Bach, JS & Bach, CPE: Magnificats / Scarlatti: Messa di Santa Cecilia

~ Veröffentlichung von J. S. Bach, C. P. E. Bach, A. Scarlatti; King's College Choir, St. John's College Choir (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Magnificat in D major, BWV 243: Chorus: "Magnificat"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:11
2Magnificat in D major, BWV 243: Aria: "Et exsultavit spiritus meus" (soprano II)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:29
3Magnificat in D major, BWV 243: Von Himmel Hoch da ko
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Texter:
Martin Luther (German theologian of the Reformation)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:44
4Magnificat in D major, BWV 243: Quia respexit...Omnes generationes
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach4:14
5Magnificat in D major, BWV 243: ria: "Quia fecit mihi magna" (bass)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:08
6Magnificat in D major, BWV 243: Freut euch und jubili
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:27
7Magnificat in D major, BWV 243: Aria (Duet): "Et misericordia" (alto, tenor)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:16
8Magnificat in D major, BWV 243: Chorus: "Fecit potentiam"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:06
9Magnificat in D major, BWV 243: Gloria in excelsis de
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:09
10Magnificat in D major, BWV 243: Aria: "Deposuit potentes" (tenor)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:17
11Magnificat in D major, BWV 243: Aria: "Esurientes implevit bonis" (alto)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:10
12Magnificat in D major, BWV 243: Virga jesse floruit
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:27
13Magnificat in D major, BWV 243: Aria (Terzetto): "Suscepit Israel" (soprano I, II, alto)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:56
14Magnificat in D major, BWV 243: Chorus: "Sicut locutus est"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:28
15Magnificat in D major, BWV 243: Chorus: "Gloria Patri"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio"
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (in 1723)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:25
16St. Cecilia Mass: 1. Kyrie
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Kyrie
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti6:33
17St. Cecilia Mass: 2a. Gloria
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria in excelsis Deo
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti5:07
18St. Cecilia Mass: 2b. Gratias
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Gratias agimus tibi
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti7:18
19St. Cecilia Mass: 2c. Qui Tollis
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Qui tollis peccata mundi
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti6:41
20St. Cecilia Mass: 2d. Quoniam
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Quoniam tu solus sanctus
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti4:36
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1St. Cecilia Mass: 3a. Credo
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Credo in unum Deum
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti3:05
2St. Cecilia Mass: 3b. Et Incarnatus
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Credo - Et incarnatus est
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti8:09
3St. Cecilia Mass: 3c. Et vitam
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Credo - Et vitam venturi
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti2:50
4St. Cecilia Mass: 4. Sanctus
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Sanctus
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti2:10
5St. Cecilia Mass: 5. Agnus Dei
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
James Walker (ballet/opera conductor, classical recordings producer for Decca)
Orgel:
John Scott (organist, choirmaster) (in 1978-08)
Bass-Gesang:
Christopher Keyte (operatic bass) (in 1978-08)
Chorgesang:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
Soprangesang:
Wendy Eathorne (soprano) (in 1978-08) und Elizabeth Harwood (soprano) (in 1978-08)
Tenor-Gesang:
Wynford Evans (tenor) (in 1978-08)
Orchester:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
aufgenommen bei:
St John’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1978-08)
recording of:
Messa di Santa Cecilia: Agnus Dei
Komponist(in):
Alessandro Scarlatti (composer)
Teil von:
Messa di Santa Cecilia
Alessandro Scarlatti6:32
6Magnificat, Wq. 215: Magnificat
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: I. Magnificat (Coro)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach3:00
7Magnificat, Wq. 215: Quia respexit
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: II. Quia Respexit (Sop)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach5:42
8Magnificat, Wq. 215: Quia fecit mihi magna
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: III. Quia fecit mihi magna (Tenor)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach4:27
9Magnificat, Wq. 215: Et misericordia
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: IV. Et misericordia (Coro)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach6:02
10Magnificat, Wq. 215: Fecit potentiam
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: V. Fecit potentiam (Bass)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach4:49
11Magnificat, Wq. 215: Deposuit potentes
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: VI. Deposuit potentes (Alto)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach6:05
12Magnificat, Wq. 215: Suscepit Israel
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Bass-Gesang:
Stephen Roberts (UK bass-baritone) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
Soprangesang:
Felicity Palmer (mezzo-soprano) (in 1976-03)
Tenor-Gesang:
Robert Tear (tenor) (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: VII. Suscepit Israel (Alto)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach4:39
13Magnificat, Wq. 215: Gloria
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: VIII. Gloria (Coro)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach1:55
14Magnificat, Wq. 215: Sicut erat in principio
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) und Kenneth Wilkinson (engineer)
Artdirection:
Conor Brady (art director)
Produzent(in):
Chris Hazell
Cembalo und Orgel:
Francis Grier (composer, organist and choir director) (in 1976-03)
Chorgesang:
The Choir of King's College, Cambridge (in 1976-03)
Orchester:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (in 1976-03)
recording of:
Magnificat, Wq. 215, H. 772: IX. Sicut erat in principio (Coro)
Komponist(in):
Carl Philipp Emanuel Bach (German classical composer)
Teil von:
Magnificat, Wq. 215, H. 772
Carl Philipp Emanuel Bach6:12

Nennungen