Bridget Jones’s Diary 2: More Music From the Motion Picture and Other V.G. Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Me and Mrs Jones
registrazione cover di:
Me and Mrs. Jones
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Dramatics3:58
2Someone Like You
tecnico e tecnico di missaggio:
Mick Glossop (producer & engineer)
produttore:
Van Morrison
voce principale:
Van Morrison
arrangiatore archi :
Fiachra Trench
arrangiatore:
Van Morrison
diritti fonografici (℗) detenuti da:
Exile Productions Ltd. (not for Label Release) (nel 1987)
registrazione di:
Someone Like You (nel 1987)
paroliere e compositore:
Van Morrison
editore:
Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Van Morrison34:06
3My Lovin’ (You’re Never Gonna Get It)
tecnico di registrazione:
Steve Counter
assistente tecnico:
John Jackson (engineer)
tecnico aggiunto:
Neil King (sound engineer) e Michael Semanick
produttore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
tecnico di missaggio:
Ken Kessie
arrangiatore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 2022)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
mixata presso:
Can Am Studios in Tarzana, Los Angeles, California, Stati Uniti
campionamenti:
The Payback di James Brown (The Godfather of Soul)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 2) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 471)
registrazione di:
My Lovin’ (You’re Never Gonna Get It)
autore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
editore:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing e Irving Music (BMI) (dal 1992 a oggi)
En Vogue4.64:42
4My Funny Valentine
produttore:
Elvis Costello
diritti fonografici (℗) detenuti da:
Riviera Global Record Productions Ltd. (nel 1979)
registrazione di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
registrazione cover di:
My Funny Valentine (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, volume I)
parte di:
Waiting to Exhale (1995 film)
Elvis Costello51:30
5Ain’t No Mountain High Enough
produttore:
Nickolas Ashford, Henry Cosby e Valerie Simpson
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1970)
parte di:
Billboard Year-End Hot 100 singles of 1970 (numero: 6)
registrazione cover di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:32
6Yes
registrazione di:
Yes
autore:
Bernard Butler e David McAlmont
McAlmont & Butler4:01
7Woman
supporto a vario titolo:
Booga Bear (incarico: sequenced by), Tony Cousins (mastering engineer) (incarico: cut by), Johnny Dollar (UK producer & songwriter) (incarico: sequenced by; incarico: cut by) e Crispin Murray (incarico: additional digital noodling)
programmazione:
Johnny Dollar (UK producer & songwriter)
tecnico:
Chris Dibble (engineer) e Johnny Dollar (UK producer & songwriter)
produttore e tecnico di missaggio:
Booga Bear e Johnny Dollar (UK producer & songwriter)
produttore aggiunto:
Dave Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Wil Malone
assistente tecnico di missaggio:
Tristin "Nine Iron" Norwell e Lee Phillips (Engineer)
editor:
Tony Cousins (mastering engineer) e Johnny Dollar (UK producer & songwriter)
altri strumenti [beats] :
Booga Bear, Johnny Dollar (UK producer & songwriter) e Mickey P
corno francese :
Jeff Bryant (horn player) e Mike Butler (engineer)
strumenti:
Johnny Dollar (UK producer & songwriter)
arrangiatore archi :
Johnny Dollar (UK producer & songwriter), Wil Malone, The Session Orchestra e Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (nel 1996)
lavorazione tecnica effettuata presso:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusia), Spagna, CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito, Eastcote in London (Greater London), England, Regno Unito, El Curtiju in San Pedro, Albacete (Provincia di Albacete), Castilla-La Mancha (Castiglia-La Mancia), Spagna, Mayfair (England) in London (Greater London), England, Regno Unito, Power Play in New York, New York, Stati Uniti, Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Soundtrade in Solna City, Stockholms län (Stockholm county), Svezia e Westside in London (Greater London), England, Regno Unito
