Quadromania: Romantic Songs

~ Release by Mahler, Brahms, Strauss (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Lieder Eines Fahrenden Gesselen - Wenn mein Schatz Hochzeit macht
baritone vocals:
Hermann Schey (bass-baritone) (from 1936 until 1939)
orchestra:
Concertgebouw Kamerorkest (Concertgebouw Chamber Orchestra) (from 1936 until 1939)
conductor:
Willem Mengelberg (from 1936 until 1939)
recording of:
Lieder eines fahrenden Gesellen: I. "Wenn mein Schatz Hochzeit macht" (from 1936 until 1939)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:43
2Lieder Eines Fahrenden Gesselen - Ging heut' morgen ubers Feld
baritone vocals:
Hermann Schey (bass-baritone) (from 1936 until 1939)
orchestra:
Concertgebouw Kamerorkest (Concertgebouw Chamber Orchestra) (from 1936 until 1939)
conductor:
Willem Mengelberg (from 1936 until 1939)
recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (from 1936 until 1939)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:52
3Lieder Eines Fahrenden Gesselen - Ich hab' ein gluhend Messer
baritone vocals:
Hermann Schey (bass-baritone) (from 1936 until 1939)
orchestra:
Concertgebouw Kamerorkest (Concertgebouw Chamber Orchestra) (from 1936 until 1939)
conductor:
Willem Mengelberg (from 1936 until 1939)
recording of:
Lieder eines fahrenden Gesellen: III. "Ich hab' ein glühend Messer" (from 1936 until 1939)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler3:11
4Lieder Eines Fahrenden Gesselen - Die zwei blauen Augen
baritone vocals:
Hermann Schey (bass-baritone) (from 1936 until 1939)
orchestra:
Concertgebouw Kamerorkest (Concertgebouw Chamber Orchestra) (from 1936 until 1939)
conductor:
Willem Mengelberg (from 1936 until 1939)
recording of:
Lieder eines fahrenden Gesellen: IV. "Die zwei blauen Augen von meinem Schatz" (from 1936 until 1939)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler5:21
5Funf Lieder - Ich bin der Welt abhanden gekkomen
mezzo-soprano vocals:
Kathleen Ferrier (contralto) (in 1936)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1936)
conductor:
Bruno Walter (conductor) (in 1936)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (in 1936)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler5:48
6Funf Lieder - Ich amtmet' einen linden Duft
tenor vocals:
Charles Kullman (in 1938)
conductor:
Sir Malcolm Sargent (conductor) (in 1938)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (in 1938)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:50
7Funf Lieder - Um Mitternacht
engineer:
Cyril Windebank
producer:
Victor Olof
contralto vocals:
Kathleen Ferrier (contralto) (on 1952-05-20)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1952-05-20)
conductor:
Bruno Walter (conductor) (on 1952-05-20)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1952-05-20)
recording of:
Rückert Lieder: IV. Um Mitternacht (on 1952-05-20)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
Gustav Mahler6:21
8Kindertotenlieder - Nun die Sonn' so hell aufgeh'n
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: I. “Nun will die Sonn’ so hell aufgeh’n” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:49
9Kindertotenlieder - Nun seh' ich wohl warum so dunkle Flammen
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: II. “Nun seh’ ich wohl, warum so dunkle Flammen” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:36
10Kindertotenlieder - Wenn dein Mutterlein tritt zur Tur herein
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: III. “Wenn dein Mütterlein” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler4:30
11Kindertotenlieder - Oft denk' ich sie sund nur ausgegangeni
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: IV. “Oft denk’ ich, sie sind nur ausgegangen” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1901)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler2:52
12Kindertotenlieder - In diesem Wetter, In diessem Braus
producer:
Walter Legge (British classical producer)
contralto vocals:
Kathleen Ferrier (contralto) (on 1949-10-04)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-10-04)
conductor:
Bruno Walter (conductor) (on 1949-10-04)
balance engineer:
Douglas Larter (on 1949-10-04)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1949-10-04)
recording of:
Kindertotenlieder: V. “In diesem Wetter” (on 1949-10-04)
composer:
Gustav Mahler (composer) (in 1904)
librettist:
Friedrich Rückert (German poet) (from 1833 until 1834)
part of:
Kindertotenlieder (Songs on the Death of Children)
Gustav Mahler6:20
2▼CD
#TitleArtistRatingLength
1Das Lied von der Erde - Das Trinklied vom Jammer der Erde
engineer:
Cyril Windebank (from 1952-05-15 until 1952-05-16)
producer:
Victor Olof
tenor vocals:
Julius Patzak (tenor) (from 1952-05-15 until 1952-05-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-05-15 until 1952-05-16)
conductor:
Bruno Walter (conductor) (from 1952-05-15 until 1952-05-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-05-15 until 1952-05-16)
recording of:
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde (The Song of the Earth: I. Drinking Song of Earth’s Sorrows) (from 1952-05-15 until 1952-05-16)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
悲歌行 (Chinese poem)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler8:37
2Das Lied von der Erde - Der Einsame im Herbst
engineer:
Cyril Windebank (from 1952-05-15 until 1952-05-16)
producer:
Victor Olof
contralto vocals:
Kathleen Ferrier (contralto) (from 1952-05-15 until 1952-05-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-05-15 until 1952-05-16)
conductor:
Bruno Walter (conductor) (from 1952-05-15 until 1952-05-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-05-15 until 1952-05-16)
recording of:
Das Lied von der Erde: II. Der Einsame im Herbst (The Song of the Earth: II. The Lonely Man in Autumn) (from 1952-05-15 until 1952-05-16)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
錢起 (Qián Qǐ)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
效古秋夜長
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler9:14
3Das Lied von der Erde - Von der Jugend
engineer:
Cyril Windebank (from 1952-05-15 until 1952-05-16)
producer:
Victor Olof
tenor vocals:
Julius Patzak (tenor) (from 1952-05-15 until 1952-05-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-05-15 until 1952-05-16)
conductor:
Bruno Walter (conductor) (from 1952-05-15 until 1952-05-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-05-15 until 1952-05-16)
recording of:
Das Lied von der Erde: III. Von der Jugend (The Song of the Earth: III. Of Youth) (from 1952-05-15 until 1952-05-16)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler3:00
4Das Lied von der Erde - Von der Schönheit
engineer:
Cyril Windebank (from 1952-05-15 until 1952-05-16)
producer:
Victor Olof
contralto vocals:
Kathleen Ferrier (contralto) (from 1952-05-15 until 1952-05-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-05-15 until 1952-05-16)
conductor:
Bruno Walter (conductor) (from 1952-05-15 until 1952-05-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-05-15 until 1952-05-16)
recording of:
Das Lied von der Erde: IV. Von der Schönheit (The Song of the Earth: IV. Of Beauty) (from 1952-05-15 until 1952-05-16)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
采蓮曲
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler6:45
5Das Lied von der Erde - Der Trunkene im Frühling
engineer:
Cyril Windebank (from 1952-05-15 until 1952-05-16)
producer:
Victor Olof
tenor vocals:
Julius Patzak (tenor) (from 1952-05-15 until 1952-05-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-05-15 until 1952-05-16)
conductor:
Bruno Walter (conductor) (from 1952-05-15 until 1952-05-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-05-15 until 1952-05-16)
recording of:
Das Lied von der Erde: V. Der Trunkene im Frühling (The Song of the Earth: V. The Drunkard in Spring) (from 1952-05-15 until 1952-05-16)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
lyricist:
李白 (Lǐ Bái)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
春日醉起言志
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler4:23
6Das Lied von der Erde - Der Abschied
engineer:
Cyril Windebank (from 1952-05-15 until 1952-05-16)
producer:
Victor Olof
contralto vocals:
Kathleen Ferrier (contralto) (from 1952-05-15 until 1952-05-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-05-14 until 1952-05-16)
conductor:
Bruno Walter (conductor) (from 1952-05-15 until 1952-05-16)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-05-15 until 1952-05-16)
recording of:
Das Lied von der Erde: VI. Der Abschied (The Song of the Earth: VI. The Farewell) (from 1952-05-15 until 1952-05-16)
composed in:
Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (from 1908 until 1909)
additional lyricist:
Gustav Mahler (composer)
lyricist:
孟浩然 (Mèng Hàorán) and 王維 (Wang Wei, 8th century poet)
composer:
Gustav Mahler (composer) (from 1908 until 1909)
translator:
Hans Bethge (in 1907)
publisher:
Universal Edition A. G., WIen (publisher; do NOT use as release label)
is based on:
宿業師山房待丁大不至
is based on:
送別 (Chinese poem by Wang Wei)
part of:
Das Lied von der Erde (The Song of the Earth)
Gustav Mahler28:19
3▼CD
#TitleArtistRatingLength
1Walzer Op. 52: Rede, Mädchen, allzu liebes
