Après-Ski Classics - Entspannen mit Klassik und Filmmusik

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1John Dunbar Theme (From "Dance With Wolves")
recorded in:
Culver City, California (Kalifornien), Vereinigte Staaten (in 1991-02)
Techniker(in):
Joel Moss (in 1991-02)
Produzent(in):
Michael Gore (producer)
Orchester:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und EMI Virgin Music Publishing
Teil von:
Dances With Wolves
John Barry2:28
2Thaïs: Méditation
flute:
Patrick Gallois (flutist)
Harfe:
Fabrice Pierre (harpist and conductor)
Orchester:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Ross Pople (New Zealand-born British conductor and cellist)
recording of:
Meditation from Thaïs (catch-all for arrangements)
Komponist(in):
Jules Massenet (French Romantic composer)
Arrangement von:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet5:09
3I giorni: Andante
Produzent(in):
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
Geige / Violine:
Daniel Hope (violinist) (in 2012-07)
Klavier:
Jacques Ammon (German-Chilean pianist) (in 2012-07)
Orchester:
Deutsches Kammerorchester Berlin (in 2012-07)
conductor:
Simon Halsey (conductor) (in 2012-07)
aufgenommen bei:
Funkhaus Nalepastraße in Berlin, Deutschland (in 2012-07)
recording of:
I giorni (catch-all for arrangements) (in 2012-07)
Komponist(in):
Ludovico Einaudi (Italian composer and pianist)
Arrangement von:
I giorni (for piano)
Ludovico Einaudi5:36
4Carmen Suite No. 1: Intermezzo
Produzent(in):
Vittorio Negri (conductor)
Orchester:
London Symphony Orchestra (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (in 1978-06)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1978-06)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
Teil von:
Carmen Suite no. 1
Georges Bizet3:04
5Chansons grises: 5. L'heure exquise
Cello:
Mischa Maisky (cellist)
Klavier:
Daria Hovora (pianist)
recording of:
Chansons grises: No. 5. L'Heure exquise
Texter:
Paul Verlaine (French poet)
Komponist(in):
Reynaldo Hahn (composer)
publisher:
Heugel
Teil von:
Chansons grises
Reynaldo Hahn3:29
6Piano Concerto No. 21 In C, K. 467: 2. Andante
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Klavier:
Friedrich Gulda (Austrian pianist and composer) (in 1974-09)
Orchester:
Wiener Philharmoniker (in 1974-09)
conductor:
Claudio Abbado (conductor) (in 1974-09)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1974-09)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1974-09)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:48
7Le Carnaval des animaux, R 125: Le cygne
recording engineer:
Wolf‐Dieter Karwatky
leitende(r) Produzent(in):
Dr. Marion Thiem
Produzent(in):
Sid McLauchlan (engineer/producer)
Cello:
Mischa Maisky (cellist) (in 1997-03)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (in 1997-03)
Tonmeister(in):
Stephan Flock
aufgenommen bei:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1997-03)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (in 1997-03)
Komponist(in):
Camille Saint‐Saëns (composer)
Arrangement von:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, two pianos and cello)
Teil von:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns4:07
8Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) und Stefan Flock
Sound-Engineering:
Andrew Wedman (producer and engineer)
Produzent(in):
Dr. Peter Czornyj und Werner Mayer (classical producer)
Editing:
Mark Buecker (engineer of classical recordings)
Klavier:
Андрей Гаврилов (Andrei Gawrilow, pianist) (in 1992-09)
Solo-Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1992-09)
Tonmeister(in):
Andrew Wedman (producer and engineer) (in 1992-09)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
aufgenommen bei:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen, Deutschland (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:46
9Gymnopédies, Orchestration Claude Debussy: 3. Lent et douloureux
recording engineer:
Stephan Flock
leitende(r) Produzent(in):
Alison Ames
Produzent(in):
Christian Gansch (conductor)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
Tonmeister(in):
Andrew Wedman (producer and engineer)
aufgenommen bei:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1995-04)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1995-04)
Orchestrator(in):
Claude Debussy (French composer) (in 1897)
Komponist(in):
Erik Satie (French composer) (in 1888)
