The Complete Buddy Rich: The Classic Albums 1946–1956

~ Release by Buddy Rich (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Back to the Land
recording of:
Back to the Land
composer:
Lester Young (saxophonist)
3:50
2I Cover the Waterfront
instrumental recording of:
I Cover the Waterfront
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green) and Edward Heyman
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music, Inc.
4:00
3Somebody Loves Me
instrumental recording of:
Somebody Loves Me
lyricist:
Buddy DeSylva and Ballard MacDonald
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Stephen Ballentine Music Publishing Co.
part of:
Broadway Rhythm (film)
3:50
4I’ve Found a New Baby
instrumental recording of:
I’ve Found a New Baby
writer:
Jack Palmer (Jazz pianist and composer) and Spencer Williams (US jazz composer, pianist & singer)
4:01
5The Man I Love
instrumental recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
included in:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
4:45
6Peg o’ My Heart
instrumental recording of:
Peg o’ My Heart
lyricist:
Alfred Bryan (US songwriter) (on 1913-03-15)
composer:
Fred Fisher (on 1913-03-15)
part of:
The Girl’s Suite
4:01
7I Want to Be Happy
instrumental recording of:
I Want to Be Happy (No, No, Nanette)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
3:55
8Mean to Me
instrumental recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
4:08
9Funky Blues
recording of:
Funky Blues
composer:
Johnny Hodges
3:08
10Indiana
instrumental recording of:
Indiana (Back Home Again in Indiana)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:02
11Stardust
instrumental recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
3:09
12Goodbye
instrumental recording of:
Goodbye
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
3:38
13Salute to Pres
recording of:
Salute to Pres
composer:
Flip Phillips
2:55
14Swedish Pastry
recording of:
Swedish Pastry
composer:
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
3:19
15Carioca
instrumental recording of:
Carioca (from "Flying Down to Rio")
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
2:33
16Take the ’A’ Train
recording of:
Take the “A” Train (original instrumental version)
composer:
Billy Strayhorn
part of:
The Real Book (compilation of jazz standards, volume I)
2:58
17Bugle Call Rag
recording of:
Bugle Call Rag
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
3:08
18I Didn’t Know What Time It Was
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:19
19Three Little Words
instrumental recording of:
Three Little Words
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
adaptations:
As três palavrinhas
2:43
20Flip’s Boogie
recording of:
Flip’s Boogie
composer:
Flip Phillips
3:19
2▼CD
#TitleRatingLength
1Just Blues
recording of:
Just Blues
composer:
Harry “Sweets” Edison and Buddy Rich
6:28
2Me and My Jaguar
recording of:
Me and My Jaguar
composer:
Buddy Rich
3:48
3Let’s Fall in Love
instrumental recording of:
Let’s Fall in Love
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Francis, Day & Hunter Ltd.
2:46
4Strike It Rich
recording of:
Strike It Rich
composer:
Johnny Mandel (American composer and arranger)
6:28
5Sportin’ Life a.k.a. Sweetie Pie
recording of:
Sportin’ Life (a.k.a. Sweetie Pie)
composer:
Harry “Sweets” Edison
2:33
6Sweets’ Opus no. 1
recording of:
Sweets’ Opus no. 1
composer:
Harry “Sweets” Edison
2:34
7Sonny and Sweets
recording of:
Sonny and Sweets
composer:
Harry “Sweets” Edison and Buddy Rich
4:36
8The Two Mothers
recording of:
The Two Mothers
composer:
Harry “Sweets” Edison and Buddy Rich
6:00
9Willow Weep for Me
instrumental recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
7:01
10Yellow Rose of Brooklyn
recording of:
Yellow Rose of Brooklyn
composer:
Harry “Sweets” Edison
4:35
11Easy Does It
instrumental recording of:
Easy Does It
writer:
James Oliver Young and Sy Oliver
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Warock Corp.
