Dietrich Schwanitz: Musik: Alles, was man hören muss

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Gregorianik, Renaissance
#TitleArtistRatingLength
1Adorate Deum (Introitus)
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[unknown]34:05
2Gustate et videte (Psalm 33)
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[unknown]43:32
3Kyrie eleison (Litania)
soprano vocals:
Manuela Schenale (Soprano)
conductor:
Alberto Turco
performer:
In Dulci Jubilo (Italian women's gregorian choir)
[unknown]21:35
4Si quis semonem (Psallenda)
[unknown]1:29
5Gloria in excelsis (Hymnus)
[unknown]22:49
6O Euchari
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Euchari in leta via (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:51
7O pastor animarum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Pastor animarum (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:28
8Ai tal domna
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Ai tal domna (from 1996-06-04 until 1996-06-06)
composer:
Berenguier de Palou (French / Catalan medieval troubadour, fl. 1160-1209)
Berenguier de Palou3:26
9Quan vei la lauzeta mover
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Quan vei la lauzeta mover (Quand je vois l'alouette) (from 1996-06-04 until 1996-06-06)
composer:
Bernartz de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn6:05
10Palästina-Lied
engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1995-04-18 until 1995-04-20)
conductor:
Graham Derrick (from 1995-04-18 until 1995-04-20)
performer:
Estampie (British ensemble around Graham Derrick) (from 1995-04-18 until 1995-04-20)
recorded at:
High Denton Farm, Ilkley, North Yorkshire in Ilkley, Bradford (City of Bradford), West Yorkshire, England, United Kingdom (from 1995-04-18 until 1995-04-20)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (from 1995-04-18 until 1995-04-20)
lyricist, writer and composer:
Walther von der Vogelweide
Walther von der Vogelweide3:11
11Jay grant espoir
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
[unknown]2:48
12Ce jour de l'an
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
recording of:
Ce jour de l'an
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:20
13Ay je rien fet
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
instruments and orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
choir vocals:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
conductor:
Michael Posch (Recorder and flute player) (from 1995-12-03 until 1995-12-06)
recorded at:
Lutherische Stadtkirche in Innere Stadt, Wien (Vienna), Austria (from 1995-12-03 until 1995-12-06)
recording of:
Ay je rien fet (from 1995-12-03 until 1995-12-06)
composer:
Alexander Agricola (Franco-Flemish Renaissance composer, c. 1446-1506)
arranger:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
Alexander Agricola3:12
14Missa L'homme armé Kyrie
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Missa L'homme armé: Kyrie
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa L’homme armé
Johannes Ockeghem3:08
15Sephardisches Lied: A la nana
instruments:
Accentus Austria
mezzo-soprano vocals:
Carmen Cano (mezzo-soprano)
conductor:
Thomas Wimmer (viola-da-gamba player)
recording of:
A la nana y a la buba
lyricist and composer:
[traditional] (special purpose artist)
[unknown]3:13
16Missa Papae Marcelli, Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-09-24 until 1991-09-25)
conductor:
Jeremy Summerly (conductor) (from 1991-09-24 until 1991-09-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom (from 1991-09-24 until 1991-09-25)
recording of:
Missa Papae Marcelli: I. Kyrie (from 1991-09-24 until 1991-09-25)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina34:37
17Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Schola Cantorum of Oxford (from 1993-03-14 until 1993-03-16)
conductor:
Jeremy Summerly (conductor) (from 1993-03-14 until 1993-03-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-03-14 until 1993-03-16)
recording of:
Missa Bell' Amfirit'altera, H. viii/55: I. Kyrie (from 1993-03-14 until 1993-03-16)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Bell' Amfirit'altera, H. viii/55
Orlande de Lassus3:15
18A Mask: The Fairest Nymph
choir vocals:
Red Byrd (Medieval music group)
orchestra:
Rose Consort of Viols
recording of:
Mask (for keyboard), MB 43: The Fairest nymph
composer:
Orlando Gibbons (composer)
part of:
Musica Britannica Volume 20's catalogue of Orlando Gibbons' keyboard works (number: 43)
Orlando Gibbons1:34
19Nigra sum
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:21
20L'Orfeo - Toccata
orchestra:
Cappella Musicale di San Petronio di Bologna (in 1996-08)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (in 1996-08)
recorded at:
Théâtre du Puy-en-Velay in Le Puy-en-Velay, Haute-Loire, Auvergne-Rhône-Alpes, France (in 1996-08)
recording of:
L’Orfeo: Toccata (in 1996-08)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:55
21Prolog
orchestra:
Cappella Musicale di San Petronio di Bologna (in 1996-08)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (in 1996-08)
recorded at:
Théâtre du Puy-en-Velay in Le Puy-en-Velay, Haute-Loire, Auvergne-Rhône-Alpes, France (in 1996-08)
recording of:
L’Orfeo: Prologo (in 1996-08)
lyricist:
Alessandro Striggio (The Younger, c. 1573-1630)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
partial recording of:
L’Orfeo: Prologo
lyricist:
Alessandro Striggio (The Younger, c. 1573-1630)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi7:21
22Ecco pur ch'a voi (Orpheus)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi1:11
2▼CD: Barock
#TitleArtistRatingLength
1Concerto E-Dur, Op. 8 No. 1, RV 269 "Die vier Jahreszeiten: Frühling": I. Allegro
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:33
2Concerto E-Dur, Op. 8 No. 1, RV 269 "Die vier Jahreszeiten: Frühling": II. Largo
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
Naxos Music and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: II. Largo (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi2:39
3Concerto E-Dur, Op. 8 No. 1, RV 269 "Die vier Jahreszeiten: Frühling": III. Allegro
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: III. Allegro pastorale (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi4:22
4Concerto f-Moll, Op. 8 No. 1, RV 297 "Die vier Jahreszeiten: Winter": I. Allegro non molto
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: I. Allegro non molto (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:30
5Concerto f-Moll, Op. 8 No. 1, RV 297 "Die vier Jahreszeiten: Winter": II. Largo
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:20
6Concerto f-Moll, Op. 8 No. 1, RV 297 "Die vier Jahreszeiten: Winter": III. Allegro
producer:
Günter Appenheimer (producer/engineer)
violin:
Takako Nishizaki (violinist) (from 1987-07-12 until 1987-07-22)
orchestra:
Capella Istropolitana (from 1987-07-12 until 1987-07-22)
conductor:
Stephen Gunzenhauser (conductor) (from 1987-07-12 until 1987-07-22)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1987-07-12 until 1987-07-22)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: III. Allegro (from 1987-07-12 until 1987-07-22)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi3:17
7Gloria D-Dur, RV 589: I. Gloria
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Jeremy Summerly (conductor) and Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria, RV 589: I. Gloria in excelsis Deo (edited by Malipiero) (from 1993-12-03 until 1994-03-14)
lyricist:
Anonymous ([anonymous], special purpose artist)
additional composer:
Gian Francesco Malipiero (Italian composer)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
is based on:
Gloria in D major, RV 589: I. Gloria in excelsis Deo
part of:
Gloria, RV 589 (edited by Malipiero)
