Die kompletten Werke, Volume 23: Magnificat / Ein Choralbuch

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

Magnificat D-Dur:

Christine Schäfer - Sopran I
Ibolya Verebics - Sopran II
Ingeborg Danz - Alt
James Taylor - Tenor
Thomas Quasthoff - Bass

Magnificat Es-Dur:

Sibylla Rubens - Sopran I
Ruth Sandhoff - Sopran II
Ingeborg Danz - Alt
Marcus Ullmann - Tenor
Klaus Häger - Bass

CD1 Aufnahmeort: Stadthalle Leonberg (BWV 243), Stadthalle Sindelfingen. Aufnahmezeit: BWV 243: Januar 1995. BWV 1082 & 1083: Januar 1999. BWV 246/40a & 1088: März 1999.
CD2 Aufnamheort: Stadthallen Sindelfingen & Leonberg. Aufnahmezeit: April-Juni 1999 (Kantaten), März 2000 (BWV 232 & 243a)
CD3 Aufnahmeort: Stadthalle Sindelfingen (Choräle), Pfarrkirche St. Martin, Staufen im Breisgau (Orgel). Aufnahmezeit: Januar/April/September 1998 (Choräle), Februar 1999 (Orgel)
CD4 Aufnahmeort: Stadthalle Sindelfingen (Choräle), Pfarrkirche St. Martin, Staufen im Breisgau/Saessolsheim, Elsaß (Orgel). Aufnahmezeit: Januar/April/September 1998 (Choräle), Februar 1999 (Staufen) & Juli 1999 (Saessolsheim) (Orgel)

Annotation last modified on 2014-06-19 18:40 UTC.

