A Revolution in Sound (Pop Culture and the Classical Avant‐Garde)

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

This Compilation © 2021, Él Records in association with Cherry Red Records LTD
Power Road Studios, 114 Power Road, Chiswick, London W4 5PY, UK
Manufactured in EU
elrecords.co.uk

Includes a 32 page booklet

Annotation last modified on 2024-01-22 01:00 UTC.

Tracklist

1▶CD
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#TitleArtistRatingLength
1Menuet sur le nom de Haydn
piano:
Marcelle Meyer (French pianist)
recording of:
Menuet sur le nom d’Haydn
composer:
Maurice Ravel (French composer) (in 1909)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 58)
Maurice Ravel2:04
2Le Tombeau de Couperin: Prélude
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: I. Prélude (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: I. Prélude (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel3:36
3Le Tombeau de Couperin: Forlane
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: II. Forlane (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: III. Forlane (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel5:32
4Le Tombeau de Couperin: Minuet
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: III. Menuet (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: V. Menuet (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel4:53
5Le Tombeau de Couperin: Rigaudon
engineer:
Karl Brugger (engineer) (task: mono) and Roy Wallace (recording engineer) (task: stereo)
producer:
Michael Bremner (producer/engineer) (task: mono) and James Walker (ballet/opera conductor, classical recordings producer for Decca) (task: stereo)
orchestra:
Orchestre de la Suisse Romande (OSR) (from 1960-10-08 until 1960-11-25)
conductor:
Ernest Ansermet (conductor) (from 1960-10-08 until 1960-11-25)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (from 1960-10-08 until 1960-11-25)
recording of:
Le Tombeau de Couperin: IV. Rigaudon. Assez vif (for orchestra) (from 1960-10-08 until 1960-11-25)
orchestrator:
Maurice Ravel (French composer) (in 1919)
composer:
Maurice Ravel (French composer) (from 1914 until 1917)
orchestration of:
Le tombeau de Couperin: IV. Rigaudon (for solo piano)
part of:
Le Tombeau de Couperin (for orchestra)
Maurice Ravel2:58
6Sonata for Flute, Viola and Harp: Pastorale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : I. Pastorale (Sonata for flute, viola and harp, L. 137: I. Pastorale) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy6:01
7Sonata for Flute, Viola and Harp: Interlude
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : II. Interlude (Sonata for flute, viola and harp, L. 137: II. Interlude) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy5:06
8Sonata for Flute, Viola and Harp: Finale
recording engineer:
Kenneth Wilkinson (engineer)
producer:
Ray Minshull (record producer)
flute:
Richard Adeney (flautist) (in 1961-10)
harp:
Osian Ellis (Welsh harpist and composer) (in 1961-10)
instruments and performer:
Melos Ensemble (in 1961-10)
viola:
Cecil Aronowitz (viola player) (in 1961-10)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1961-10)
recording of:
Sonate pour flûte, alto et harpe, L. 137 : III. Finale (Sonata for flute, viola and harp, L. 137: III. Finale) (in 1961-10)
composer:
Claude Debussy (French composer) (in 1915)
part of:
Sonate pour flûte, alto et harpe, L. 137, CD 145 (Sonata for flute, viola and harp, L. 137)
Claude Debussy4:26
9Agon – Ballet for Twelve Dancers: Pas‐de‐quatre
Igor Stravinsky1:34
10Agon – Ballet for Twelve Dancers: Double Pas‐de‐quatre
Igor Stravinsky1:27
11Agon – Ballet for Twelve Dancers: Triple Pas‐de‐quatre
Igor Stravinsky0:59
12Agon – Ballet for Twelve Dancers: Prélude
Igor Stravinsky0:50
13Agon – Ballet for Twelve Dancers: First Pas‐de‐trois: Saraband‐Step
Igor Stravinsky1:14
14Agon – Ballet for Twelve Dancers: Gaillarde
Igor Stravinsky1:12
15Agon – Ballet for Twelve Dancers: Coda
Igor Stravinsky1:16
16Agon – Ballet for Twelve Dancers: Interlude
Igor Stravinsky0:50
17Agon – Ballet for Twelve Dancers: Second Pas‐de‐trois
Igor Stravinsky0:56
18Agon – Ballet for Twelve Dancers: Bransle Gay
Igor Stravinsky0:52
19Agon – Ballet for Twelve Dancers: Bransle Double
Igor Stravinsky1:20
20Agon – Ballet for Twelve Dancers: Interlude
Igor Stravinsky0:50
21Agon – Ballet for Twelve Dancers: Pas‐de‐deux – Coda
Igor Stravinsky5:36
22Agon – Ballet for Twelve Dancers: Four Duos
Igor Stravinsky0:35
23Agon – Ballet for Twelve Dancers: Four Trios – Coda
Igor Stravinsky2:21
24Three Piano Pieces op. 11. No. 1: Mässig
Arnold Schönberg4:11
25Two Movements From Symphony No. 1, op. 23: Quasi l’istesso
Humphrey Searle11:10
26Two Movements From Symphony No. 1, op. 23: Allegro molto
Humphrey Searle4:02
27Forlorn Hope Fancy
John Dowland3:53
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