101 Baroque

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼Digital Media
#TitleArtistRatingLength
1Solomon, HWV 67: Act III: The Arrival of the Queen of Sheba
producer:
Michael Bremner (producer/engineer) (in 1965-04)
orchestra:
The Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1965-04)
conductor:
Sir Neville Marriner (conductor) (in 1965-04)
balance engineer:
Kenneth Wilkinson (engineer) (in 1965-04)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1965-04)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (in 1965-04)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
George Frideric Handel3:12
2Canon in D major, P. 37/1
producer:
James Mallinson (producer) (in 1977-10)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor) (in 1977-10)
balance engineer:
John Dunkerley (engineer) (in 1977-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1977)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (in 1977-10)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel4:34
3Was mir behagt, ist nur die muntre Jagd, BWV 208: Sheep May Safely Graze
producer:
James Mallinson (producer)
orchestra:
Stuttgart Chamber Orchestra (in 1977-10)
conductor:
Karl Münchinger (German conductor) (in 1977-10)
arranger:
Karl Münchinger (German conductor)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1977-10)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements) (in 1977-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:31
4Italian Concerto, BWV 971: I. [Allegro]
producer:
Peter Wadland (producer)
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (in 1990-09)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Saint-Hippolyte in Castres, Tarn, Occitanie (Occitania), France (in 1990-09)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (in 1990-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
Johann Sebastian Bach4:16
5Abdelazer: Rondeau
orchestra:
Academy of St Martin in the Fields (from 1971-08-09 until 1971-08-11)
conductor:
Sir Neville Marriner (conductor) (from 1971-08-09 until 1971-08-11)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1971-08-09 until 1971-08-11)
recording of:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau (from 1971-08-09 until 1971-08-11)
composer:
Henry Purcell (Baroque composer)
part of:
Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570
Henry Purcell1:38
6Toccata and Fugue in D minor, BWV 565: Toccata
organ:
Daniel Chorzempa (organist) (in 1982-04)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1982)
recorded at:
Bovenkerk in Kampen, Overijssel, Netherlands, Kingdom of the Netherlands (in 1982-04)
edit of:
Toccata and Fugue in D minor, BWV 565 by Daniel Chorzempa (organist)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Classic 100: Piano (2025) (number: 30)
part of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3:19
7Gloria, RV 589: I. Gloria in excelsis Deo
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1978-07)
orchestra:
Academy of Ancient Music (in 1978-07)
conductor:
Simon Preston (organist, conductor, composer) (in 1978-07)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1978-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi32:23
8Oboe Concerto in D minor, BWV 1059R: II. Siciliano
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1982-05)
orchestra:
Academy of St Martin in the Fields (in 1982-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1982-05)
phonographic copyright (℗) by:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1983)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1982-05)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio (in 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
Johann Sebastian Bach3:10
9Stabat Mater, RV 621: I. Stabat Mater – II. Cuius animam – III. O quam tristis
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
countertenor vocals:
James Bowman (UK countertenor) (in 1975-11)
orchestra:
Academy of Ancient Music (in 1975-11)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1975-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1975-11)
recording of:
Stabat Mater, RV 621: I. Largo "Stabat mater dolorosa" (in 1975-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
recording of:
Stabat Mater, RV 621: II. Adagissimo "Cuius animam" (in 1975-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
recording of:
Stabat Mater, RV 621: III. Andante "O quam tristis" (in 1975-11)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Stabat Mater, RV 621
Antonio Vivaldi6:33
10Music for the Royal Fireworks, HWV 351: IV. La Réjouissance
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel1:59
11Herz und Mund und Tat und Leben, BWV 147: Jesu, Joy Of Man's Desiring, BWV 147
producer:
Christopher Hazell
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-07-01 until 1996-07-05)
organ:
