80’s Top 100

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Fragile
registrazione di:
Fragile
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
editore:
EMI Blackwood Music Inc. e Magnetic Publishing Ltd.
Sting33:54
2Road to Nowhere
tecnico di registrazione e tecnico di missaggio:
Eric “E.T.” Thorngren
assistente tecnico:
Melanie West (engineer) (incarico: second engineer)
produttore:
Talking Heads
batteria :
Chris Frantz
bonghi ospite , congas ospite e tamburello ospite :
Steve Scales
chitarra :
David Byrne (Talking Heads) e Jerry Harrison (Talking Heads & producer)
chitarra e tastiera e tastiera :
Jerry Harrison (Talking Heads & producer)
fisarmonica ospite :
Jimmy MacDonell
sassofono ospite :
Lenny Pickett (saxophone)
sintetizzatore basso [synth bass] :
Tina Weymouth
washboard ospite :
Andrew Cader
voce:
David Byrne (Talking Heads)
voce di accompagnamento:
Jerry Harrison (Talking Heads & producer) e Tina Weymouth
voce di accompagnamento ospite:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves e Kurt Yahijian
voce principale:
David Byrne (Talking Heads)
arrangiatore:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) e Tina Weymouth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1985), Sire Records Company (not for release label use!) (nel 1985) e Talking Heads Tours Inc. (nel 1985)
registrata presso e mixata presso:
Sigma Sound (New York) in New York, New York, Stati Uniti
video musicali:
Road to Nowhere (music video) di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads4.24:20
3The Tide Is High
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento:
Clem Burke (nel 1980), Jimmy Destri (nel 1980), Nigel Harrison (nel 1980) e Frank Infante (nel 1980)
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980) e Chrysalis Records, Inc. (not for release label use!) (nel 1980)
registrata presso:
United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.453:51
4Wot
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1982)
edit di:
Wot? di Captain Sensible
registrazione di:
Wot!
paroliere e compositore:
Raymond Ian Burns
editore:
Rock Music Co., Ltd.
Captain Sensible3:42
5Cry
produttore:
Godley & Creme e Trevor Horn
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1985) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1985)
registrata da:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
registrazione di:
Cry
autore:
Lol Creme e Kevin Godley
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd. (nel 1985)
Godley & Creme43:56
6Message to My Girl
produttore:
Hugh Padgham e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1983) e A&M Records, Inc. (nel 1983)
registrazione di:
Message to My Girl
paroliere e compositore:
Neil Finn
editore:
Enz Music
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 36)
Split Enz3.654:00
7I Should Have Known Better
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1984)
registrazione di:
I Should Have Known Better (1984 song)
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Graham Lyle
editore:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) e Rondor Music (London) Ltd.
Jim Diamond3:51
8Close to Me
produttore e tecnico di missaggio:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
batteria :
Boris Williams
chitarra :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
chitarra basso :
Simon Gallup
tastiera :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson e Lol Tolhurst
voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (nel 1985)
video musicali:
Close to Me di The Cure
registrazione di:
Close to Me
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co. e Fiction Songs Ltd.
The Cure3.853:41
9Sign Your Name
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore archi :
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008), CBS Records (2006–2021) (nel 1987) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1987)
registrazione di:
Sign Your Name
paroliere:
Terence Trent D’Arby (now known as Sananda Maitreya)
compositore:
Chris Cameron (British pianist, singer-songwriter, arranger and producer) e Terence Trent D’Arby (now known as Sananda Maitreya)
editore:
Virgin Music (Publishing) Ltd., Virgin Music Ltd. e Young Terrence Music (Publisher)
Terence Trent D’Arby3.64:37
10Moonlight Shadow
tecnico:
Nigel Luby
produttore:
Mike Oldfield e Simon Phillips (rock drummer)
batteria :
Simon Phillips (rock drummer) (dal 1982-11 al 1983-04)
chitarra acustica, chitarra elettrica e sintetizzatore :
Mike Oldfield (dal 1982-11 al 1983-04)
chitarra basso :
Phil Spalding (dal 1982-11 al 1983-04)
voce:
Maggie Reilly (dal 1982-11 al 1983-04)
