80’s Top 100

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Relax
Techniker(in):
Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) und Anne Dudley (English score composer) (in 1983)
Gast-Perkussion:
Luís Jardim (in 1983)
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
Sologesang:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) und Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) und Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1983)
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax (in 1983)
Texter:
Holly Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Notorious
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1986)
recording of:
Notorious
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Skintrade Music Ltd.
Duran Duran4:00
3New Sensation
Techniker(in):
David Nicholas (Australian recording engineer and producer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
INXS (in 1994)
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1987)
Musikvideos:
New Sensation (music video) von INXS
recording of:
New Sensation
Verfasser(in):
Andrew Farriss (in band INXS) und Michael Hutchence
publisher:
PolyGram Music Publishing, Tol Muziek, Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell (Warner/Chappell Music, Inc.)
INXS3.953:40
4Avalon
Produzent(in):
Rhett Davies und Roxy Music
Mix:
Bob Clearmountain
Bassgitarre:
Alan Spenner (von 1981 bis 1982)
Gitarre:
Neil Hubbard (von 1981 bis 1982) und Phil Manzanera (von 1981 bis 1982)
Keyboard und Sologesang:
Bryan Ferry (von 1981 bis 1982)
Perkussion:
Jimmy Maelen (percussion) (von 1981 bis 1982)
Saxophon:
Andy Mackay (of Roxy Music) (von 1981 bis 1982)
Schlagzeug:
Andy Newmark (von 1981 bis 1982)
Hintergrundgesang:
Yannick Etienne (von 1981 bis 1982) und Fonzi Thornton (von 1981 bis 1982)
Interpret(in):
Roxy Music (von 1981 bis 1982)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (vom 1982 bis heute, in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982, in 1999, in 2003)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1981 bis 1982)
recording of:
Avalon (von 1981 bis 1982)
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4.154:13
5It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.753:54
6Alive and Kicking
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
Verfasser(in):
Charlie Burchill, Jim Kerr (of Simple Minds) und Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. und Simple Minds Ltd
Simple Minds5:00
7Eyes Without a Face
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Sal Cuevas (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Keyboard:
Judi Dozier (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Hintergrundgesang:
Perri Lister (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
Bearbeitung von:
Eyes Without a Face von Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol34:10
8Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
recording of:
Bette Davis Eyes
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
9Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16) und Warner/Chappell Music Ltd. (1996–2019)
J. Geils Band43:37
10I Can’t Go for That (No Can Do)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
Texter:
Sara Allen, Daryl Hall und John Oates
Komponist(in):
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:45
11We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:41
12It’s Only Love
assistierende(r) Techniker(in):
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov und Michael Sauvage
Techniker(in):
Roger Monk und Bob Clearmountain (von 1984-03-27 bis 1984-09-23)
Partner-Produzent(in):
Jim Vallance
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Mix:
Bob Clearmountain (am 1984-09-23)
E-Bass [bass]:
Dave (Bass player (Bryan Adams) and engineer) (von 1984-03-27 bis 1984-09-23)
Gitarre [lead guitar]:
Keith (Canadian guitarist) (von 1984-03-27 bis 1984-09-23)
Gitarre [rhythm guitar] und Sologesang [vocals]:
BA (Canadian singer/songwriter) (von 1984-03-27 bis 1984-09-23)
Keyboard [keyboards]:
Tommy (von 1984-03-27 bis 1984-09-23)
Schlagzeug [drums]:
Mickey (von 1984-03-27 bis 1984-09-23)
Sologesang:
Tina Turner (am 1984-06-29)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1984) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984, in 1988)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada (von 1984-03-27 bis 1984-09-23, am 1984-06-29)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1984-09-23)
Teil von:
The Downloader’s Music Source Book (Nummer: 184)
recording of:
It’s Only Love (von 1984-03-27 bis 1984-09-23)
komponiert in und Liedtext geschrieben in:
Vancouver, British Columbia, Kanada (in 1983-12)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1983-12-30) und Jim Vallance (am 1983-12-30)
publisher:
Adams Communications Inc. (, in 1984), Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Testatyme Music, Calypso Toonz (in 1984) und Rondor Music (London) Ltd. (in 1984)
Bryan Adams & Tina Turner3.83:16
13Everybody Have Fun Tonight
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1986)
recording of:
Everybody Have Fun Tonight
Verfasser(in):
Nick Feldman, Jack Hues, Wang Chung und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
Chong Music Ltd., Spirit One Music und Warner Bros. Music Co., Ltd.
