Dietrich Schwanitz: Musik: Alles, was man hören muss

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Gregorianik, Renaissance
#TitleArtistRatingLength
1Adorate Deum (Introitus)
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[unknown]34:05
2Gustate et videte (Psalm 33)
engineer:
Giovanni Melloncelli
choir vocals:
Nova Schola Gregoriana (Italian gregorian vocal ensemble) (on 1992-08-03)
conductor:
Alberto Turco (on 1992-08-03)
recorded at:
Church of the Nativity of the Blessed Virgin Mary (Mantua) in Italy (on 1992-08-03)
[unknown]43:32
3Kyrie eleison (Litania)
soprano vocals:
Manuela Schenale (Soprano)
conductor:
Alberto Turco
performer:
In Dulci Jubilo (Italian women's gregorian choir)
[unknown]21:35
4Si quis semonem (Psallenda)
[unknown]1:29
5Gloria in excelsis (Hymnus)
[unknown]22:49
6O Euchari
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Euchari in leta via (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen8:51
7O pastor animarum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings) (from 1993-12-14 until 1993-12-15)
producer:
Judy Lieber (producer) and Jeremy Summerly (conductor)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-12-14 until 1993-12-15)
conductor:
Jeremy Summerly (conductor) (from 1993-12-14 until 1993-12-15)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1995)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-12-14 until 1993-12-15)
recording of:
Symphonia armonie celestium revelationum: O Pastor animarum (from 1993-12-14 until 1993-12-15)
composer:
Hildegard von Bingen (German medieval saint)
part of:
Symphonia armonie celestium revelationum
Hildegard von Bingen1:28
8Ai tal domna
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Ai tal domna (from 1996-06-04 until 1996-06-06)
composer:
Berenguier de Palou (French / Catalan medieval troubadour, fl. 1160-1209)
Berenguier de Palou3:26
9Quan vei la lauzeta mover
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
vocals:
Maria Lafitte (from 1996-06-04 until 1996-06-06)
conductor:
Michael Posch (Recorder and flute player) (from 1996-06-04 until 1996-06-06)
performer:
Ensemble Oni Wytars (from 1996-06-04 until 1996-06-06) and Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1996-06-04 until 1996-06-06)
recorded at:
Tonstudio W* A* R* in Wien (Vienna), Austria (from 1996-06-04 until 1996-06-06)
recording of:
Quan vei la lauzeta mover (Quand je vois l'alouette) (from 1996-06-04 until 1996-06-06)
composer:
Bernartz de Ventadorn (French poet-composer troubadour, fl. 12th century)
Bernart de Ventadorn6:05
10Palästina-Lied
engineer:
Gary Cole (classical producer / engineer, founder of Regent Records) (from 1995-04-18 until 1995-04-20)
conductor:
Graham Derrick (from 1995-04-18 until 1995-04-20)
performer:
Estampie (British ensemble around Graham Derrick) (from 1995-04-18 until 1995-04-20)
recorded at:
High Denton Farm, Ilkley, North Yorkshire in Ilkley, Bradford (City of Bradford), West Yorkshire, England, United Kingdom (from 1995-04-18 until 1995-04-20)
recording of:
Nu alrest lebe ich mir werde (Palästinalied) (from 1995-04-18 until 1995-04-20)
lyricist, writer and composer:
Walther von der Vogelweide
Walther von der Vogelweide3:11
11Jay grant espoir
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
[unknown]2:48
12Ce jour de l'an
orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
conductor:
Michael Posch (Recorder and flute player)
recording of:
Ce jour de l'an
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:20
13Ay je rien fet
engineer:
Elisabeth Reithofer and Wolfgang Reithofer
producer:
Michael Posch (Recorder and flute player)
instruments and orchestra:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
choir vocals:
Ensemble Unicorn (Austrian Medieval / Renaissance music group) (from 1995-12-03 until 1995-12-06)
conductor:
Michael Posch (Recorder and flute player) (from 1995-12-03 until 1995-12-06)
recorded at:
Lutherische Stadtkirche in Innere Stadt, Wien (Vienna), Austria (from 1995-12-03 until 1995-12-06)
recording of:
Ay je rien fet (from 1995-12-03 until 1995-12-06)
composer:
Alexander Agricola (Franco-Flemish Renaissance composer, c. 1446-1506)
arranger:
Ensemble Unicorn (Austrian Medieval / Renaissance music group)
Alexander Agricola3:12
14Missa L'homme armé Kyrie
orchestra:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor)
recording of:
Missa L'homme armé: Kyrie
composer:
Johannes Ockeghem (Franco-Flemish early Renaissance composer)
part of:
Missa L’homme armé
Johannes Ockeghem3:08
15Sephardisches Lied: A la nana
instruments:
Accentus Austria
mezzo-soprano vocals:
Carmen Cano (mezzo-soprano)
conductor:
Thomas Wimmer (viola-da-gamba player)
recording of:
A la nana y a la buba
lyricist and composer:
[traditional] (special purpose artist)
[unknown]3:13
16Missa Papae Marcelli, Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Murray Khouri (clarinettist and producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1991-09-24 until 1991-09-25)
conductor:
Jeremy Summerly (conductor) (from 1991-09-24 until 1991-09-25)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1992)
recorded at:
Dorchester Abbey in Dorchester on Thames, Oxfordshire, England, United Kingdom (from 1991-09-24 until 1991-09-25)
recording of:
Missa Papae Marcelli: I. Kyrie (from 1991-09-24 until 1991-09-25)
composer:
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
part of:
Missa Papae Marcelli
Giovanni Pierluigi da Palestrina34:37
17Kyrie
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Schola Cantorum of Oxford (from 1993-03-14 until 1993-03-16)
conductor:
Jeremy Summerly (conductor) (from 1993-03-14 until 1993-03-16)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-03-14 until 1993-03-16)
recording of:
Missa Bell' Amfirit'altera, H. viii/55: I. Kyrie (from 1993-03-14 until 1993-03-16)
composer:
Orlande de Lassus (Franco-Flemish Renaissance composer)
part of:
Missa Bell' Amfirit'altera, H. viii/55
Orlande de Lassus3:15
18A Mask: The Fairest NymphOrlando Gibbons1:34
19Nigra sum
choir vocals:
Scholars Baroque Ensemble (UK vocal & instrumental ensemble)
recording of:
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum"
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi3:21
20L'Orfeo - Toccata
orchestra:
Cappella Musicale di San Petronio di Bologna (in 1996-08)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (in 1996-08)
recorded at:
Théâtre du Puy-en-Velay in Le Puy-en-Velay, Haute-Loire, Auvergne-Rhône-Alpes, France (in 1996-08)
recording of:
L’Orfeo: Toccata (in 1996-08)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi1:55
21Prolog
orchestra:
Cappella Musicale di San Petronio di Bologna (in 1996-08)
conductor:
Sergio Vartolo (Italian harpsichordist & conductor) (in 1996-08)
recorded at:
Théâtre du Puy-en-Velay in Le Puy-en-Velay, Haute-Loire, Auvergne-Rhône-Alpes, France (in 1996-08)
recording of:
L’Orfeo: Prologo (in 1996-08)
lyricist:
Alessandro Striggio (The Younger, c. 1573-1630)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
partial recording of:
L’Orfeo: Prologo
lyricist:
Alessandro Striggio (The Younger, c. 1573-1630)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L’Orfeo, SV 318
Claudio Monteverdi7:21
22Ecco pur ch'a voi (Orpheus)
recording of:
L'Orfeo: Atto secondo. Sinfonia / Ecco pur ch'a voi ritorno (Orfeo)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
librettist:
Alessandro Striggio (The Younger, c. 1573-1630)
part of:
L’Orfeo: Atto secondo
Claudio Monteverdi1:11
2CD: Barock
3CD: Barock
4CD: Klassik
5CD: Klassik
6CD: Romantik
7CD: Romantik
8CD: Romantik
9CD: Moderne
10CD: USA

Credits

Release

compiler:Dietrich Schwanitz
ASIN:DE: 3821854324 [info]