Antonio Vivaldi42:49
8Gloria D-Dur, RV 589: IV. Gratias agimus tibi
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria in D major, RV 589: IV. Gratias agimus tibi (from 1993-12-03 until 1994-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
recording of:
Gloria in D major, RV 589: V. Propter magnam gloriam tuam (from 1993-12-03 until 1994-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi31:17
9Gloria D-Dur, RV 589: VI. Domine Deus, Rex caelestis
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
soprano vocals:
Anna Crookes (soprano) (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria in D major, RV 589: VI. Domine Deus (from 1993-12-03 until 1994-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi34:02
10Gloria D-Dur, RV 589: XII.Cum Sancto Spiritu
engineer:
Ian Parr (engineer) (from 1993-12-03 until 1994-03-14)
producer:
Colm Carey (keyboard instrumentalist) (from 1993-12-03 until 1994-03-14) and John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-03 until 1994-03-14)
choir vocals:
Schola Cantorum of Oxford (from 1993-12-03 until 1994-03-14)
orchestra:
Northern Chamber Orchestra (from 1993-12-03 until 1994-03-14)
conductor:
Nicholas Ward (British conductor) (from 1993-12-03 until 1994-03-14)
chorus master:
Jeremy Summerly (conductor) (from 1993-12-03 until 1994-03-14)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
St Peter’s Church, Hale, Cheshire in Cheshire West and Chester, England, United Kingdom (from 1993-12-03 until 1994-03-14)
recording of:
Gloria in D major, RV 589: XII. Cum Sancto Spiritu (from 1993-12-03 until 1994-03-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi33:22
11Der Messias, HWV 56: Part I, I. Ouvertüre
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel3:11
12Der Messias, HWV 56: Part I, IV. And the Glory of the Lord
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel2:44
13Der Messias, HWV 56: Part I, XIII. Pifa
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel1:03
14Der Messias, HWV 56: Part I, XVIII. Rejoice Greatly, O Daughter of Zion
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel4:04
15Der Messias, HWV 56: Part II, XLIV. Hallelujah
engineer:
Mike Skeet (recording engineer) (in 1992-07)
producer:
Murray Khouri (clarinettist and producer) (in 1992-07)
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) and Tallis Chamber Choir (from 1992-07-06 until 1992-07-09)
vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
orchestra:
The Scholars Baroque Ensemble and Soloists (UK vocal & instrumental ensemble)
conductor:
Kevin Mallon (conductor) (from 1992-07-06 until 1992-07-09)
performer:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble) (from 1992-07-06 until 1992-07-09)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1992-07-06 until 1992-07-09)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 1992-07-06 until 1992-07-09)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel3:42
16Matthäus Passion, BWV 244: Part I, I. Choral "Kommt, ihr Töchter, helft mir klagen!"
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
choir vocals:
Hungarian Festival Chorus (from 1993-02-06 until 1993-02-14)
soprano vocals [Soprano in ripieno]:
Magyar Rádió gyermekkórusa (Children’s Choir of the Hungarian Radio) (from 1993-02-06 until 1993-02-14)
orchestra:
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1993-02-06 until 1993-02-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:40
17Matthäus Passion, BWV 244: Part I, 13. Arie "Ich will dir mein Herze schenken"
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
soprano vocals:
Ibolya Verebics (soprano) (from 1993-02-06 until 1993-02-14)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (from 1993-02-06 until 1993-02-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:45
18Matthäus Passion, BWV 244: Part II, 39. Arie "Erbarme dich, mein Gott!"
