Bach & Beyond

~ Release by Bach Collegium Japan, Masaaki Suzuki (see all versions of this release, 1 available)

Annotation

Discs aren't numbered in this boxset.
Included in this set:
BIS-CD-807
BIS-CD-819
BIS-CD-821
BIS-CD-831/32
BIS-CD-865
BIS-CD-871
BIS-CD-891/92
BIS-CD-961
BIS-CD-1011
BIS-CD-1071/72
BIS-CD-1411
BIS-CD-1951

Annotation last modified on 2012-12-30 10:21 UTC.

Tracklist

1▶CD: Missa in illo tempore / Vespro della Beata Vergine (opening)

2▶CD: Vespro della Beata Vergine (conclusion) / Magnificat a 6 voci

3▼CD: Messiah: Part the First / Part the Second (Opening)
#	Title	Artist	Rating	Length
1	Messiah, Part the First: Majora Canamus (Narrator): And without controversy sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer spoken vocals: John Elwes (tenor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan	Charles Jennens		0:40
2	Messiah, Part the First: Symphony sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:07
3	Messiah, Part the First: Accompagnato (Tenor): Comfort ye my people sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:56
4	Messiah, Part the First: Air (Tenor): Ev'ry valley shall be exalted sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer tenor vocals: John Elwes (tenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:16
5	Messiah, Part the First: Chorus: And the glory of the Lord shall be revealed choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: 鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:48
6	Messiah, Part the First: Accompagnato (Bass): Thus saith the Lord bass vocals: David Thomas (British operatic bass) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		1:27
7	Messiah, Part the First: Air (Alto): But who may abide the day of His coming alto vocals: Yoshikazu Mera (Japanese countertenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		4:20
8	Messiah, Part the First: Chorus: And He shall purify the sons of Levi orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:28
9	Messiah, Part the First: Recitative (Alto): Behold, a virgin shall conceive sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer alto vocals: Yoshikazu Mera (Japanese countertenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		0:30
10	Messiah, Part the First: Air and Chorus: O thou that tellest good tidings to Zion sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer alto vocals: Yoshikazu Mera (Japanese countertenor) choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		5:38
11	Messiah, Part the First: Recitative (Bass): For behold, darkness shall cover the earth orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:03
12	Messiah, Part the First: Air (Bass): The people that walked in darkness orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:48
13	Messiah, Part the First: Chorus: For unto us a child is born sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:48
14	Messiah, Part the First: Pifa orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:49
15	Messiah, Part the First: Recitative (Soprano): There were shepherds abiding soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		0:15
16	Messiah, Part the First: Accompagnato (Soprano): And lo, the angel of the Lord orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		0:17
17	Messiah, Part the First: Recitative (Soprano): And the angel said unto them orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		0:32
18	Messiah, Part the First: Accompagnato (Soprano): And suddenly there was with the angel sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		0:16
19	Messiah, Part the First: Chorus: Glory to God in the highest sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		1:48
20	Messiah, Part the First: Air (Soprano): Rejoice greatly, O daughter of Zion sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer soprano vocals: Midori Suzuki (vocalist) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) version of: Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		4:13
21	Messiah, Part the First: Recitative (Soprano): Then shall the eyes of the blind be open'd orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		0:31
22	Messiah, Part the First: Duet (Alto, Soprano): He shall feed His flock orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) composer: George Frideric Handel (German‐British baroque composer) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		4:49
23	Messiah, Part the First: Chorus: His yoke is easy, His burden is light orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:31
24	Messiah, Part the Second: Chorus: Behold the lamb of God sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		3:13
25	Messiah, Part the Second: Air (Alto): He was despised and rejected of men sound engineer: Marion Schwebel executive producer: Robert von Bahr producer: Hans Kipfer alto vocals: Yoshikazu Mera (Japanese countertenor) orchestra: Bach Collegium Japan conductor: Masaaki Suzuki (keyboardist, conductor) recorded at: The Shoin Women's University Chapel (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan recording of: Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		11:13

4▶CD: Messiah: Part the Second (Conclusion) / Part the Third

5▶CD: The Three Cello Concertos

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rights society:	n©b (Nordisk Copyright Bureau, a rights society; do not use this as a label!)
copyrighted (©) by and phonographic copyright (℗) by:	BIS Records AB (not for release label use!)

Discogs:	https://www.discogs.com/release/8526370 [info]
ASIN:	US: B003Q8XJTM [info]

Bach & Beyond

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