Wang Chung3:52
14Harvest for the World
Produzent(in):
S. & M. Young (Martyn Young & Steven Young)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1988)
Musikvideos:
Harvest for the World von The Christians
cover recording of:
Harvest for the World
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
The Christians3:58
15Satellite
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1987)
recording of:
Satellite
Verfasser(in):
Eric Bazilian, Rick Chertoff und Rob Hyman
publisher:
Dub Notes Music (publisher), Hobbler Music, Human Boy Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. und WB Music Corp. (1929–2019)
The Hooters4:16
16On the Radio
Produzent(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
On the Radio (Foxes)
Verfasser(in):
Giorgio Moroder und Donna Summer (soul/disco diva)
publisher:
Budde Music Inc. (US publisher), Edition Intro Meisel GmbH, Neue Welt Musikverlag GmbH (2017 – present), Rick S. Music (publishing company associated with Casablanca), Sweet Summer Night Music, Warner/Chappell Music GmbH & Co. KG Germany, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Teil von:
Foxes (1980 film soundtrack)
Donna Summer4.654:04
17I Won’t Let the Sun Go Down on Me
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistierende(r) Techniker(in):
Roger Howorth
Produzent(in):
Peter Collins (producer)
Mix:
Julian Mendelsohn (Australian record producer and engineer)
zusätzlich Bass:
Paul Westwood (bassist) (in 1983)
Sologesang:
Nik Kershaw (in 1983)
arranger:
Nik Kershaw
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1983) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
recording of:
I Won’t Let the Sun Go Down on Me (in 1983)
Texter und Komponist(in):
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Mamal und Rondor Music (London) Ltd.
Nik Kershaw3.53:22
18Tinseltown in the Rain
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
recording of:
Tinseltown in the Rain
Verfasser(in):
Robert Bell (The Blue Nile) und Paul Buchanan (Scottish alt. pop musician, of Blue Nile)
publisher:
Flag 22 (publisher)
The Blue Nile4:26
19The More You Live, the More You Love
Produzent(in):
Steve Lovell (record producer and musical director; aka Bernard Gazda)
phonographisches Urheberrecht (℗) von:
Zomba Productions Limited (in 1984) und Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
recording of:
The More You Live, the More You Love
Verfasser(in):
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score und Mike Score
publisher:
Universal Music–Z Tunes LLC, Zomba Enterprises, Inc. und Zomba Music Publishing (music publisher – add no releases here!)
A Flock of Seagulls4:06
20Moments in Love
Produzent(in):
Trevor Horn
Gast vocals:
Camilla Pilkington
vocals:
Camilla Pilkington
arranger:
Trevor Horn
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
Samples:
Boogie Woogie Bugle Boy von The Andrews Sisters
recording of:
Moments in Love
Komponist(in):
Anne Dudley (English score composer), Trevor Horn, J.J. Jeczalik, Gary Langan und Paul Morley
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS), SPZ Music, Inc. (BMI affiliated) und Unforgettable Songs Ltd.
Art of Noise4.654:33
2▼CD
Nr.TitelKünstlerBewertungLänge
1One Night in Bangkok
phonographisches Urheberrecht (℗) von:
Three Knights, Ltd. (in 1984)
recording of:
One Night in Bangkok
Texter:
Tim Rice
Komponist(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MdW (publisher) und RCA Music Ltd. (publisher)
Teil von:
Chess (full musical)
Murray Head3:36
2Troy
recording engineer:
Caroline (Eden) (engineer), Ian (Oasis) (engineer, Oasis Studios?) und Jaybee (engineer)
Techniker(in):
Kevin Moloney
Koproduzent(in):
Kevin Moloney
Produzent(in):
Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Fachtna Ó Ceallaigh, Kevin Moloney und Sinéad O’Connor (Irish singer‐songwriter)
Akustikgitarre [ac. gtrs.] und E-Gitarre [elec. gtrs.]:
Rob Dean (UK guitarist for Japan)
Bassgitarre [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] und Schlagzeug [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
E-Gitarre [elec. gtr.] und Sologesang [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
Keyboard [keyboards] und Synthesizer [synths.]:
Mike Clowes
conductor:
Gavyn Wright (UK violinist, conductor)
Saiteninstrumente arranger:
Mike Clowes
arranger:
Mike Clowes und Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987) und Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
aufgenommen bei:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
mixed at:
Eden Studios (2nd location, Chiswick, 72-07) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
recording of:
Troy
Texter und Komponist(in):
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) und Ensign Records Ltd. (company; do NOT use as release label)
Sinéad O’Connor4.156:32
3Duel — Eye to Eye
phonographisches Urheberrecht (℗) von:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Duel
Texter:
Ralf Dörper
Komponist(in):
Claudia Brücken, Ralf Dörper, Susanne Freytag und Michael Mertens (German musician & producer)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Propaganda3:09
4Is She Really Going Out With Him?