editing effettuato presso:
Metropolis Mastering in London (Greater London), England, Regno Unito
registrazione di:
Woman
autore:
Neneh Cherry, Cameron McVey e Jonathan Sharp (UK producer aka Jonny Dollar)
editore:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4.354:27
8Without You
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
batteria :
Jim Keltner (nel 1971-06)
chitarra acustica :
John Uribe (nel 1971-06)
chitarra basso :
Klaus Voormann (nel 1971-06)
pianoforte :
Gary Wright (US singer/keyboardist) (nel 1971-06)
voce:
Harry Nilsson (US singer-songwriter) (nel 1971-06)
direttore d'orchestra:
Paul Buckmaster (nel 1971-06)
arrangiatore ottoni e archi :
Paul Buckmaster
diritti fonografici (℗) detenuti da:
BMG Music (nel 1971, nel 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (nel 1972) e RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (nel 1989)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 496)
registrazione cover di:
Without You (nel 1971-06)
autore:
Tom Evans (UK guitarist for Badfinger) e W. Peter Ham
editore:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, dal 1970 a oggi), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:20
9Do What You Got to Do
tecnico di registrazione:
Ray Hall (engineer) (il 1968-06-24)
supporto artisti & repertorio (A&R):
Tom Berman
produttore:
Joe René
basso elettrico :
Jerry Jemmott (il 1968-06-24)
batteria e timpani :
Bernard “Pretty” Purdie
chitarra :
Eric Gale (il 1968-06-24), Carl Lynch (il 1968-06-24) e Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (il 1968-06-24)
organo :
Ernest Hayes (American pianist, organist and arranger) (il 1968-06-24)
percussione , tamburello e vibrafono :
Specs Powell (il 1968-06-24)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1968-06-24) e Nina Simone (il 1968-06-24)
tromba :
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (il 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (il 1968-06-24) e Joe Shepley (il 1968-06-24)
trombone :
Garnett Brown (il 1968-06-24)
voce principale:
Nina Simone (il 1968-06-24)
direttore d'orchestra:
Horace Ott (il 1968-06-24)
arrangiatore:
Horace Ott
è stato produttore per:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
registrata presso:
RCA Studio B (New York) in New York, New York, Stati Uniti (il 1968-06-24)
edit di:
Do What You Gotta Do (1968 version, full length) di Nina Simone
registrazione cover di:
Do What You Gotta Do (il 1968-06-24)
paroliere e compositore:
Hazel O’Connor e Jimmy Webb (US songwriter, composer, producer, pianist & singer)
editore:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) e Sosahamu Music Inc. (publisher; do NOT use as release label)
Nina Simone33:00
10Say What You Want
tecnico di registrazione:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald e Texas (Scottish pop rock band)
programmazione:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone e Sharleen Spiteri
programmazione aggiuntiva:
Paul Taylor (UK songwriter, producer, keyboardist, programmer, engineer)
tecnico audio:
Ash Howes (British mixer, writer and musician)
produttore e tecnico di missaggio:
Texas (Scottish pop rock band)
produttore aggiunto:
Boilerhouse Boys
chitarra :
Johnny McElhone e Ally McErlaine (Scottish guitarist)
tastiera :
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) e Johnny McElhone
registrazione di:
Say What You Want
paroliere e compositore:
Johnny McElhone e Sharleen Spiteri
editore:
EMI 10 Music
Texas3.83:51
11Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
The Pretenders4.33:06
12Out of Reach (acoustic version)
chitarra :
Paul Noble (member of "Warm Jets")
chitarra basso :
Derrick Taylor
voce di accompagnamento:
Marion Powell
voce principale:
Gabrielle (British singer‐songwriter)
diritti fonografici (℗) detenuti da:
Go Beat Ltd.
