101 Baroque

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Prélude from "Te Deum", H.146
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier2:12
2Ode for the Birthday of Queen Anne, HWV 74: Eternal source of light
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1977-12)
countertenor vocals:
James Bowman (UK countertenor) (in 1977-12)
orchestra:
Academy of Ancient Music (in 1977-12)
conductor:
Simon Preston (organist, conductor, composer) (in 1977-12)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1977-12)
recording of:
Ode for the Birthday of Queen Anne, HWV 74: “Eternal Source of Light Divine”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Ode for the Birthday of Queen Anne, HWV 74
George Frideric Handel5:31
3Judas Maccabaeus, HWV 63: "See, the Conqu'ring Hero Comes!"
choir vocals:
Handel Opera Society Chorus
orchestra:
Handel Opera Society Orchestra
conductor:
Charles Farncombe (conductor)
recording of:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
composer:
George Frideric Handel (German‐British baroque composer) (in 1746)
librettist:
Thomas Morell
part of:
Judas Maccabaeus, HWV 63: Act III
George Frideric Handel2:59
4Rinaldo, HWV 7a: Act 3: March & Battle
orchestra:
English Chamber Orchestra
conductor:
Richard Bonynge (conductor and pianist)
partial recording of:
Rinaldo, HWV 7b (1731 revised version)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Giacomo Rossi
premiered at:
King’s Theatre (Haymarket, London) in London (Greater London), England, United Kingdom (on 1731-04-06)
part of:
Händel-Werke-Verzeichnis (number: HWV 7b)
revision of:
Rinaldo, HWV 7a (1717 revised version)
George Frideric Handel2:38
5Concerto for 2 Oboes in D minor, RV 535: II. Largo
producer:
Chris Hazell
cello:
Kenneth Heath (cellist)
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (from 1975-07-15 until 1975-07-18)
oboe:
Neil Black (oboist) (from 1975-07-15 until 1975-07-18) and Celia Nicklin (oboist) (from 1975-07-15 until 1975-07-18)
organ:
Colin Tilney (harpsichordist) (from 1975-07-15 until 1975-07-18)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1975-07-15 until 1975-07-18)
orchestra:
Academy of St Martin in the Fields (from 1975-07-15 until 1975-07-18)
conductor:
Sir Neville Marriner (conductor) (from 1975-07-15 until 1975-07-18)
balance engineer:
John Dunkerley (engineer) and Stanley Goodall (engineer) (from 1975-07 until 1975-08)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1975-07-15 until 1975-07-18)
recording of:
Concerto for 2 oboes in D minor, RV 535: III. Largo (from 1975-07-15 until 1975-07-18)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 oboes in D minor, RV 535
Antonio Vivaldi2:32
6Concerto grosso in D, op. 6 no. 1: 2. Largo
violin:
Carmel Kaine (violinist) (in 1973-12) and Alan Loveday (violinist) (in 1973-12)
orchestra:
Academy of St Martin in the Fields (in 1973-12)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1973-12)
recording of:
Concerto Grosso in D major, op. 6 no. 1: II. Largo - Allegro (in 1973-12)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 1
Arcangelo Corelli3:18
7Violin Concerto in D major, op. 3 no. 1: 1. Allegro
recorded in:
Rome, Roma, Lazio, Italy (from 1960 until 1960-05) and Italy (in 1960-05)
solo violin:
Roberto Michelucci (violinist) (in 1960-05)
orchestra:
I Musici (in 1960-05)
recording of:
Violin Concerto in D major, op. 3 no. 1: I. Allegro - Capriccio (in 1960-05)
composer:
Pietro Antonio Locatelli (composer)
part of:
Violin Concerto in D major, op. 3 no. 1
Pietro Locatelli4:49
8Keyboard Concerto in A major, BWV 1055: II. Larghetto -
engineer:
Stanley Goodall (engineer)
producer:
Michael Haas (classical music producer)
piano:
András Schiff (pianist) (from 1989-01-24 until 1989-01-26)
orchestra:
Chamber Orchestra of Europe (from 1989-01-24 until 1989-01-26)
performer:
András Schiff (pianist)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1990)
recorded at:
Konzerthaus: Großer Saal in Landstraße, Wien (Vienna), Austria (from 1989-01-24 until 1989-01-26)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto (from 1989-01-24 until 1989-01-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
Johann Sebastian Bach4:53
9Matthäus-Passion, BWV 244: Pt. 2: Aria "Erbarme dich"
producer:
Ray Minshull (record producer)
alto vocals:
Marga Höffgen (contralto) (in 1964-07)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1964-07)
conductor:
Karl Münchinger (German conductor) (in 1964-07)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1964-07)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1964-07)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:29
10Concerto for Strings and Continuo in G, RV 151 "Concerto alla Rustica"
producer:
Christopher Raeburn (producer)
orchestra:
Festival Strings Lucerne (in 1973-03)
conductor:
Rudolf Baumgartner (conductor) (in 1973-03)
balance engineer:
Colin Moorfoot (engineer) (in 1973-03)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1973-03)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica” (in 1973-03)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Ryom-Verzeichnis (number: RV 151) and Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. XI/11)
Antonio Vivaldi4:06
11Christmas Oratorio, BWV 248: Pt. 2: No. 10. Sinfonia
recorded in:
Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
orchestra:
Stuttgart Chamber Orchestra (in 1966-09)
conductor:
Christopher Hogwood (conductor, harpsichordist) and Karl Münchinger (German conductor) (in 1966-09)
recorded at:
Schloss Ludwigsburg in Ludwigsburg, Baden-Württemberg, Germany and Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1966-09)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1966-09)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:40
12Mass in B minor, BWV 232: Credo: Crucifixus
engineer and producer:
Vittorio Negri (conductor)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1977-11)
orchestra:
Academy of St Martin in the Fields (in 1977-11)
conductor:
Sir Neville Marriner (conductor) (in 1977-11)
chorus master:
László Heltay (British/Hungarian conductor and composer) (in 1977-11)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-11)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1977-11)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:44
13Concerto for Violin and Oboe in C minor, BWV 1060R: II. Adagio
harpsichord:
Christopher Hogwood (conductor, harpsichordist) (in 1974-08) and Nicholas Kraemer (harpsichordist and conductor) (in 1974-08)
oboe:
Tess Miller (oboist) (in 1974-08)
violin:
Carmel Kaine (violinist) (in 1974-08)
orchestra:
The Academy of St. Martin-in-the-Fields (Academy of St Martin in the Fields) (in 1974-08)
conductor:
Sir Neville Marriner (conductor) (in 1974-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1975)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (from 1973 until 1974, in 1974-08)
recording of:
Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) (in 1974-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio
is based on:
Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements)
part of:
Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)
Johann Sebastian Bach5:14
14Concerto for Violin and Strings in F major, op. 8 no. 3, RV 293 "L'autunno": 2. Adagio molto (Ubriachi dormienti)
recorded in:
Vienna, Austria (from 1959-04-29 until 1959-05-05) and Wien (Vienna), Austria (from 1959-04-29 until 1959-05-06)
engineer:
Tony Buczynski and Hans Lauterslager
producer:
Vittorio Negri (conductor)
solo violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-05)
violin:
Felix Ayo (violinist) (from 1959-04-29 until 1959-05-06)
orchestra:
I Musici (from 1959-04-29 until 1959-05-05, from 1959-04-29 until 1959-05-06)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1959-04-29 until 1959-05-05)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1959-04-29 until 1959-05-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:44
15Piccolo Concerto in C major, RV 443
producer:
Chris Hazell
piccolo:
William Bennett (flautist) (in 1975-07)
orchestra:
Academy of St Martin in the Fields (in 1975-07)
conductor:
Sir Neville Marriner (conductor) (in 1975-07)
balance engineer:
John Dunkerley (engineer) (in 1975-07) and Stanley Goodall (engineer) (in 1975-07)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1975-07)
compilation of:
Piccolo Concerto in C major, RV 443: I. Allegro by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Piccolo Concerto in C major, RV 443: II. Largo by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor) and Piccolo Concerto in C major, RV 443: III. Allegro molto by William Bennett (flautist), Iona Brown (violinist and director of the Academy of St Martin in the Fields), Christopher Hogwood (conductor, harpsichordist), Colin Tilney (harpsichordist), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
recording of:
Flautino Concerto in C major, RV 443 (in 1975-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Catalogo numerico-tematico delle opere strumentali (Fanna Catalogue, Antonio Vivaldi) (number: F. VI/4) and Ryom-Verzeichnis (number: RV 443)
Antonio Vivaldi10:49
16Concerto grosso no. 6 in D major, op. 3/6, HWV 317
producer:
Andrew Raeburn
oboe:
Michael Dobson (oboist) (on 1964-03-23) and Roger Lord (oboist) (on 1964-03-23)
orchestra:
Academy of St Martin in the Fields (on 1964-03-23)
conductor:
Sir Neville Marriner (conductor) (on 1964-03-23)
balance engineer:
Kenneth Wilkinson (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1964-03-23)
recording of:
Concerto grosso in D major, op. 3 no. 6, HWV 317 (on 1964-03-23)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Händel-Werke-Verzeichnis (number: HWV 317)
part of:
Concerti Grossi, op. 3, HWV 312–317
George Frideric Handel6:31
6▶Digital Media