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1980)
recording of:
Is She Really Going Out With Him?
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson4:19
5I Scare Myself
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984)
cover recording of:
I Scare Myself
Texter und Komponist(in):
Dan Hicks
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Oh Boy Music Company
Thomas Dolby4:39
6You Came
Programmierung und Produzent(in):
Tony Swain (songwriter, producer) und Ricky Wilde
Techniker(in):
James Richards (engineer)
Mix:
Richard Lengyel
Gitarre:
Steve Byrd und Ricky Wilde
Keyboard:
Tony Swain (songwriter, producer) und Ricky Wilde
Hintergrundgesang:
Junior Giscombe (Norman Washington Giscombe, Jr.) und Ricky Wilde
Sologesang:
Kim Wilde
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1988) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
produced for:
Big M Productions (British record and publishing company)
aufgenommen bei und mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich
Bearbeitung von:
You Came von Kim Wilde
recording of:
You Came
Verfasser(in):
Kim Wilde und Ricky Wilde
publisher:
Peermusic (UK) Limited
Kim Wilde3.753:30
7Without Your Love
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1980)
recording of:
Without Your Love
Texter und Komponist(in):
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
publisher:
EMI Full Keel Music und G.H. Music Ltd
Roger Daltrey3:18
8Name and Number
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1989)
recording of:
Name and Number
Verfasser(in):
Julian Godfrey Brookhouse, Michael John McEvoy, Migi Drummond, Glenn Skinner, Nick Thorpe und Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
publisher:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd., Universal–Songs of PolyGram International, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Curiosity Killed the Cat4:02
9Stand & Deliver
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Bassgitarre und Sologesang:
Adam Ant (English new wave singer and actor)
Gitarre:
Marco Pirroni (British musician and producer)
Schlagzeug:
Chris Hughes (producer, aka “Merrick”) und Terry Lee Miall
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
Teil von:
The Downloader’s Music Source Book (Nummer: 145)
recording of:
Stand and Deliver
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam & the Ants43:10
10This World of Water
Produzent(in):
Tony Mansfield (producer & songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980)
aufgenommen bei:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Vereinigtes Königreich (von 1979 bis 1980-03)
recording of:
This World of Water (von 1979 bis 1980-03)
Texter und Komponist(in):
Tony Mansfield (producer & songwriter)
publisher:
EMI Songs Ltd.
New Musik53:38
11Word Up!
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1986) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1986)
Musikvideos:
Word Up! von Cameo (American soul-influenced funk group)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 70) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 81)
recording of:
Word Up!
Verfasser(in):
Larry Blackmon und Tomi Jenkins
publisher:
All Seeing Eye Music, Better Days Music und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo44:21
12Torch
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982)
recording of:
Torch
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Arto Music Ltd.
Soft Cell4:08
13Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.553:53
14Long Blond Animal
recording engineer:
John Kriek
Produzent(in):
George Kooymans
Mix:
George Kooymans und John Kriek
E-Bass und Keyboard:
Rinus Gerritsen (bass player)
Gitarre:
Barry Hay und George Kooymans
Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
vocals:
Barry Hay und George Kooymans
phonographisches Urheberrecht (℗) von:
Golden Earring Benelux BV (in 1980), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1980) und Red Bullet Productions B.V. (in 1980)
produced for:
Red Bullet Productions
aufgenommen bei:
Golden Earring Workshop in Zoetermeer, Zuid-Holland (Provinz Südholland), Niederlande, Kingdom of the Netherlands
mixed at:
Sound Push Studio in Blaricum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Long Blond Animal
Verfasser(in):
Barry Hay und George Kooymans
publisher:
G.E. Music und Nada Music (Dutch publisher)
Golden Earring43:38
15Somewhere Down the Crazy River
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987)
recording of:
Somewhere Down the Crazy River
Texter und Komponist(in):
Robbie Robertson
publisher:
Medicine Hat Music und SBK Songs (publisher)
Robbie Robertson3:31
16Winter in July
recording engineer und Programmierung:
Kerry Hopwood
Schlagzeug-Programmierung:
Tim Simenon
Mix:
Alan Moulder (producer and engineer) und Tim Simenon
arranger:
Loretta Heywood
phonographisches Urheberrecht (℗) von:
Rhythm King Records Ltd. (in 1991)
recording of:
Winter in July
Texter:
Loretta Heywood
Komponist(in):
Guy Sigsworth und Tim Simenon
publisher:
EMI Publishing und Rhythm King Music (Publishing arm of Rhythm King Records)
Bomb the Bass4:31
17Poison Arrow
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Sologesang:
Martin Fry
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
The Downloader’s Music Source Book (Nummer: 76)
recording of:
Poison Arrow
Verfasser(in):
Martin Fry, Mark Lickley, Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. und Virgin Music (Publishing) Ltd.
