Die kompletten Werke, Volume 23: Magnificat / Ein Choralbuch

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

Magnificat D-Dur:

Christine Schäfer - Sopran I
Ibolya Verebics - Sopran II
Ingeborg Danz - Alt
James Taylor - Tenor
Thomas Quasthoff - Bass

Magnificat Es-Dur:

Sibylla Rubens - Sopran I
Ruth Sandhoff - Sopran II
Ingeborg Danz - Alt
Marcus Ullmann - Tenor
Klaus Häger - Bass

CD1 Aufnahmeort: Stadthalle Leonberg (BWV 243), Stadthalle Sindelfingen. Aufnahmezeit: BWV 243: Januar 1995. BWV 1082 & 1083: Januar 1999. BWV 246/40a & 1088: März 1999.
CD2 Aufnamheort: Stadthallen Sindelfingen & Leonberg. Aufnahmezeit: April-Juni 1999 (Kantaten), März 2000 (BWV 232 & 243a)
CD3 Aufnahmeort: Stadthalle Sindelfingen (Choräle), Pfarrkirche St. Martin, Staufen im Breisgau (Orgel). Aufnahmezeit: Januar/April/September 1998 (Choräle), Februar 1999 (Orgel)
CD4 Aufnahmeort: Stadthalle Sindelfingen (Choräle), Pfarrkirche St. Martin, Staufen im Breisgau/Saessolsheim, Elsaß (Orgel). Aufnahmezeit: Januar/April/September 1998 (Choräle), Februar 1999 (Staufen) & Juli 1999 (Saessolsheim) (Orgel)

Annotation last modified on 2014-06-19 18:40 UTC.

Tracklist

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1▼CD: Magnificat BWV 243
#TitleArtistRatingLength
1Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
choir vocals:
Gächinger Kantorei Stuttgart (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:53
2Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
soprano vocals:
Ibolya Verebics (soprano) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:25
3Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
soprano vocals:
Christine Schäfer (soprano) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:36
4Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes"
choir vocals:
Gächinger Kantorei Stuttgart (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:17
5Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna"
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:06
6Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
soprano vocals:
Ingeborg Danz (mezzo soprano) (in 1995-01)
tenor vocals:
James Taylor (operatic tenor) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:46
7Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
choir vocals:
Gächinger Kantorei Stuttgart (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
8Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes"
tenor vocals:
James Taylor (operatic tenor) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:58
9Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1995-01)
tenor vocals:
James Taylor (operatic tenor) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:57
10Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1995-01)
soprano vocals:
Christine Schäfer (soprano) (in 1995-01) and Ibolya Verebics (soprano) (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:58
11Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est"
choir vocals:
Gächinger Kantorei Stuttgart (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:57
12Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri"
choir vocals:
Gächinger Kantorei Stuttgart (in 1995-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1995-01)
conductor:
Helmuth Rilling (conductor) (in 1995-01)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany (in 1995-01)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1995-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:17
13Suscepit Israel puerum suum, BWV 1082
choir vocals:
Gächinger Kantorei Stuttgart (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Suscepit Israel puerum suum, BWV 1082 (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1082)
Johann Sebastian Bach1:55
14Aus der Tiefen rufe ich, Herr, zu Dir, BWV 246/40a
choir vocals:
Gächinger Kantorei Stuttgart (in 1999-03)
tenor vocals:
James Taylor (operatic tenor) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
Aus der Tiefen rufe ich, Herr, zu Dir, BWV 246/40a (in 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach1:05
15So heb ich denn mein Auge sehnlich auf, BWV 1088
bass vocals:
Thomas Quasthoff (bass-baritone) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
So heb ich denn mein Auge sehnlich auf, BWV 1088 (in 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1088), Bach Compendium (number: BC D 10/2) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 1088 / 247‑>)
Johann Sebastian Bach2:11
16Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:14
17Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten"
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:53
18Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:29
19Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:02
20Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:50
21Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach0:43
22Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben"
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria (soprano): Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:21
23Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:18
24Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:18
25Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach4:39
26Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut portem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:54
27Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:39
28Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto) (in 1999-01)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-01)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-01)
conductor:
Helmuth Rilling (conductor) (in 1999-01)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-01)
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 1999-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:48
2▼CD: Geistliche Vokalwerke
#TitleArtistRatingLength
1Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:53
2Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit"
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:17
3Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:29
4Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit"
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:28
5Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:14
6Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna"
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:02
7Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:20
8Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:25
9Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:53
10Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:02
11Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes"
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:55
12Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:55
13Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:58
14Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03) and Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:39
15Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:49
16Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:11
17h-Moll-Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro "Credo in unum Deum"
choir vocals:
Gächinger Kantorei Stuttgart (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
18h-Moll-Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) "Et in unum Dominum"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-03)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-03)
soprano vocals [Soprano I]:
Sibylla Rubens (soprano) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:01
19Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Bass) "Wie, daß der Liebe hohe Kraft"
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Bass) "Wie, daß der Liebe hohe Kraft" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
Johann Sebastian Bach0:39
20Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Tenor) e Recitativo (Alt) "Siehe, also wird gesegnet"
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
tenor vocals:
Christoph Prégardien (tenor) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Tenor) e Recitativo (Alt) "Siehe, also wird gesegnet" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
Johann Sebastian Bach4:58
21Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": VI. Recitativo (Sopran) "Das ist vor dich, o ehrenwürdger Mann"
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": VII. Recitativo (Sopran) "Das ist vor dich, o ehrenwürdger Mann" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
Johann Sebastian Bach0:55
22Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte"
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach0:53
23Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle"
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach5:41
24Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück"
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:34
25Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke"
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach3:23
26Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth"
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (from 1528 until 1529)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach1:31
27Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen"
alto vocals:
Ingeborg Danz (mezzo soprano) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach7:01
28Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott"
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach1:35
29Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren"
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach1:45
30Kantate, BWV 197a "Ehre sei Gott in der Höhe": V. Recitativo (Bass) "Das Kind ist mein"
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": V. Recitativo (Bass) "Das Kind ist mein" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
Johann Sebastian Bach1:30
31Kantate, BWV 197a "Ehre sei Gott in der Höhe": VI. Aria (Bass) "Ich lasse dich nicht"
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VI. Aria (Bass) "Ich lasse dich nicht" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
Johann Sebastian Bach3:07
32Kantate, BWV 197a "Ehre sei Gott in der Höhe": VII. Choral "Wohlan! so will ich mich"
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VII. Choral "Wohlan! so will ich mich" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
Johann Sebastian Bach1:05
3▼CD: Ein Choralbuch: Deutsche Messe
#TitleArtistRatingLength
1Choralvorspiel, BWV 709 / Choralsatz, BWV 332 "Herr Jesu Christ, dich zu uns wend"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 332 "Herr Jesu Christ, dich zu uns wend" (in 1998-09)
lyricist:
William, Duke of Saxe-Weimar (German hymn writer and duke)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 139) and Bach-Werke-Verzeichnis (number: BWV 332)
recording of:
Herr Jesu Christ, dich zu uns wend, BWV 709 (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Chorale Preludes, Kirnberger Collection (number: 20), Bach Compendium (number: BC K 150) and Bach-Werke-Verzeichnis (number: BWV 709)
Johann Sebastian Bach3:48
2Choralsatz, BWV 373 "Liebster Jesu, wir sind hier"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 373 "Liebster Jesu, wir sind hier" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Tobias Clausnitzer (German hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 228) and Bach-Werke-Verzeichnis (number: BWV 373)
Johann Sebastian Bach1:49
3Choralvorspiel, BWV 672 / Choralsatz, BWV 371,1 "Kyrie, Gott Vater in Ewigkeit" / Choralvorspiel, BWV 673 / Choralsatz, BWV 371,2 "Christe, aller Welt Trost" / Choralvorspiel, BWV 674 / Choralsatz, BWV 371,3 "Kyrie, Gott heiliger Geist"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
compilation of:
BWV 371 Chorale - Kyrie by Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble), Helmuth Rilling (conductor)
recording of:
Choralsatz, BWV 371 "Kyrie, Gott Vater in Ewigkeit": I. "Kyrie, Gott Vater in Ewigkeit" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit"
recording of:
Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit": II. "Christe, aller Welt Trost" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit"
recording of:
Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit": III. "Kyrie, Gott heiliger Geist" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Choralsatz, BWV 371 "Kyrie! Gott Vater in Ewigkeit"
recording of:
Choralbearbeitung, BWV 672 "Kyrie, Gott Vater in Ewigkeit" (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 4), Bach Compendium (number: BC K 4) and Bach-Werke-Verzeichnis (number: BWV 672)
recording of:
Choralbearbeitung, BWV 673 "Christe, aller Welt Trost" (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 5), Bach Compendium (number: BC K 5) and Bach-Werke-Verzeichnis (number: BWV 673)
recording of:
Choralbearbeitung, BWV 674 "Kyrie, Gott heiliger Geist" (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 6), Bach Compendium (number: BC K 6) and Bach-Werke-Verzeichnis (number: BWV 674)
Johann Sebastian Bach7:49
4Choralvorspiel, BWV 715 / Choralsatz, BWV 260 "Allein Gott in der Höh sei Ehr" / Choralvorspiel, BWV 711 / Choralsatz, BWV 260 "Allein Gott in der Höh sei Ehr"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choral, BWV 260 "Allein Gott in der Höh sei Ehr" (in 1998-09)
lyricist:
Nikolaus Decius
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 12) and Bach-Werke-Verzeichnis (number: BWV 260)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
recording of:
Allein Gott in der Höh sei Ehr, BWV 711 (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Chorale Preludes, Kirnberger Collection (number: 22) and Bach-Werke-Verzeichnis (number: BWV 711)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
recording of:
Allein Gott in der Höh sei Ehr, BWV 715 (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 715)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach6:29