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1993-02-06 until 1993-02-14)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
performer:
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1993-02-06 until 1993-02-14)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:13
19Matthäus Passion, BWV 244: Part II, 68. Choral "Wir setzen uns mit Tränen nieder"
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
choir vocals:
Hungarian Festival Chorus (from 1993-02-06 until 1993-02-14)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1993-02-06 until 1993-02-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:32
20Sonate No. 1 g-Moll, BWV 1001: IV. Presto
recording of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001: IV. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Sonata no. 1 in G minor for Violin Solo, BWV 1001
Johann Sebastian Bach3:48
21Suite No. 1 G-Dur, BWV 1007: I. Prélude
recorded in:
Paris, Île-de-France, France (on 1938-06-02)
engineer and producer:
M. Cailly (engineer)
cello:
Pablo Casals (cellist, aka Pablo Casals) (on 1938-06-02)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (on 1938-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach2:30
3▼CD: Barock
#TitleArtistRatingLength
1Brandenburgisches Konzert No. 2 F-dur, BWV 1047: I. Allegro
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Harald Hoeren (harpsichordist)
oboe:
Christian Hommel (oboist)
recorder:
Nadja Schubert (flutist)
trumpet:
Jürgen Schuster (trumpet player)
violin:
Winfried Rademacher (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach4:29
2Brandenburgisches Konzert No. 2 F-dur, BWV 1047: II. Andante
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Harald Hoeren (harpsichordist)
oboe:
Christian Hommel (oboist)
recorder:
Nadja Schubert (flutist)
trumpet:
Jürgen Schuster (trumpet player)
violin:
Winfried Rademacher (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante) (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:13
3Brandenburgisches Konzert No. 2 F-dur, BWV 1047: III. Allegro assai
recording engineer:
Uwe Walter (classical engineer)
producer:
Ludwig Rink
double bass [basso continuo]:
Thomas Falke
harpsichord [basso continuo]:
Harald Hoeren (harpsichordist)
oboe:
Christian Hommel (oboist)
recorder:
Nadja Schubert (flutist)
trumpet:
Jürgen Schuster (trumpet player)
violin:
Winfried Rademacher (violinist)
orchestra:
Cologne Chamber Orchestra (from 1999-03 until 1999-04)
conductor:
Helmut Müller‐Brühl (conductor) (from 1999-03 until 1999-04)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1999)
recorded at:
Deutschlandradio Studios in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1999-03 until 1999-04)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1999-03 until 1999-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:43
4Weihnachtsoratorium, BWV 248: Chor "Jauchzet, frohlocket!"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:13
5Weihnachtsoratorium, BWV 248: Arie "Bereite dich, Zion"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1992-06-15 until 1992-06-30)
soprano vocals:
Ingrid Kertesi (soprano) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:14
6Weihnachtsoratorium, BWV 248: Chor "Wie soll ich dich empfangen"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:20
7Weihnachtsoratorium, BWV 248: Chor "Ach, mein herzliebes Jesulein!"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (from 1992-06-15 until 1992-06-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
8Weihnachtsoratorium, BWV 248: Arie "Flößt, mein Heiland"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1992-06-15 until 1992-06-30)
soprano vocals:
Ingrid Kertesi (soprano) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1992-06-15 until 1992-06-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:18
9Weihnachtsoratorium, BWV 248: Chor "Ich steh' an deiner Krippen hier"
engineer:
Gábor Mocsáry (from 1992-06-15 until 1992-06-30)
producer:
Tamás Benedek (from 1992-06-15 until 1992-06-30)
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (from 1992-06-15 until 1992-06-30)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (from 1992-06-15 until 1992-06-30)
conductor:
Géza Oberfrank (conductor) (from 1992-06-15 until 1992-06-30)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (from 1992-06-15 until 1992-06-30)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1992-06-15 until 1992-06-30)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
10Das Wohltemperierte Klavier, Buch 1 No. 1 C-dur, BWV 846: Prelude
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:24
11Das Wohltemperierte Klavier, Buch 1 No. 1 C-Dur, BWV 846: Fugue
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Fugue
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Johann Sebastian Bach1:48
12Das Musikalische Opfer, BWV 1079: Ricercar a 3
orchestra:
Capella Istropolitana
conductor:
Christian Benda (conductor, cellist)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1995-11-13 until 1995-11-19)
recording of:
Musikalisches Opfer, BWV 1079: I. Ricercare a 3 (from 1995-11-13 until 1995-11-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach5:33
13Das Musikalische Opfer, BWV 1079: Largo
orchestra:
Capella Istropolitana
conductor:
Christian Benda (conductor, cellist)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1995-11-13 until 1995-11-19)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: a. Largo (from 1995-11-13 until 1995-11-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach7:25
14Das Musikalische Opfer, BWV 1079: Allegro
orchestra:
Capella Istropolitana
conductor:
Christian Benda (conductor, cellist)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1995-11-13 until 1995-11-19)
recording of:
Musikalisches Opfer, BWV 1079: VIII. Trio: d. Allegro (from 1995-11-13 until 1995-11-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Musikalisches Opfer, BWV 1079 (The Musical Offering, BWV 1079)
Johann Sebastian Bach3:04
15Die Kunst der Fuge, BWV 1080: I. Contrapunctus
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach4:25
16Die Kunst der Fuge, BWV 1080: IX. Contrapunctus
recording of:
Die Kunst der Fuge, BWV 1080: IX. Contrapunctus 9 a 4 alla Duodecima
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/9)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
Johann Sebastian Bach3:46
17Partita No. 3, BWV 1006: Präludium
recording of:
Suite from Partita for Violin in E major, TN iii/1: I. Preludio (for piano, Rachmaninoff)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Sergei Rachmaninoff (Russian composer) (in 1933)
is based on:
Suite E-Dur, BWV 1006.2: I. Prélude (former BWV 1006a)
part of:
Suite from Partita for Violin in E major, TN iii/1 (for piano, Rachmaninoff)
Сергей Васильевич Рахманинов3:15
18Konzert f-moll, BWV 1056: Largo
piano:
Alfred Cortot (French pianist)
recording of:
Arioso from Keyboard Concerto no. 5 in F minor, BWV 1056 (for solo piano, Cortot)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Alfred Cortot (French pianist)
arrangement of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
Alfred Cortot3:04
19Cantata No. 147 "Jesu bleibet meine Freude"
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Myra Hess3:11
20Toccata C-dur, BWV 564: Intermezzo
piano:
Arthur Rubinstein (pianist)
recording of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1: II. Intermezzo (Adagio) (for piano, Busoni)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Ferruccio Busoni (Italian composer, pianist, conductor, editor, writer, and teacher)
arrangement of:
Toccata, Adagio, and Fugue in C major, BWV 564: II. Adagio
part of:
Toccata, Adagio and Fugue in C major, BWV 564, BV B 29 no. 1 (for piano, Busoni)
Ferruccio Busoni4:36
4▼CD: Klassik
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1Klaviersonate Es-dur, Hob. XVI:49: Allegro
engineer:
János Bohus (Hungarian sound engineer.) (in 1992-02)
producer:
Ibolya Tóth (in 1992-02)
piano:
Jenő Jandó (pianist) (from 1992-02-25 until 1992-02-27)
recorded at:
Unitarian Church in Budapest, Hungary (from 1992-02-25 until 1992-02-27)
recording of:
Piano Sonata no. 59 in E-flat major, Hob. XVI:49: I. Allegro
composer:
Joseph Haydn (composer) (in 1790)
part of:
Piano Sonata no. 59 in E-flat major, Hob. XVI:49
Joseph Haydn6:52
2Streichquartett No. 77 Op. 76,3 C-dur: Poco adagio
strings:
Kodály Quartet (from 1988-06-17 until 1988-06-19)
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile (from 1988-06-17 until 1988-06-19)
