A Revolution in Sound (Pop Culture and the Classical Avant‐Garde)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This Compilation © 2021, Él Records in association with Cherry Red Records LTD
Power Road Studios, 114 Power Road, Chiswick, London W4 5PY, UK
Manufactured in EU
elrecords.co.uk

Includes a 32 page booklet

Annotation last modified on 2024-01-22 01:00 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1The Circle With a Hole in the Middle
recorded in:
Los Angeles, California, United States (on 1959-10-09)
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (on 1959-10-09)
double bass:
Charlie Haden (American jazz bassist) (on 1959-10-09)
drums (drum set):
Billy Higgins (US jazz drummer) (on 1959-10-09)
trumpet:
Don Cherry (jazz trumpeter) (on 1959-10-09)
recording of:
The Circle With a Hole in the Middle (on 1959-10-09)
composer:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
Phrase Text Music (Ornette Coleman)
Ornette Coleman4:55
2Music for Strings, Percussion and Celesta: No. III. Adagio
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:01
3Sequenza 1 for Flute Solo
recording of:
Sequenza I for Flute
composer:
Luciano Berio (Italian composer) (in 1958)
part of:
Sequenze (number: I)
Luciano Berio6:44
4Gruppen for Three Orchestras
partial recording of:
Gruppen, Nr. 6
composer:
Karlheinz Stockhausen (composer) (from 1955 until 1957)
dedicated to:
Herbert Eimert (German composer and critic)
premiered at:
[concert] (1958-03-24) (premiere concert for “Gruppen” by Karlheinz Stockhausen)
publisher:
Universal Edition (publisher; do NOT use as release label)
part of:
Works of Karlheinz Stockhausen by Werk Nr. (number: Nr. 6)
Karlheinz Stockhausen23:15
5Aisha
recording engineer:
Phil Ramone (on 1961-05-25)
producer:
Nesuhi Ertegun
alto saxophone:
George Lane (on 1961-05-25)
double bass:
Reggie Workman (on 1961-05-25)
drums (drum set):
Elvin Jones (jazz drummer) (on 1961-05-25)
piano:
McCoy Tyner (jazz pianist) (on 1961-05-25)
tenor saxophone:
John Coltrane (on 1961-05-25)
trumpet:
Freddie Hubbard (on 1961-05-25)
phonographic copyright (℗) by:
Essential Jazz Classics (in 2014)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1961-05-25)
recording of:
Aisha (on 1961-05-25)
composer:
McCoy Tyner (jazz pianist)
John Coltrane57:42
6Raga bilaskhani todi
Ravi Shankar20:13
7Glad to Be Unhappy
Eric Dolphy6:12
8Nuages gris
piano:
Sergio Fiorentino
recording of:
Trübe Wolken (Nuages gris), S. 199, R. 78
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1881)
part of:
The Music of Liszt (number: S. 199)
Franz Liszt3:43
9King of Denmark’s Galliard
lute:
Julian Bream
recording of:
The Most High and Mightie Christianus the fourth King of Denmarke, his Galliard, P. 40 (for lute)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
John Dowland's lute works (number: P. 40)
part of:
Lachrimæ or Seaven Teares, with divers other pavans (The collection of seven teares and 14 other works)
John Dowland1:12
2▼CD
#TitleArtistRatingLength
1Notturno for Tape
Bruno Maderna3:28
2Octandre, for Eight Instruments: Assez lent
Edgard Varèse2:47
3Octandre, for Eight Instruments: Très vif et nerveux
Edgard Varèse1:31
4Octandre, for Eight Instruments: Grave
Edgard Varèse2:17
5Three Distinguished Waltzes of a Jaded Dandy: Sa taille
Erik Satie0:54
6Three Distinguished Waltzes of a Jaded Dandy: Son binocle
Erik Satie1:03
7Three Distinguished Waltzes of a Jaded Dandy: Ses jambes
Erik Satie0:42
8The Tempest – Incidental Music op. 109b & c: Caliban’s Song
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
Myrsky, op. 109: II Näytös, Nro. 13: Calibanin laulu (The Tempest, Op. 109: Act II, No. 13: Caliban's Song)
composer:
Jean Sibelius (Finnish composer) (from 1925 until 1926)
part of:
Myrsky, op. 109 (The Tempest, Op. 109)
Jean Sibelius1:22
9The Tempest – Incidental Music op. 109b & c: The Oak Tree
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
Myrsky, op. 109: II Näytös, Nro. 9: Tammipuu (The Tempest, Op. 109: Act II, No. 9: The Oak Tree)
composer:
Jean Sibelius (Finnish composer) (from 1925 until 1926)
part of:
Myrsky, op. 109 (The Tempest, Op. 109)
Jean Sibelius2:46
10The Tempest – Incidental Music op. 109b & c: Humoresque
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
recording of:
Myrsky, op. 109: III Näytös, Nro. 15: Humoreski (The Tempest, Op. 109: Act III, No. 15: Humoreske)
composer:
Jean Sibelius (Finnish composer) (from 1925 until 1926)
part of:
Myrsky, op. 109 (The Tempest, Op. 109)
Jean Sibelius1:07
11The Tempest – Incidental Music op. 109b & c: Canon
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius1:32
12The Tempest – Incidental Music op. 109b & c: Scene
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius1:30
13The Tempest – Incidental Music op. 109b & c: Berceuse
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius2:30
14The Tempest – Incidental Music Op. 109b & c: Chorus of the Winds
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius3:28
