Bridget Jones’s Diary 2: More Music From the Motion Picture and Other V.G. Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Me and Mrs Jones
cover recording of:
Me and Mrs. Jones
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Dramatics3:58
2Someone Like You
Techniker(in) und Mix:
Mick Glossop (producer & engineer)
Produzent(in):
Van Morrison
Sologesang:
Van Morrison
Saiteninstrumente arranger:
Fiachra Trench
arranger:
Van Morrison
phonographisches Urheberrecht (℗) von:
Exile Productions Ltd. (not for Label Release) (in 1987)
recording of:
Someone Like You (in 1987)
Texter und Komponist(in):
Van Morrison
publisher:
Essential Music (logo subtitled "The music of your life"), Exile Publishing Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Van Morrison34:06
3My Lovin’ (You’re Never Gonna Get It)
recording engineer:
Steve Counter
assistierende(r) Techniker(in):
John Jackson (engineer)
zusätzliche(r) Techniker(in):
Neil King (sound engineer) und Michael Semanick
Produzent(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
Mix:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten
mixed at:
Can Am Studios in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Samples:
The Payback von James Brown (The Godfather of Soul)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
Verfasser(in):
Denzil Foster (songwriter, musician, producer) und Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing und Irving Music (BMI) (vom 1992 bis heute)
En Vogue4.64:42
4My Funny Valentine
Produzent(in):
Elvis Costello
phonographisches Urheberrecht (℗) von:
Riviera Global Record Productions Ltd. (in 1979)
recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Elvis Costello51:30
5Ain’t No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:32
6Yes
recording of:
Yes
Verfasser(in):
Bernard Butler und David McAlmont
McAlmont & Butler4:01
7Woman
sonstige Unterstützung:
Booga Bear (Aufgabe: sequenced by), Tony Cousins (mastering engineer) (Aufgabe: cut by), Johnny Dollar (UK producer & songwriter) (Aufgabe: sequenced by; Aufgabe: cut by) und Crispin Murray (Aufgabe: additional digital noodling)
Programmierung:
Johnny Dollar (UK producer & songwriter)
Techniker(in):
Chris Dibble (engineer) und Johnny Dollar (UK producer & songwriter)
Produzent(in) und Mix:
Booga Bear und Johnny Dollar (UK producer & songwriter)
zusätzliche(r) Produzent(in):
Dave Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Wil Malone
assistierende(r) Mix:
Tristin "Nine Iron" Norwell und Lee Phillips (Engineer)
Editing:
Tony Cousins (mastering engineer) und Johnny Dollar (UK producer & songwriter)
andere Instrumente [beats]:
Booga Bear, Johnny Dollar (UK producer & songwriter) und Mickey P
Instrumente:
Johnny Dollar (UK producer & songwriter)
Waldhorn:
Jeff Bryant (horn player) und Mike Butler (engineer)
Saiteninstrumente arranger:
Johnny Dollar (UK producer & songwriter), Wil Malone, The Session Orchestra und Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1996)
engineered at:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusien), Spanien, CTS in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich, Eastcote in London (Greater London), England, Vereinigtes Königreich, El Curtiju in San Pedro, Albacete (Provinz Albacete), Castilla-La Mancha (Kastilien-La Mancha), Spanien, Mayfair (England) in London (Greater London), England, Vereinigtes Königreich, Power Play in New York, New York, Vereinigte Staaten, Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Soundtrade in Solna City, Stockholms län (Stockholm county), Schweden und Westside in London (Greater London), England, Vereinigtes Königreich
edited at:
Metropolis Mastering in London (Greater London), England, Vereinigtes Königreich
recording of:
Woman
Verfasser(in):
Neneh Cherry, Cameron McVey und Jonathan Sharp (UK producer aka Jonny Dollar)
publisher:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4.354:27
8Without You
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Akustikgitarre:
John Uribe (in 1971-06)
