The Platinum Collection

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Packaging is a Fatbox in a card slip-case.

Anmerkung zuletzt geändert am 2017-08-29 07:46 UTC.

Titelliste

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1▼CD
Nr.TitelBewertungLänge
1Come Fly With Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
Come Fly With Me (am 1957-10-08)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
4.653:18
2Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-08-15)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-08-15)
conductor:
Nelson Riddle (am 1955-08-15)
arranger:
Nelson Riddle
recording of:
Love and Marriage (am 1955-08-15)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
3.652:38
3I've Got You Under My Skin
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jimmy Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (am 1956-01-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
33:43
4Just One of Those Things
Produzent(in):
Voyle Gilmore
alto saxophone:
Mahlon Clark und Skeets Herfurt
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Allan Reuss
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-07)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-07)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-07)
conductor:
Nelson Riddle (am 1954-04-07)
arranger:
Nelson Riddle (am 1954-04-07)
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-07)
cover recording of:
Just One of Those Things (am 1954-04-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
3:15
5Witchcraft
Produzent(in):
Dave Cavanaugh
Bass:
Joe Comfort (am 1957-05-20)
Bassposaune:
George Roberts (american bass trombone) (am 1957-05-20)
Bratsche / Viola:
Maxine Johnson (am 1957-05-20) und Barbara Simons (am 1957-05-20)
Cello:
Cy Bernard (am 1957-05-20), Edgar Lustgarten (am 1957-05-20) und Eleanor Slatkin (US cellist, b. Aller) (am 1957-05-20)
Geige / Violine:
Alex Beller (am 1957-05-20), Harry Bluestone (am 1957-05-20), Robert Cross (violinist) (am 1957-05-20), Walter Edelstein (am 1957-05-20), Ben Gill (am 1957-05-20), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1957-05-20), Mischa Russell (violinist) (am 1957-05-20), Marshall Sosson (am 1957-05-20) und Gerald Vinci (American violinist and strings conductor) (am 1957-05-20)
Gitarre:
Nick Bonney (guitarist) (am 1957-05-20)
Harfe:
Kathryn Julye (am 1957-05-20)
Klavier:
Bill Miller (pianist) (am 1957-05-20)
Posaune:
Jim Priddy (am 1957-05-20), Dick Noel (trombone) (am 1957-05-20) und Juan Tizol (am 1957-05-20)
Rohrblattinstrumente:
Buddy Collette (am 1957-05-20), Harry Klee (am 1957-05-20), Joe Koch (am 1957-05-20), Wilbur Schwartz (am 1957-05-20) und Warren Webbe (am 1957-05-20)
Schlagzeug:
Frank DeVito (american jazz drummer) (am 1957-05-20)
Trompete:
Clarence "Shorty" Sherock (am 1957-05-20), Harry “Sweets” Edison (am 1957-05-20), Conrad Gozzo (am 1957-05-20) und Vito "Mickey" Mangano (am 1957-05-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-05-20)
Orchester:
The Nelson Riddle Orchestra (am 1957-05-20)
conductor:
Nelson Riddle (am 1957-05-20)
arranger:
Nelson Riddle
Herausgeber:
Morley Music Corp. und Notable Music Co., Inc.
recording of:
Witchcraft (am 1957-05-20)
Texter:
Carolyn Leigh
Komponist(in):
Cy Coleman
publisher:
Morley Music Co. Inc., Notable Music, Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
22:52
6(Love Is) The Tender Trap
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-09-13)
Rohrblattinstrumente:
Plas Johnson (am 1955-09-13)
Trompete:
Harry “Sweets” Edison (am 1955-09-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-09-13)
Orchester:
The Nelson Riddle Orchestra (am 1955-09-13)
conductor:
Nelson Riddle (am 1955-09-13)
arranger:
Nelson Riddle
recording of:
(Love Is) The Tender Trap (am 1955-09-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und Maraville Music Corp.