8:20
12All Sweets
recording of:
All Sweets
composer:
Harry “Sweets” Edison
2:13
13Nice Work If You Can Get It
instrumental recording of:
Nice Work If You Can Get It
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
4:07
14Barney’s Bugle
recording of:
Barney’s Bugle
composer:
Buddy Rich
9:43
15Now’s the Time
recording of:
Now’s the Time
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Atlantic Music Corp. (BMI)
4:43
16You’re Getting to Be a Habit With Me
instrumental recording of:
You’re Getting to Be a Habit With Me
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
5:12
3▼CD
#TitleRatingLength
1Everything Happens to Me
instrumental recording of:
Everything Happens to Me
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:35
2Wrap Your Troubles in Dreams
instrumental recording of:
Wrap Your Troubles in Dreams
lyricist:
Ted Koehler (in 1931) and Billy Moll (songwriter) (in 1931)
composer:
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. and Ted Koehler Music Co.
3:15
3Sure Thing
instrumental recording of:
Sure Thing
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
included in:
Cover Girl (1944)
2:36
4Glad to Be Unhappy
instrumental recording of:
Glad to Be Unhappy
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
On Your Toes
3:12
5Ballad Medley: Over the Rainbow / You’ve Changed / Time After Time / This Is Always / My Heart Stood Still / I Hadn’t Anyone Till You
medley including a instrumental recording of:
I Hadn’t Anyone Till You
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
medley including a instrumental recording of:
My Heart Stood Still
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
medley including a instrumental recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
medley including a instrumental recording of:
This Is Always
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
medley including a instrumental recording of:
Time After Time
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell/Morris Ltd. and Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
medley including a instrumental recording of:
You’ve Changed
lyricist:
Bill Carey (US songwriter)
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Peer International (BMI; Peer Int'l or Peer-International) and Southern Music Publishing Company
12:13
6Buddy’s Blues
recording of:
Buddy’s Blues
composer:
Buddy Rich
10:30
7Bernie’s Tune
instrumental recording of:
Bernie’s Tune
lyricist:
Jerry Leiber and Mike Stoller
writer:
Jerry Leiber, Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune') and Mike Stoller
composer:
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
13:57
8Gene’s Blues
recording of:
Gene’s Blues
composer:
Gene Krupa
7:47
9Sweethearts on Parade
instrumental recording of:
Sweethearts on Parade
lyricist:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
composer:
Carmen Lombardo (in 1928)
8:50
10I Never Knew
instrumental recording of:
I Never Knew
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
8:48
4▼CD
#TitleRatingLength
1The Monster
recording of:
The Monster (on 1955-05-16)
composer:
Buddy Rich
11:04
2Sunday
instrumental recording of:
Sunday (famously sung by Frank Sinatra & others)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
10:44
3A Smooth One
recording of:
A Smooth One
composer:
Benny Goodman (clarinetist and bandleader)
publisher:
Regent Music Corp.
9:10
4Broadway
instrumental recording of:
Broadway
writer:
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae and William Henri Woode
publisher:
Rayven Music
11:50
5What Is This Thing Called Love
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
7:06
6I’ll Never Be the Same
instrumental recording of:
I’ll Never Be the Same
lyricist:
Gus Kahn
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI Robbins Catalog Inc. (ASCAP) and France Mélodie
6:38
7Makin’ Whoopee
instrumental recording of:
Makin’ Whoopee!
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
7:06
8Hallelujah
instrumental recording of:
Hallelujah!
lyricist:
Clifford Grey (in 1927) and Leo Robin (US composer, lyricist & songwriter) (in 1927)
composer:
Vincent Youmans (in 1927)
part of:
Hit the Deck (1955 movie)
4:53
9Perdido
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
5:06
10More Than You Know
instrumental recording of:
More Than You Know
lyricist:
Edward Eliscu and Billy Rose (lyricist and Broadway producer)
composer:
Vincent Youmans
publisher:
Anne-Rachel Music Corp., Intersong Music, LSQ Music Co., Miller Music Corp., The Songwriters Guild, WB Music Corp. (1929–2019) (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
Great Day!