Robert Quinney (organist and choir director) (from 1996-07-01 until 1996-07-05) and James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1996-07-01 until 1996-07-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring (in 1996-07)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach6:00
12Concerto grosso in G minor, op. 6 no. 8 "Fatto per la notte di Natale": III. Adagio - Allegro - Adagio
cello:
Francesco Strano (cellist) (in 1984-08)
instruments:
I Musici (in 1984-08)
violin:
Pina Carmirelli (violinist) (in 1984-08) and Walter Gallozzi (violinist) (in 1984-08)
conductor:
Maria Teresa Garatti (keyboardist) (in 1984-08)
recorded at:
Théâtre L'heure Bleu in La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1984-08)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (in 1984-08)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:59
13Violin Concerto no. 4 in E major, TWV 51:E3: I. Affettuoso
recorded in:
London (Greater London), England, United Kingdom (from 1983-06-03 until 1983-06-05)
producer:
Michael Bremner (producer/engineer)
cello:
Denis Vigay (cellist) (from 1983-06-03 until 1983-06-05)
harpsichord:
Alan Cuckston (from 1983-06-03 until 1983-06-05)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1983-06-03 until 1983-06-05)
orchestra:
Academy of St Martin in the Fields (from 1983-06-03 until 1983-06-05)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1983-06-03 until 1983-06-05)
balance engineer:
Hans Lauterslager
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1983-06-03 until 1983-06-05)
recording of:
Concerto for Violin in E major, TWV 51:E2: I. Affettuoso (from 1983-06-03 until 1983-06-05)
composer:
Georg Philipp Telemann (composer) (in 1720)
part of:
Concerto for Violin in E major, TWV 51:E2
Georg Philipp Telemann3:44
14Prelude and Fugue in C (WTK, Book I, no. 1), BWV 846: Prelude
harp:
Marisa Robles (Spanish harpist) (in 1978-06)
arranger:
Marisa Robles (Spanish harpist)
recorded at:
St. George the Martyr (Queen Square, Holborn) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-06)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (catch-all for arrangements) (in 1978-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Johann Sebastian Bach3:15
15Violin Concerto no. 1 in A minor, BWV 1041: 1. (Allegro moderato)
harpsichord:
Christopher Middleton (harpsichord) (in 1985-07)
violin:
Salvatore Accardo (violinist and conductor) (in 1985-07)
orchestra:
Chamber Orchestra of Europe (in 1985-07)
conductor:
Salvatore Accardo (violinist and conductor) (in 1985-07)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (in 1985-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:55
16Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 2. Largo
engineer:
John Dunkerley (engineer)
producer:
Paul Myers (classical record producer)
classical guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (for guitar and orchestra, arr. Malipiero) (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Gian Francesco Malipiero (Italian composer)
arrangement of:
Concerto for Lute in D major, RV 93: II. Largo
Antonio Vivaldi5:09
17Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
producer:
Vittorio Negri (conductor)
violin:
Maurice Hasson (violinist) (in 1976-06) and Henryk Szeryng (violinist) (in 1976-06)
orchestra:
Academy of St Martin in the Fields (in 1976-06)
conductor:
Neville Marriner (conductor) (in 1976-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1976-06)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto (in 1976-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach6:28
18Violin Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
recorded in:
Vienna, Austria (from 1959-04-29 until 1959-05-05) and Wien (Vienna), Austria (from 1959-04-29 until 1959-05-06)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
solo violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-05)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-05, from 1959-04-29 until 1959-05-06)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1959-04-29 until 1959-05-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:47
19Violin Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto. Tempo impetuoso d'estate
recorded in:
Vienna, Austria (from 1959-04-29 until 1959-05-05) and Wien (Vienna), Austria (from 1959-04-29 until 1959-05-06)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
solo violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-05)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-05, from 1959-04-29 until 1959-05-06)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1959-04-29 until 1959-05-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate”: III. Presto (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
Antonio Vivaldi13:00
2▼Digital Media
#TitleArtistRatingLength
1Oboe Concerto in D minor, S. Z799: II. Adagio