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
22:58
7That Old Black Magic
Gitarre:
Bobby Gibbons (am 1961-03-21)
Harfe:
Veryle Brilhart (am 1961-03-21)
Klavier:
Bill Miller (pianist) (am 1961-03-21)
Kontrabass:
Joe Comfort (am 1961-03-21)
Posaune:
C. E. Carpenter (am 1961-03-21), James Henderson (trombone) (am 1961-03-21), Lew McCreary (am 1961-03-21), Frank Rosolino (am 1961-03-21), Tommy Shepard (trombonist) (am 1961-03-21), Ken Shroyer (trombonist) (am 1961-03-21) und Kenneth Trimble (am 1961-03-21)
Schlagzeug:
Irv Cottler (am 1961-03-21)
Trompete:
Johnny Best (jazz trumpeter) (am 1961-03-21), Conrad Gozzo (am 1961-03-21), Manny Klein (am 1961-03-21), Vito N. Mangano (am 1961-03-21), Shorty Sherock (am 1961-03-21), Ray Triscari (am 1961-03-21) und Stu Williamson (am 1961-03-21)
Tuba:
Phil Stephens (bass and tuba player) (am 1961-03-21)
Waldhorn:
James Decker (French hornist) (am 1961-03-21), Wally Linder (am 1961-03-21), Arthur Maebe (US horn player) (am 1961-03-21) und Claude Sherry (am 1961-03-21)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-03-21)
Orchester:
Billy May & His Orchestra (am 1961-03-21)
conductor:
Billy May (am 1961-03-21)
arranger:
Heine Beau (am 1961-03-21)
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1961-03)
recording of:
That Old Black Magic (am 1961-03-21)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
14:03
8They Can't Take That Away From Me
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1953-11-05)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3.651:57
9All the Way
Produzent(in):
Dave Cavanaugh
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
recording of:
All the Way (from “The Joker Is Wild”) (am 1957-08-13)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1957 winner)
42:52
10I've Got the World on a String
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Bass:
Philip Stephens (bass and tuba player) (am 1953-04-30)
Gitarre:
Al Hendrickson (am 1953-04-30)
Klavier:
Bill Miller (pianist) (am 1953-04-30)
Posaune:
Milt Bernhart (am 1953-04-30), Francis Howard (trombone) (am 1953-04-30), Jimmy Priddy (am 1953-04-30) und Si Zentner (am 1953-04-30)
Rohrblattinstrumente:
Jack Dumont (am 1953-04-30), Skeets Herfurt (am 1953-04-30), Plas Johnson (am 1953-04-30), Joe Koch (am 1953-04-30), Ernest Romersa (am 1953-04-30) und Theodore Nash (40s-80s US swing reedman, uncle of the other) (am 1953-04-30)
Schlagzeug:
Alvin Stoller (am 1953-04-30)
Trompete:
Harry “Sweets” Edison (am 1953-04-30), Conrad Gozzo (am 1953-04-30), Vito "Mickey" Mangano (am 1953-04-30) und Rubin "Zeke" Zarchy (am 1953-04-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
Orchester:
The Nelson Riddle Orchestra (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
I’ve Got the World on a String (am 1953-04-30)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3.252:11
11Fools Rush In
recording of:
Fools Rush In (Where Angels Fear to Tread)
Texter:
Johnny Mercer
Verfasser(in):
Johnny Mercer
Komponist(in):
Rube Bloom (American songwriter, pianist and vocalist)
publisher:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:22
12Three Coins in the Fountain
recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
3:06
13It's Nice to Go Trav'ling
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Shorty Sherock
Tuba:
Joe Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-08)
Orchester:
The Billy May Orchestra (am 1957-10-08)
conductor:
Billy May (am 1957-10-08)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-08)
recording of:
It's Nice to Go Trav'ling (am 1957-10-08)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
23:51
14I Love Paris
recording of:
I Love Paris (Can-Can [Pistache, Company])
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
Can‐Can
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
1:51
15Chicago
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
Produzent(in):
Dave Cavanaugh, Voyle Gilmore und Bill Miller (US producer at Capitol Records)
Bratsche / Viola:
Maxine Johnson und Barbara Simons
Cello:
Cy Bernard, Armand Kaproff und Edgar Lustgarten
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Jacques Gasselin, Dan Lube, Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Erno Neufeld, Mischa Russell (violinist) und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Skeets Herfurt, Harry Klee, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Russell Brown (Swing trombonist), Pullman “Tommy” Pederson und Jimmy Priddy
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Harry “Sweets” Edison, Conrad Gozzo und George Seaberg
Ventilposaune:
Juan Tizol
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-08-13)
Orchester:
The Nelson Riddle Orchestra (am 1957-08-13)
conductor:
Nelson Riddle (am 1957-08-13)
arranger:
Nelson Riddle
recording of:
Chicago (That Toddlin’ Town) (am 1957-08-13)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
32:13
16High Hopes
recording of:
High Hopes (1959 song popularized by Frank Sinatra)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Teil von:
The 32nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1959 winner)
2:45
2▼CD
Nr.TitelBewertungLänge
1Young at Heart
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-12-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-12-09)
conductor:
Nelson Riddle (am 1953-12-09)
arranger:
Nelson Riddle
recording of:
Young at Heart (Frank Sinatra song) (am 1953-12-09)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
42:52
2I Get a Kick Out of You
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-06)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-06)
conductor:
Nelson Riddle (am 1953-11-06)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-06)
cover recording of:
I Get a Kick Out of You (am 1953-11-06)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
32:54
3Learnin' the Blues
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-03-23)
Rohrblattinstrumente:
Plas Johnson (am 1955-03-23)
Trompete:
Harry “Sweets” Edison (am 1955-03-23)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-03-23)
Orchester:
The Nelson Riddle Orchestra (am 1955-03-23)
conductor:
Nelson Riddle (am 1955-03-23)
arranger:
Nelson Riddle
recording of:
Learnin’ the Blues (am 1955-03-23)
Texter und Komponist(in):
Dolores Vicki Silvers
publisher:
Barton Music Corp.