5Choralvorspiel, BWV 635 / Choralsatz, BWV 298 "Dies sind die heilgen zehn Gebot"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choral, BWV 298 "Dies sind die heil'gen zehn Gebot'" (in 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 66) and Bach-Werke-Verzeichnis (number: BWV 298)
recording of:
Dies sind die heil’gen zehn Gebot’, BWV 635 (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 37) and Bach-Werke-Verzeichnis (number: BWV 635)
Johann Sebastian Bach2:42
6Choralsatz, BWV 437 "Wir glauben all an einen Gott" / Choralvorspiel, BWV 681
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 437 "Wir glauben all an einen Gott" (in 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 437) and Breitkopf 389 Choralgesänge (number: 382)
recording of:
Choralbearbeitung, BWV 681 "Wir glauben all' an einen Gott" (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 13), Bach Compendium (number: BC K 13) and Bach-Werke-Verzeichnis (number: BWV 681)
Johann Sebastian Bach8:01
7Choralsatz, BWV 325 "Heilig, heilig, heilig"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 325 "Heilig, heilig, heilig" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 123) and Bach-Werke-Verzeichnis (number: BWV 325)
Johann Sebastian Bach1:10
8Choralvorspiel, BWV 636 / Choralsatz, BWV 416 (245,5) "Vater unser im Himmelreich"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 416 "Vater unser im Himmelreich" (in 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 416) and Breitkopf 389 Choralgesänge (number: 316)
recording of:
Vater unser im Himmelreich, BWV 636 (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 38) and Bach-Werke-Verzeichnis (number: BWV 636)
Johann Sebastian Bach2:33
9Choralsatz, BWV 401 "O Lamm Gottes, unschuldig" / Choralvorspiel, BWV 618
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 401 "O Lamm Gottes, unschuldig" (in 1998-09)
lyricist:
Nikolaus Decius
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 285) and Bach-Werke-Verzeichnis (number: BWV 401)
recording of:
Choralvorspiele für Orgel in F-Dur, BWV 618 "O Lamm Gottes, unschuldig"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 20) and Bach-Werke-Verzeichnis (number: BWV 618)
Johann Sebastian Bach8:24
10Choralsatz, BWV 363 "Jesus Christus unser Heiland" / Choralvorspiel, BWV 689
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choral, BWV 363 "Jesus Christus unser Heiland" (in 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 206) and Bach-Werke-Verzeichnis (number: BWV 363)
recording of:
Jesus Christus, unser Heiland (Fuga super), BWV 689 (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 21), Bach Compendium (number: BC K 21) and Bach-Werke-Verzeichnis (number: BWV 689)
Johann Sebastian Bach6:51
11Choralsatz, BWV 322 "Gott sei gelobet und gebenedeiet"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 322 "Gott sei gelobet und gebenedeiet" (in 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 119) and Bach-Werke-Verzeichnis (number: BWV 322)
Johann Sebastian Bach3:30
12Choralsatz, BWV 328 "Herr Gott, dich loben wir" / Choralvorspiel, BWV 725
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Pfarrkirche St. Martin in Staufen im Breisgau, Baden-Württemberg, Germany and Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 328 "Herr Gott, dich loben wir" (in 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 133) and Bach-Werke-Verzeichnis (number: BWV 328)
recording of:
Herr Gott, dich loben wir, BWV 725 (in 1999-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 725)
Johann Sebastian Bach17:28
4▼CD: Ein Choralbuch: Kleinere Feste, Psalmlieder
#TitleArtistRatingLength
1Choralvorspiel, BWV 616 / Choralsatz, BWV 382 "Mit Fried und Freud ich fahr dahin"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 382 "Mit Fried und Freud ich fahr dahin" (from 1998-01 until 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 249) and Bach-Werke-Verzeichnis (number: BWV 382)
recording of:
Mit Fried und Freud ich fahr dahin, BWV 616
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Das Orgel-Büchlein (number: 18) and Bach-Werke-Verzeichnis (number: BWV 616)
Johann Sebastian Bach3:29
2Choralsatz, BWV 337 "Herr, nun laß in Friede"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 337 "Herr, nun laß in Friede" (from 1998-01 until 1998-09)
lyricist:
David Behme (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 148) and Bach-Werke-Verzeichnis (number: BWV 337)
Johann Sebastian Bach2:21
3Choralvorspiel, BWV 732 / Choralsatz, BWV 376 "Lobt Gott, ihr Christen allzugleich"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 376 "Lobt Gott, ihr Christen allzugleich" (from 1998-01 until 1998-09)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 234) and Bach-Werke-Verzeichnis (number: BWV 376)