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1986-07)
orchestra:
I Musici (in 1986-07)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (in 1986-07)
recording of:
Concerto per oboe, archi e continuo in re minore: II. Adagio (Concerto for oboe, strings and continuo in D minor: II. Adagio) (in 1986-07)
composer:
Alessandro Marcello
part of:
Concerto per oboe, archi e continuo in re minore, S D935 (Concerto for Oboe and Strings in D minor)
Alessandro Marcello4:25
2Orchestral Suite no. 3 in D major, BWV 1068: II. Air
producer:
Michael Bremner (producer/engineer)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1970-12)
conductor:
Neville Marriner (conductor) (in 1970-12)
balance engineer:
Stanley Goodall (engineer) (in 1970-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:13
3Trumpet Voluntary
brass:
Philip Jones Brass Ensemble (in 1982-03)
trumpet:
Philip Jones (trumpeter) (in 1982-03)
conductor:
Elgar Howarth (English conductor, composer and trumpeter) (in 1982-03)
arranger:
John Iveson (trombonist and arranger)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1982-03)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1982-03)
composer:
Jeremiah Clarke (English baroque composer and organist)
arrangement of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:46
4Messiah, HWV 56: Pt. 3: No. 45. Aria. I Know That My Redeemer Liveth (Soprano)
producer:
Ray Minshull (record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1984-10)
orchestra:
Chicago Symphony Orchestra (in 1984-10)
conductor:
Sir Georg Solti (conductor) (in 1984-10)
balance engineer:
Simon Eadon (classical music engineer) (in 1984-10) and James Lock (James Locke, engineer) (in 1984-10)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (in 1984-10)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1984-10)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:51
5Stabat Mater, P. 77: I. Duet. Stabat Mater dolorosa
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer) (in 1988-08)
editor:
Matthew Hutchinson (engineer / editor)
countertenor vocals:
James Bowman (UK countertenor) (in 1988-08)
soprano vocals:
Emma Kirkby (soprano) (in 1988-08)
orchestra:
Academy of Ancient Music (in 1988-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-08)
balance engineer:
John Dunkerley (engineer) (in 1988-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1988-08)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:27
6Water Music Suite no. 2 in D major, HWV 349: Hornpipe
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St Martin in the Fields (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel4:05
7Adagio for Strings and Organ in G minor
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
engineer:
Stanley Goodall (engineer) (in 1982-02)
producer:
Michael Haas (classical music producer)
organ:
Martin Haselböck (organist, conductor and composer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
balance engineer:
Stanley Goodall (engineer) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Adagio for Strings and Organ in G minor (in 1984-02)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni6:36
8Suite no. 2 in B minor, BWV 1067: 7. Badinerie
flute:
William Bennett (flautist) (in 1970-12)
harpsichord:
Thurston Dart (conductor and keyboard player) (in 1970-12)
orchestra:
Academy of St Martin in the Fields (in 1970-12)
conductor:
Sir Neville Marriner (conductor) (in 1970-12)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1970-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:25
9Concerto for Violin and Strings in F minor, op. 8 no. 4, RV 297 "L'inverno": 2. Largo
recorded in:
Vienna, Austria (from 1959-04-29 until 1959-05-05) and Wien (Vienna), Austria (from 1959-04-29 until 1959-05-06)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
solo violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-05)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-05, from 1959-04-29 until 1959-05-06)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1959-04-29 until 1959-05-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi22:40
10Miserere
producer:
Chris Hazell
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
treble vocals:
Alastair Hussain (Chorister) (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
chorus master:
Edward Gardner (conductor)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
edit of:
Miserere by Alastair Hussain (Chorister), Choir of King’s College, Cambridge, Edward Gardner (conductor), Stephen Cleobury (organist, conductor)
partial recording of:
Miserere mei, Deus (from 1996-07-01 until 1996-07-05)
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri5:40
11Messiah, HWV 56: Pt. 2: No. 44. Chorus. Hallelujah, for the Lord God Omnipotent Reigneth
engineer:
Simon Eadon (classical music engineer) (in 1976-07) and Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:42