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Joseph Haydn7:46
3Sinfonie No. 31 D-dur: Allegro
recording of:
Symphony no. 31 in D major, Hob. I:31 “Hornsignal”: I. Allegro
composer:
Joseph Haydn (composer) (in 1765)
publisher:
Oxford University Press
part of:
Symphony no. 31 in D major, Hob. I:31 “Hornsignal”
Joseph Haydn4:59
4Sinfonie No. 1 Es-dur, KV 16: Molto allegro
engineer:
Harold Barnes (from 1994-04-17 until 1994-04-18)
producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
orchestra:
Northern Chamber Orchestra (from 1994-04-17 until 1994-04-18)
conductor:
Nicholas Ward (British conductor) (from 1994-04-17 until 1994-04-18)
recorded at:
New Broadcasting House: Concert Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-04-17 until 1994-04-18)
recording of:
Symphony no. 1 in E-flat major, K. 16: I. Allegro molto (from 1994-04-17 until 1994-04-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart6:09
5Sinfonie No. 1 Es-dur, KV 16: Andante
engineer:
Harold Barnes (from 1994-04-17 until 1994-04-18)
producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
orchestra:
Northern Chamber Orchestra (from 1994-04-17 until 1994-04-18)
conductor:
Nicholas Ward (British conductor) (from 1994-04-17 until 1994-04-18)
recorded at:
New Broadcasting House: Concert Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-04-17 until 1994-04-18)
recording of:
Symphony no. 1 in E-flat major, K. 16: II. Andante (from 1994-04-17 until 1994-04-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart4:52
6Sinfonie No. 1 Es-dur, KV 16: Presto
engineer:
Harold Barnes (from 1994-04-17 until 1994-04-18)
producer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
orchestra:
Northern Chamber Orchestra (from 1994-04-17 until 1994-04-18)
conductor:
Nicholas Ward (British conductor) (from 1994-04-17 until 1994-04-18)
recorded at:
New Broadcasting House: Concert Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-04-17 until 1994-04-18)
recording of:
Symphony no. 1 in E-flat major, K. 16: III. Presto (from 1994-04-17 until 1994-04-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1764)
part of:
Symphony no. 1 in E-flat major, K. 16
Wolfgang Amadeus Mozart2:11
7Die Hochzeit des Figaro: Ouvertüre
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra) (from 1997-05-14 until 1997-05-19)
conductor:
Pier Giorgio Morandi (conductor) (from 1997-05-14 until 1997-05-19)
recorded at:
Concert Hall of the Szt. István Conservatorium in Budapest, Hungary (from 1997-05-14 until 1997-05-19)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1997-05-14 until 1997-05-19)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:17
8Die Hochzeit des Figaro: "Bravo, mein gnädiger Gebieter..." (Figaro)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Pier Giorgio Morandi (conductor)
partial recording of:
Die Hochzeit des Figaro (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart0:56
9Die Hochzeit des Figaro: "... will der Herr Graf..." (Figaro)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Pier Giorgio Morandi (conductor)
partial recording of:
Die Hochzeit des Figaro (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart2:34
10Die Hochzeit des Figaro: "Hör mein Flehn, o Gott der Liebe" (Gräfin)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Pier Giorgio Morandi (conductor)
partial recording of:
Die Hochzeit des Figaro (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:39
11Die Hochzeit des Figaro: "Sagt, holde Frauen" (Cherubino)
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Pier Giorgio Morandi (conductor)
partial recording of:
Die Hochzeit des Figaro (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart3:13
12Die Hochzeit des Figaro: Schlußszene
orchestra:
Hungarian State Opera Orchestra (Hungarian State Opera Orchestra)
conductor:
Pier Giorgio Morandi (conductor)
partial recording of:
Die Hochzeit des Figaro (German translation)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
translated version of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart5:14
13Die Zauberflöte: Ouvertüre
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1937-11-08 until 1938-03-08)
conductor:
Sir Thomas Beecham (conductor) (from 1937-11-08 until 1938-03-08)
recorded at:
Beethovensaal Berlin in Berlin, Germany (from 1937-11-08 until 1938-03-08)