Bassgitarre:
Klaus Voormann (in 1971-06)
Klavier:
Gary Wright (US singer/keyboardist) (in 1971-06)
Schlagzeug:
Jim Keltner (in 1971-06)
vocals:
Harry Nilsson (US singer-songwriter) (in 1971-06)
conductor:
Paul Buckmaster (in 1971-06)
Blechblasinstrumente und Saiteninstrumente arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
BMG Music (in 1971, in 1991), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1971), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1971), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1972) und RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1989)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 496)
cover recording of:
Without You (in 1971-06)
Verfasser(in):
Tom Evans (UK guitarist for Badfinger) und W. Peter Ham
publisher:
100 % Apple Music, Apple Music, Apple Music Publishing Co., Inc., Apple Publishing Ltd. (, vom 1970 bis heute), Essex Music, Essex Music of Australia Pty. Ltd., Imagem Music, The Estate for Peter William Ham, The Estate for Thomas Evans, Warner Bros. Music (publisher; do NOT use as release label) und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Nilsson4.33:20
9Do What You Got to Do
recording engineer:
Ray Hall (engineer) (am 1968-06-24)
A&R-Management:
Tom Berman
Produzent(in):
Joe René
E-Bass:
Jerry Jemmott (am 1968-06-24)
Gitarre:
Eric Gale (am 1968-06-24), Carl Lynch (am 1968-06-24) und Henry Young (Chinese-Ukrainian guitarist from Vancouver, B.C.; toured with Nina Simone) (am 1968-06-24)
Klavier:
Paul Griffin (American pianist, session musician) (am 1968-06-24) und Nina Simone (am 1968-06-24)
Orgel:
Ernest Hayes (American pianist, organist and arranger) (am 1968-06-24)
Pauke und Schlagzeug:
Bernard “Pretty” Purdie
Perkussion, Tamburin und Vibraphon:
Specs Powell (am 1968-06-24)
Posaune:
Garnett Brown (am 1968-06-24)
Trompete:
Wilbur "Dud" Bascomb (Sr., jazz trumpeter) (am 1968-06-24), Harold Johnson (US jazz trumpeter aka "Money") (am 1968-06-24) und Joe Shepley (am 1968-06-24)
Sologesang:
Nina Simone (am 1968-06-24)
conductor:
Horace Ott (am 1968-06-24)
arranger:
Horace Ott
produced for:
Stroud Productions & Enterprises Inc. (Nina Simone's husband)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1968-06-24)
Bearbeitung von:
Do What You Gotta Do (1968 version, full length) von Nina Simone
cover recording of:
Do What You Gotta Do (am 1968-06-24)
Texter und Komponist(in):
Hazel O’Connor und Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
EMI Songs Ltd., Jonathan Three Music Co., Sony/ATV Music Publishing LLC (1995–2020) und Sosahamu Music Inc. (publisher; do NOT use as release label)
Nina Simone33:00
10Say What You Want
recording engineer:
Nick Addison, Ian Grimble, Ash Howes (British mixer, writer and musician), Kenny MacDonald und Texas (Scottish pop rock band)
Programmierung:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone und Sharleen Spiteri
zusätzliche Programmierung:
Paul Taylor (UK songwriter, producer, keyboardist, programmer, engineer)
Sound-Engineering:
Ash Howes (British mixer, writer and musician)
Produzent(in) und Mix:
Texas (Scottish pop rock band)
zusätzliche(r) Produzent(in):
Boilerhouse Boys
Gitarre:
Johnny McElhone und Ally McErlaine (Scottish guitarist)
Keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes) und Johnny McElhone
recording of:
Say What You Want
Texter und Komponist(in):
Johnny McElhone und Sharleen Spiteri
publisher:
EMI 10 Music
Texas3.83:51
11Brass in Pocket
zusätzlich recording engineer:
Steve Nye (producer, engineer and pianist)
Techniker(in):
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Michael Paul Stavrou (producer/engineer)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1979, in 1987, in 2000)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 89) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 389)
recording of:
Brass in Pocket
Verfasser(in):
James Honeyman‐Scott und Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music und Modern Music Publishing Co., Inc.