registrata presso:
Wise Buddah in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Out of Reach (nel 2001)
autore:
Louise Gabrielle Bobb (British singer‐songwriter) e Jonathan Shorten
editore:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3:50
13Will You Still Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:42
14Let’s Get It On
produttore:
Marvin Gaye e Ed Townsend
percussione :
Emil Richards
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
remix di:
Let’s Get It On (album version) di Marvin Gaye
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 46)
registrazione di:
Let’s Get It On
autore:
Marvin Gaye e Ed Townsend
editore:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye3.53:58
15Waterfalls
registrazione di:
Waterfalls
autore:
Marqueze Ethridge, Lisa “Left Eye” Lopes e Organized Noize (Atlanta hip-hop production group)
editore:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
TLC53:33
16Angels
programmazione:
Steve Power e Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistente tecnico:
Jim Brumby (UK engineer) e Matt Hay
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
tecnico di missaggio:
Steve Power
basso :
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
batteria [drums] :
Chris Sharrock
chitarra :
Andre Barreau, Chester Kamen e Gary Nuttall
percussione :
Andy Duncan (UK drummer and producer)
tastiera [keyboards] :
Guy Chambers (English songwriter and record producer) e Steve Power
voce di accompagnamento:
Andre Barreau, Gary Nuttall e Nicole Patterson
voce principale:
Robbie Williams
orchestra:
London Session Orchestra
arrangiatore:
Guy Chambers (English songwriter and record producer)
primo violino:
Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1997)
registrata presso:
Matrix Maison Rouge Studios in London (Greater London), England, Regno Unito
mixata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 5)
registrazione di:
Angels
autore:
Guy Chambers (English songwriter and record producer) e Robbie Williams
editore:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) e Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:22
17It Should Have Been Me
registrazione cover di:
It Should Have Been Me
autore:
William Stevenson (Motown songwriter) e Norman Whitfield
Yvonne Fair3:33
18Ooo Baby Baby
produttore:
Bill “Smokey” Robinson (il 1965-01-21)
voce di accompagnamento:
The Miracles (aka Smokey Robinson and The Miracles) (il 1965-01-21)
voce principale:
Smokey Robinson (il 1965-01-21)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 20) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 262)
registrazione di:
Ooo Baby Baby (il 1965-01-21)
autore:
Warren “Pete” Moore e Smokey Robinson
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Smokey Robinson & The Miracles52:46
19I Don’t Want to Talk About It
assistente tecnico:
Tim Wills
tecnico:
Ren Swan
produttore e tecnico di missaggio:
Nigel Lowis
voce:
Dina Carroll
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1996)
registrazione cover di:
I Don’t Want to Talk About It
paroliere e compositore:
Danny Whitten
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music e Rondor Music
Dina Carroll45:28
20Passionate Kisses
tecnico di registrazione e tecnico di missaggio:
Bob Dawson (engineer and producer)
tecnico di registrazione aggiunto:
Marshall Morgan (record producer)
assistente tecnico:
Toby Seay
produttore:
Mary Chapin Carpenter e John Jennings (supporting guitarist for Mary Chapin Carpenter)
basso :
Bob Glaub
batteria :
Andy Newmark
chitarra acustica e voce principale:
Mary Chapin Carpenter
chitarra elettrica :
John Jorgenson
pianoforte :
Matt Rollings (American composer, musician and record producer)
voce di accompagnamento:
Mary Chapin Carpenter e Shawn Colvin
registrata in aggiunta presso:
The Doghouse (Nashville) in Nashville, Tennessee, Stati Uniti
registrata presso e mixata presso:
Bias Studios (Springfield location, 1980 to present) in Springfield, Virginia, Stati Uniti
registrazione cover di:
Passionate Kisses
paroliere e compositore:
Lucinda Williams
editore:
Bug Music (music publishing) (nel 1989) e Warner Chappell Music Ltd (no slash; used 1988–1996) (nel 1989)
Mary Chapin Carpenter43:21

Accreditamenti

Pubblicazione

fabbricata a:the EU (Europa)
the UK
design:Paul Chessell (art director)
fabbricata da:Universal M & L, UK (Universal Manufacturing & Logistics Ltd., UK)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Mercury Records Ltd. (not for release label use!) (nel 2001)
Discogs:https://www.discogs.com/release/3770991 [info]
ASIN:UK: B00005RC8Y [info]

Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/506869 [info]