Teil von:
Mantrap (ABC long-form film)
ABC4.43:24
18My Old Piano
Produzent(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) und Nile Rodgers
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) und Motown Records (not for label use; use “Motown” instead) (in 1980)
recording of:
My Old Piano
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Chic Music, Inc.
Diana Ross3:53
19Change
Produzent(in):
Ross Cullum und Chris Hughes (producer, aka “Merrick”)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
recording of:
Change
Texter und Komponist(in):
Roland Orzabal (UK musician, songwriter and producer)
publisher:
Roland Orzabal Ltd.
Tears for Fears13:54
20Crockett’s Theme
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1986)
recording of:
Crockett’s Theme (Miami Vice)
Komponist(in):
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) und Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3:31
3▼CD
Nr.TitelKünstlerBewertungLänge
1Fragile
recording of:
Fragile
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc. und Magnetic Publishing Ltd.
Sting3:54
2Road to Nowhere
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass]:
Tina Weymouth
Gast-accordion:
Jimmy MacDonell
Gast-Bongos, Gast-Conga und Gast-Tamburin:
Steve Scales
Gast-Saxophon:
Lenny Pickett (saxophone)
Gast-washboard:
Andrew Cader
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Gast Hintergrundgesang:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves und Kurt Yahijian
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
Road to Nowhere (music video) von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads4.24:20
3The Tide Is High
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980) und Chrysalis Records, Inc. (not for release label use!) (in 1980)
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.453:51
4Wot
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1982)
Bearbeitung von:
Wot? von Captain Sensible
recording of:
Wot!
Texter und Komponist(in):
Raymond Ian Burns
publisher:
Rock Music Co., Ltd.
Captain Sensible3:42
5Cry
Produzent(in):
Godley & Creme und Trevor Horn
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1985) und Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1985)
recording of:
Cry
Verfasser(in):
Lol Creme und Kevin Godley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1985)
Godley & Creme43:56
6Message to My Girl
Produzent(in):
Hugh Padgham und Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1983) und A&M Records, Inc. (in 1983)
recording of:
Message to My Girl
Texter und Komponist(in):
Neil Finn
publisher:
Enz Music
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 36)
Split Enz3.654:00
7I Should Have Known Better
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1984)
recording of:
I Should Have Known Better (1984 song)
Verfasser(in):
Jim Diamond (Scottish singer/songwriter/guitarist) und Graham Lyle
publisher:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) und Rondor Music (London) Ltd.
Jim Diamond3:51
8Close to Me
Produzent(in) und Mix:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Bassgitarre:
Simon Gallup
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Keyboard:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Lol Tolhurst
Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographisches Urheberrecht (℗) von:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1985)
Musikvideos:
Close to Me von The Cure
recording of:
Close to Me
Texter und Komponist(in):
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
publisher:
APB Music Co. und Fiction Songs Ltd.