The Pretenders4.33:06
12Out of Reach (acoustic version)
Bassgitarre:
Derrick Taylor
Gitarre:
Paul Noble (member of "Warm Jets")
Hintergrundgesang:
Marion Powell
Sologesang:
Gabrielle (British singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Go Beat Ltd.
aufgenommen bei:
Wise Buddah in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Out of Reach (in 2001)
Verfasser(in):
Louise Gabrielle Bobb (British singer‐songwriter) und Jonathan Shorten
publisher:
Perfect Songs (UK publisher, affiliated with BMI)
Gabrielle3:50
13Will You Still Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:42
14Let’s Get It On
Produzent(in):
Marvin Gaye und Ed Townsend
Perkussion:
Emil Richards
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
Remix von:
Let’s Get It On (album version) von Marvin Gaye
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 46)
recording of:
Let’s Get It On
Verfasser(in):
Marvin Gaye und Ed Townsend
publisher:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd und Stone Diamond Music Corporation
Marvin Gaye3.53:58
15Waterfalls
recording of:
Waterfalls
Verfasser(in):
Marqueze Ethridge, Lisa “Left Eye” Lopes und Organized Noize (Atlanta hip-hop production group)
publisher:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
TLC53:33
16Angels
Programmierung:
Steve Power und Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
assistierende(r) Techniker(in):
Jim Brumby (UK engineer) und Matt Hay
Produzent(in):
Guy Chambers (English songwriter and record producer) und Steve Power
Mix:
Steve Power
Bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
Gitarre:
Andre Barreau, Chester Kamen und Gary Nuttall
Keyboard [keyboards]:
Guy Chambers (English songwriter and record producer) und Steve Power
Perkussion:
Andy Duncan (UK drummer and producer)
Schlagzeug [drums]:
Chris Sharrock
Hintergrundgesang:
Andre Barreau, Gary Nuttall und Nicole Patterson
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
aufgenommen bei:
Matrix Maison Rouge Studios in London (Greater London), England, Vereinigtes Königreich
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 5)
recording of:
Angels
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) und Kobalt Music Publishing Ltd. (UK)
Robbie Williams3.654:22
17It Should Have Been Me
cover recording of:
It Should Have Been Me
Verfasser(in):
William Stevenson (Motown songwriter) und Norman Whitfield
Yvonne Fair3:33
18Ooo Baby Baby
Produzent(in):
Bill “Smokey” Robinson (am 1965-01-21)
Hintergrundgesang:
The Miracles (aka Smokey Robinson and The Miracles) (am 1965-01-21)
Sologesang:
Smokey Robinson (am 1965-01-21)
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 20) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 262)
recording of:
Ooo Baby Baby (am 1965-01-21)
Verfasser(in):
Warren “Pete” Moore und Smokey Robinson
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Smokey Robinson & The Miracles52:46
19I Don’t Want to Talk About It
assistierende(r) Techniker(in):
Tim Wills
Techniker(in):
Ren Swan
Produzent(in) und Mix:
Nigel Lowis
vocals:
Dina Carroll
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
cover recording of:
I Don’t Want to Talk About It
Texter und Komponist(in):
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music und Rondor Music
Dina Carroll45:28
20Passionate Kisses
recording engineer und Mix:
Bob Dawson (engineer and producer)
zusätzlich recording engineer:
Marshall Morgan (record producer)
assistierende(r) Techniker(in):
Toby Seay
Produzent(in):
Mary Chapin Carpenter und John Jennings (supporting guitarist for Mary Chapin Carpenter)
Akustikgitarre und Sologesang:
Mary Chapin Carpenter
Bass:
Bob Glaub
E-Gitarre:
John Jorgenson
Klavier:
Matt Rollings (American composer, musician and record producer)
Schlagzeug:
Andy Newmark
Hintergrundgesang:
Mary Chapin Carpenter und Shawn Colvin
aufgenommen bei und mixed at:
Bias Studios (Springfield location, 1980 to present) in Springfield, Virginia, Vereinigte Staaten
zusätzlich aufgenommen bei:
The Doghouse (Nashville) in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
Passionate Kisses
Texter und Komponist(in):
Lucinda Williams
publisher:
Bug Music (music publishing) (in 1989) und Warner Chappell Music Ltd (no slash; used 1988–1996) (in 1989)
Mary Chapin Carpenter43:21

Nennungen

Veröffentlichung

hergestellt in:the EU (Europa)
the UK
design:Paul Chessell (art director)
hergestellt von:Universal M & L, UK (Universal Manufacturing & Logistics Ltd., UK)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Mercury Records Ltd. (not for release label use!) (in 2001)
Discogs:https://www.discogs.com/release/3770991 [Info]
ASIN:UK: B00005RC8Y [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/506869 [Info]