diritti fonografici (℗) detenuti da:
Mike Oldfield (nel 2013)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1983) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983)
registrata presso:
Denham Studios (dal 1982-11 al 1983-04)
registrazione di:
Moonlight Shadow (dal 1982-11 al 1983-04)
paroliere e compositore:
Mike Oldfield
editore:
EMI Virgin Music Publishing Australia P/L, Mushroom Music Pty. Ltd., Oldfield Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music Publishing Ltd. (nel 1983)
Mike Oldfield3.93:36
11Lady (You Bring Me Up)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1981)
registrazione di:
Lady (You Bring Me Up)
autore:
Harold Hudson, Shirley King (Songwriter; married to William King) e William King (William Atwell King Jr. (member of Commodores))
editore:
Jobete Music Co., Inc.
Commodores3:59
12I Hear You Now
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1979)
registrazione di:
I Hear You Now
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
Spheric B.V., Topographic Music, Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Bros., Inc. (not for release label use!)
Jon & Vangelis4:14
13Wishful Thinking
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1984)
registrazione di:
Wishful Thinking
paroliere:
Eddie Lundon (China Crisis)
compositore:
Gary Daly e Eddie Lundon (China Crisis)
editore:
EMI/Virgin Music Publishing Ltd.
China Crisis4:09
14Caravan of Love
tecnico:
Phil Bodger (engineer)
produttore:
John Williams (English A&R executive, producer, songwriter...)
diritti fonografici (℗) detenuti da:
Go! Discs Ltd. (company credits only; do NOT use as release label) (nel 1986, nel 1987)
registrazione cover di:
Caravan of Love
autore:
Ernie Isley, Marvin Isley e Chris Jasper
editore:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), IJI Publishing e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Housemartins4.53:40
15In My House
produttore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
arrangiatore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1985)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 52)
registrazione di:
In My House
paroliere e compositore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 13)
Mary Jane Girls53:57
16Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:42
17Africa
tecnico di registrazione:
Al Schmitt
produttore:
Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
basso :
David Hungate
batteria e percussione :
Jeff Procaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
tastiera :
David Paich e Steve Porcaro
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
video musicali:
Africa di Toto (US rock group)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:22
18Conga
produttore:
Emilio Estefan, Jr.
esecutore:
Miami Sound Machine
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1985) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1985)
registrazione di:
Conga
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
autore:
Enrique E. Garcia (Miami Sound Machine)
editore:
Foreign Imported Productions & Publishing, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Miami Sound Machine3.854:16
19I’ve Never Been to Me
produttore:
Don Costa (US pop music arranger & producer), Berry Gordy e Ron Miller (Motown songwriter Ronald Norman Miller)
arrangiatore:
Don Costa (US pop music arranger & producer)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1977) e Motown Record Company, L.P. (company credits only; do NOT use as release label) (dal 1982 a oggi)
registrazione di:
I’ve Never Been to Me
autore:
Ken Hirsch (American pop songwriter, composer, pianist, producer, and arranger) e Ron Miller (Motown songwriter Ronald Norman Miller)
editore:
Stone Diamond Music Corporation
Charlene3:49
20Rhythm of the Night
produttore:
Richard Perry (producer)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1985), Motown Records (not for label use; use “Motown” instead) (nel 1985, nel 2009), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (dal 2016 a oggi)
video musicali:
Rhythm of the Night di DeBarge
registrazione di:
Rhythm of the Night
paroliere e compositore:
Diane Warren (US songwriter)
editore:
Edition Sunset Publishing Ltd. e Realsongs
DeBarge3.63:53
4CD
5CD

Accreditamenti

Pubblicazione

fabbricata a:Germania
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:USM (for ℗ & © use only; Universal Strategic Marketing, a division of Universal Music B.V.) (nel 2008)
licenziata a:Universal Music B.V. (not for release label use! NL subsidiary of UMG)
Discogs:https://www.discogs.com/release/1449158 [info]
ASIN:UK: B0018F6TMY [info]