12Premier livre de pieces de clavecin: Troisième Suite: Le coucou
harpsichord:
George Malcolm (English harpsichordist, conductor)
recording of:
Premier livre de clavecin: Troisième suite: I. Le coucou. Rondeau. Vif (The Cuckoo)
composer:
Louis‐Claude Daquin
part of:
Premier livre de clavecin: Troisième suite
Louis-Claude Daquin2:01
13Brandenburg Concerto no. 5 in D, BWV 1050: 3. Allegro
flute:
Richard Adeney (flautist) (in 1974-10)
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
violin:
José‐Luis García (violinist & conductor) (in 1974-10)
orchestra:
English Chamber Orchestra (in 1974-10)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (in 1974-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach5:11
14Goldberg Variations, BWV 988: Aria
engineer:
Simon Eadon (classical music engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1982-04-13 until 1982-04-15)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1983)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-04-13 until 1982-04-15)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (from 1982-04-13 until 1982-04-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Uri Caine
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:50
15Dido and Aeneas: Act 3: "Thy Hand, Belinda...When I Am Laid In Earth"
producer:
Chris Sayers (producer)
soprano vocals:
Barbara Bonney (soprano) (from 1998-10-03 until 1998-10-05)
orchestra:
Academy of Ancient Music (from 1998-10-03 until 1998-10-05)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1998-10-03 until 1998-10-05)
performer:
Academy of Ancient Music
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1998-10-03 until 1998-10-05)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 1998-10-03 until 1998-10-05)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell24:38
16Serse: Act 1: "Ombra mai fù"
organ:
Daniel Phillips (organist) (in 1997-01)
pipe organ:
Daniel Philips (organist)
violin:
Daniel Phillips (violinist)
treble vocals:
Anthony Way (UK chorister and classical singer) (in 1997-01)
orchestra:
English Sinfonia (in 1997-01)
conductor:
Neil Page (conductor, musical director) (in 1997-01)
recorded at:
Uppingham School Chapel in Uppingham, Rutland, England, United Kingdom (in 1997-01)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (in 1997-01)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel2:35
17Water Music Suite no. 1 in F major, HWV 348: Air
sound engineer:
Stanley Goodall (engineer)
producer:
Michael Bremner (producer/engineer)
harpsichord [harpsichord continuo]:
Colin Tilney (harpsichordist) (in 1971-05)
orchestra:
Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1971-05)
conductor:
Sir Neville Marriner (conductor) (in 1971-05)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-05)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (in 1971-05)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel3:24
18Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
partial recording of:
Nulla in mundo pax sincera, RV 630
lyricist:
[anonymous] (special purpose artist)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1735)
part of:
Ryom-Verzeichnis (number: RV 630)
Antonio Vivaldi2:49
19Coronation Anthem no. 1, HWV 258 "Zadok the Priest”
recording engineer:
Stan Taal
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips) (in 1993-06)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1993-06)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1993-06)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1993-06)
balance engineer:
Onno Scholtze (sound engineer) (in 1993-06)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1995)
recorded at:
Stadthalle in Göttingen, Niedersachsen (Lower Saxony), Germany (in 1993-06)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (in 1993-06)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
George Frideric Handel5:49
3▼Digital Media
#TitleArtistRatingLength
1Brandenburg Concerto no. 4 in G, BWV 1049: 1. Allegro
recorder:
David Munrow (UK early music historian & musician) (in 1974-10) and John Turner (recorder player) (in 1974-10)
violin:
José‐Luis García (violinist & conductor) (in 1974-10)
orchestra:
English Chamber Orchestra (in 1974-10)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-10)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro (in 1974-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach7:11
2Rinaldo: Act 2: "Lascia ch'io pianga"
mezzo-soprano vocals:
Bernadette Greevy (Irish mezzo-soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Raymond Leppard (conductor and harpsichordist)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel3:52
3Violin Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo
recorded in:
Vienna, Austria (from 1959-04-29 until 1959-05-05) and Wien (Vienna), Austria (from 1959-04-29 until 1959-05-06)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
