Après-Ski Classics - Entspannen mit Klassik und Filmmusik

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1John Dunbar Theme (From "Dance With Wolves")
recorded in:
Culver City, California, United States (in 1991-02)
engineer:
Joel Moss (in 1991-02)
producer:
Michael Gore (producer)
orchestra:
Hollywood Bowl Orchestra (in 1991-02)
conductor:
John Mauceri (conductor) (in 1991-02)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1991) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1991)
recording of:
John Dunbar Theme (Dances With Wolves) (in 1991-02)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:28
2Thaïs: Méditation
flute:
Patrick Gallois (flutist)
harp:
Fabrice Pierre (harpist and conductor)
orchestra:
London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople)
conductor:
Ross Pople (New Zealand-born British conductor and cellist)
recording of:
Meditation from Thaïs (catch-all for arrangements)
composer:
Jules Massenet (French Romantic composer)
arrangement of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
Jules Massenet5:09
3I giorni: Andante
producer:
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
piano:
Jacques Ammon (German-Chilean pianist) (in 2012-07)
violin:
Daniel Hope (violinist) (in 2012-07)
orchestra:
Deutsches Kammerorchester Berlin (in 2012-07)
conductor:
Simon Halsey (conductor) (in 2012-07)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-07)
recording of:
I giorni (catch-all for arrangements) (in 2012-07)
composer:
Ludovico Einaudi (Italian composer and pianist)
arrangement of:
I giorni (for piano)
Ludovico Einaudi5:36
4Carmen Suite No. 1: Intermezzo
producer:
Vittorio Negri (conductor)
orchestra:
London Symphony Orchestra (in 1978-06)
conductor:
Sir Neville Marriner (conductor) (in 1978-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1978-06)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (in 1978-06)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet3:04
5Chansons grises: 5. L'heure exquise
cello:
Mischa Maisky (cellist)
piano:
Daria Hovora (pianist)
recording of:
Chansons grises: No. 5. L'Heure exquise
lyricist:
Paul Verlaine (French poet)
composer:
Reynaldo Hahn (composer)
publisher:
Heugel
part of:
Chansons grises
Reynaldo Hahn3:29
6Piano Concerto No. 21 In C, K. 467: 2. Andante
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Friedrich Gulda (pianist) (in 1974-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1974-09)
conductor:
Claudio Abbado (conductor) (in 1974-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1974-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1974-09)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1974-09)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:48
7Le Carnaval des animaux, R 125: Le cygne
recording engineer:
Wolf‐Dieter Karwatky
executive producer:
Dr. Marion Thiem
producer:
Sid McLauchlan (engineer/producer)
cello:
Mischa Maisky (cellist) (in 1997-03)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1997-03)
balance engineer:
Stephan Flock
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (in 1997-03)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements) (in 1997-03)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns4:07
8Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria
recording engineer:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) and Stefan Flock
sound engineer:
Andrew Wedman (producer and engineer)
producer:
Dr. Peter Czornyj and Werner Mayer (classical producer)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Андрей Гаврилов (Andrei Gavrilov, pianist) (in 1992-09)
solo piano:
Andrei Gavrilov (pianist) (in 1992-09)
balance engineer:
Andrew Wedman (producer and engineer) (in 1992-09)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Friedrich-von-Thiersch-Saal in Wiesbaden, Hessen (Hesse), Germany (in 1992-09)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Aria da capo (closing) (in 1992-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:46
9Gymnopédies, Orchestration Claude Debussy: 3. Lent et douloureux
recording engineer:
Stephan Flock
executive producer:
Alison Ames
producer:
Christian Gansch (conductor)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1995-04)
balance engineer:
Andrew Wedman (producer and engineer)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1995-04)
recording of:
Gymnopédies: II. Lent et douloureux (Satie’s Gymnopédie no. 1 orchestrated by Debussy) (in 1995-04)
orchestrator:
Claude Debussy (French composer) (in 1897)
composer:
Erik Satie (French composer) (in 1888)
orchestration of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
part of:
Gymnopédies (orchestrated by Debussy)
Erik Satie3:01
10Gianni Schicchi: "O mio babbino caro"
orchestra:
BBC Concert Orchestra
conductor:
Barry Wordsworth (conductor)
instrumental recording of:
“O mio babbino caro” (from Gianni Schicchi) (catch‐all for arrangements)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
arrangement of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
instrumental recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini4:03
11Concerto for Lute, 2 Violins and Continuo in D, RV.93: 2. Largo
recording engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
editor:
Hans‐Rudolf Müller (engineer) and Gregor Zielinsky (Balance engineer)
classical guitar:
Göran Söllscher (classical guitarist) (in 1984-09)
guitar:
Göran Söllscher (classical guitarist)
orchestra:
Camerata Bern (in 1984-09)
conductor:
Thomas Füri (violinist and conductor) (in 1984-09)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1984-09)
recorded at:
Studio Radio DRS in Bern, Bern (Canton of Bern), Switzerland (in 1984-09)
recording of:
Concerto for Lute in D major, RV 93: II. Largo (in 1984-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Lute in D major, RV 93
Antonio Vivaldi5:04
12Das wohltemperierte Klavier: Book 1, BWV 846-869: Prelude In C Major BWV 846
piano:
Hélène Grimaud (French pianist) (in 2003-09)
recorded at:
Radiohuset in Stockholm, Stockholms län (Stockholm county), Sweden (in 2003-09)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2003-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Bach Compendium (number: BC L 80) and Bach-Werke-Verzeichnis (number: BWV 846)
part of:
The Well-Tempered Clavier, Book I
Johann Sebastian Bach2:43
13"Nostradamus" Film Soundtrack: Love Theme
soprano vocals:
Sarah Eaton (soprano)
tenor vocals:
Andrew Gant
orchestra:
London Metropolitan Orchestra
conductor:
Barrington Pheloung (composer)
Barrington Pheloung4:16
14Les Contes d'Hoffmann, Act 4: Entr'acte (Barcarolle)
orchestra:
Gothenburg Symphony Orchestra
conductor:
Neeme Järvi (Estonian conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach4:33
15Una mattina
recording engineer:
Ludovico Einaudi (Italian composer and pianist) and Michael Seberich (Italian engineer and producer)
producer:
Ludovico Einaudi (Italian composer and pianist)
mixer:
Michael Seberich (Italian engineer and producer)
piano:
Ludovico Einaudi (Italian composer and pianist) and Alessandro Simonetto (producer / engineer / pianist / harpsichordist)
produced at:
Piccolo Teatro Milan in Milano (Milan), Milano, Lombardia, Italy (in 2004-06)
recording of:
Una mattina
composer:
Ludovico Einaudi (Italian composer and pianist)
Ludovico Einaudi4.653:22
16Variations on an Original Theme, Op. 36 ("Enigma Variations"): 9. Adagio (Nimrod)
producer:
Wolfgang Stengel
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1987-04)
conductor:
Giuseppe Sinopoli (conductor) (in 1987-04)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1987-04)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1987-04)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (in 1987-04)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Edward Elgar4:00
17Suite bergamasque, L.75: 3. Clair de lune
producer:
Werner Mayer (classical producer)
piano:
Alexis Weissenberg (from 1985-01 until 1985-02)
balance engineer:
Klaus Hiemann (engineer/producer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (from 1985-01 until 1985-02)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (from 1985-01 until 1985-02)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
part of:
Classic 100: Piano (2004) (number: 3)
included in:
Granblue Fantasy (video game soundtrack)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy5:04
18Lakmé, Act I, Flower Duet: Viens, Mallika, les lianes en fleurs... Dôme épais, le jasmin (Excerpt)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano)
soprano vocals:
Anna Netrebko (soprano)
vocals:
Anna Netrebko (soprano)
orchestra:
SWR Sinfonieorchester Baden‐Baden und Freiburg (SWR Baden-Baden and Freiburg Symphony Orchestra)
conductor:
Marco Armiliato (conductor)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (in 2007-07)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes5:01
2▶CD

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ASIN:DE: B00HAXS3AE [info]