23:02
4My Funny Valentine
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Paul Robyn
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Al Hendrickson und Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark und Skeets Herfurt
Kontrabass:
Joe Comfort
Schlagzeug:
Alvin Stoller
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-11-05)
Orchester:
The Nelson Riddle Orchestra (am 1953-11-05)
conductor:
Nelson Riddle (am 1953-11-05)
arranger:
George Siravo
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-11-05)
cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1953-11-05)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
22:32
5The Lady Is a Tramp
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-11-26)
Orchester:
The Nelson Riddle Orchestra (am 1956-11-26)
conductor:
Nelson Riddle (am 1956-11-26)
arranger und Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-11-26)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
53:15
6Let's Get Away From It All
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) und Ted Nash (40s-80s US swing reedman, uncle of the other)
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Perkussion:
Frank Flynn
Posaune:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
Tuba:
J.H. Washburne
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-01)
Orchester:
The Billy May Orchestra (am 1957-10-01)
conductor:
Billy May (am 1957-10-01)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-10-01)
cover recording of:
Let’s Get Away From It All (am 1957-10-01)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
recording of:
Let’s Get Away From It All
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
42:10
7South of the Border
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-04-30)
Produzent(in):
Voyle Gilmore
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Jack Dumont, Skeets Herfurt, Joe Koch, Ted Nash (40s-80s US swing reedman, uncle of the other) und Ted Romersa
Klavier:
Bill Miller (pianist)
Kontrabass:
Phil Stephens (bass and tuba player)
Posaune:
Milt Bernhart, Joe Howard (american trombone player), Jimmy Priddy und Si Zentner
Schlagzeug:
Alvin Stoller
Trompete:
Conrad Gozzo, Manny Klein, Vito N. Mangano und Rubin "Zeke" Zarchy
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1953-04-30)
conductor:
Nelson Riddle (am 1953-04-30)
arranger:
Nelson Riddle
recording of:
South of the Border (Down Mexico Way) (am 1953-04-30)
Verfasser(in):
Michael Carr (songwriter) und Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. und Peter Maurice Music Co. Ltd. (am 1939-03-30)
12:49
8It Happened in Monterey
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-12) und Wilbur Schwartz (am 1956-01-12)
baritone saxophone:
Morton Friedman (am 1956-01-12)
Bass:
Joe Comfort (am 1956-01-12)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-12)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-12), Maxine Johnson (am 1956-01-12) und Milton Thomas (violist) (am 1956-01-12)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-12), Edgar Lustgarten (am 1956-01-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-12)
Geige / Violine:
Victor Bay (am 1956-01-12), Alex Beller (am 1956-01-12), Walter Edelstein (am 1956-01-12), Henry Hill (Violin player) (am 1956-01-12), Alex Murray (violinist) (am 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-12), Nathan Ross (am 1956-01-12), Mischa Russell (violinist) (am 1956-01-12), Paul Shure (am 1956-01-12) und Felix Slatkin (am 1956-01-12)
Gitarre:
George van Eps (am 1956-01-12)
Harfe:
Kathryn Julye (am 1956-01-12)
Klavier:
Bill Miller (pianist) (am 1956-01-12)
Posaune:
Milt Bernhart (am 1956-01-12), Jim Priddy (am 1956-01-12) und Juan Tizol (am 1956-01-12)
Schlagzeug:
Irving Cottler (am 1956-01-12)
Tenorsaxophon:
Justin Gordon (am 1956-01-12) und James Williamson (Saxophone player) (am 1956-01-12)
Trompete:
Harry “Sweets” Edison (am 1956-01-12), Conrad Gozzo (am 1956-01-12), Manny Klein (am 1956-01-12) und Vito "Mickey" Mangano (am 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-12)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-12)
conductor:
Nelson Riddle (am 1956-01-12)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-12)
cover recording of:
It Happened in Monterey (am 1956-01-12)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. und EMI United Partnership Ltd.