solo violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-05)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-05, from 1959-04-29 until 1959-05-06)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1959-04-29 until 1959-05-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi13:00
4Wachet auf, ruft uns die Stimme, BWV 645 ('Sleepers, awake')
orchestra:
New Symphony Orchestra of London (often referred to as just The New Symphony Orchestra) (in 1958-05)
conductor:
Raymond Agoult (Hungarian, London-based conductor and composer) (in 1958-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1958-05)
recording of:
Wachet auf, ruft uns die Stimme, BWV 645 (Bantock orchestration) (in 1958-05)
orchestrator:
Sir Granville Bantock (British composer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
orchestration of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
recording of:
Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 645)
is based on:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
part of:
Sechs Choräle von verschiedener Art
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:29
5Oboe Concerto in D minor, op. 9 no. 2: II. Adagio
harpsichord:
Maria Teresa Garatti (keyboardist) (from 1967-06-16 until 1967-06-29)
solo oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (from 1967-06-16 until 1967-06-29)
orchestra:
I Musici (from 1967-06-16 until 1967-06-29)
recorded at:
Aula la magna de l'ateneo Antoniano in Roma (Rome), Roma, Lazio, Italy (from 1967-06-16 until 1967-06-29)
recording of:
Concerto for Oboe in D minor, op. 9 no. 2: II. Adagio (from 1967-06-16 until 1967-06-29)
composer:
Tomaso Giovanni Albinoni (Italian Baroque composer)
part of:
Concerto for Oboe in D minor, op. 9 no. 2
Tomaso Albinoni5:23
6Trumpet Concerto: 1. Allegro
instruments:
Don Smithers (wind instrument player)
orchestra:
I Musici
Giuseppe Torelli1:55
7Violin Concerto in E major, RV 271 "L'amoroso": 2. Cantabile
producer:
Vittorio Negri (conductor)
instruments:
I Musici
violin:
Felix Ayo (violinist) (in 1958-01)
orchestra:
I Musici (in 1958-01)
recorded at:
Conservatorio di Musica Giuseppe Verdi di Milano in Milano (Milan), Milano, Lombardia, Italy (in 1958-01)
recording of:
Concerto for Violin in E major, RV 271 “L’amoroso”: II. Cantabile (in 1958-01)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin in E major, RV 271 “L’amoroso”
Antonio Vivaldi3:51
8Concerto in C, op. 3 no. 12 "Christmas Concerto": 1. Largo (Pastorale per il Santissimo Natale)
cello:
Francesco Strano (cellist)
violin:
Pina Carmirelli (violinist) and Pasquale Pellegrino (violinist)
orchestra:
I Musici
recording of:
Concerto Grosso in C major, op. 3 no. 12 “Christmas Concerto”: I. Pastorale - Largo
composer:
Francesco Onofrio Manfredini (composer)
part of:
Concerto Grosso in C major, op. 3 no. 12 “Christmas Concerto”
Francesco Onofrio Manfredini4:00
9Concerto for Keyboard, Strings, and Basso continuo no. 3 in D, BWV 1054: 2. Adagio e piano sempre
engineer and balance engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: II. Adagio e piano sempre (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
Johann Sebastian Bach5:47
10Crucifixus (8vv)
organ:
Andrew Wright (Organist)
choir vocals:
Westminster Cathedral Boys' Choir
conductor:
Stephen Cleobury (organist, conductor)
recording of:
Crucifixus a 8
composer:
Antonio Lotti (Italian baroque composer, 1667-1740)
Antonio Lotti3:33
11Suite no. 11 in D minor, HWV 437: Sarabande
harpsichord:
Christopher Hogwood (conductor, harpsichordist)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
composer:
George Frideric Handel (German‐British baroque composer)
is based on:
Folia
part of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
George Frideric Handel2:53
12St. Matthew Passion, BWV 244: Part Two: "Wir setzen uns mit Tränen nieder"
choir vocals:
Chicago Symphony Chorus (in 1987-03)
orchestra:
Chicago Symphony Orchestra (in 1987-03)
conductor:
Sir Georg Solti (conductor) (in 1987-03)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1987-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:26
13Brandenburg Concerto no. 2 in F, BWV 1047: 3. Allegro assai
flute:
Severino Gazzelloni (flutist) (in 1965-06)
harpsichord:
Maria Teresa Garatti (keyboardist) (in 1965-06)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1965-06)
trumpet:
Maurice André (French trumpeter) (in 1965-06)
violin:
Felix Ayo (violinist) (in 1965-06)
orchestra:
I Musici (in 1965-06)
recorded at:
Théâtre municipal de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (in 1965-06)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (in 1965-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:09
14Viola Concerto in G, TWV 51:G9: 1. Largo
recorded in:
Italy (in 1967-09)
harpsichord:
Maria Teresa Garatti (keyboardist) (in 1967-09)
solo viola:
Cino Ghedin (violist, aka Cino Ghedin) (in 1967-09)
orchestra:
I Musici (in 1967-09)
edit of:
Konzert G-dur für Viola, Streicher und Continuo by Cino Ghedin (violist, aka Cino Ghedin), I Musici
recording of:
Viola Concerto, TWV 51:G9: I. Largo (in 1967-09)
composer:
Georg Philipp Telemann (composer)
part of:
Viola Concerto, TWV 51:G9
Georg Philipp Telemann4:09
15Gloria, RV 589: III. Laudamus te
recording engineer:
Jack Law (engineer) (in 1966-07) and Michael Mailes (engineer) (in 1966-07)
producer:
Michael Bremner (producer/engineer)
choir vocals:
Choir of King’s College, Cambridge
contralto vocals:
Janet Baker (mezzo‐soprano and alto) (in 1966-07)
soprano vocals:
Elizabeth Vaughan (soprano) (in 1966-07)
orchestra:
Academy of St Martin in the Fields (in 1966-07)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1966-07)
concertmaster:
Neville Marriner (conductor) (in 1966-07)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1966)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (in 1966-07)
recording of:
Gloria in D major, RV 589: III. Laudamus te (in 1966-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi2:21
16Concerto for Flute and Strings in G minor, op. 10 no.2, RV 439 " La notte"
producer:
Andrew Cornall (engineer / producer)
flute:
Andrea Griminelli (Italian flautist) (in 1986-08)
orchestra:
English Chamber Orchestra (in 1986-08)
conductor:
Jean‐Pierre Rampal (flautist) (in 1986-08)
balance engineer:
James Lock (James Locke, engineer) (in 1986-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1986-08)
recording of:
Concerto in G minor, op. 10 no. 2, RV 439 “La notte” (in 1986-08)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/13) and Ryom-Verzeichnis (number: RV 439)
part of:
6 Flute Concertos, op. 10
Antonio Vivaldi9:20
4▼Digital Media
#TitleArtistRatingLength
1Concerto for Lute, 2 Violins and Continuo in D major, RV 93: 1. Allegro giusto
producer:
Paul Myers (classical record producer)
guitar:
Eduardo Fernández (guitarist) (in 1986-12)
orchestra:
English Chamber Orchestra (in 1986-12)
conductor:
George Malcolm (English harpsichordist, conductor) (in 1986-12)
guitar arranger:
Gian Francesco Malipiero (Italian composer)
balance engineer:
John Dunkerley (engineer) (in 1986-12)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-12)
recording of:
Concerto for Lute in D major, RV 93: I. Allegro giusto (in 1986-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:49
2Adoramus te
recording of:
Adoramus te, Christe, SV 289 (motet for 6 voices & continuo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player) (in 1620)
part of:
Stattkus-Verzeichnis (number: SV 289)
Claudio Monteverdi5:53
3Brandenburg Concerto no. 3 in G, BWV 1048: 1. (Allegro)
cello:
Olga Hegedus (cellist) (in 1974-10), Anita Lasker-Wallfisch (in 1974-10) and Stephen Orton (cellist) (in 1974-10)
double bass:
Rodney Slatford (double bassist) (in 1974-10)
viola:
Quintin Ballardie (violist) (in 1974-10), Ruşen Güneş (violist) (in 1974-10) and Andrew Williams (viola player) (in 1974-10)
violin:
José‐Luis García (violinist & conductor) (in 1974-10), Adrian Levine (violinist) (in 1974-10) and Simon Standage (English violinist and conductor) (in 1974-10)
orchestra:
English Chamber Orchestra (in 1974-11)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-11)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:34
4Partita no. 2 for Solo Violin in D minor, BWV 1004: IV. Gigue
producer:
Christopher Raeburn (producer)
violin:
Kyung-Wha Chung (violinist) (in 1974-11)
balance engineer:
James Lock (James Locke, engineer) (in 1974-11)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1974-11)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue (in 1974-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
Johann Sebastian Bach3:03
5Harp Concerto in B-flat, op. 4 no. 6, HWV 294: 1. Andante allegro
engineer:
Kenneth Wilkinson (engineer)
producer:
Chris Hazell
harp:
Marisa Robles (Spanish harpist) (in 1980)
orchestra:
Academy of St Martin in the Fields (in 1980)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1980-02)
recording of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp) (in 1980)
composer:
George Frideric Handel (German‐British baroque composer) (in 1736)
part of:
Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294
George Frideric Handel3:52
6Samson HWV 57: Act 3: "Let The Bright Seraphim"
engineer:
Kenneth Wilkinson (engineer) (in 1960-08)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
trumpet:
Harry Dilley (in 1960-08)
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1960-08)
soprano vocals:
Joan Sutherland (soprano) (in 1960-08)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1960-08)
conductor:
Francesco Molinari‐Pradelli (conductor) (in 1960-08)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman) (in 1960-08)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
George Frideric Handel5:53
7Oboe Concerto in D minor, TWV 51:d1: 1. Adagio
recorded in:
London (Greater London), England, United Kingdom (in 1981-11)
oboe:
Heinz Holliger (Swiss oboist, composer, and conductor) (in 1981-11)
orchestra:
Academy of St Martin in the Fields (in 1981-11)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1981-11)
recording of:
Oboe Concerto in D minor, TWV 51:d1: I. Adagio (in 1981-11)
composer:
Georg Philipp Telemann (composer)
part of:
Oboe Concerto in D minor, TWV 51:d1
Georg Philipp Telemann2:33
812 Concerti Grossi: Concerto no. 6 in D: 1. Largo
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concerto grosso no. 6 in D major: I. Largo
composer:
Charles Avison (composer)
part of:
Concerto grosso no. 6 in D major (after "Lessons for the Harpsichord" by Scarlatti)
Domenico Scarlatti3:25
9L'estro armonico, Violin Concerto in A minor, RV 356, op. 3 no. 6: II. Largo
recorded in:
Switzerland (in 1962-09)
harpsichord:
Maria Teresa Garatti (keyboardist) (in 1962-09)
solo violin:
Roberto Michelucci (violinist) (in 1962-09)
orchestra:
I Musici (in 1962-09)
recording of:
Violin Concerto in A minor, op. 3 no. 6, RV 356: II. Largo (in 1962-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Violin Concerto in A minor, op. 3 no. 6, RV 356
Antonio Vivaldi2:53
10Ground
harp:
Naoko Yoshino (harpist)
arranger:
David Watkins (harpist and composer)
William Croft3:23
11Jesus nahm zu sich die Zwölfe, Cantata BWV 22: 5. Sanctify Us
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca)
piano:
Alicia de Larrocha (pianist) (in 1977-06)
balance engineer:
Colin Moorfoot (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1977-06)
recording of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte" (for piano, Cohen) (in 1977-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Harriet Cohen (pianist)
arrangement of:
Kantate, BWV 22 "Jesus nahm zu sich die Zwölfe": V. Choral "Ertöt uns durch dein Güte"
Johann Sebastian Bach3:13
12Concerto for Harpsichord, Strings, and Continuo no. 5 in F minor, BWV 1056: 2. Largo
harpsichord:
Raymond Leppard (conductor and harpsichordist) (in 1974-04)
orchestra:
English Chamber Orchestra (in 1974-04)
conductor:
Raymond Leppard (conductor and harpsichordist) (in 1974-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:54
13Organ Concerto in A minor, BWV 593 after Vivaldi's Concerto op. 3 no. 8: 1. Allegro
organ and pipe organ:
Wolfgang Rübsam (organist) (in 1977)
recording of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593: I. (Allegro) (in 1977)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto a-Moll (nach A. Vivaldi, op. 3 Nr. 8), BWV 593
Johann Sebastian Bach3:33
14Berenice, HWV 38: Act 2: Minuet from Overture
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
partial recording of:
Berenice, HWV 38: Overture
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Berenice, HWV 38
George Frideric Handel4:10
15Messiah, HWV 56: Pt. 1: No. 12. Chorus. For Unto Us a Child Is Born
engineer:
Stanley Goodall (engineer) (in 1976-07)
producer:
Chris Hazell (in 1976-07)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1976-07)
orchestra:
Academy of St Martin in the Fields (in 1976-07)
conductor:
Sir Neville Marriner (conductor) (in 1976-07)
balance engineer:
Simon Eadon (classical music engineer) (in 1976-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1976-07)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:37
16Concerto for 2 Trumpets, Strings & Continuo in C major, RV 537
producer:
Michael Bremner (producer/engineer)
harpsichord:
John Churchill (harpsichordist)
trumpet:
Philip Jones (trumpeter) (in 1969-07) and John Wilbraham (trumpet player) (in 1969-07)
orchestra:
Academy of St Martin in the Fields (in 1969-07)
conductor:
Neville Marriner (conductor) (in 1969-07)
balance engineer:
Stanley Goodall (engineer) (in 1969-07)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1969-07)
recording of:
Concerto for Two Trumpets in C major, RV 537 (in 1969-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. IX/1) and Ryom-Verzeichnis (number: RV 537)
Antonio Vivaldi7:31
5▼Digital Media
#TitleArtistRatingLength
1Prélude from "Te Deum", H.146
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier2:12
2Ode for the Birthday of Queen Anne, HWV 74: Eternal source of light
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1977-12)
countertenor vocals:
James Bowman (UK countertenor) (in 1977-12)
orchestra:
Academy of Ancient Music (in 1977-12)
conductor:
Simon Preston (organist, conductor, composer) (in 1977-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1977-12)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
George Frideric Handel5:31
3Judas Maccabaeus, HWV 63: "See, the Conqu'ring Hero Comes!"