Tracklist

1▶CD: Magnificat BWV 243
2▼CD: Geistliche Vokalwerke
#TitleArtistRatingLength
1Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: I. Coro "Magnificat anima mea Dominum" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:53
2Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit"
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIa. Aria (Sopran II) "Et exsultavit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:17
3Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IIb. Coro (a-cappella) "Vom Himmel hoch" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:29
4Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit"
soprano vocals:
Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: III. Aria (Sopran I) "Quia respexit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:28
5Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IV. Coro "Omnes generationes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:14
6Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna"
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Va. Aria (Bass) "Quia fecit mihi magna" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:02
7Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: Vb. Coro "Freut euch und jubiliert" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:20
8Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VI. Aria (Alt, Tenor) "Et misericordia" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach3:25
9Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIa. Coro "Fecit potentiam" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:53
10Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIIb. Coro "Gloria in excelsis Deo" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:02
11Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes"
tenor vocals:
Marcus Ullmann (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: VIII. Aria (Tenor) "Deposuit potentes" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:55
12Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXa. Aria (Alt) "Esurientes implevit bonis" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:55
13Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit"
bass vocals:
Klaus Häger (Bariton) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: IXb. Aria (Sopran, Bass) "Virga Jesse floruit" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:58
14Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 2000-03)
soprano vocals:
Sibylla Rubens (soprano) (in 2000-03) and Ruth Sandhoff (mezzo-soprano) (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:39
15Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XI. Coro "Sicut locutus est" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach1:49
16Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio"
choir vocals:
Gächinger Kantorei Stuttgart (in 2000-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 2000-03)
conductor:
Helmuth Rilling (conductor) (in 2000-03)
recording of:
Magnificat Es-Dur, BWV 243a: XII. Coro "Gloria Patri et filio" (in 2000-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1723)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat Es-Dur, BWV 243a
Johann Sebastian Bach2:11
17h-Moll-Messe, BWV 232/II: XIII. Symbolum Nicenum: Coro "Credo in unum Deum"
choir vocals:
Gächinger Kantorei Stuttgart (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:08
18h-Moll-Messe, BWV 232/II: XV. Symbolum Nicenum: Aria (Sopran, Alt) "Et in unum Dominum"
alto vocals:
Ingeborg Danz (mezzo soprano) (in 1999-03)
soprano vocals:
Christiane Oelze (German soprano) (in 1999-03)
soprano vocals [Soprano I]:
Sibylla Rubens (soprano) (in 1999-03)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1999-03)
conductor:
Helmuth Rilling (conductor) (in 1999-03)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1999-03)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1993-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:01
19Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Bass) "Wie, daß der Liebe hohe Kraft"
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Bass) "Wie, daß der Liebe hohe Kraft" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
Johann Sebastian Bach0:39
20Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Tenor) e Recitativo (Alt) "Siehe, also wird gesegnet"
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
tenor vocals:
Christoph Prégardien (tenor) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Tenor) e Recitativo (Alt) "Siehe, also wird gesegnet" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
Johann Sebastian Bach4:58
21Kantate, BWV 34a "O ewiges Feuer, o Ursprung der Liebe": VI. Recitativo (Sopran) "Das ist vor dich, o ehrenwürdger Mann"
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe": VII. Recitativo (Sopran) "Das ist vor dich, o ehrenwürdger Mann" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 34.1 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34a)
Johann Sebastian Bach0:55
22Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte"
soprano vocals:
Sibylla Rubens (soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": II. Recitativo (Sopran) "Ach, daß ich tausend Zungen hätte" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach0:53
23Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle"
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": III. Aria (Tenor) "Meine Seele, auf, erzähle" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach5:41
24Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück"
alto vocals:
Anke Vondung (German mezzo-soprano) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele": IV. Recitativo (Alt) "Gedenk ich nur zurück" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 69a "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:34
25Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke"
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": II. Recitativo (Bass, Tenor) e Coro "Wie wunderbar, o Gott, sind deine Werke" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach3:23
26Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth"
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": V. Recitativo (Tenor, Coro) "Herr Zebaoth" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Martin Luther (German theologian of the Reformation) (from 1528 until 1529)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach1:31
27Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen"
alto vocals:
Ingeborg Danz (mezzo soprano) (from 1999-04 until 1999-06)
tenor vocals:
Marcus Ullmann (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VI. Aria (Alt, Tenor) "Herr, fange an und sprich den Segen" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach7:01
28Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott"
bass vocals:
Andreas Schmidt (bass-baritone & teacher) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VII. Recitativo (Bass) "Der Herr, Herr unser Gott" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach1:35
29Kantate, BWV 120a "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren"
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge": VIII. Choral "Lobe den Herren" (former 120a) (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 120.2 "Herr Gott, Beherrscher aller Dinge" (format BWV 120a)
Johann Sebastian Bach1:45
30Kantate, BWV 197a "Ehre sei Gott in der Höhe": V. Recitativo (Bass) "Das Kind ist mein"
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": V. Recitativo (Bass) "Das Kind ist mein" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
Johann Sebastian Bach1:30
31Kantate, BWV 197a "Ehre sei Gott in der Höhe": VI. Aria (Bass) "Ich lasse dich nicht"
bass vocals:
Michael Volle (baritone) (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VI. Aria (Bass) "Ich lasse dich nicht" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
Johann Sebastian Bach3:07
32Kantate, BWV 197a "Ehre sei Gott in der Höhe": VII. Choral "Wohlan! so will ich mich"
choir vocals:
Gächinger Kantorei Stuttgart (from 1999-04 until 1999-06)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (from 1999-04 until 1999-06)
conductor:
Helmuth Rilling (conductor) (from 1999-04 until 1999-06)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (from 1999-04 until 1999-06)
recording of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe": VII. Choral "Wohlan! so will ich mich" (from 1999-04 until 1999-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 197a "Ehre sei Gott in der Höhe"
Johann Sebastian Bach1:05
3▶CD: Ein Choralbuch: Deutsche Messe
4▶CD: Ein Choralbuch: Kleinere Feste, Psalmlieder