Messe Nr. 1 "In Illo Tempore": Gloria (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi5:17
3Missa In illo tempore: 3. Credo
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
partial recording of:
Messe Nr. 1 "In Illo Tempore": Credo (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi4:10
4Missa In illo tempore: 4. Crucifixus à 4
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
partial recording of:
Messe Nr. 1 "In Illo Tempore": Credo (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi2:14
5Missa In illo tempore: 5. [Et in Spiritum sanctum]
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Messe Nr. 1 "In Illo Tempore": Credo (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi3:05
6Missa In illo tempore: 6. Sanctus
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Messe Nr. 1 "In Illo Tempore": Sanctus (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi2:04
7Missa In illo tempore: 7. Benedictus
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Messe Nr. 1 "In Illo Tempore": Benedictus (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi1:20
8Missa In illo tempore: 8. Agnus Dei
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
partial recording of:
Messe Nr. 1 "In Illo Tempore": Agnus Dei (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi2:25
9Missa In illo tempore: 9. Agnus Dei 2 à 7
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Messe Nr. 1 "In Illo Tempore": Agnus Dei (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Missa da capella a sei voci "In illo tempore", SV 205
Claudio Monteverdi1:56
10Vespro della Beata Vergine: 1. Resposorium: Domine ad adiuvandrum (Canto gregoriano)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: I. "Deus in adiutorium" / II. Toccata "Domine ad adiuvandum" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi2:00
11Vespro della Beata Vergine: 2. Psalmus: Dixit Dominus
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19)
soprano vocals:
Yoshie Hida (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: II. Psalmus I "Dixit Dominus" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:00
12Vespro della Beata Vergine: 3. Concerto: Nigra sum
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:17
13Vespro della Beata Vergine: 4. Psalmus: Laudate pueri
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19) and Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19)
mezzo-soprano vocals:
波多野睦美 (Mutsumi Hatano, Japanese mezzo-soprano) (from 1999-12-12 until 1999-12-19)
soprano vocals:
鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:02
14Vespro della Beata Vergine: 5. Concerto: Pulchra es
soprano vocals:
波多野睦美 (Mutsumi Hatano, Japanese mezzo-soprano) (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: V. Concerto "Pulchra es" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:35
15Vespro della Beata Vergine: 6. Psalmus: Lætatus sum
soprano vocals:
Yoshie Hida (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: VI. Psalmus III "Laetatus sum" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:41
16Vespro della Beata Vergine: 7. Concerto: Duo Seraphim
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19), Yosuke Taniguchi (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: VII. Concerto "Duo Seraphim" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:10
17Vespro della Beata Vergine: 8. Psalmus: Nisi Dominus
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: VIII. Psalmus IV "Nisi Dominus" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:27
2▼CD: Vespro della Beata Vergine (conclusion) / Magnificat a 6 voci
#TitleArtistRatingLength
1Vespro della Beata Vergine: 9. Concerto: Audi Coelum
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: IX. Concerto "Audi coelum" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:56
2Vespro della Beata Vergine: 10. Psalmus: Lauda Jerusalem
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: X. Psalmus V "Lauda Jerusalem" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:48
3Vespro della Beata Vergine: 11. Sonata à 8 sopra "Sancta Maria ora pro nobis"
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XI. Sonata sopra "Sancta Maria" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi6:27
4Vespro della Beata Vergine: 12. Hymnus: Ave maris stella
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XII. Hymnus "Ave maris stella" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi7:14
5Magnificat (I) a 7: Magnificat
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIa. Magnificat (I): "Magnificat" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi0:44
6Magnificat (I) a 7: Et exultavit
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat (I): "Et exsultavit" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:14
7Magnificat (I) a 7: Quia respexit
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIc. Magnificat (I): "Quia respexit" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:00
8Magnificat (I) a 7: Quia fecit
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19) and Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIId. Magnificat (I): "Quia fecit mihi magna" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:10
9Magnificat (I) a 7: Et misericordia
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19), Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19) and Chiyuki Urano (from 1999-12-12 until 1999-12-19)
soprano vocals:
波多野睦美 (Mutsumi Hatano, Japanese mezzo-soprano) (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
tenor vocals:
Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIe. Magnificat (I): "Et misericordia" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:58
10Magnificat (I) a 7: Fecit potentiam
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIf. Magnificat (I): "Fecit potentiam" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi0:57
11Magnificat (I) a 7: Deposuit
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIg. Magnificat (I): "Deposuit potentes de sede" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:14
12Magnificat (I) a 7: Esurientes
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIh. Magnificat (I): "Esurientes implevit bonis" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:30
13Magnificat (I) a 7: Suscepit Israel
soprano vocals:
波多野睦美 (Mutsumi Hatano, Japanese mezzo-soprano) (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIi. Magnificat (I): "Suscepit Israel" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi1:30
14Magnificat (I) a 7: Sicut locutus est