Orchestrierung von:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Teil von:
Gymnopédies (orchestrated by Debussy)
Erik Satie3:01
10Gianni Schicchi: "O mio babbino caro"
Orchester:
BBC Concert Orchestra
conductor:
Barry Wordsworth (conductor)
instrumental recording of:
“O mio babbino caro” (from Gianni Schicchi) (catch‐all for arrangements)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
Arrangement von:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
instrumental recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini4:03
11Concerto for Lute, 2 Violins and Continuo in D, RV.93: 2. Largo
recording engineer:
Hans‐Peter Schweigmann (engineer)
Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Editing:
Hans‐Rudolf Müller (engineer) und Gregor Zielinsky (Balance engineer)
Gitarre:
Göran Söllscher (classical guitarist)
klassiche Gitarre:
Göran Söllscher (classical guitarist) (in 1984-09)
Orchester:
Camerata Bern (in 1984-09)
conductor:
Thomas Füri (violinist and conductor) (in 1984-09)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1984-09)
aufgenommen bei:
Studio Radio DRS in Bern, Bern (Kanton Bern), Schweiz (in 1984-09)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1984-09)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:04
12Das wohltemperierte Klavier: Book 1, BWV 846-869: Prelude In C Major BWV 846
Klavier:
Hélène Grimaud (French pianist) (in 2003-09)
aufgenommen bei:
Radiohuset in Stockholm, Stockholms län (Stockholm county), Schweden (in 2003-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Bach Compendium (Nummer: BC L 80) und Bach-Werke-Verzeichnis (Nummer: BWV 846)
Teil von:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach2:43
13"Nostradamus" Film Soundtrack: Love Theme
Soprangesang:
Sarah Eaton (soprano)
Tenor-Gesang:
Andrew Gant
Orchester:
London Metropolitan Orchestra
conductor:
Barrington Pheloung (composer)
Barrington Pheloung4:16
14Les Contes d'Hoffmann, Act 4: Entr'acte (Barcarolle)
Orchester:
Gothenburg Symphony Orchestra
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (Hoffmanns Erzählungen: Barcarole, catch-all for arrangements)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Arrangement von:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach4:33
15Una mattina
recording engineer:
Ludovico Einaudi (Italian composer and pianist) und Michael Seberich (Italian engineer and producer)
Produzent(in):
Ludovico Einaudi (Italian composer and pianist)
Mix:
Michael Seberich (Italian engineer and producer)
Klavier:
Ludovico Einaudi (Italian composer and pianist) und Alessandro Simonetto (producer / engineer / pianist / harpsichordist)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italien (in 2004-06)
recording of:
Una mattina
Komponist(in):
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi4.653:22
16Variations on an Original Theme, Op. 36 ("Enigma Variations"): 9. Adagio (Nimrod)
Produzent(in):
Wolfgang Stengel
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (in 1987-04)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1987-04)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
Komponist(in):
Edward Elgar (composer) (in 1899)
gewidmet:
Augustus J. Jaeger
Teil von:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:00
17Suite bergamasque, L.75: 3. Clair de lune
Produzent(in):
Werner Mayer (classical producer)
Klavier:
Alexis Weissenberg (von 1985-01 bis 1985-02)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
aufgenommen bei:
Friedrich-Ebert-Halle in Hamburg, Deutschland (von 1985-01 bis 1985-02)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (von 1985-01 bis 1985-02)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
enthalten in:
Granblue Fantasy (video game soundtrack)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:04
18Lakmé, Act I, Flower Duet: Viens, Mallika, les lianes en fleurs... Dôme épais, le jasmin (Excerpt)
Mezzosoprangesang:
Elīna Garanča (Latvian operatic lyric mezzo-soprano)
Soprangesang:
Anna Netrebko (soprano)
vocals:
Anna Netrebko (soprano)
Orchester:
SWR Sinfonieorchester Baden‐Baden und Freiburg
conductor:
Marco Armiliato (conductor)
teilweise recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 2007-07)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
Komponist(in):
Léo Delibes (French composer)
Librettist:
Philippe Gille und Edmond Gondinet
publisher:
Jenkinsongs Ltd.