15The Tempest – Incidental Music op. 109b & c: Intermezzo
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius2:22
16The Tempest – Incidental Music op. 109b & c: Dance of the Nymphs
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius2:11
17The Tempest – Incidental Music op. 109b & c: Prospero
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius1:51
18The Tempest – Incidental Music op. 109b & c: Second Song
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius1:03
19The Tempest – Incidental Music op. 109b & c: Miranda
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius2:26
20The Tempest – Incidental Music op. 109b & c: The Naiads
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius1:12
21The Tempest – Incidental Music op. 109b & c: The Tempest
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Thomas Beecham (conductor)
Jean Sibelius4:08
22Four Sea Interludes (From Peter Grimes) op. 33a: On the Beach (Dawn)
Benjamin Britten3:59
23Four Sea Interludes (From Peter Grimes) op. 33a: Sunday Morning by the Beach
Benjamin Britten4:00
24Four Sea Interludes (From Peter Grimes) op. 33a: Moonlight (Evening)
Benjamin Britten4:18
25Four Sea Interludes (From Peter Grimes) op. 33a: The Storm
Benjamin Britten4:14
26Private Dreams and Public Nightmares
Daphne Oram & Desmond Briscoe19:10
27Mrs. White’s Nothinge
John Dowland1:04
3▼CD
#TitleArtistRatingLength
1Menuet sur le nom de Haydn
piano:
Marcelle Meyer (French pianist)
recording of:
Menuet sur le nom d’Haydn
composer:
Maurice Ravel (French composer) (in 1909)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 58)
Maurice Ravel2:04
2Le Tombeau de Couperin: Prélude
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: I. Prélude (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:36
3Le Tombeau de Couperin: Forlane
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: II. Forlane (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: III. Forlane (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel5:32
4Le Tombeau de Couperin: Minuet
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: V. Menuet (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:53
5Le Tombeau de Couperin: Rigaudon
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel2:58
6Sonata for Flute, Viola and Harp: Pastorale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy6:01
7Sonata for Flute, Viola and Harp: Interlude
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy5:06
8Sonata for Flute, Viola and Harp: Finale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy4:26
9Agon – Ballet for Twelve Dancers: Pas‐de‐quatre
Igor Stravinsky1:34
10Agon – Ballet for Twelve Dancers: Double Pas‐de‐quatre
Igor Stravinsky1:27
11Agon – Ballet for Twelve Dancers: Triple Pas‐de‐quatre
Igor Stravinsky0:59
12Agon – Ballet for Twelve Dancers: Prélude
Igor Stravinsky0:50
13Agon – Ballet for Twelve Dancers: First Pas‐de‐trois: Saraband‐Step
Igor Stravinsky1:14
14Agon – Ballet for Twelve Dancers: Gaillarde
Igor Stravinsky1:12
15Agon – Ballet for Twelve Dancers: Coda
Igor Stravinsky1:16
16Agon – Ballet for Twelve Dancers: Interlude
Igor Stravinsky0:50
17Agon – Ballet for Twelve Dancers: Second Pas‐de‐trois
Igor Stravinsky0:56
18Agon – Ballet for Twelve Dancers: Bransle Gay
Igor Stravinsky0:52
19Agon – Ballet for Twelve Dancers: Bransle Double
Igor Stravinsky1:20
20Agon – Ballet for Twelve Dancers: Interlude
Igor Stravinsky0:50
21Agon – Ballet for Twelve Dancers: Pas‐de‐deux – Coda
Igor Stravinsky5:36
22Agon – Ballet for Twelve Dancers: Four Duos
Igor Stravinsky0:35
23Agon – Ballet for Twelve Dancers: Four Trios – Coda
Igor Stravinsky2:21
24Three Piano Pieces op. 11. No. 1: Mässig
Arnold Schönberg4:11
25Two Movements From Symphony No. 1, op. 23: Quasi l’istesso
Humphrey Searle11:10
26Two Movements From Symphony No. 1, op. 23: Allegro molto
Humphrey Searle4:02
27Forlorn Hope Fancy
John Dowland3:53
4▼CD
#TitleArtistRatingLength
1Piano Sonata no. 2 “Concord, Mass., 1840–1860”: IV. Thoreau
Charles Ives8:40
2Symphony op. 21: Ruhig schreitend
Anton Webern6:40
3Symphony op. 21: Variationen
Anton Webern2:21
4Le Marteau sans maître (The Hammer Without a Master): No. 1: Avant l’artisanat furieux
Pierre Boulez1:26
5Polifonica‐Monodia‐Ritmica for Ensemble
Luigi Nono10:25
6Amores for Prepared Piano and Percussion: Solo for Prepared Piano
John Cage1:28
7Amores for Prepared Piano and Percussion: Trio (Nine Tom‐Toms, Pod Rattle)
John Cage2:54
8Amores for Prepared Piano and Percussion: Trio (Seven Wood Blocks, Not Chinese)
John Cage1:25
9Amores for Prepared Piano and Percussion: Solo for Prepared Piano
John Cage4:31
10Le Voile d’Orphée I (The Veil of Orpheus) (version intégrale)
Pierre Henry27:03
11Le Banquet céleste
organ:
Olivier Messiaen (composer and organist)
recording of:
Le Banquet céleste
composer:
Olivier Messiaen (composer and organist) (in 1928)
publisher:
Éditions Leduc
Olivier Messiaen7:25
12Re: Person I Knew
Bill Evans Trio5:47