The Cure3.853:41
9Sign Your Name
recording engineer und Mix:
Phil Legg
Produzent(in):
Terence Trent D’Arby (now known as Sananda Maitreya) und Martyn Ware
Sologesang:
Terence Trent D’Arby (now known as Sananda Maitreya)
Saiteninstrumente arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (in 1987) und Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1987)
recording of:
Sign Your Name
Texter:
Terence Trent D’Arby (now known as Sananda Maitreya)
Komponist(in):
Chris Cameron (British pianist, singer-songwriter, arranger and producer) und Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. und Young Terrence Music (Publisher)
Terence Trent D’Arby3.54:37
10Moonlight Shadow
Techniker(in):
Nigel Luby
Produzent(in):
Mike Oldfield und Simon Phillips (rock drummer)
Akustikgitarre, E-Gitarre und Synthesizer:
Mike Oldfield (von 1982-11 bis 1983-04)
Bassgitarre:
Phil Spalding (von 1982-11 bis 1983-04)
Schlagzeug:
Simon Phillips (rock drummer) (von 1982-11 bis 1983-04)
vocals:
Maggie Reilly (von 1982-11 bis 1983-04)
phonographisches Urheberrecht (℗) von:
Mike Oldfield (in 2013)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983)
aufgenommen bei:
Denham Studios (von 1982-11 bis 1983-04)
recording of:
Moonlight Shadow (von 1982-11 bis 1983-04)
Texter und Komponist(in):
Mike Oldfield
publisher:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music Publishing Ltd. (in 1983)
Mike Oldfield3.93:36
11Lady (You Bring Me Up)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1981)
recording of:
Lady (You Bring Me Up)
Verfasser(in):
Harold Hudson, Shirley King (Songwriter; married to William King) und William King (member of Commodores)
publisher:
Jobete Music Co., Inc.
Commodores3:59
12I Hear You Now
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1979)
recording of:
I Hear You Now
Texter:
Jon Anderson (Yes/Jon & Vangelis)
Komponist(in):
Jon Anderson (Yes/Jon & Vangelis) und Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric B.V., Topographic Music, Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Bros., Inc. (not for release label use!)
Jon & Vangelis4:14
13Wishful Thinking
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Wishful Thinking
Texter:
Eddie Lundon (China Crisis)
Komponist(in):
Gary Daly und Eddie Lundon (China Crisis)
publisher:
EMI/Virgin Music Publishing Ltd.
China Crisis4:09
14Caravan of Love
Techniker(in):
Phil Bodger (engineer)
Produzent(in):
John Williams (English A&R executive, producer, songwriter...)
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1986, in 1987)
cover recording of:
Caravan of Love
Verfasser(in):
Ernie Isley, Marvin Isley und Chris Jasper
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:40
15In My House
Produzent(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arranger:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1985)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 52)
recording of:
In My House
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 13)
Mary Jane Girls3:57
16Footloose
Produzent(in):
Lee DeCarlo und Kenny Loggins
Bass-Synthesizer:
Michael Boddicker
Bassgitarre:
Nathan East
Gitarre:
Buzz Feiten
Instrumente:
Michael Boddicker
Keyboard:
Neil Larsen und Steven Wood (US soundtrack composer, member of Honk)
Perkussion:
Michael Boddicker und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Tris Imboden
Hintergrundgesang:
Marilyn Dorman, Richey Washington und Steven Wood (US soundtrack composer, member of Honk)
Sologesang:
Kenny Loggins
remixer:
Humberto Gatica
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1984), Sony BMG Music Entertainment Inc. (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Footloose
Texter:
Dean Pitchford
Komponist(in):
Kenny Loggins
publisher:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. und Universal Music Publishers MGB Australia Pty Ltd
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Kenny Loggins4.13:42
17Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Bass:
David Hungate
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich und Steve Porcaro
Perkussion und Schlagzeug:
Jeff Procaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
Musikvideos:
Africa von Toto (US rock group)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:22
18Conga
Produzent(in):
Emilio Estefan, Jr.
Interpret(in):
Miami Sound Machine
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1985) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Conga
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
Verfasser(in):
Enrique E. Garcia (Miami Sound Machine)
publisher:
Foreign Imported Productions & Publishing, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Miami Sound Machine3.854:16
19I’ve Never Been to Me
Produzent(in):
Don Costa (US pop music arranger & producer), Berry Gordy und Ron Miller (Motown songwriter Ronald Norman Miller)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1977) und Motown Record Company, L.P. (company credits only; do NOT use as release label) (vom 1982 bis heute)
recording of:
I’ve Never Been to Me
Verfasser(in):
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) und Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Stone Diamond Music Corporation
Charlene3:49
20Rhythm of the Night
Produzent(in):
Richard Perry (producer)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 1985, in 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Musikvideos:
Rhythm of the Night von DeBarge
recording of:
Rhythm of the Night
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. und Realsongs
DeBarge3.63:53
4▼CD
Nr.TitelKünstlerBewertungLänge
1Patience
Techniker(in):
Alan Abrahamson, Mike Clink (am 1987-07-29) und Micajah Ryan (am 1987-07-29)
Produzent(in) und Mix:
Mike Clink
Akustikgitarre:
Slash (Guns N’ Roses guitarist) (am 1987-07-29) und Izzy Stradlin (US guitarist, singer & songwriter) (am 1987-07-29)
E-Bass:
Duff McKagan (am 1987-07-29)
Schlagzeug:
Steven Adler (am 1987-07-29)
Hintergrundgesang:
Duff McKagan (am 1987-07-29) und Izzy Stradlin (US guitarist, singer & songwriter) (am 1987-07-29)
Sologesang:
Axl Rose (am 1987-07-29)
arranger:
Guns N’ Roses (American hard rock band from Los Angeles)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1988) und The David Geffen Company (legal rights relating to Geffen Records) (in 1988)
aufgenommen bei:
Take One Studio in Burbank, California (Kalifornien), Vereinigte Staaten (am 1987-07-29)
mixed at:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Patience (am 1987-07-29)
Verfasser(in):
Steven Adler, Jeffrey Isbell (US guitarist, singer & songwriter), Duff McKagan, Axl Rose und Saul Hudson (Guns N’ Roses guitarist)
publisher:
Guns N’ Roses Music und Intersong Music Ltd.