recording of:
Lobt Gott, ihr Christen, allzugleich, BWV 732.2 (former BWV 732)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 732), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 732.2), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 732), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 732) and Bach Compendium (number: BC K 117)
revision of:
Lobt Gott, ihr Christen, allzugleich, BWV 732.1 (former BWV 732a)
Johann Sebastian Bach3:09
4Choralvorspiel, BWV 685 / Choralsatz, BWV 280 "Christ unser Herr zum Jordan kam"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choral, BWV 280 "Christ, unser Herr, zum Jordan kam" (from 1998-01 until 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 43) and Bach-Werke-Verzeichnis (number: BWV 280)
recording of:
Choralbearbeitung, BWV 685 "Christ, unser Herr, zum Jordan kam"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 17), Bach Compendium (number: BC K 17) and Bach-Werke-Verzeichnis (number: BWV 685)
Johann Sebastian Bach3:23
5Choralsatz, BWV 309 "Es stehn vor Gottes Throne"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 309 "Es stehn vor Gottes Throne" (from 1998-01 until 1998-09)
lyricist:
Ludwig Helmbold
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 93) and Bach-Werke-Verzeichnis (number: BWV 309)
Johann Sebastian Bach1:18
6Choralsatz, BWV 326 "Herr Gott, dich loben alle wir"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 326 "Herr Gott, dich loben alle wir" (from 1998-01 until 1998-09)
lyricist:
Paul Eber
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 129) and Bach-Werke-Verzeichnis (number: BWV 326)
Johann Sebastian Bach2:20
7Choralvorspiel, BWV 677: Fughetta super "Allein Gott in der Höh sei Ehr"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralvorspiel, BWV 677: Fughetta super "Allein Gott in der Höh sei Ehr"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1739)
part of:
Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 9), Bach Compendium (number: BC K 9) and Bach-Werke-Verzeichnis (number: BWV 677)
is based on:
Allein Gott in der Höh sei Ehr (Choral)
Johann Sebastian Bach1:10
8Choralsatz, BWV 324 "Meine Seele erhebet den Herren" / Choralvorspiel, BWV 733: Fuga sopra il Magnificat
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 324 "Meine Seele erhebet den Herren" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 121) and Bach-Werke-Verzeichnis (number: BWV 324)
recording of:
Meine Seele erhebet den Herren (Fuga sopra il Magnificat), BWV 733
composer:
Johann Ludwig Krebs (German composer and organist)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 733), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 733), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 733) and Bach Compendium (number: BC K 120)
Johann Sebastian Bach8:58
9Choralsatz, BWV 267 "An Wasserflüssen Babylon" / Choralvorspiel, BWV 653a
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 267 "An Wasserflüssen Babylon" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 23) and Bach-Werke-Verzeichnis (number: BWV 267)
recording of:
Choralvorspiel, BWV 653a "An Wasserflüssen Babylon"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 653a)
Johann Sebastian Bach7:03
10Choralsatz, BWV 258 "Wo Gott der Herr nicht bei uns hält"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 258 "Wo Gott der Herr nicht bei uns hält" (from 1998-01 until 1998-09)
lyricist:
Justus Jonas (Hymn-Writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 258) and Breitkopf 389 Choralgesänge (number: 383)
Johann Sebastian Bach1:01
11Choralsatz, BWV 438 & 1123 "Wo Gott zum Haus nicht gibt sein Gunst"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 438 "Wo Gott zum Haus nicht gibt sein Gunst" (from 1998-01 until 1998-09)
lyricist:
Johannes Kolrose (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 438) and Breitkopf 389 Choralgesänge (number: 389)
recording of:
Choralsatz, BWV 1123 "Wo Gott zum Haus nicht gibt sein Gunst" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1123)
Johann Sebastian Bach1:42
12Choralsatz, BWV 308 "Es spricht der Unweisen Mund wohl"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 308 "Es spricht der Unweisen Mund wohl" (from 1998-01 until 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 92) and Bach-Werke-Verzeichnis (number: BWV 308)
Johann Sebastian Bach1:02
13Choralsatz, BWV 323 "Gott sei uns gnädig und barmherzig"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 323 "Gott sei uns gnädig und barmherzig" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 120) and Bach-Werke-Verzeichnis (number: BWV 323)