Teil von:
Lakmé : Acte I
Léo Delibes5:01
2▼CD
Nr.TitelKünstlerBewertungLänge
1Peer Gynt Suite No. 1, Op. 46: 1. Morning Mood
Produzent(in):
Michel Glotz
Orchester:
Berliner Philharmoniker (von 1982-01-27 bis 1982-02-18)
conductor:
Herbert von Karajan (conductor) (von 1982-01-27 bis 1982-02-18)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1982-01-27 bis 1982-02-18)
aufgenommen bei:
Berliner Philharmonie in Mitte, Berlin, Deutschland (von 1982-01-27 bis 1982-02-18)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (von 1982-01-27 bis 1982-02-18)
Komponist(in):
Edvard Grieg (composer) (in 1875)
überarbeitet von:
Edvard Grieg (composer) (in 1888)
Version von:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
Teil von:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:05
2Canon and Gigue in D Major
Produzent(in):
Dr. Manfred Richter (Producer for Deutsche Grammophon)
Cembalo:
Eduard Kaufmann (classical organ and harpsichord player) (in 1967-05)
Saiteninstrumente:
Lucerne Festival Strings (in 1967-05)
conductor:
Rudolf Baumgartner (conductor) (in 1967-05)
Tonmeister(in):
Günter Hermanns (producer/engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968)
aufgenommen bei:
Verkehrshaus in Lucerne (Luzern), Luzern (Kanton Luzern), Schweiz (in 1967-05)
recording of:
Canon and Gigue in D major, T. 337 (arr. Max Seiffert) (in 1967-05)
Komponist(in):
Johann Pachelbel (composer)
arranger:
Max Seiffert
Arrangement von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel8:02
3Cavalleria Rusticana: Intermezzo sinfonico
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Giuseppe Sinopoli (conductor) (in 1990)
recording of:
Cavalleria rusticana: Intermezzo (in 1990)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:16
4Suite No. 3 In D, BWV 1068: 2. Air
leitende(r) Produzent(in):
Dr. Andreas Holschneider
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Bratsche / Viola:
Trevor Jones (British violist, ex. Salomon Quartet) (in 1978-06)
Cello:
Anthony Pleeth (cellist) (in 1978-06)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
Geige / Violine:
Monica Huggett (violinist) (in 1978-06) und Simon Standage (English violinist and conductor) (in 1978-06)
Querflöten (alle Arten):
Stephen Preston (flutist) (in 1978-06)
Violone:
Richard Webb (cellist) (in 1978-06)
Orchester:
The English Concert (in 1978-06)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1978-06)
Tonmeister(in):
Karl-August Naegler (balance engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1979) und Polydor International GmbH (not for release label use!) (in 1979)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1978-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1978-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:49
5Dawn
assistierende(r) Techniker(in):
Olga FitzRoy, Jake Jackson (recording engineer) und Nick Taylor (UK recording engineer)
Techniker(in):
Nick Wollage
Produzent(in):
Dario Marianelli (Italian score composer)
Editing:
James Bellamy (editor)
Klavier:
Jean‐Yves Thibaudet (pianist)
Orchester:
English Chamber Orchestra
conductor:
Benjamin Wallfisch (English score composer)
Orchestrator(in):
Benjamin Wallfisch (English score composer)
phonographisches Urheberrecht (℗) von:
Universal Classics & Jazz (Japanese label division - read the annotation before using!)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Air-Edel Recording Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Dawn (Pride and Prejudice, 2005)
Komponist(in):
Dario Marianelli (Italian score composer)
Teil von:
Pride and Prejudice
Dario Marianelli52:35
6Jeux Interdits: Spanish Romance
assistierende(r) Techniker(in):
Olga FitzRoy (in 2010-12)
Techniker(in):
Daniel Kemper (in 2010-12) und Rainer Maillard (in 2010-12)
leitende(r) Produzent(in):
Dr. Alexander Buhr
Produzent(in):
Sid McLauchlan (engineer/producer)
Gitarre:
Miloš Karadaglić (classical guitarist) (in 2010-12)
Orchester:
English Chamber Orchestra (in 2010-12)
conductor:
Paul Watkins (Welsh cellist and conductor) (in 2010-12)
arranger:
Chris Hazell
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (in 2010-12)
recording of:
Jeux Interdits: Spanish Romance (arr. for guitar and orchestra)
Arrangement von:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
[anonymous]2:58
7Gabriel's Oboe
Orchester:
Prague Philharmonia (Prager Philharmoniker) (in 1999-05) und Prague Philharmonia (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
aufgenommen bei:
Smecky Music Studios in Praha (Prague), Tschechien (in 1999-05)
recording of:
Gabriel’s Oboe (The Mission, main theme) (in 1999-05)
publisher:
Ennio Morricone (Italian classical and score composer)
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
Teil von:
The Mission
Ennio Morricone3:14
8Pavane pour une infante défunte
Produzent(in):
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
Editing:
Joachim Niss
Orchester:
Boston Symphony Orchestra (am 1970-02-02)
conductor:
Claudio Abbado (conductor) (am 1970-02-02)
Tonmeister(in):
Günter Hermanns (producer/engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1970)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1970-02-02)
recording of:
Pavane pour une infante défunte (orchestrated version) (am 1970-02-02)
Orchestrator(in):
Maurice Ravel (French composer) (in 1910)
Komponist(in):
Maurice Ravel (French composer) (in 1899)
publisher:
Editions Max Eschig
Teil von:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 19a)
Orchestrierung von:
Pavane pour une infante défunte (original version for solo piano)
Maurice Ravel6:43
9Merry Christmas Mr. Lawrence
recording engineer:
Fernando Aponte
assistierende(r) Techniker(in):
Timmy Olmstead und Jason Stasium
Partner-Produzent(in):
Norika Sora (Sky) (producer)
Produzent(in):
Ryuichi Sakamoto (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
Mix:
Fernando Aponte und Ryuichi Sakamoto (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
Klavier:
Ryuichi Sakamoto (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
Klavier-Techniker:
Phil Romano (technician) und Kazuya Tsujio
aufgenommen bei:
Right Track Recording, Studio A509 in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
KAB Studios (NYC) in New York, New York, Vereinigte Staaten
recording of:
Merry Christmas, Mr. Lawrence (Merry Christmas, Mr. Lawrence, Main Theme)
Komponist(in):
坂本龍一 (Ryūichi Sakamoto, Japanese composer, pianist, singer, songwriter)
publisher:
EMI Virgin Music und やのミュージック (Yano Music)
Teil von:
Classic 100: Piano (2025) (Nummer: 37)
Teil von:
Merry Christmas, Mr. Lawrence
Ryuichi Sakamoto4:41
10Opus: Exposition
Interpret(in):
Schiller (German producer Christopher von Deylen)
recording of:
Opus: Exposition
Verfasser(in):
Christopher von Deylen
Christopher von Deylen3:29
11Rhapsody on a Theme of Paganini
Klavier:
Hélène Grimaud (French pianist)
Interpret(in):
Schiller (German producer Christopher von Deylen)
teilweise recording of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Komponist(in):
Sergei Rachmaninoff (Sergei Rachmaninow, Russian composer) (von 1934-07-03 bis 1934-08-18)
Premiere bei:
[concert] (1934-11-07)
publisher:
Boosey & Hawkes Music Publishers, Ltd (in 1934)
Premiere bei:
Modell Performing Arts Center at the Lyric in Baltimore, Maryland, Vereinigte Staaten (am 1934-11-07)
Teil von:
Classic 100: Piano (2025) (Nummer: 9) und Works of Sergei Rachmaninoff by opus number (Nummer: op. 43)
basiert auf:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Sergei Rachmaninoff1:30
12Nocturne
Instrumente:
Secret Garden
vocals:
Gunhild Tvinnereim
conductor:
John Tate (conductor & orchestrator)
recording of:
Nocturne (English version)
Texter:
Petter Skavlan
Komponist(in):
Rolf Løvland
übersetzte Version von:
Nocturne (original Norwegian version)
Rolf Løvland3:11
13The Gadfly, Op. 97: 3. Youth (Romance)
Produzent(in):
Andrew Cornall (engineer / producer)
Geige / Violine:
Alexander Kerr (violinist) (in 1998-09)
Orchester:
Koninklijk Concertgebouworkest (Concertgebouworkest Amsterdam) (in 1998-09)
conductor:
Riccardo Chailly (conductor) (in 1998-09)
aufgenommen bei:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1998-09)
recording of:
The Gadfly, op. 97: III. Youth. Allegretto moderato (in 1998-09)
Komponist(in):
Дмитрий Дмитриевич Шостакович (Dmitri Dmitrijewitsch Schostakowitsch, composer) (in 1955)
Teil von:
The Gadfly, op. 97
Dmitri Shostakovich3:47
14Any Other Name ("American Beauty" Soundtrack)
Interpret(in):
Thomas Newman (American score composer)
recording of:
Any Other Name
Orchestrator(in):
Thomas Pasatieri
Komponist(in):
Thomas Newman (American score composer)
publisher:
Cherry Lane Music und Cherry Lane Music Publishing Company Inc.