Guns N’ Roses4.155:55
2Age of Reason
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988)
recording of:
Age of Reason
Verfasser(in):
Todd Hunter (Todd Stuart Hunter of Dragon) und Johanna Pigott
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, J. Albert & Son Pty. Ltd. und SBK Songs (publisher)
John Farnham3:41
3Maid of Orleans
Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician) und Brian Tench
Produzent(in):
Richard Manwaring (Producer) und Orchestral Manoeuvres in the Dark
phonographisches Urheberrecht (℗) von:
Dindisc (in 1981), Dinsong Limited (in 1981) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
recording of:
Joan of Arc (Maid of Orleans)
Texter und Komponist(in):
Andy McCluskey
publisher:
April Musikverlag GmbH (publisher), Dinsong Ltd. und EMI Virgin Music Ltd. (do not use this as a release label!)
Orchestral Manoeuvres in the Dark2.54:12
4Feel the Love
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
recording of:
Feel the Love - Oomachasaooma
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
10cc4:08
5Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.43:03
6Running With the Night
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (bis 1983)
recording of:
Running With the Night
Verfasser(in):
Lionel Richie und Cynthia Weil
publisher:
Brockman Music, Dyad Music Ltd., Rondor Music (Ldn) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.254:10
7(Feels Like) Heaven
Produzent(in):
Peter Wilson (UK Producer)
arranger:
Chic Medley und Kevin Patterson (songwriter)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
Texter und Komponist(in):
Eddie Jordan (songwriter) und Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:31
8While You See a Chance
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1980)
recording of:
While You See a Chance
Texter und Komponist(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood3:47
9We Built This City
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1985) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
We Built This City
Verfasser(in):
Dennis Lambert, Martin Page, Bernie Taupin und Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) und Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship44:37
10Your Love
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1985)
recording of:
Your Love
Texter und Komponist(in):
John Frederick Spinks
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) und Warning Tracks Ltd.
The Outfield3:18
11Pass the Dutchie
Produzent(in):
Peter Collins (producer)
Bassgitarre:
Patrick
Gitarre:
Kelvin
Keyboard:
Michael (Keyboard player for Musical Youth)
Schlagzeug:
Junior
vocals:
Dennis
phonographisches Urheberrecht (℗) von:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 25)
cover recording of:
Pass the Kouchie
Verfasser(in):
“Deadly” Headley Bennett, Lloyd “Judge” Ferguson, Huford Brown (Jamaican reggae deejay), Robbie Lyn, Jackie Mittoo, Leroy Sibbles (Jamaican reggae) und Fitzroy “Bunny” Simpson
Teil von:
My Kind of People
Musical Youth43:22
12I Love You
phonographisches Urheberrecht (℗) von:
Universal Music Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 1983)
recording of:
I Love You
Texter:
Dieter Meier (member of Yello)
Komponist(in):
Boris Blank
publisher:
Neue Welt Musikverlag GmbH (2017 – present) und Warner Bros. Music Co. Inc.