42:35
9You'd Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
2:03
10Come Dance With Me
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
recording of:
Come Dance With Me (am 1958-12-23)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
42:31
11September in the Rain
Produzent(in):
Dave Cavanaugh
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin und Stanley Harris (US big band viola player)
Cello:
Ossip Giskin (cellist), Armand Kaproff und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Victor Bay, Alex Beller, Jacques Gasselin, Joseph Livoti (violinist), Nathan Ross, Mischa Russell (violinist) und Paul Shure
Gitarre:
Al Viola
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Buddy Collette, Chuck Gentry, William Green (woodwind), Plas Johnson und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Frank Flynn
Posaune:
George Arus, Pullman “Tommy” Pederson und Tommy Shepard (trombonist)
Schlagzeug:
Irv Cottler
Trompete:
Cappy Lewis, Vito N. Mangano, George Seaberg und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-08-31)
Orchester:
The Nelson Riddle Orchestra (am 1960-08-31)
conductor:
Nelson Riddle (am 1960-08-31)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-31)
cover recording of:
September in the Rain (am 1960-08-31)
Texter:
Al Dubin (in 1937)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1937)
publisher:
Henrees Music co. (in 1937) und Peermusic (UK) Limited (in 1937)
2:58
12Cheek to Cheek
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1958-12-22)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
23:06
13Moonlight in Vermont
recording of:
Moonlight in Vermont
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:31
14Night and Day
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee und Willie Schwartz
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player) und Maxine Johnson
Cello:
Ennio Bolognini (Argentine-American cellist and composer), Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harold Dicterow, Kurt Dieterle, David Frisina, Alex Murray (violinist), Erno Neufeld, Lou Raderman, Eudice Shapiro (Violinist) und Joseph Stepansky
Gitarre:
Nick Bonney (guitarist)
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Murray McEachern, Dick Noel (trombone) und Juan Tizol
Schlagzeug:
Irv Cottler
Tenorsaxophon:
Jules Kinsler und James Williamson (Saxophone player)
Trompete:
Harry “Sweets” Edison, Ray Linn, Mickey Mangano und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
conductor:
Nelson Riddle
Orchestrator(in):
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-11-26)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1956-11-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
14:00
15The Sunny Side of the Street
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:39
16I Could Have Danced All Night
Produzent(in):
Dave Cavanaugh
Gitarre:
Allan Reuss
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Chuck Gentry, Irving “Babe” Russin und Willie Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Posaune:
Joe Howard (american trombone player), Ed Kusby, William Schaeffer und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Frank Beach (trombone, trumpet), Conrad Gozzo, Manny Klein, Shorty Sherock und Joseph Triscari
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-23)
Orchester:
The Billy May Orchestra (am 1958-12-23)
conductor:
Billy May (am 1958-12-23)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-23)
cover recording of:
I Could Have Danced All Night (My Fair Lady) (am 1958-12-23)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
recording of:
I Could Have Danced All Night (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
42:43
3▼CD
Nr.TitelBewertungLänge
1You Make Me Feel So Young
Produzent(in):
Voyle Gilmore
alto saxophone:
Harry Klee (am 1956-01-09) und Wilbur Schwartz (am 1956-01-09)
baritone saxophone:
Mort Friedman (am 1956-01-09)
Bass:
Joe Comfort (am 1956-01-09)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-09)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-09), Maxine Johnson (am 1956-01-09) und Milton Thomas (violist) (am 1956-01-09)
Cello:
Cy Bernard (am 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-09) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-09)
Geige / Violine:
Victor Bay (am 1956-01-09), Alex Beller (am 1956-01-09), Harry Bluestone (am 1956-01-09), Harold Dicterow (am 1956-01-09), David Frisina (am 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-09), Mischa Russell (violinist) (am 1956-01-09), Paul Shure (am 1956-01-09), Felix Slatkin (am 1956-01-09) und Marshall Sosson (am 1956-01-09)