part of:
Hit the Deck (1955 movie)
4:17
11How High the Moon
instrumental recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:10
5▼CD
#TitleRatingLength
1Goody Goody
instrumental recording of:
Goody Goody
lyricist:
Johnny Mercer
composer:
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:15
2Out of This World
instrumental recording of:
Out of This World
lyricist:
Johnny Mercer (in 1945)
composer:
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:33
3Skylark
instrumental recording of:
Skylark
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:10
4AC‐Cent‐Tchu‐Ate the Positive
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive
lyricist:
Johnny Mercer (in 1944)
composer:
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 18th Academy Award for Best Original Song (number: 2)
3:03
5One for My Baby (and One More for the Road)
instrumental recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
4:18
6Fools Rush In (Where Angels Fear to Tread)
instrumental recording of:
Fools Rush In (Where Angels Fear to Tread)
lyricist:
Johnny Mercer
writer:
Johnny Mercer
composer:
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4:23
7Blues in the Night
instrumental recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
3:07
8Day In Day Out
instrumental recording of:
Day In, Day Out
lyricist:
Johnny Mercer (in 1939)
composer:
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:58
9Travelin’ Light
instrumental recording of:
Travelin’ Light
lyricist:
Johnny Mercer
composer:
Jimmy Mundy and Trummy Young
3:20
10Too Marvelous for Words
instrumental recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:10
11This Time the Dream’s on Me
instrumental recording of:
This Time the Dream’s on Me
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
4:06
12Dream
instrumental recording of:
Dream
lyricist and composer:
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:21
13Blue and Sentimental
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Blue and Sentimental (on 1956-08-25)
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
4:49
14Down for Double
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Down for Double (on 1956-08-25)
writer:
Freddie Green
4:10
15Jump for Me
recording of:
Jump for Me
composer:
Count Basie (pianist) (in 1939)
5:45
16Blues for Basie
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pitman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
Blues for Basie
composer:
Harry “Sweets” Edison
7:20
17Jumping at the Woodside
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pitman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Jumpin’ at the Woodside (original instrumental)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
6:26
18Ain’t It the Truth
recorded in:
Los Angeles, California, United States (on 1956-08-25)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-25)
drums (drum set):
Buddy Rich (on 1956-08-25)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-25)
guitar:
Bill Pittman (on 1956-08-25)
piano:
Jimmy Rowles (on 1956-08-25)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-25)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-25)
trombone:
Frank Rosolino (on 1956-08-25)
trumpet:
Pete Candoli (on 1956-08-25), Harry “Sweets” Edison (on 1956-08-25) and Conrad Gozzo (on 1956-08-25)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-25)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-25)
recording of:
Ain’t It the Truth (Basie/Harding/Palmer)
composer:
Count Basie (pianist), Buster Harding and Jack Palmer (Jazz pianist and composer)
3:01
19Shorty George
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
Shorty George (on 1956-08-24)
composer:
Count Basie (pianist) and Harry “Sweets” Edison
recording of:
Shorty George (Basie/Gibson)
composer:
Count Basie (pianist) and Andy Gibson (trumpet, arranger, composer)
5:14
209.20 Special
recorded in:
Los Angeles, California, United States (on 1956-08-24)
engineer:
Val Valentin
producer:
Norman Granz
bass and double bass:
Joe Mondragon (on 1956-08-24)
drums (drum set):
Buddy Rich (on 1956-08-24)
flute and saxophone and woodwind:
Buddy Collette (on 1956-08-24)
guitar:
Bill Pittman (on 1956-08-24)
piano:
Jimmy Rowles (on 1956-08-24)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-24)
tenor saxophone and valve trombone and valve trombone:
Bob Enevoldsen (on 1956-08-24)
trombone:
Frank Rosolino (on 1956-08-24)
trumpet:
Pete Candoli (on 1956-08-24), Harry “Sweets” Edison (on 1956-08-24) and Conrad Gozzo (on 1956-08-24)
orchestra:
Buddy Rich and His Orchestra (on 1956-08-24)
arranger:
Marty Paich
phonographic copyright (℗) by:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-08-24)
recording of:
9:20 Special (on 1956-08-24)
lyricist:
William Engvick (in 1945)
writer:
Jack Palmer (Jazz pianist and composer)
composer:
Earle Warren (in 1941)
4:36