Messiah

~ Release by Handel; Gaechinger Cantorey, Hans-Christoph Rademann (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Messiah, HWV 56, Pt. 1 (1742 Version): No. 1, Symphony
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:09
2Messiah, HWV 56, Pt. 1 (1742 Version): No. 2, Comfort Ye My People
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:44
3Messiah, HWV 56, Pt. 1 (1742 Version): No. 3, Ev'ry Valley Shall Be Exalted
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:20
4Messiah, HWV 56, Pt. 1 (1742 Version): No. 4, And the Glory of the Lord
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:43
5Messiah, HWV 56, Pt. 1 (1742 Version): No. 5, Thus Saith the Lord of Hosts
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:29
6Messiah, HWV 56, Pt. 1 (1742 Version): No. 6, But Who May Abide the Day of His Coming
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide”
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:24
7Messiah, HWV 56, Pt. 1 (1742 Version): No. 7, And He Shall Purify the Sons of Levi
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:17
8Messiah, HWV 56, Pt. 1 (1742 Version): No. 8, Behold, a Virgin Shall Conceive
alto vocals:
Benno Schachtner (countertenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:21
9Messiah, HWV 56, Pt. 1 (1742 Version): No. 9a, O Thou That Tellest Good Tidings to Zion
alto vocals:
Benno Schachtner (countertenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
partial recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:39
10Messiah, HWV 56, Pt. 1 (1742 Version): No. 9b, O Thou That Tellest Good Tidings to Zion
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
partial recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:34
11Messiah, HWV 56, Pt. 1 (1742 Version): No. 10, For Behold, Darkness Shall Cover the Earth
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:25
12Messiah, HWV 56, Pt. 1 (1742 Version): No. 11, The People That Walked in the Darkness Have Seen a Great Light
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:08
13Messiah, HWV 56, Pt. 1 (1742 Version): No. 12, For unto Us a Child Is Born
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:54
14Messiah, HWV 56, Pt. 1 (1742 Version): No. 13, Pastoral Symphoy
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:49
15Messiah, HWV 56, Pt. 1 (1742 Version): No. 14a, There Were Shepherds Abiding in the Fields
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 14a. Recitative “There were shepherds, abiding in the field” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
George Frideric Handel0:12
16Messiah, HWV 56, Pt. 1 (1742 Version): No. 14b, And Lo, the Angel of the Lord
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 14b. Recitative “And lo! the angel of the Lord come upon them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano)
George Frideric Handel0:20
17Messiah, HWV 56, Pt. 1 (1742 Version): No. 15, And the Angel Said unto Them
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:33
18Messiah, HWV 56, Pt. 1 (1742 Version): No. 16, And Suddenly There Was with the Angel
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:17
19Messiah, HWV 56, Pt. 1 (1742 Version): No. 17, Glory to God in the Highest
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:49
20Messiah, HWV 56, Pt. 1 (1742 Version): No. 18, Rejoice Greatly, O Daughter of Zion
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel7:46
21Messiah, HWV 56, Pt. 1 (1742 Version): No. 19, Then Shall the Eyes of the Blind Be Opened
alto vocals:
Benno Schachtner (countertenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:29
22Messiah, HWV 56, Pt. 1 (1742 Version): No. 20, He Shall Feed His Flock like a Shepherd
alto vocals:
Benno Schachtner (countertenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:55
23Messiah, HWV 56, Pt. 1 (1742 Version): No. 21, His Yoke Is Easy
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:20
24Messiah, HWV 56, Pt. 2 (1742 Version): No. 22, Behold the Lamb of God
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:26
25Messiah, HWV 56, Pt. 2 (1742 Version): No. 23, He Was Despised and Rejected of Men
alto vocals:
Benno Schachtner (countertenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel10:49
26Messiah, HWV 56, Pt. 2 (1742 Version): No. 24, Surely He Has Borne Our Griefs and Carried Our Sorrows
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:41
27Messiah, HWV 56, Pt. 2 (1742 Version): No. 25, And with His Stripes We Are Healed
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:51
28Messiah, HWV 56, Pt. 2 (1742 Version): No. 26, All We Like Sheep Have Gone Astray
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:24
2▼Digital Media