Gitarre:
George van Eps (am 1956-01-09)
Harfe:
Kathryn Julye (am 1956-01-09)
Klavier:
Bill Miller (pianist) (am 1956-01-09)
Posaune:
Milt Bernhart (am 1956-01-09), Francis Howard (trombone) (am 1956-01-09) und Juan Tizol (am 1956-01-09)
Schlagzeug:
Frank Flynn (am 1956-01-09) und Alvin Stoller (am 1956-01-09)
Tenorsaxophon:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-01-09) und Irving “Babe” Russin (am 1956-01-09)
Trompete:
Harry “Sweets” Edison (am 1956-01-09), Conrad Gozzo (am 1956-01-09), Manny Klein (am 1956-01-09) und Mickey Mangano (am 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-09)
Orchester:
The Nelson Riddle Orchestra (am 1956-01-09)
conductor:
Nelson Riddle (am 1956-01-09)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-09)
recording of:
You Make Me Feel So Young (am 1956-01-09)
Texter:
Mack Gordon
Komponist(in):
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
E bi eit barn med deg
3.52:56
2Nice 'n' Easy
Produzent(in):
Dave Cavanaugh (am 1960-04-13)
Bassposaune:
George Roberts (american bass trombone) (am 1960-04-13)
Bratsche / Viola:
Lou Kievman (violist) (am 1960-04-13), Alexander Neiman (violist) (am 1960-04-13) und Barbara Simons (am 1960-04-13)
Cello:
James Arkatov (American cellist and photographer) (am 1960-04-13), Victor Gottlieb (am 1960-04-13) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-04-13)
Geige / Violine:
Victor Arno (am 1960-04-13), Victor Bay (am 1960-04-13), Alex Beller (am 1960-04-13), Jacques Gasselin (am 1960-04-13), Dan Lube (am 1960-04-13), Erno Neufeld (am 1960-04-13), Nathan Ross (am 1960-04-13), Felix Slatkin (am 1960-04-13) und Marshall Sosson (am 1960-04-13)
Gitarre:
Al Viola (am 1960-04-13)
Harfe:
Kathryn Julye (am 1960-04-13)
Klavier:
Bill Miller (pianist) (am 1960-04-13)
Kontrabass:
Joe Comfort (am 1960-04-13)
Posaune:
Tommy Shepard (trombonist) (am 1960-04-13) und Ken Shroyer (trombonist) (am 1960-04-13)
Rohrblattinstrumente:
Plas Johnson (am 1960-04-13), Joe Koch (am 1960-04-13), Abe Most (am 1960-04-13), Harry Schuchman (am 1960-04-13) und Wilbur Schwartz (am 1960-04-13)
Schlagzeug:
Irv Cottler (am 1960-04-13)
Trompete:
Carroll Lewis (trumpeter) (am 1960-04-13)
Waldhorn:
William Hinshaw (American horn player) (am 1960-04-13) und James McGee (am 1960-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-04-13)
Orchester:
Nelson Riddle and His Orchestra (am 1960-04-13)
conductor:
Nelson Riddle (am 1960-04-13)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-04-13)
recording of:
Nice ’n’ Easy (am 1960-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
publisher:
Spirit Two Music (beendet), Threesome Music Company (beendet), Warner Bros. Music Corp. (beendet), Eddie Shaw Music Co., Fantasy Mus. Co., Spence Lew Music und Spirit Two Music Crescendo
12:45
3Here's That Rainy Day
Produzent(in):
Dave Cavanaugh
Bratsche / Viola:
William Baffa, Allan Harshman (violist), Lou Kievman (violist) und Paul Robyn
Cello:
Armand Kaproff und Ray Kramer
Geige / Violine:
Victor Arno, Harry Bluestone, Walter Edelstein, Jacques Gasselin, Ben Gill, Joseph Quadri, Murray Kellner, Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Allan Reuss
Harfe:
Kathryn Thompson (harpist)
Holzblasinstrumente:
Dent Eckels, Clyde Hylton, Matty Matlock, Paul McLarand und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
John Cave (french horn), Arthur Frantz und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1959-03-25)
Orchester:
Gordon Jenkins & His Orchestra (am 1959-03-25) und The Nelson Riddle Orchestra (am 1959-03-25)
conductor:
Gordon Jenkins (am 1959-03-25)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1959-03-25)
cover recording of:
Here’s That Rainy Day (am 1959-03-25)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:44
4Pennies From Heaven
Produzent(in):
Voyle Gilmore
Bass:
Joe Comfort (am 1956-01-10)
Bassposaune:
George Roberts (american bass trombone) (am 1956-01-10)
Bratsche / Viola:
Alvin Dinkin (am 1956-01-10), Dave Sterkin (am 1956-01-10) und Milton Thomas (violist) (am 1956-01-10)
Cello:
Ennio Bolognini (Argentine-American cellist and composer) (am 1956-01-10), Edgar Lustgarten (am 1956-01-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1956-01-10)
Geige / Violine:
Victor Bay (am 1956-01-10), Alex Beller (am 1956-01-10), Harold Dicterow (am 1956-01-10), David Frisina (am 1956-01-10), Alex Murray (violinist) (am 1956-01-10), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (am 1956-01-10), Nathan Ross (am 1956-01-10), Mischa Russell (violinist) (am 1956-01-10), Paul Shure (am 1956-01-10) und Felix Slatkin (am 1956-01-10)
Gitarre:
George van Eps (am 1956-01-10)
Harfe:
Kathryn Julye (am 1956-01-10)
Klavier:
William (Bill) Miller (pianist) (am 1956-01-10)
Posaune:
Milt Bernhart (am 1956-01-10), Jim Priddy (am 1956-01-10) und Juan Tizol (am 1956-01-10)
Rohrblattinstrumente:
Justin Gordon (am 1956-01-10), Harry Klee (am 1956-01-10), Morton Friedman (am 1956-01-10), Wilbur Schwartz (am 1956-01-10) und James Williamson (Saxophone player) (am 1956-01-10)
Schlagzeug:
Alvin Stoller (am 1956-01-10)
Trompete:
Harry “Sweets” Edison (am 1956-01-10), Conrad Gozzo (am 1956-01-10), Mickey Mangano (am 1956-01-10) und Zeke Zarchy (am 1956-01-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1956-01-10)
Orchester:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (am 1956-01-10)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-01-10)
cover recording of:
Pennies From Heaven (am 1956-01-10)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
2:42
5April in Paris
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn und Dave Sterkin
Cello:
Armand Kaproff, Ray Kramer, Edgar Lustgarten und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Harold Dicterow, David Frisina, Jacques Gasselin, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Al Hendrickson
Harfe:
Verlye Mills
Holzblasinstrumente:
Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player), Jules Kinsler und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Mondragon
Posaune:
Joe Howard (american trombone player), Murray McEachern und Si Zentner
Schlagzeug:
Alvin Stoller
Tuba:
Joe Washburne
Waldhorn:
Vincent DeRosa
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-10-03)
conductor:
Billy May (am 1957-10-03)
arranger:
Billy May
recording of:
April in Paris (am 1957-10-03)
Texter:
Yip Harburg (in 1932)
Komponist(in):
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
Teil von:
The Real Book (compilation of jazz standards, volume I)
42:51
6From Here to Eternity
recording of:
From Here to Eternity
Texter:
Robert Wells (songwriter)
Komponist(in):
Freddie Karger (Frederick Maxwell Karger, Jr)
publisher:
Barton Music Corp.
3:01
7Someone to Watch Over Me
Produzent(in):
Voyle Gilmore
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Cy Bernard, Stanley Harris (US big band viola player), Maxine Johnson und Dave Sterkin
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, Mischa Russell (violinist), Eudice Shapiro (Violinist), Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Harfe:
Kathryn Julye
Holzblasinstrumente und Saxophon:
Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee und Champ Webb
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Posaune:
Milt Bernhart
Schlagzeug:
Alvin Stoller
Waldhorn:
John Cave (french horn) und Vincent DeRosa
vocals:
June Hutton, The Pied Pipers (American vocal group, active 1930s-50s) und Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-09-23)
Orchester:
The Nelson Riddle Orchestra (am 1954-09-23)
conductor:
Nelson Riddle (am 1954-09-23)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-09-23)
recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1954-09-23)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
12:57
8In the Wee Small Hours of the Morning
recording engineer:
John Palladino
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn und Dave Sterkin
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin und Marshall Sosson
Gitarre:
George van Eps
Harfe:
Kathryn Julye
Klavier:
Bill Miller (pianist)
Kontrabass:
Morty Corb (bass, USA) und Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Schlagzeug:
Louis Singer (percussionist)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1955-02-17)
Orchester:
The Nelson Riddle Orchestra (am 1955-02-17)
conductor:
Nelson Riddle (am 1955-02-17)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (am 1955-02-17)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
33:02
9I Thought About You
recording of:
I Thought About You
Texter:
Johnny Mercer
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
2:28
10Too Marvelous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:28
11Autumn Leaves
baritone saxophone:
Matty Matlock
Bratsche / Viola:
William Baffa, Ray Menhennick (Violist), Paul Robyn und Dave Sterkin
Cello:
Cy Bernard und Armand Kaproff