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 1. Rede, Mädchen, allzu liebes (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:01
2Walzer Op. 52: Am Gesteine rauscht die Flut
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:43
3Walzer Op. 52: O die Frauen
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 3. O die Frauen (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:53
4Walzer Op. 52: Wie des Abends schöne Röte
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:40
5Walzer Op. 52: Die grüne Hopfenranke
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 5. Die grüne Hopfenranke (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:14
6Walzer Op. 52: Ein kleiner hübscher Vogel
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 6. Ein kleiner, hübscher Vogel (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms2:19
7Walzer Op. 52: Wohl schön bewandt
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 7. Wohl schön bewandt war es (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:03
8Walzer Op. 52: Wenn so lind
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:10
9Walzer Op. 52: Am Donaustrande
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 9. Am Donaustrande (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:52
10Walzer Op. 52: O wie sanft die Quelle sich
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 10. O, wie sanft die Quelle (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:50
11Walzer Op. 52: Nein, es ist nicht auszukommen
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 11. Nein, es ist nicht auszukommen (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:54
12Walzer Op. 52: Schlösser auf!
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 12. Schlosser auf, und mache Schlösser (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:39
13Walzer Op. 52: Vögelein durchrauscht
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 13. Vöglein durchrauscht die Luft (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:57
14Walzer Op. 52: Sieh', wie ist die Welle klar
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 14. Sieh', wie ist die Welle klar (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:47
15Walzer Op. 52: Nachtigall, sie singt so schön
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 15. Nachtigall, sie singt so schön (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:58
16Walzer Op. 52: Ein dunkler Schacht ist die Liebe
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 16. Ein dunkeler Schacht ist Liebe (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:26
17Walzer Op. 52: Nicht wandle, mein Licht
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 17. Nicht wandle, mein Licht (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:26
18Walzer Op. 52: Es bebet das Gesträuche
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 18. Es bebet das Gesträuche (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:27
19Feldeinsamkeit, op. 86 No. 2
piano:
Heinrich Schacker (in 1928)
tenor vocals:
Leo Slezak (Austrian tenor) (in 1928)
recording of:
6 Lieder, op. 86: Nr. 2. Feldeinsamkeit (in 1928)
lyricist:
Hermann Allmers
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 86
Johannes Brahms4:11
20Wiegenlied, op. 49 No. 4
piano:
Hans Altmann (german conductor, pianist and composer) (on 1936-06-16)
soprano vocals:
Erna Berger (German lyric soprano) (on 1936-06-16)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano) (in 1936)
lyricist:
"Des Knaben Wunderhorn" ([traditional], special purpose artist) and Georg Scherer (author and publisher of German folk songs, fables, sayings and riddles.)
composer:
Johannes Brahms (German composer) (in 1868)
dedicated to:
Bertha Faber
premiered at:
[concert] (1869-12-22)
publisher:
N. Simrock (in 1874)
version of:
Fünf Lieder für eine Stimme, op. 49: Nr. 4, Wiegenlied “Guten Abend, gut’ Nacht” (early one-verse version)
part of:
5 Lieder, op. 49
Johannes Brahms1:57
21Muß es eine Trennung geben, op. 33 No. 12
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
soprano vocals:
Maria Müller (soprano) (from 1942 until 1944)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 12. Muß es eine Trennung geben (from 1942 until 1944)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms2:58
22Abendregen, op. 70 No. 4
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
tenor vocals:
Julius Patzak (tenor) (from 1942 until 1944)
recording of:
4 Gesänge, op. 70: Nr. 4. Abendregen (from 1942 until 1944)
lyricist:
Gottfried Keller (Swiss writer, † 1890)
composer:
Johannes Brahms (German composer)
part of:
4 Gesänge, op. 70
Johannes Brahms4:43
23An die Nachtigall, op. 46 No. 4
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
tenor vocals:
Julius Patzak (tenor) (from 1942 until 1944)
recording of:
4 Lieder, op. 46: Nr. 4. An die Nachtigall (from 1942 until 1944)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Johannes Brahms (German composer)
part of:
4 Lieder, op. 46
Johannes Brahms2:50
24Meine Lieder, op. 106 No. 4
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
baritone vocals:
Karl Schmitt-Walter (baritone) (from 1942 until 1944)
recording of:
5 Lieder, op. 106: Nr. 4. Meine Lieder (from 1942 until 1944)
lyricist:
Adolf Frey (Swiss writer)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 106
Johannes Brahms2:08
25Sommerabend, op. 85 No. 1
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
baritone vocals:
Karl Schmitt-Walter (baritone) (from 1942 until 1944)
recording of:
6 Lieder, op. 85: Nr. 1. Sommerabend (from 1942 until 1944)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 85
Johannes Brahms2:07
26In Waldeinsamkeit, op. 85 No. 6
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
baritone vocals:
Karl Schmitt-Walter (baritone) (from 1942 until 1944)
recording of:
6 Lieder, op. 85: Nr. 6. In Waldeinsamkeit (from 1942 until 1944)
lyricist:
Carl von Lemcke
composer:
Johannes Brahms (German composer) (in 1878-05)
part of:
6 Lieder, op. 85
Johannes Brahms2:36
27Heimweh II, op. 63 No. 8
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
tenor vocals:
Walther Ludwig (tenor) (from 1942 until 1944)
recording of:
9 Lieder und Gesänge, op. 63: Nr. 8. Heimweh II (from 1942 until 1944)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
9 Lieder und Gesänge, op. 63
Johannes Brahms3:02
28Verrat, op. 105 No. 5
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
bass vocals:
Herbert Alsen (operatic bass) (from 1942 until 1944)
recording of:
5 Lieder, op. 105: Nr. 5. Verrat (from 1942 until 1944)
lyricist:
Carl von Lemcke
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 105
Johannes Brahms3:55
29Zigeunerlieder, op. 103 . He Zigeuner, greife in die Saiten ein
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 1. He, Zigeuner, greife in die Saiten ein! (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:05
30Zigeunerlieder, op. 103 . Hochgetürmte Rimaflut
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 2. Hochgetürmte Rimaflut, wie bist du trüb (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:28
31Zigeunerlieder, op. 103 . Wißt ihr, wann mein Kindchen
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 3. Wißt ihr, wann mein Kindchen am allerschönsten ist? (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:14
32Zigeunerlieder, op. 103 . Lieber Gott, du weißt
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 4. Lieber Gott, du weißt, wie oft bereut ich hab' (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:14
33Zigeunerlieder, op. 103 . Brauner Bursche führt zum Tanze
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 5. Brauner Bursche führt zum Tanze (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:16
34Zigeunerlieder, op. 103 . Röslein dreie in der Reihe
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 6. Röslein dreie in der Reihe blühn so rot (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:21
35Zigeunerlieder, op. 103 . Kommt mir manchmal in den Sinn
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 7. Kommt dir manchmal in den Sinn (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms2:25
36Zigeunerlieder, op. 103 . Rote Wolken zieh'n am Firmament
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 11. Rote Abendwolken ziehn am Firmament (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer) (from 1887 until 1888)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:00
4▼CD
#TitleArtistRatingLength
1Vier Letzte Lieder - Fruling
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: I. „Frühling“ (Four Last Songs, AV 150: 1. “Spring”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-07-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss3:26
2Vier Letzte Lieder - September
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: II. „September“ (Four Last Songs, AV 150: 2. “September”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-09-20)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:10
3Vier Letzte Lieder - Beim Schlafhengehen
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ (Four Last Songs, AV 150: 3. “When You Go to Sleep”) (on 1953-09-25)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter)
composer:
Richard Strauss (German composer) (on 1948-08-04)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss4:32
4Vier Letzte Lieder - Abendrot
producer:
Walter Legge (British classical producer)
solo French horn [horn]:
Dennis Brain (horn player) (on 1953-09-25)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1953-09-25)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (on 1953-09-25)
conductor:
Otto Ackermann (conductor) (on 1953-09-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (on 1953-09-25)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1953-09-25)
recording of:
Vier letzte Lieder, AV 150: IV. „Im Abendrot“ (Four Last Songs, AV 150: 4. “In the Afterglow”) (on 1953-09-25)
lyricist:
Joseph von Eichendorff
composer:
Richard Strauss (German composer) (on 1948-05-06)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22)
part of:
Vier letzte Lieder, AV 150 (Four Last Songs, AV 150)
Richard Strauss7:14
5Seitdem dein Aug op 17 No 1
recorded in:
London (Greater London), England, United Kingdom (on 1937-06-28)
piano:
Edwin McArthur (pianist, conductor) (in 1937, on 1937-06-28)
soprano vocals:
Kirsten Flagstad (soprano) (in 1937, on 1937-06-28)
recording of:
Seitdem dein Aug', op. 17 no. 1 (on 1937-06-28)
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss (German composer)
part of:
6 Lieder (op. 17; TrV 149)
recording of:
Seitdem dein Aug', op. 17 no. 1 (in 1937)
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss (German composer)
part of:
6 Lieder (op. 17; TrV 149)
Richard Strauss2:16
6Allerseelen op 10 No 8
recorded in:
New York, New York, United States (on 1935-10-09)
piano:
Edwin McArthur (pianist, conductor) (on 1935-10-09)
soprano vocals:
Kirsten Flagstad (soprano) (on 1935-10-09)
recording of:
Allerseelen, op. 10 no. 8 (for voice and piano) (on 1935-10-09)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss3:33
7Cacille Op No 27 No 2
recorded in:
London (Greater London), England, United Kingdom (on 1937-06-28)
piano:
Edwin McArthur (pianist, conductor) (on 1937-06-28)
soprano vocals:
Kirsten Flagstad (soprano) (on 1937-06-28)
recording of:
Cäcilie, op. 27 no. 2 (on 1937-06-28)
lyricist:
Heinrich Hart
composer:
Richard Strauss (German composer) (in 1894)
part of:
4 Lieder, op. 27
Richard Strauss1:49
8Walfdseligkeit op 49 No 1
recorded in:
Berlin, Germany (in 1942-02)
tenor vocals:
Peter Anders (German opera tenor) (in 1942-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02)
conductor:
Wilhelm Furtwängler (conductor) (in 1942-02)
recording of:
Waldseligkeit, op. 49 no. 1 (in 1942-02)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (from 1900 until 1901)
part of:
8 Lieder for voice and piano (op. 49; TrV 204)
Richard Strauss2:44
9Liebeshymnus Op 32 No 3
recorded in:
Berlin, Germany (in 1942-02)
tenor vocals:
Peter Anders (German opera tenor) (in 1942-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02)
conductor:
Wilhelm Furtwängler (conductor) (in 1942-02)
recording of:
Liebeshymnus, op. 32 no. 3 (in 1942-02)
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer)
part of:
5 Lieder for voice and piano (op. 32; TrV 174)
Richard Strauss2:36
10Verfuhrung Op 33 No 1
recorded in:
Berlin, Germany (in 1942-02)
tenor vocals:
Peter Anders (German opera tenor) (in 1942-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02)
conductor:
Wilhelm Furtwängler (conductor) (in 1942-02)
recording of:
Verführung, op. 33 no. 1 (in 1942-02)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer)
part of:
4 Gesänge for voice and orchestra (op. 33; TrV 180)
Richard Strauss8:37
11Winterliebe Op 48 No 5
recorded in:
Berlin, Germany (in 1942-02)
tenor vocals:
Peter Anders (German opera tenor) (in 1942-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1942-02)
conductor:
Wilhelm Furtwängler (conductor) (in 1942-02)
recording of:
Winterliebe, op. 48 no. 5 (in 1942-02)
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer) (in 1900)
part of:
5 Lieder for voice and piano (op. 48; TrV 202)
Richard Strauss1:30
12Traum durch die Dammerung op 29 No 1
piano:
Gerhard Steeger (in 1939)
solo tenor vocals:
Franz Völker (tenor) (in 1939)
recording of:
Traum durch die Dämmerung, op. 29 no. 1 (in 1939)
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer)
part of:
3 Lieder for voice and piano (op. 29; TrV 172)
Richard Strauss2:42
13Alleseelen op 10 No 8
piano:
Gerhard Steeger (in 1939)
tenor vocals:
Franz Völker (tenor) (in 1939)
recording of:
Allerseelen, op. 10 no. 8 (for voice and piano) (in 1939)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss3:15

Credits

Release

part of:Quadromania (order: 11)
ASIN:US: B00023GOZA [info]