Johann Sebastian Bach0:41
14Choralsatz, BWV 312 & 311 "Es woll uns Gott genädig sein"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 311 "Es woll uns Gott genädig sein" (from 1998-01 until 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 95) and Bach-Werke-Verzeichnis (number: BWV 311)
recording of:
Choralsatz, BWV 312 "Es woll uns Gott genädig sein" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Martin Luther (German theologian of the Reformation)
part of:
Breitkopf 389 Choralgesänge (number: 96) and Bach-Werke-Verzeichnis (number: BWV 312)
Johann Sebastian Bach4:24
15Choralsatz, BWV 338 "Herr, straf mich nicht in deinem Zorn"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 338 "Herr, straf mich nicht in deinem Zorn" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 149) and Bach-Werke-Verzeichnis (number: BWV 338)
Johann Sebastian Bach1:05
16Choralsatz, BWV 372 "Laß, o Herr, dein Ohr sich neigen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 372 "Laß, o Herr, dein Ohr sich neigen" (from 1998-01 until 1998-09)
lyricist:
Martin Opitz (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 226) and Bach-Werke-Verzeichnis (number: BWV 372)
Johann Sebastian Bach1:14
17Choralsatz, BWV 427 "Wenn ich in Angst und Not"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 427 "Wenn ich in Angst und Not" (from 1998-01 until 1998-09)
lyricist:
Matthäus Appeles von Löwenstern (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 427) and Breitkopf 389 Choralgesänge (number: 352)
Johann Sebastian Bach0:58
18Choralsatz, BWV 305 "Erbarm dich mein, o Herre Gott" / Choralvorspiel, BWV 721
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 305 "Erbarm dich mein, o Herre Gott" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Erhart Hegenwalt (German hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 78) and Bach-Werke-Verzeichnis (number: BWV 305)
recording of:
Erbarm' dich mein, o Herre Gott, BWV 721
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 721) and Bach Compendium (number: BC K 107)
Johann Sebastian Bach5:37
19Choralsatz, BWV 374 "Lobet den Herren, denn er ist sehr freundlich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 374 "Lobet den Herren, denn er ist sehr freundlich" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 232) and Bach-Werke-Verzeichnis (number: BWV 374)
Johann Sebastian Bach1:19
20Choralsatz, BWV 286 "Danket dem Herren, denn er ist sehr freundlich"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 286 "Danket dem Herren, denn er ist sehr freundlich" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Johann Horn (hymn writer)
part of:
Breitkopf 389 Choralgesänge (number: 53) and Bach-Werke-Verzeichnis (number: BWV 286)
Johann Sebastian Bach0:32
21Choralsatz, BWV 1126 "Lobet Gott, unsern Herren"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 1126 "Lobet Gott, unsern Herren" (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1126)
Johann Sebastian Bach1:04
22Choralsatz, BWV 411 "Singt dem Herrn ein neues Lied"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 411 "Singt dem Herrn ein neues Lied" (from 1998-01 until 1998-09)
lyricist:
Matthäus Appeles von Löwenstern (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 411) and Breitkopf 389 Choralgesänge (number: 309)
Johann Sebastian Bach1:06
23Choralsatz, BWV 390 "Nun lob, mein Seel, den Herren"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 390 "Nun lob, mein Seel, den Herren" (from 1998-01 until 1998-09)
lyricist:
Johann Gramann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 270) and Bach-Werke-Verzeichnis (number: BWV 390)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
Johann Sebastian Bach1:41
24Choralsatz, BWV 303 "Ein feste Burg ist unser Gott" / Choralvorspiel, BWV 720 / Kantate, BWV 80b: I. Choral "Ein feste Burg ist unser Gott"
organ:
Gerhard Gnann (German organist)
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Choralsatz, BWV 303 "Ein feste Burg ist unser Gott" (from 1998-01 until 1998-09)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 75) and Bach-Werke-Verzeichnis (number: BWV 303)
recording of:
Kantate, BWV 80b: I. Choral "Ein feste Burg ist unser Gott" (incomplete work) (from 1998-01 until 1998-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 80b)
recording of:
Ein feste Burg ist unser Gott, BWV 720
composer:
Johann Michael Bach (1648-1694, son of Heinrich Bach)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 720)
is based on:
Ein feste Burg ist unser Gott
Johann Sebastian Bach5:36