Yello4:09
13Glow
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1985)
recording of:
Glow
Texter und Komponist(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
publisher:
Stone City Music
Rick James4:08
14The Honeythief
Produzent(in):
Gary Langan
zusätzliche(r) Produzent(in):
Hipsway und Paul Staveley O’Duffy
Bassgitarre:
Johnny McElhone
Gitarre:
Pim Jones
Schlagzeug:
Harry Travers
vocals:
Grahame Skinner
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986)
recording of:
The Honeythief
Verfasser(in):
Ali MacLeod, Johnny McElhone, Grahame Skinner und Harry Travers
publisher:
EMI 10 Music
Hipsway53:10
15Surrender
Produzent(in):
Paul Staveley O’Duffy
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1987) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1987)
recording of:
Surrender (in 1987)
Verfasser(in):
Andy Connell (in 1986), Corinne Drewery (in 1986) und Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Virgin Music Publishers, EMI Virgin Music Publishing Italy S.r.l., Handle Music Ltd. und Virgin 10 Music Ltd.
Swing Out Sister43:56
16Babe
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979)
recording of:
Babe
Texter und Komponist(in):
Dennis DeYoung
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) und Stygian Songs (publishing company for the rock band Styx) (in 1979)
Styx34:03
17I Need Love
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
recording of:
I Need Love
Komponist(in):
Bobby “Bobcat” Ervin, Steven Ettinger, James Todd Smith, Darryl Pierce und Dwayne Simon
publisher:
Def Jam Music, Inc.
LL Cool J4:45
1819
Produzent(in):
Paul Hardcastle
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
19 (music video) von Paul Hardcastle
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 73)
recording of:
19
Texter:
Bill Couturié, Paul Hardcastle und Jonas McCord
Komponist(in):
Paul Hardcastle
publisher:
Oval Music und Virgin Music (Publishing) Ltd.
Paul Hardcastle3.63:39
19Sing Our Own Song
Produzent(in):
UB40
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Sing Our Own Song
Texter und Komponist(in):
Jim Brown (UB40 drummer), Ali Campbell (UB40’s former vocalist), Robin Campbell, Earl Falconer, Norman Hassan, Brian Travers, Michael Virtue (keyboardist) und Terence Wilson (aka Astro of UB40)
publisher:
ATV Music und New Claims (publisher)
UB404:06
20Wake Me Up Before You Go‐Go
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984, in 2006) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
Musikvideos:
Wake Me Up Before You Go von Wham! (British pop-duo)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 28) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 269)
recording of:
Wake Me Up Before You Go‐Go
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:49
5▼CD
Nr.TitelKünstlerBewertungLänge
1Only When You Leave
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984)
recording of:
Only When You Leave
Texter und Komponist(in):
Gary Kemp
publisher:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) und Reformation Publishing Co. Ltd.
Spandau Ballet3:25
2The Captain of Her Heart
phonographisches Urheberrecht (℗) von:
Theswico, Ltd (in 1985)
recording of:
The Captain of Her Heart
Texter und Komponist(in):
Felix Haug und Kurt Maloo
publisher:
Z Muzik Ed. Soc. (Suiza) und Z-Muzik (publisher; do NOT use as release label) (in 1985)
Double3:53
3Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.454:08
4I’m Still Standing
recording engineer:
Bill Price (UK producer/engineer)
Produzent(in):
Chris Thomas (UK record producer / remixer)
E-Bass:
Dee Murray
E-Gitarre:
Davey Johnstone
Klavier, Synthesizer und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
Hintergrundgesang:
Davey Johnstone, Dee Murray und Nigel Olsson
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1983)
aufgenommen bei:
AIR Studios Montserrat in Saint Peter, Montserrat (am 1983-06-26)
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I’m Still Standing von Elton John (English singer, songwriter, pianist, and composer)
recording of:
I’m Still Standing
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher) und Universal–Songs of PolyGram International, Inc.