choir vocals:
Handel Opera Society Chorus
orchestra:
Handel Opera Society Orchestra
conductor:
Charles Farncombe (conductor)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel2:59
4Rinaldo, HWV 7a: Act 3: March & Battle
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rinaldo, HWV 7b (1731 revised version)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Giacomo Rossi
premiered at:
King’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1731-04-06)
part of:
Händel-Werke-Verzeichnis (number: HWV 7b)
revision of:
Rinaldo, HWV 7a (1717 revised version)
George Frideric Handel2:38
5Concerto for 2 Oboes in D minor, RV 535: II. Largo
producer:
Chris Hazell
cello:
Kenneth Heath (cellist)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1975-07-15 until 1975-07-18)
oboe:
Neil Black (oboist) (from 1975-07-15 until 1975-07-18) and Celia Nicklin (oboist) (from 1975-07-15 until 1975-07-18)
organ:
Colin Tilney (harpsichordist) (from 1975-07-15 until 1975-07-18)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1975-07-15 until 1975-07-18)
orchestra:
Academy of St Martin in the Fields (from 1975-07-15 until 1975-07-18)
conductor:
Sir Neville Marriner (conductor) (from 1975-07-15 until 1975-07-18)
balance engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer) (from 1975-07 until 1975-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-07-15 until 1975-07-18)
recording of:
Concerto for 2 oboes in D minor, RV 535: III. Largo (from 1975-07-15 until 1975-07-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 oboes in D minor, RV 535
Antonio Vivaldi2:32
6Concerto grosso in D, op. 6 no. 1: 2. Largo
violin:
Carmel Kaine (violinist) (in 1973-12) and Alan Loveday (violinist) (in 1973-12)
orchestra:
Academy of St Martin in the Fields (in 1973-12)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-12)
recording of:
Concerto Grosso in D major, op. 6 no. 1: II. Largo - Allegro (in 1973-12)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 1
Arcangelo Corelli3:18
7Violin Concerto in D major, op. 3 no. 1: 1. Allegro
recorded in:
Rome, Roma, Lazio, Italy (from 1960 until 1960-05) and Italy (in 1960-05)
solo violin:
Roberto Michelucci (violinist) (in 1960-05)
orchestra:
I Musici (in 1960-05)
recording of:
Violin Concerto in D major, op. 3 no. 1: I. Allegro - Capriccio (in 1960-05)
composer:
Pietro Antonio Locatelli (composer)
part of:
Violin Concerto in D major, op. 3 no. 1
Pietro Locatelli4:49
8Keyboard Concerto in A major, BWV 1055: II. Larghetto -
engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
Johann Sebastian Bach4:53
9Matthäus-Passion, BWV 244: Pt. 2: Aria "Erbarme dich"
producer:
Ray Minshull (record producer)
alto vocals:
Marga Höffgen (contralto) (in 1964-07)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1964-07)
conductor:
Karl Münchinger (German conductor) (in 1964-07)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1964-07)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1964-07)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:29
10Concerto for Strings and Continuo in G, RV 151 "Concerto alla Rustica"
producer:
Christopher Raeburn (producer)
orchestra:
Festival Strings Lucerne (in 1973-03)
conductor:
Rudolf Baumgartner (conductor) (in 1973-03)
balance engineer:
Colin Moorfoot (engineer) (in 1973-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1973-03)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica” (in 1973-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 151) and Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. XI/11)
Antonio Vivaldi4:06
11Christmas Oratorio, BWV 248: Pt. 2: No. 10. Sinfonia
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
orchestra:
Stuttgart Chamber Orchestra (in 1966-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) and Karl Münchinger (German conductor) (in 1966-09)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany and Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1966-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:40
12Mass in B minor, BWV 232: Credo: Crucifixus
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1977-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:44
13Concerto for Violin and Oboe in C minor, BWV 1060R: II. Adagio
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
oboe:
Tess Miller (oboist) (in 1974-08)
violin:
Carmel Kaine (violinist) (in 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:14
14Concerto for Violin and Strings in F major, op. 8 no. 3, RV 293 "L'autunno": 2. Adagio molto (Ubriachi dormienti)
recorded in:
Vienna, Austria (from 1959-04-29 until 1959-05-05) and Wien (Vienna), Austria (from 1959-04-29 until 1959-05-06)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
solo violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-05)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-05, from 1959-04-29 until 1959-05-06)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1959-04-29 until 1959-05-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:44
15Piccolo Concerto in C major, RV 443
producer:
Chris Hazell
piccolo:
William Bennett (flautist) (in 1975-07)
orchestra:
Academy of St Martin in the Fields (in 1975-07)
conductor:
Sir Neville Marriner (conductor) (in 1975-07)
balance engineer:
John Dunkerley (engineer) (in 1975-07) and Stanley Goodall (engineer) (in 1975-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-07)
compilation of:
Piccolo Concerto in C major, RV 443: I. Allegro by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Piccolo Concerto in C major, RV 443: II. Largo by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Piccolo Concerto in C major, RV 443: III. Allegro molto by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Flautino Concerto in C major, RV 443 (in 1975-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/4) and Ryom-Verzeichnis (number: RV 443)
Antonio Vivaldi10:49
16Concerto grosso no. 6 in D major, op. 3/6, HWV 317
producer:
Andrew Raeburn
oboe:
Michael Dobson (oboist) (on 1964-03-23) and Roger Lord (oboist) (on 1964-03-23)
orchestra:
Academy of St Martin in the Fields (on 1964-03-23)
conductor:
Sir Neville Marriner (conductor) (on 1964-03-23)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-03-23)
recording of:
Concerto grosso in D major, op. 3 no. 6, HWV 317 (on 1964-03-23)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 317)
part of:
Concerti Grossi, op. 3, HWV 312–317
George Frideric Handel6:31
6▶Digital Media