flute:
Dent Eckels
Geige / Violine:
Victor Arno, Harry Bluestone, Kurt Dieterle, Walter Edelstein, Ben Gill, Joseph Quadri, Murray Kellner, Sol Kindler, Samuel Levine (violinist), Joseph Livoti (violinist), Dan Lube, Erno Neufeld, Nicholas Pisani, Mischa Russell (violinist), Felix Slatkin und Marshall Sosson
Gitarre:
Allan Reuss
Harfe:
Kathryn Julye
Holzblasinstrumente:
Wilbur Schwartz
Klarinette:
Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Kontrabass:
Jack Ryan (jazz bassist)
Schlagzeug:
Nick Fatool
Waldhorn:
John Cave (french horn), Vincent DeRosa und Arthur Frantz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1957-04-10)
conductor:
Gordon Jenkins (am 1957-04-10)
arranger:
Gordon Jenkins
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-04-10)
cover recording of:
Autumn Leaves (jazz standard, english lyrics) (am 1957-04-10)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
2:53
12Dancing in the Dark
Produzent(in):
Dave Cavanaugh
Gitarre:
Al Hendrickson
Holzblasinstrumente und Saxophon:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt und Irving “Babe” Russin
Klavier:
Bill Miller (pianist)
Kontrabass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
Posaune:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson und Si Zentner
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Conrad Gozzo, Manny Klein und Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-12-22)
Orchester:
The Billy May Orchestra (am 1958-12-22)
conductor:
Billy May (am 1958-12-22)
arranger:
Billy May
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-12-22)
cover recording of:
Dancing in the Dark (am 1958-12-22)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
recording of:
Dancing in the Dark
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
42:26
13All of Me
Produzent(in):
Voyle Gilmore
alto saxophone:
Skeets Herfurt und Abe Most
baritone saxophone:
Joe Koch
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Paul Robyn
Celesta:
Bill Miller (pianist)
Cello:
Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Paul Shure und Felix Slatkin
Gitarre:
Bob Bain (guitarist)
Klarinette:
Eddie Miller (US jazz saxophonist)
Kontrabass:
Joe Comfort
Posaune:
Pullman “Tommy” Pederson und Ray Sims
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Irving “Babe” Russin
Trompete:
Harry “Sweets” Edison (am 1954-04-19)
Vibraphon:
Frank Flynn
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1954-04-19)
Orchester:
The Nelson Riddle Orchestra (am 1954-04-19)
conductor:
Nelson Riddle (am 1954-04-19)
arranger:
Nelson Riddle
aufgenommen bei:
KHJ Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-04-19)
recording of:
All of Me (am 1954-04-19)
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
2:08
14As Time Goes By
Produzent(in):
Dave Cavanaugh (am 1961-09-12)
Bassposaune:
George Roberts (american bass trombone) (am 1961-09-12)
Bratsche / Viola:
Alvin Dinkin (am 1961-09-12), Virginia Majewski (violist) (am 1961-09-12), Alexander Neiman (violist) (am 1961-09-12) und Paul Robyn (am 1961-09-12)
Cello:
Joseph DiTullio (cellist) (am 1961-09-12), Edgar Lustgarten (am 1961-09-12), Kurt Reher (cellist) (am 1961-09-12) und Eleanor Slatkin (US cellist, b. Aller) (am 1961-09-12)
Geige / Violine:
Victor Arno (am 1961-09-12), Israel Baker (American violinist) (am 1961-09-12), Harry Bluestone (am 1961-09-12), Herman Clebanoff (am 1961-09-12), David Frisina (am 1961-09-12), Ben Gill (am 1961-09-12), Anatol Kaminsky (am 1961-09-12), Dan Lube (am 1961-09-12), Erno Neufeld (am 1961-09-12), Lou Raderman (am 1961-09-12), Nathan Ross (am 1961-09-12) und Felix Slatkin (am 1961-09-12)
Gitarre:
Al Viola (am 1961-09-12)
Harfe:
Veryle Brilhart (am 1961-09-12)
Klavier:
Bill Miller (pianist) (am 1961-09-12)
Kontrabass:
Joe Comfort (am 1961-09-12)
Perkussion:
Emil Richards (am 1961-09-12)
Posaune:
Milt Bernhart (am 1961-09-12), Dick Nash (am 1961-09-12) und Dick Noel (trombone) (am 1961-09-12)
Rohrblattinstrumente:
Gene Cipriano (am 1961-09-12), Justin Gordon (am 1961-09-12), Harry Klee (am 1961-09-12), Ronnie Lang (am 1961-09-12), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1961-09-12), Irving “Babe” Russin (am 1961-09-12) und Wilbur Schwartz (am 1961-09-12)
Schlagzeug:
Irv Cottler (am 1961-09-12)
Trompete:
Pete Candoli (am 1961-09-12), Vito N. Mangano (am 1961-09-12), Uan Rasey (am 1961-09-12) und Rubin "Zeke" Zarchy (am 1961-09-12)
Waldhorn:
John Cave (french horn) (am 1961-09-12), Vincent DeRosa (am 1961-09-12) und Richard Perissi (am 1961-09-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-12)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-12)
conductor:
Axel Stordahl (am 1961-09-12)
arranger:
Axel Stordahl (am 1961-09-12)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-12)
cover recording of:
As Time Goes By (the song from “Casablanca”) (am 1961-09-12)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
3:16
15September Song
Produzent(in):
Dave Cavanaugh (am 1961-09-11)
Bassposaune:
George Roberts (american bass trombone)
Bratsche / Viola:
Alvin Dinkin, Virginia Majewski (violist), Alexander Neiman (violist) und Paul Robyn
Cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) und Eleanor Slatkin (US cellist, b. Aller)
Geige / Violine:
Victor Arno, Israel Baker (American violinist), Herman Clebanoff, David Frisina, Ben Gill, Anatol Kaminsky (Violinist), Dan Lube, Erno Neufeld, Lou Raderman, Nathan Ross, Felix Slatkin und Marshall Sosson
Gitarre:
Al Viola
Harfe:
Verlye Mills
Holzblasinstrumente und Saxophon:
Gene Cipriano, Justin Gordon (Justin S. Gordon; American jazz saxophonist and multi-wind instrumentalist (1917-1998)), Harry Klee, Ronny Lang, Ted Nash (75- US saxophonist, the nephew), Irving “Babe” Russin und Wilbur Schwartz
Klavier:
Bill Miller (pianist)
Kontrabass:
Joe Comfort
Perkussion:
Emil Richards
Posaune:
Milt Bernhart, Dick Nash und Dick Noel (trombone)
Schlagzeug:
Irv Cottler
Trompete:
Pete Candoli, Vito N. Mangano, Rubin "Zeke" Zarchy und Jimmy Zito
Waldhorn:
John Cave (french horn), Vincent DeRosa und Richard Perissi
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-09-11)
Orchester:
Axel Stordahl and His Orchestra (am 1961-09-11)
conductor:
Axel Stordahl (am 1961-09-11)
arranger:
Axel Stordahl (am 1961-09-11)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-09-11)
recording of:
September Song (catch-all for versions outside the theatrical context) (am 1961-09-11)
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co., DeSylva, Brown and Henderson, Inc., Hampshire House Publishing Corp., Kurt Weill Foundation for Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Arrangement von:
Knickerbocker Holiday: September Song
4:21
16One for My Baby (and One More for the Road)
Produzent(in):
Voyle Gilmore
Bratsche / Viola:
Alvin Dinkin (am 1958-06-25), Stanley Harris (US big band viola player) (am 1958-06-25), Paul Robyn (am 1958-06-25) und Dave Sterkin (am 1958-06-25)
Cello:
James Arkatov (American cellist and photographer) (am 1958-06-25), Armand Kaproff (am 1958-06-25), Joseph Saxon (am 1958-06-25) und Eleanor Slatkin (US cellist, b. Aller) (am 1958-06-25)
Fagott:
Don Christlieb (am 1958-06-25) und Norman Herzberg (bassoon) (am 1958-06-25)
flute:
Arthur Gleghorn (am 1958-06-25) und Harry Klee (am 1958-06-25)
Geige / Violine:
Israel Baker (American violinist) (am 1958-06-25), Victor Bay (am 1958-06-25), Alex Beller (am 1958-06-25), Arnold Belnick (am 1958-06-25), Daniel Karpilowsky (am 1958-06-25), Emo Neufeld (am 1958-06-25), Ben Gill (am 1958-06-25), Paul Shure (am 1958-06-25), Felix Slatkin (am 1958-06-25), Marshall Sosson (am 1958-06-25), Victor Amo (am 1958-06-25) und Gerald Vinci (American violinist and strings conductor) (am 1958-06-25)
Gitarre:
Al Hendrickson (am 1958-06-25) und Al Viola (am 1958-06-25)
Harfe:
Kathryn Julye (am 1958-06-25)
Klarinette:
Gus Bivona (am 1958-06-25), Sal Franzella (am 1958-06-25), Chuck Gentry (am 1958-06-25) und Morris Bercov (am 1958-06-25)
Klavier:
Bill Miller (pianist) (am 1958-06-25)
Kontrabass:
Joe Comfort (am 1958-06-25) und Eddie Gilbert (am 1958-06-25)
Oboe:
Arnold Koblentz (Oboe player) (am 1958-06-25) und Champ Webb (am 1958-06-25)
Perkussion und Schlagzeug:
Frank Flynn (am 1958-06-25) und Bill Richmond (am 1958-06-25)
Posaune:
Milt Bernhart (am 1958-06-25), Russell Brown (Swing trombonist) (am 1958-06-25), Ray Sims (am 1958-06-25) und Tommy Pederson (am 1958-06-25)
Trompete:
Cappy Lewis (am 1958-06-25)
Waldhorn:
James Decker (French hornist) (am 1958-06-25), James McGee (am 1958-06-25) und George Price (am 1958-06-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-06-25)
Orchester:
The Nelson Riddle Orchestra (am 1958-06-25)
conductor:
Nelson Riddle (am 1958-06-26)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Tower in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1958-06-25)
cover recording of:
One for My Baby (and One More for the Road) (am 1958-06-26)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
2.54:27