#TitleArtistRatingLength
1Messiah, HWV 56, Pt. 2 (1742 Version): No. 27, All They That See Him Laugh Him to Scorn
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:42
2Messiah, HWV 56, Pt. 2 (1742 Version): No. 28, He Trusted in God That He Would Deliver Him
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:13
3Messiah, HWV 56, Pt. 2 (1742 Version): No. 29, Thy Rebuke Hath Broken His Heart
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
4Messiah, HWV 56, Pt. 2 (1742 Version): No. 30, Behold and See if There Be Any Sorrow
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:30
5Messiah, HWV 56, Pt. 2 (1742 Version): No. 31, He Was Cut Off
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
6Messiah, HWV 56, Pt. 2 (1742 Version): No. 32, But Thou Didst Not Leave His Soul in Hell
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:22
7Messiah, HWV 56, Pt. 2 (1742 Version): No. 33, Lift-Up Your Heads, O Ye Gates
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:57
8Messiah, HWV 56, Pt. 2 (1742 Version): No. 34, Unto Which of the Angels
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:17
9Messiah, HWV 56, Pt. 2 (1742 Version): No. 35, Let All the Angels of God Worship Him
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:25
10Messiah, HWV 56, Pt. 2 (1742 Version): No. 36, Thou Art Gone-Up on High
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:16
11Messiah, HWV 56, Pt. 2 (1742 Version): No. 37, The Lord Gave the Word
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:11
12Messiah, HWV 56, Pt. 2 (1742 Version): No. 38, How Beautiful Are the Feet
alto vocals:
Tobias Knaus (counter-tenor) and Benno Schachtner (countertenor)
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:36
13Messiah, HWV 56, Pt. 2 (1742 Version): No. 40, Why Do the Nations So Furiously Rage Together
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:27
14Messiah, HWV 56, Pt. 2 (1742 Version): No. 41, Let Us Break Their Bonds Asunder
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:39
15Messiah, HWV 56, Pt. 2 (1742 Version): No. 42, He That Dwelleth in Heaven
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:13
16Messiah, HWV 56, Pt. 2 (1742 Version): No. 43, Thou Shalt Break Him
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:14
17Messiah, HWV 56, Pt. 2 (1742 Version): No. 44, Hallelujah
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:42
18Messiah, HWV 56, Pt. 3 (1742 Version): No. 45, I Know That My Reedemer Liveth
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:28
19Messiah, HWV 56, Pt. 3 (1742 Version): No. 46, Since by Man Came Death
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:01
20Messiah, HWV 56, Pt. 3 (1742 Version): No. 47, Behold, I Tell You a Mystery
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:37
21Messiah, HWV 56, Pt. 3 (1742 Version): No. 48, The Trumpet Shall Sound
bass vocals:
Tobias Berndt (baritone)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:54
22Messiah, HWV 56, Pt. 3 (1742 Version): No. 49, Then Shall Be Brought to Pass
alto vocals:
Benno Schachtner (countertenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:16
23Messiah, HWV 56, Pt. 3 (1742 Version): No. 50, O Death, Where Is Thy Sting
alto vocals:
Benno Schachtner (countertenor)
tenor vocals:
Benedikt Kristjánsson (tenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:11
24Messiah, HWV 56, Pt. 3 (1742 Version): No. 51, But Thanks Be to God
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:38
25Messiah, HWV 56, Pt. 3 (1742 Version): No. 52, If God Be for Us, Who Can Be Against Us
alto vocals:
Benno Schachtner (countertenor)
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Alto) (version transposed for Alto)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
part of:
Messiah, HWV 56: Part III
George Frideric Handel5:24
26Messiah, HWV 56, Pt. 3 (1742 Version): No. 53, Worthy Is the Lamb
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 53a. Chorus “Worthy is the Lamb”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel3:13
27Messiah, HWV 56, Pt. 3 (1742 Version): No. 54, Amen
choir vocals:
Gaechinger Cantorey
orchestra:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
recorded at:
Margarethenkirche (Gotha) in Gotha, Thüringen (Thuringia), Germany (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 53b. Chorus “Amen”
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel3:45

Credits

Release

mixer, editor and mastering:Florian B. Schmidt (classical engineer and producer)
producer:Florian B. Schmidt (classical engineer and producer) (task: recording producer)
Paul Smaczny
recording engineer:Aki Matusch
streaming page:https://music.apple.com/us/album/1502126503 [info]