Teil von:
American Beauty (1999)
Thomas Newman4:05
15Jocelyn (Opera in 4 Acts): Berceuse
flute:
Patrick Gallois (flutist)
Harfe:
Fabrice Pierre (harpist and conductor)
vocals und conductor:
Ross Pople (New Zealand-born British conductor and cellist)
Orchester:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
recording of:
Jocelyn, op. 100: Acte II. Berceuse (catch-all for arrangements)
Komponist(in):
Benjamin Godard (French violinist and composer, 1849-1895)
Arrangement von:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
recording of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
Komponist(in):
Benjamin Godard (French violinist and composer, 1849-1895) (am 1888-02-25)
Librettist:
Victor Capoul und Paul-Armand Silvestre
Teil von:
Jocelyn, op. 100: Acte II
Benjamin Godard2:58
16Nocturne No. 2 in E-Flat, Op. 9 No. 2
Interpret(in):
Yundi Li (pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830 bis 1832)
Teil von:
Classic 100: Piano (2025) (Nummer: 3), Classic 100: Piano (2004) (Nummer: 18) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 109)
Teil von:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin4:19
17Cavatina (Arranged by John Williams)
Techniker(in):
Lars Finnström (engineer) (von 1981-05 bis 1981-06)
klassiche Gitarre:
Göran Söllscher (classical guitarist) (von 1981-05 bis 1981-06)
Gitarre arranger:
John Williams (classical guitarist)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1981) und PolyGram AB (in 1981)
aufgenommen bei:
Mastersound Recording Studios (Skurup) in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden (von 1981-05 bis 1981-06)
recording of:
Cavatina (theme from The Deer Hunter, for guitar) (von 1981-05 bis 1981-06)
Komponist(in):
Stanley Myers
publisher:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. und Robbins Music Corp. Ltd.
Stanley Myers3:31
18Recomposed by Max Richter: Vivaldi, The Four Seasons: Spring 1
recording engineer:
Neil Hutchinson (sound engineer) (von 2012-03-12 bis 2012-03-13)
Produzent(in):
Max Richter (German pianist and score composer)
Mix:
Neil Hutchinson (sound engineer) und Max Richter (German pianist and score composer)
Editing:
Jenni Whiteside (engineer)
Bratsche / Viola:
Felix Korinth, Matthias Benker, Katja Plagens und Ernst-Martin Schmidt (violist)
Cembalo:
Raphael Alpermann (keyboard instrumentalist) (von 2012-03-12 bis 2012-03-13)
Geige / Violine [First violin]:
Karoline Bestehorn, Christoph Kulicke und Alicia Lagger
Geige / Violine [Second violin]:
Cornelia Dill, Johanness Jahnel, Jana Krämer und Ulrike Töppen
Klavier:
Max Richter (German pianist and score composer)
Moog:
Max Richter (German pianist and score composer) (von 2012-03-12 bis 2012-03-13)
Solo-Geige / Violine:
Daniel Hope (violinist) (von 2012-03-12 bis 2012-03-13)
Orchester:
Konzerthaus Kammerorchester Berlin (von 2012-03-12 bis 2012-03-13)
conductor:
André de Ridder (conductor) (von 2012-03-12 bis 2012-03-13)
concertmaster:
Sayako Kusaka (violinist)
aufgenommen bei:
b‐sharp in Berlin, Deutschland (von 2012-03-12 bis 2012-03-13)
recording of:
The Four Seasons: Spring 1 (von 2012-03-12 bis 2012-03-13)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
zusätzliche(r) Komponist(in):
Max Richter (German pianist and score composer)
arranger:
Max Richter (German pianist and score composer)
Arrangement von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro)
Teil von:
The Four Seasons Recomposed
Max Richter2:33
19Requiem, Op. 48: 7. In Paradisum
vocals:
Rundfunkchor Leipzig
Orchester:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:29
20Nuovo Cinema Paradiso
Orchester:
Prague Philharmonia (Prager Philharmoniker) (in 1999-05) und Prague Philharmonia (in 1999-05)
conductor:
Nick Ingman (in 1999-05)
arranger:
Nick Ingman
aufgenommen bei:
Smecky Music Studios in Praha (Prague), Tschechien (in 1999-05)
recording of:
Nuovo Cinema Paradiso (Main theme) (in 1999-05)
Orchestrator(in) und Komponist(in):
Ennio Morricone (Italian classical and score composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Teil von:
Nuovo Cinema Paradiso (soundtrack)
Ennio Morricone3:09

Nennungen

Veröffentlichung

ASIN:DE: B00HAXS3AE [Info]