Messiah

~ Veröffentlichung von Handel; Gaechinger Cantorey, Hans-Christoph Rademann (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Messiah, HWV 56, Pt. 2 (1742 Version): No. 27, All They That See Him Laugh Him to Scorn
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel0:42
2Messiah, HWV 56, Pt. 2 (1742 Version): No. 28, He Trusted in God That He Would Deliver Him
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel2:13
3Messiah, HWV 56, Pt. 2 (1742 Version): No. 29, Thy Rebuke Hath Broken His Heart
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel1:39
4Messiah, HWV 56, Pt. 2 (1742 Version): No. 30, Behold and See if There Be Any Sorrow
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel1:30
5Messiah, HWV 56, Pt. 2 (1742 Version): No. 31, He Was Cut Off
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel0:17
6Messiah, HWV 56, Pt. 2 (1742 Version): No. 32, But Thou Didst Not Leave His Soul in Hell
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel2:22
7Messiah, HWV 56, Pt. 2 (1742 Version): No. 33, Lift-Up Your Heads, O Ye Gates
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel2:57
8Messiah, HWV 56, Pt. 2 (1742 Version): No. 34, Unto Which of the Angels
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel0:17
9Messiah, HWV 56, Pt. 2 (1742 Version): No. 35, Let All the Angels of God Worship Him
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel1:25
10Messiah, HWV 56, Pt. 2 (1742 Version): No. 36, Thou Art Gone-Up on High
Bass-Gesang:
Tobias Berndt (baritone)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:16
11Messiah, HWV 56, Pt. 2 (1742 Version): No. 37, The Lord Gave the Word
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel1:11
12Messiah, HWV 56, Pt. 2 (1742 Version): No. 38, How Beautiful Are the Feet
Chorgesang:
Gaechinger Cantorey
Hochgesang:
Tobias Knaus (counter-tenor) und Benno Schachtner (countertenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
basiert auf:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:36
13Messiah, HWV 56, Pt. 2 (1742 Version): No. 40, Why Do the Nations So Furiously Rage Together
Bass-Gesang:
Tobias Berndt (baritone)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel1:27
14Messiah, HWV 56, Pt. 2 (1742 Version): No. 41, Let Us Break Their Bonds Asunder
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel1:39
15Messiah, HWV 56, Pt. 2 (1742 Version): No. 42, He That Dwelleth in Heaven
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel0:13
16Messiah, HWV 56, Pt. 2 (1742 Version): No. 43, Thou Shalt Break Him
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel0:14
17Messiah, HWV 56, Pt. 2 (1742 Version): No. 44, Hallelujah
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel3:42
18Messiah, HWV 56, Pt. 3 (1742 Version): No. 45, I Know That My Reedemer Liveth
Soprangesang:
Dorothee Mields (German soprano)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel5:28
19Messiah, HWV 56, Pt. 3 (1742 Version): No. 46, Since by Man Came Death
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel2:01
20Messiah, HWV 56, Pt. 3 (1742 Version): No. 47, Behold, I Tell You a Mystery
Bass-Gesang:
Tobias Berndt (baritone)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel0:37
21Messiah, HWV 56, Pt. 3 (1742 Version): No. 48, The Trumpet Shall Sound
Bass-Gesang:
Tobias Berndt (baritone)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel8:54
22Messiah, HWV 56, Pt. 3 (1742 Version): No. 49, Then Shall Be Brought to Pass
Hochgesang:
Benno Schachtner (countertenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel0:16
23Messiah, HWV 56, Pt. 3 (1742 Version): No. 50, O Death, Where Is Thy Sting
Hochgesang:
Benno Schachtner (countertenor)
Tenor-Gesang:
Benedikt Kristjánsson (tenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel1:11
24Messiah, HWV 56, Pt. 3 (1742 Version): No. 51, But Thanks Be to God
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel2:38
25Messiah, HWV 56, Pt. 3 (1742 Version): No. 52, If God Be for Us, Who Can Be Against Us
Hochgesang:
Benno Schachtner (countertenor)
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Alto) (version transposed for Alto)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Version von:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano)
Teil von:
Messiah, HWV 56: Part III
George Frideric Handel5:24
26Messiah, HWV 56, Pt. 3 (1742 Version): No. 53, Worthy Is the Lamb
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 53a. Chorus “Worthy is the Lamb”
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel3:13
27Messiah, HWV 56, Pt. 3 (1742 Version): No. 54, Amen
Chorgesang:
Gaechinger Cantorey
Orchester:
Gaechinger Cantorey
conductor:
Hans-Christoph Rademann (choral conductor)
aufgenommen bei:
Margarethenkirche (Gotha) in Gotha, Thüringen, Deutschland (in 2019-09)
recording of:
Messiah, HWV 56: Part III, no. 53b. Chorus “Amen”
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
George Frideric Handel3:45

Nennungen

Veröffentlichung

Mix, Editing und mastering:Florian B. Schmidt (classical engineer and producer)
Produzent(in):Florian B. Schmidt (classical engineer and producer) (Aufgabe: recording producer)
Paul Smaczny
recording engineer:Aki Matusch
Streaming-Seite:https://music.apple.com/us/album/1502126503 [Info]