recording of:
Die Zauberflöte: Ouvertüre (The Magic Flute, K. 620: Overture) (from 1937-11-08 until 1938-03-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620 (The Magic Flute, K. 620)
Wolfgang Amadeus Mozart7:47
14Die Zauberflöte: "Der Vogelfänger bin ich ja" (Papageno)
baritone vocals [Papageno]:
Gerhard Hüsch (baritone) (from 1937-11-08 until 1938-03-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1937-11-08 until 1938-03-08)
conductor:
Sir Thomas Beecham (conductor) (from 1937-11-08 until 1938-03-08)
recorded at:
Beethovensaal Berlin in Berlin, Germany (from 1937-11-08 until 1938-03-08)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (from 1937-11-08 until 1938-03-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart2:44
15Die Zauberflöte: "Dies Bildnis ist bezaubernd schön" (Tamino)
tenor vocals [Tamino]:
Helge Rosvænge (tenor) (from 1937-11-08 until 1938-03-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1937-11-08 until 1938-03-08)
conductor:
Bruno Seidler‐Winkler (from 1937-11-08 until 1938-03-08)
recorded at:
Beethovensaal Berlin in Berlin, Germany (from 1937-11-08 until 1938-03-08)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino) (from 1937-11-08 until 1938-03-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:49
16Die Zauberflöte: "Könnte jeder brave Mann" (Pamina, Papageno)
baritone vocals [Papageno]:
Gerhard Hüsch (baritone) (from 1937-11-08 until 1938-03-08)
soprano vocals [Pamina]:
Tiana Lemnitz (soprano) (from 1937-11-08 until 1938-03-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1937-11-08 until 1938-03-08)
conductor:
Sir Thomas Beecham (conductor) (from 1937-11-08 until 1938-03-08)
recorded at:
Beethovensaal Berlin in Berlin, Germany (from 1937-11-08 until 1938-03-08)
recording of:
Die Zauberflöte: Akt I. „Könnte jeder brave Mann” (Pamina, Papageno) (from 1937-11-08 until 1938-03-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart1:01
17Die Zauberflöte: "Der Hölle Rache..." (Königin der Nacht)
soprano vocals [Königin der Nacht]:
Erna Berger (German lyric soprano) (from 1937-11-08 until 1938-03-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1937-11-08 until 1938-03-08)
conductor:
Sir Thomas Beecham (conductor) (from 1937-11-08 until 1938-03-08)
recorded at:
Beethovensaal Berlin in Berlin, Germany (from 1937-11-08 until 1938-03-08)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1937-11-08 until 1938-03-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:51
18Die Zauberflöte: "In diesen heil'gen Hallen" (Sarastro)
bass vocals [Sarastro]:
Wilhelm Strienz (operatic bass) (from 1937-11-08 until 1938-03-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1937-11-08 until 1938-03-08)
conductor:
Sir Thomas Beecham (conductor) (from 1937-11-08 until 1938-03-08)
recorded at:
Beethovensaal Berlin in Berlin, Germany (from 1937-11-08 until 1938-03-08)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil’gen Hallen” (Sarastro) (from 1937-11-08 until 1938-03-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:36
19Die Zauberflöte: "Pa-Pa-Pa-Pa-Pa-Pa" (Papageno, Papagena)
baritone vocals [Papageno]:
Gerhard Hüsch (baritone) (from 1937-11-08 until 1938-03-08)
soprano vocals [Papagena]:
Irma Beilke (German opera singer and teacher) (from 1937-11-08 until 1938-03-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1937-11-08 until 1938-03-08)
conductor:
Sir Thomas Beecham (conductor) (from 1937-11-08 until 1938-03-08)
recorded at:
Beethovensaal Berlin in Berlin, Germany (from 1937-11-08 until 1938-03-08)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1937-11-08 until 1938-03-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
included in:
「パ、パ、パ、パ」〜オペラ「魔笛」より
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:28
5▼CD: Klassik
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1Requiem d-Moll, KV 626: Introitus: Requiem aeternam
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (Süßmayr Edition; choir and soprano solo) (in 1985-03)
orchestrator:
Franz Jakob Freystädtler, Wolfgang Amadeus Mozart (classical composer) and Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
is based on:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (original version)
part of:
Requiem in D minor, K. 626 (Süßmayr edition)
recording of:
Requiem in D minor, K. 626: I. Introitus: Requiem aeternam (catch-all for unknown editions)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626 (catch-all for unknown editions)
Wolfgang Amadeus Mozart5:06
2Requiem d-Moll, KV 626: Dies Irae
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: a. Dies irae (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart1:46
3Requiem d-Moll, KV 626: Tuba mirum
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
bass vocals:
Peter Mikuláš (operatic bass) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
tenor vocals:
Jozef Kundlák (tenor) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart4:17
4Requiem d-Moll, KV 626: Lacrimosa dies illa
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:22
5Requiem d-Moll, KV 626: Communio: Lux aeterna
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
soprano vocals:
Magdaléna Hajóssyová (soprano) (in 1985-03)
orchestra:
Slovenský filharmonický zbor (Slovak Philharmonic Choir) and Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: VIII. Communio: a. Lux aeterna (Süßmayr Edition; soprano solo and choir) (in 1985-03)
additional orchestrator:
Franz Beyer (violist) and Franz Jakob Freystädtler
orchestrator:
Franz Xaver Süßmayr
additional composer:
Franz Xaver Süßmayr
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: VIII. Communio (Süßmayr edition)
Wolfgang Amadeus Mozart5:54
6Violinkonzert No. 4 D-Dur, KV 218: I. Allegro moderato
violin:
Joseph Szigeti (violinist) (on 1934-10-08)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1934-10-08)
conductor:
Sir Thomas Beecham (conductor) (on 1934-10-08)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1934-10-08)
recording of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto (on 1934-10-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1775-04 until 1775-12)
part of:
Concerto for Violin and Orchestra no. 4 in D major, K. 218
Wolfgang Amadeus Mozart9:23
7Sinfonie No. 5 c-Moll, Op. 67 "Schicksals-Sinfonie": I. Allegro con brio
engineer:
János Bohus (Hungarian sound engineer.) (in 1995-06)
producer:
Ibolya Tóth (in 1995-06)
orchestra:
Nicolaus Esterházy Sinfonia (from 1995-06-09 until 1995-06-16)
conductor:
Béla Drahos (flutist and conductor) (from 1995-06-09 until 1995-06-16)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1995-06-09 until 1995-06-16)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (from 1995-06-09 until 1995-06-16)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven5:35
8Klaviersonate No. 8 c-Moll, Op. 13 "Pathétique": II. Adagio cantabile
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven4:45
9Klaviersonate No. 14 cis-Moll, Op. 27 Nr. 2: I. Adagio sostenuto
engineer:
Mónika Feszler (producer)
producer:
Horváth János (János Horváth, engineer)
piano:
Jenő Jandó (pianist) (from 1987-04-21 until 1987-04-23)
phonographic copyright (℗) by:
Naxos International and HNH International Ltd. (not for release label use!) (in 1987)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1987-04-21 until 1987-04-23)
cover recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (from 1987-04-21 until 1987-04-23)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven35:20
10Sinfonie No. 9 d-Moll, Op. 125: Finale. Presto
engineer:
János Bohus (Hungarian sound engineer.) (in 1996-08)
producer:
Ibolya Tóth (in 1996-08)
bass-baritone vocals:
Claudio Otelli (bass-baritone) (in 1996-08)
choir vocals:
Nicolaus Esterházy Choir (in 1996-08)
mezzo-soprano vocals:
Ruxandra Donose (mezzo-soprano) (in 1986-08)
soprano vocals:
Hasmik Papian (soprano) (in 1996-08)
tenor vocals:
Manfred Fink (tenor) (in 1996-08)
orchestra:
Nicolaus Esterházy Sinfonia (in 1996-08)
conductor:
Béla Drahos (flutist and conductor) (in 1996-08)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (in 1996-08)
recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven23:19
11Violinkonzert D-Dur, Op. 61: III. Rondo. Allegro
recording of:
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Concerto for Violin and Orchestra in D major, op. 61
Ludwig van Beethoven8:23
6▶CD: Romantik
7▶CD: Romantik
8▶CD: Romantik
9▶CD: Moderne
10▶CD: USA

Credits

Release

compiler:Dietrich Schwanitz
ASIN:DE: 3821854324 [info]