Elton John3.93:03
5Don’t Be Afraid of the Dark
Produzent(in):
Bruce Bromberg und Dennis Walker
Gitarre:
Robert Cray (blues guitarist, singer and songwriter)
vocals:
Robert Cray (blues guitarist, singer and songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
produced for:
Hightone Records
recording of:
Don’t Be Afraid of the Dark
Texter und Komponist(in):
Dennis Walker
publisher:
Calhoun St. Music
The Robert Cray Band43:47
6Eternal Flame
recording engineer:
John Beverly Jones
zusätzliche(r) Techniker(in):
Ken Felton
Produzent(in):
Davitt Sigerson
Mix:
Frank Filipetti
E-Bass [bass]:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre [lead guitar]:
Vicki Peterson
Gitarre [rhythm guitar]:
Susanna Hoffs
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
phonographisches Urheberrecht (℗) von:
The Bangles (in 1988)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988), Sony BMG Music Entertainment Inc. (in 1988) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Eternal Flame von Bangles
recording of:
Eternal Flame
Verfasser(in):
Susanna Hoffs, Tom Kelly (songwriter) und Billy Steinberg
publisher:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
sub-publisher:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:55
7Come Back and Stay
Produzent(in):
Laurie Latham
Bassgitarre:
Pino Palladino
Gitarre:
Paul Young (English pop singer and musician)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) und Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (in 2002)
cover recording of:
Come Back and Stay
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Chrysalis Songs
Paul Young4.54:24
8Get Down on It
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1981)
recording of:
Get Down on It
Verfasser(in):
Ronald Bell, Kool & the Gang und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Double F Music Co., Planetary Nom (London) Ltd., Second Decade Music Co., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und WB Music Corp. (1929–2019)
Kool & the Gang4:43
9Oops Upside Your Head
Produzent(in):
Lonnie Simmons (producer, songwriter)
phonographisches Urheberrecht (℗) von:
Phonogram, Inc. (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
produced for:
Total Experience Productions
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
cover recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
Verfasser(in):
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) und Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Rachel Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) und Total Experience Music (publisher) (in 1979)
The Gap Band3:26
10Fade to Grey
Techniker(in):
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Midge Ure und Visage (new romantic band from London)
Interpret(in):
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) und Midge Ure
arranger:
Visage (new romantic band from London)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1980) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1980)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich
mixed at:
Mayfair Sound (England) in London (Greater London), England, Vereinigtes Königreich
recording of:
Fade to Grey
Verfasser(in):
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) und Midge Ure
publisher:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) und Performance Music Ltd
Visage4.13:54
11Johnny and Mary
Techniker(in) und Mix:
Alex Sadkin
Produzent(in):
Robert Palmer (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1980)
recording of:
Johnny and Mary
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Island Music (Island Music Ltd.) und Warner/Chappell (Warner/Chappell Music, Inc.)
Robert Palmer4.44:00
12Starchild
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1981)
recording of:
Starchild
Verfasser(in):
Wally Badarou, Phil Gould und Mark King (bass guitarist and vocalist)
publisher:
Absolute Music, ATV Music Ltd., BMG Music Publishing International und Findhaven Ltd.
Level 425:17
13Shout to the Top
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1984)
recording of:
Shout to the Top
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Stylist Music Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Style Council4.353:23
14My Prerogative
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1988)
recording of:
My Prerogative
Verfasser(in):
Bobby Brown (R&B singer, New Edition member), Gene Griffin und Teddy Riley (US R&B singer & producer)
publisher:
Bobby Brown Music, Cal-Gene Music, Donril Music, EMI Virgin Songs, Inc., MCA Music Ltd., Unicity Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC und Virgin Music (Publishers) Ltd.
Bobby Brown4:29
15Sweet Surrender
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1989)
recording of:
Sweet Surrender
Verfasser(in):
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell und Marti Pellow
publisher:
The Precious Music Company Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS) (in 1989) und Precious Music Ltd. (publisher) (in 1989)
Wet Wet Wet5:01
16Say It, Say It
phonographisches Urheberrecht (℗) von:
A&M Records (in 1985)
recording of:
Say It, Say It
Verfasser(in):
Stephen Bray, Toni C. und E.G. Daily (American singer and actress)
publisher:
Baby Tanzi Music, Black Lion Music, Inc. (publisher; do NOT use as release label) und House of Fun Music, Inc
E.G. Daily4:34
17Pull Up to the Bumper
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1981)
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
publisher:
Ackee Music Inc., Chenana Music Publishing, Island Music, Inc. (work publisher – NOT related to the Island imprint now owned by UMG) und Ixat Music
Grace Jones3:40
18Whenever You Need Somebody
cover recording of:
Whenever You Need Somebody (O'Chi Brown/ Rick Astley Song)
Texter und Komponist(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., Hammer Music (German publisher) und Terrace Music (in 1986)
Rick Astley3:03
19Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:28
20Funkytown
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
Bearbeitung von:
Funkytown (12″ version) von Lipps, Inc.
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 37)
recording of:
Funkytown
Texter und Komponist(in):
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
Lipps Inc.4.13:56

Nennungen

Veröffentlichung

hergestellt in:Deutschland
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (in 2008)
lizenziert an:Universal Music B.V. (not for release label use! NL subsidiary of UMG)
Discogs:https://www.discogs.com/release/1449158 [Info]
ASIN:UK: B0018F6TMY [Info]