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIj. Magnificat (I): "Sicut locutus est" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi0:55
15Magnificat (I) a 7: Gloria Patri
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIk. Magnificat (I): "Gloria Patri" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:06
16Magnificat (I) a 7: Sicut erat
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIIIl. Magnificat (I): "Sicut erat in principio" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206: XIII. Magnificat (I) (scored for 7 voices, 9 winds, 2 violins & cembalo)
Claudio Monteverdi2:10
17Magnificat (II) a 6 voci: Magnificat
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-02 until 1999-12-19) and Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19)
soprano vocals:
波多野睦美 (Mutsumi Hatano, Japanese mezzo-soprano) (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVa. Magnificat (II): "Magnificat" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi0:55
18Magnificat (II) a 6 voci: Et exultavit
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVb. Magnificat (II): "Et exsultavit" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:05
19Magnificat (II) a 6 voci: Quia resplexit
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19), Yosuke Taniguchi (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVc. Magnificat (II): "Quia respexit" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:29
20Magnificat (II) a 6 voci: Quia fecit
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19) and Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19)
soprano vocals:
波多野睦美 (Mutsumi Hatano, Japanese mezzo-soprano) (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVd. Magnificat (II): "Quia fecit mihi magna" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:25
21Magnificat (II) a 6 voci: Et misericordia
soprano vocals:
Yukari Nonoshita (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVe. Magnificat (II): "Et misericordia" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:30
22Magnificat (II) a 6 voci: Fecit potentiam
soprano vocals:
Yukari Nonoshita (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVf. Magnificat (II): "Fecit potentiam" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi0:56
23Magnificat (II) a 6 voci: Deposuit
soprano vocals:
Yukari Nonoshita (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVg. Magnificat (II): "Deposuit potentes de sede" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi2:08
24Magnificat (II) a 6 voci: Esurientes
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19) and Gerd Türk (German tenor) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVh. Magnificat (II): "Esurientes implevit bonis" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:06
25Magnificat (II) a 6 voci: Suscepit Israel
soprano vocals:
波多野睦美 (Mutsumi Hatano, Japanese mezzo-soprano) (from 1999-12-12 until 1999-12-19) and 鈴木美登里 (Midori Suzuki, vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVi. Magnificat (II): "Suscepit Israel" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:33
26Magnificat (II) a 6 voci: Sicut locutus est
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19) and Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVj. Magnificat (II): "Sicut locutus est" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:07
27Magnificat (II) a 6 voci: Gloria Patri
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19) and Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVk. Magnificat (II): "Gloria Patri" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:30
28Magnificat (II) a 6 voci: Sicut erat
bass vocals:
Stephan MacLeod (bass-baritone / conductor) (from 1999-12-12 until 1999-12-19) and Yoshitaka Ogasawara (from 1999-12-12 until 1999-12-19)
tenor vocals:
Stephan Van Dyck (Belgian tenor vocalist) (from 1999-12-12 until 1999-12-19)
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (from 1999-12-12 until 1999-12-19)
performer:
Bach Collegium Japan (from 1999-12-12 until 1999-12-19)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1999-12-12 until 1999-12-19)
recording of:
Vespro della Beata Vergine, SV 206: XIVl. Magnificat (II): "Sicut erat in principio" (from 1999-12-12 until 1999-12-19)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206a: XIII. Magnificat (II) (scored for 6 voices and organ)
Claudio Monteverdi1:18
3▼CD: Messiah: Part the First / Part the Second (Opening)
#TitleArtistRatingLength
1Messiah, Part the First: Majora Canamus (Narrator): And without controversy
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
spoken vocals:
John Elwes (tenor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
Charles Jennens0:40
2Messiah, Part the First: Symphony
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:07
3Messiah, Part the First: Accompagnato (Tenor): Comfort ye my people
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:56
4Messiah, Part the First: Air (Tenor): Ev'ry valley shall be exalted
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:16
5Messiah, Part the First: Chorus: And the glory of the Lord shall be revealed
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
鈴木雅明 (Masaaki Suzuki, keyboardist, conductor)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:48
6Messiah, Part the First: Accompagnato (Bass): Thus saith the Lord
bass vocals:
David Thomas (British operatic bass)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:27
7Messiah, Part the First: Air (Alto): But who may abide the day of His coming
alto vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:20
8Messiah, Part the First: Chorus: And He shall purify the sons of Levi
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:28
9Messiah, Part the First: Recitative (Alto): Behold, a virgin shall conceive
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
alto vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:30
10Messiah, Part the First: Air and Chorus: O thou that tellest good tidings to Zion
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
alto vocals:
Yoshikazu Mera (Japanese countertenor)
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel5:38
11Messiah, Part the First: Recitative (Bass): For behold, darkness shall cover the earth
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:03
12Messiah, Part the First: Air (Bass): The people that walked in darkness
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:48
13Messiah, Part the First: Chorus: For unto us a child is born
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:48
14Messiah, Part the First: Pifa
