The Complete Buddy Rich: The Classic Albums 1946–1956

~ Veröffentlichung von Buddy Rich (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelBewertungLänge
1Goody Goody
instrumental recording of:
Goody Goody
Texter:
Johnny Mercer
Komponist(in):
Matty Malneck
publisher:
Chappell & Co., Inc. (USA), Malneck Music, The Johnny Mercer Foundation und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:15
2Out of This World
instrumental recording of:
Out of This World
Texter:
Johnny Mercer (in 1945)
Komponist(in):
Harold Arlen (in 1945)
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:33
3Skylark
instrumental recording of:
Skylark
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:10
4AC‐Cent‐Tchu‐Ate the Positive
instrumental recording of:
Ac‐cent‐tchu‐ate the Positive
Texter:
Johnny Mercer (in 1944)
Komponist(in):
Harold Arlen (in 1944)
publisher:
Harwin Music Corporation, Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 2)
3:03
5One for My Baby (and One More for the Road)
instrumental recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
4:18
6Fools Rush In (Where Angels Fear to Tread)
instrumental recording of:
Fools Rush In (Where Angels Fear to Tread)
Texter:
Johnny Mercer
Verfasser(in):
Johnny Mercer
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
4:23
7Blues in the Night
instrumental recording of:
Blues in the Night (My Mama Done Tol’ Me)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
3:07
8Day In Day Out
instrumental recording of:
Day In, Day Out
Texter:
Johnny Mercer (in 1939)
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist) (in 1939)
publisher:
Bregman, Vocco & Conn, Inc.
2:58
9Travelin’ Light
instrumental recording of:
Travelin’ Light
Texter:
Johnny Mercer
Komponist(in):
Jimmy Mundy und Trummy Young
3:20
10Too Marvelous for Words
instrumental recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:10
11This Time the Dream’s on Me
instrumental recording of:
This Time the Dream’s on Me
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
4:06
12Dream
instrumental recording of:
Dream
Texter und Komponist(in):
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:21
13Blue and Sentimental
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-25)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass und Kontrabass:
Joe Mondragon (am 1956-08-25)
flute und Saxophon und Holzblasinstrumente:
Buddy Collette (am 1956-08-25)
Gitarre:
Bill Pittman (am 1956-08-25)
Klavier:
Jimmy Rowles (am 1956-08-25)
Posaune:
Frank Rosolino (am 1956-08-25)
Schlagzeug:
Buddy Rich (am 1956-08-25)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-25)
Tenorsaxophon und Ventilposaune und Ventilposaune:
Bob Enevoldsen (am 1956-08-25)
Trompete:
Pete Candoli (am 1956-08-25), Harry “Sweets” Edison (am 1956-08-25) und Conrad Gozzo (am 1956-08-25)
Orchester:
Buddy Rich and His Orchestra (am 1956-08-25)
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-25)
recording of:
Blue and Sentimental (am 1956-08-25)
Komponist(in):
Count Basie (pianist), Mack David (American lyricist and songwriter) und Jerry Livingston (songwriter)
4:49
14Down for Double
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-25)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass und Kontrabass:
Joe Mondragon (am 1956-08-25)
flute und Saxophon und Holzblasinstrumente:
Buddy Collette (am 1956-08-25)
Gitarre:
Bill Pittman (am 1956-08-25)
Klavier:
Jimmy Rowles (am 1956-08-25)
Posaune:
Frank Rosolino (am 1956-08-25)
Schlagzeug:
Buddy Rich (am 1956-08-25)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-25)
Tenorsaxophon und Ventilposaune und Ventilposaune:
Bob Enevoldsen (am 1956-08-25)
Trompete:
Pete Candoli (am 1956-08-25), Harry “Sweets” Edison (am 1956-08-25) und Conrad Gozzo (am 1956-08-25)
Orchester:
Buddy Rich and His Orchestra (am 1956-08-25)
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-25)
recording of:
Down for Double (am 1956-08-25)
Verfasser(in):
Freddie Green
4:10
15Jump for Me
recording of:
Jump for Me
Komponist(in):
Count Basie (pianist) (in 1939)
5:45
16Blues for Basie
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
flute und Saxophon:
Buddy Collette (am 1956-08-24)
Gitarre:
Bill Pitman (am 1956-08-24)
Klavier:
Jimmy Rowles (am 1956-08-24)
Kontrabass:
Joe Mondragon (am 1956-08-24)
Posaune:
Frank Rosolino (am 1956-08-24)
Schlagzeug:
Buddy Rich (am 1956-08-24)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-24)
Tenorsaxophon und Ventilposaune:
Bob Enevoldsen (am 1956-08-24)
Trompete:
Pete Candoli (am 1956-08-24), Harry “Sweets” Edison (am 1956-08-24) und Conrad Gozzo (am 1956-08-24)
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-24)
recording of:
Blues for Basie
Komponist(in):
Harry “Sweets” Edison
7:20
17Jumping at the Woodside
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
flute und Saxophon:
Buddy Collette (am 1956-08-25)
Gitarre:
Bill Pitman (am 1956-08-25)
Klavier:
Jimmy Rowles (am 1956-08-25)
Kontrabass:
Joe Mondragon (am 1956-08-25)
Posaune:
Frank Rosolino (am 1956-08-25)
Schlagzeug:
Buddy Rich (am 1956-08-25)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-25)
Tenorsaxophon und Ventilposaune:
Bob Enevoldsen (am 1956-08-25)
Trompete:
Pete Candoli (am 1956-08-25), Harry “Sweets” Edison (am 1956-08-25) und Conrad Gozzo (am 1956-08-25)
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-25)
recording of:
Jumpin’ at the Woodside (original instrumental)
Komponist(in):
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
6:26
18Ain’t It the Truth
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-25)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass und Kontrabass:
Joe Mondragon (am 1956-08-25)
flute und Saxophon und Holzblasinstrumente:
Buddy Collette (am 1956-08-25)
Gitarre:
Bill Pittman (am 1956-08-25)
Klavier:
Jimmy Rowles (am 1956-08-25)
Posaune:
Frank Rosolino (am 1956-08-25)
Schlagzeug:
Buddy Rich (am 1956-08-25)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-25)
Tenorsaxophon und Ventilposaune und Ventilposaune:
Bob Enevoldsen (am 1956-08-25)
Trompete:
Pete Candoli (am 1956-08-25), Harry “Sweets” Edison (am 1956-08-25) und Conrad Gozzo (am 1956-08-25)
Orchester:
Buddy Rich and His Orchestra (am 1956-08-25)
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-25)
recording of:
Ain’t It the Truth (Basie/Harding/Palmer)
Komponist(in):
Count Basie (pianist), Buster Harding und Jack Palmer (Jazz pianist and composer)
3:01
19Shorty George
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass und Kontrabass:
Joe Mondragon (am 1956-08-24)
flute und Saxophon und Holzblasinstrumente:
Buddy Collette (am 1956-08-24)
Gitarre:
Bill Pittman (am 1956-08-24)
Klavier:
Jimmy Rowles (am 1956-08-24)
Posaune:
Frank Rosolino (am 1956-08-24)
Schlagzeug:
Buddy Rich (am 1956-08-24)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-24)
Tenorsaxophon und Ventilposaune und Ventilposaune:
Bob Enevoldsen (am 1956-08-24)
Trompete:
Pete Candoli (am 1956-08-24), Harry “Sweets” Edison (am 1956-08-24) und Conrad Gozzo (am 1956-08-24)
Orchester:
Buddy Rich and His Orchestra (am 1956-08-24)
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-24)
recording of:
Shorty George (am 1956-08-24)
Komponist(in):
Count Basie (pianist) und Harry “Sweets” Edison
recording of:
Shorty George (Basie/Gibson)
Komponist(in):
Count Basie (pianist) und Andy Gibson (trumpet, arranger, composer)
5:14
209.20 Special
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24)
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Bass und Kontrabass:
Joe Mondragon (am 1956-08-24)
flute und Saxophon und Holzblasinstrumente:
Buddy Collette (am 1956-08-24)
Gitarre:
Bill Pittman (am 1956-08-24)
Klavier:
Jimmy Rowles (am 1956-08-24)
Posaune:
Frank Rosolino (am 1956-08-24)
Schlagzeug:
Buddy Rich (am 1956-08-24)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-24)
Tenorsaxophon und Ventilposaune und Ventilposaune:
Bob Enevoldsen (am 1956-08-24)
Trompete:
Pete Candoli (am 1956-08-24), Harry “Sweets” Edison (am 1956-08-24) und Conrad Gozzo (am 1956-08-24)
Orchester:
Buddy Rich and His Orchestra (am 1956-08-24)
arranger:
Marty Paich
phonographisches Urheberrecht (℗) von:
Verve Records, Inc. (credited often as just "Verve Records" for manufacturing/marketing, a division of PolyGram Classics and Jazz, of PolyGram Records, Inc.)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-08-24)
recording of:
9:20 Special (am 1956-08-24)
Texter:
William Engvick (in 1945)
Verfasser(in):
Jack Palmer (Jazz pianist and composer)
Komponist(in):
Earle Warren (in 1941)
4:36