Bach, JS & Bach, CPE: Magnificats / Scarlatti: Messa di Santa Cecilia

~ Release by J. S. Bach, C. P. E. Bach, A. Scarlatti; King's College Choir, St. John's College Choir (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Magnificat in D major, BWV 243: Chorus: "Magnificat"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:11
2Magnificat in D major, BWV 243: Aria: "Et exsultavit spiritus meus" (soprano II)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:29
3Magnificat in D major, BWV 243: Von Himmel Hoch da ko
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:44
4Magnificat in D major, BWV 243: Quia respexit...Omnes generationes
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach4:14
5Magnificat in D major, BWV 243: ria: "Quia fecit mihi magna" (bass)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:08
6Magnificat in D major, BWV 243: Freut euch und jubili
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:27
7Magnificat in D major, BWV 243: Aria (Duet): "Et misericordia" (alto, tenor)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:16
8Magnificat in D major, BWV 243: Chorus: "Fecit potentiam"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:06
9Magnificat in D major, BWV 243: Gloria in excelsis de
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:09
10Magnificat in D major, BWV 243: Aria: "Deposuit potentes" (tenor)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:17
11Magnificat in D major, BWV 243: Aria: "Esurientes implevit bonis" (alto)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:10
12Magnificat in D major, BWV 243: Virga jesse floruit
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:27
13Magnificat in D major, BWV 243: Aria (Terzetto): "Suscepit Israel" (soprano I, II, alto)
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
bass vocals:
Stephen Roberts (UK bass-baritone) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
contralto vocals:
Helen Watts (contralto) (in 1976-03)
soprano vocals:
Felicity Palmer (mezzo-soprano) (in 1976-03)
tenor vocals:
Robert Tear (tenor) (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:56
14Magnificat in D major, BWV 243: Chorus: "Sicut locutus est"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:28
15Magnificat in D major, BWV 243: Chorus: "Gloria Patri"
recording engineer:
John Dunkerley (engineer), Michael Mailes (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
Chris Hazell
harpsichord and organ:
Francis Grier (composer, organist and choir director) (in 1976-03)
choir vocals:
The Choir of King's College, Cambridge (in 1976-03)
orchestra:
Academy of St Martin in the Fields (in 1976-03)
conductor:
Philip Ledger (in 1976-03)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1976-03)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:25
16St. Cecilia Mass: 1. Kyrie
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Kyrie
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti6:33
17St. Cecilia Mass: 2a. Gloria
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria in excelsis Deo
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti5:07
18St. Cecilia Mass: 2b. Gratias
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Gratias agimus tibi
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti7:18
19St. Cecilia Mass: 2c. Qui Tollis
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Qui tollis peccata mundi
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti6:41
20St. Cecilia Mass: 2d. Quoniam
recording engineer:
John Dunkerley (engineer), Colin Moorfoot (engineer) and Kenneth Wilkinson (engineer)
art direction:
Conor Brady (art director)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
organ:
John Scott (organist, choirmaster) (in 1978-08)
bass vocals:
Christopher Keyte (operatic bass) (in 1978-08)
choir vocals:
The Choir of St John's College, Cambridge (in 1978-08)
contralto vocals:
Margaret Cable (mezzo-soprano) (in 1978-08)
soprano vocals:
Wendy Eathorne (soprano) (in 1978-08) and Elizabeth Harwood (soprano) (in 1978-08)
tenor vocals:
Wynford Evans (tenor) (in 1978-08)
orchestra:
The Wren Orchestra (in 1978-08)
conductor:
George Guest (organist and conductor) (in 1978-08)
recorded at:
St John’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1978-08)
recording of:
Messa di Santa Cecilia: Gloria - Quoniam tu solus sanctus
composer:
Alessandro Scarlatti (composer)
part of:
Messa di Santa Cecilia
Alessandro Scarlatti4:36
2▶Digital Media