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:49
15Messiah, Part the First: Recitative (Soprano): There were shepherds abiding
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:15
16Messiah, Part the First: Accompagnato (Soprano): And lo, the angel of the Lord
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:17
17Messiah, Part the First: Recitative (Soprano): And the angel said unto them
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:32
18Messiah, Part the First: Accompagnato (Soprano): And suddenly there was with the angel
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:16
19Messiah, Part the First: Chorus: Glory to God in the highest
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:48
20Messiah, Part the First: Air (Soprano): Rejoice greatly, O daughter of Zion
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:13
21Messiah, Part the First: Recitative (Soprano): Then shall the eyes of the blind be open'd
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel0:31
22Messiah, Part the First: Duet (Alto, Soprano): He shall feed His flock
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:49
23Messiah, Part the First: Chorus: His yoke is easy, His burden is light
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:31
24Messiah, Part the Second: Chorus: Behold the lamb of God
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:13
25Messiah, Part the Second: Air (Alto): He was despised and rejected of men
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
alto vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel11:13
4▼CD: Messiah: Part the Second (Conclusion) / Part the Third
#TitleArtistRatingLength
1Messiah, Part the Second: Chorus: Surely, He hath borne our griefs
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:51
2Messiah, Part the Second: Chorus: And with His stripes we are healed
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:34
3Messiah, Part the Second: Chorus: All we like sheep have gone astray
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:00
4Messiah, Part the Second: Accompagnato (Tenor): All they that see Him laugh
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:46
5Messiah, Part the Second: Chorus: He trusted in God that He would deliver Him
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:18
6Messiah, Part the Second: Accompagnato (Tenor): Thy rebuke hath broken His heart
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:47
7Messiah, Part the Second: Arioso (Tenor): Behold, and see if there be any sorrow
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:47
8Messiah, Part the Second: Accompagnato (Soprano): He was cut off out of the land
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:17
9Messiah, Part the Second: Air (Soprano): But thou didst not leave His soul in Hell
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:11
10Messiah, Part the Second: Chorus: Lift up your heads, O ye gates
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:01
11Messiah, Part the Second: Recitative (Tenor): Unto which of the angels said He
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:22
12Messiah, Part the Second: Chorus: Let all the angels of God worship Him
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:26
13Messiah, Part the Second: Air (Soprano): Thou art gone up on high
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:53
14Messiah, Part the Second: Chorus: The Lord gave the world
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:13
15Messiah, Part the Second: Air (Soprano): How beautiful are the feet of Him
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:19
16Messiah, Part the Second: Chorus: Their sound is gone out into all lands
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:44
17Messiah, Part the Second: Air (Bass): Why do the nations so furiously rage together
bass vocals:
David Thomas (British operatic bass)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:23
18Messiah, Part the Second: Chorus: Let us break their bonds asunder
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel1:45
19Messiah, Part the Second: Recitative (Tenor): He that dwelleth in heaven
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel0:13
20Messiah, Part the Second: Air (Tenor): Thou shalt break them with a rod of iron
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel2:07
21Messiah, Part the Second: Chorus: Hallelujah!
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:47
22Messiah, Part the Third: Air (Soprano): I know that my Redeemer liveth
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel5:33
23Messiah, Part the Third: Chorus: Since by man came death
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:05
24Messiah, Part the Third: Accompagnato (Bass): Behold, I tell you a mystery
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
bass vocals:
David Thomas (British operatic bass)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:40
25Messiah, Part the Third: Air (Bass): The trumpet shall sound
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
bass vocals:
David Thomas (British operatic bass)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel8:50
26Messiah, Part the Third: Recitative (Alto): Then shall be brought to pass
alto vocals:
Yoshikazu Mera (Japanese countertenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel0:17
27Messiah, Part the Third: Duet (Alto, Tenor): O Death, where is thy sting
alto vocals:
Yoshikazu Mera (Japanese countertenor)
tenor vocals:
John Elwes (tenor)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel1:46
28Messiah, Part the Third: Chorus: But thanks be to God
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel2:09
29Messiah, Part the Third: Air (Soprano): If God be for us
soprano vocals:
Midori Suzuki (vocalist)
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel4:27
30Messiah, Part the Third: Chorus: Worthy is the Lamb that was slain
sound engineer:
Marion Schwebel
executive producer:
Robert von Bahr
producer:
Hans Kipfer
choir vocals:
Bach Collegium Japan
orchestra:
Bach Collegium Japan
conductor:
Masaaki Suzuki (keyboardist, conductor)
recorded at:
The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan
recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel7:30
5▶CD: The Three Cello Concertos

Credits

Release

rights society:n©b (Nordisk Copyright Bureau, a rights society; do not use this as a label!)
copyrighted (©) by and phonographic copyright (℗) by:BIS Records AB (not for release label use!)
Discogs:https://www.discogs.com/release/8526370 [info]
ASIN:US: B003Q8XJTM [info]