Quadromania: Romantic Songs

~ Release by Mahler, Brahms, Strauss (see all versions of this release, 1 available)

Tracklist

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1Walzer Op. 52: Rede, Mädchen, allzu liebes
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 1. Rede, Mädchen, allzu liebes (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:01
2Walzer Op. 52: Am Gesteine rauscht die Flut
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 2. Am Gesteine rauscht die Flut (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:43
3Walzer Op. 52: O die Frauen
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 3. O die Frauen (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:53
4Walzer Op. 52: Wie des Abends schöne Röte
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 4. Wie des Abends schöne Röte (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:40
5Walzer Op. 52: Die grüne Hopfenranke
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 5. Die grüne Hopfenranke (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:14
6Walzer Op. 52: Ein kleiner hübscher Vogel
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 6. Ein kleiner, hübscher Vogel (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms2:19
7Walzer Op. 52: Wohl schön bewandt
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 7. Wohl schön bewandt war es (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:03
8Walzer Op. 52: Wenn so lind
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 8. Wenn so lind dein Auge mir (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:10
9Walzer Op. 52: Am Donaustrande
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 9. Am Donaustrande (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:52
10Walzer Op. 52: O wie sanft die Quelle sich
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 10. O, wie sanft die Quelle (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:50
11Walzer Op. 52: Nein, es ist nicht auszukommen
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 11. Nein, es ist nicht auszukommen (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:54
12Walzer Op. 52: Schlösser auf!
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 12. Schlosser auf, und mache Schlösser (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:39
13Walzer Op. 52: Vögelein durchrauscht
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 13. Vöglein durchrauscht die Luft (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:57
14Walzer Op. 52: Sieh', wie ist die Welle klar
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 14. Sieh', wie ist die Welle klar (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:47
15Walzer Op. 52: Nachtigall, sie singt so schön
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 15. Nachtigall, sie singt so schön (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms0:58
16Walzer Op. 52: Ein dunkler Schacht ist die Liebe
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 16. Ein dunkeler Schacht ist Liebe (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:26
17Walzer Op. 52: Nicht wandle, mein Licht
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 17. Nicht wandle, mein Licht (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:26
18Walzer Op. 52: Es bebet das Gesträuche
piano:
Nadia Boulanger (French composer) (in 1937) and Dinu Lipatti (Romanian classical pianist and composer) (in 1937)
bass vocals:
Doda Conrad (operatic bass) (in 1937)
contralto vocals:
Irène Kedroff
mezzo-soprano vocals:
Irène Kedroff (in 1937)
soprano vocals:
Marie-Blanche de Polignac (soprano) (in 1937)
tenor vocals:
Hugues Cuénod (Swiss tenor) (in 1937) and Paul Derenne (tenor) (in 1937)
recording of:
Liebeslieder-Walzer, op. 52: Nr. 18. Es bebet das Gesträuche (in 1937)
composer:
Johannes Brahms (German composer) (in 1869)
librettist:
Georg Friedrich Daumer
part of:
Liebeslieder-Walzer, op. 52 (Liebeslieder Waltzes, op. 52)
Johannes Brahms1:27
19Feldeinsamkeit, op. 86 No. 2
piano:
Heinrich Schacker (in 1928)
tenor vocals:
Leo Slezak (Austrian tenor) (in 1928)
recording of:
6 Lieder, op. 86: Nr. 2. Feldeinsamkeit (in 1928)
lyricist:
Hermann Allmers
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 86
Johannes Brahms4:11
20Wiegenlied, op. 49 No. 4
piano:
Hans Altmann (german conductor, pianist and composer) (on 1936-06-16)
soprano vocals:
Erna Berger (German lyric soprano) (on 1936-06-16)
recording of:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano) (in 1936)
lyricist:
"Des Knaben Wunderhorn" ([traditional], special purpose artist) and Georg Scherer (author and publisher of German folk songs, fables, sayings and riddles.)
composer:
Johannes Brahms (German composer) (in 1868)
dedicated to:
Bertha Faber
premiered at:
[concert] (1869-12-22)
publisher:
N. Simrock (in 1874)
version of:
Fünf Lieder für eine Stimme, op. 49: Nr. 4, Wiegenlied “Guten Abend, gut’ Nacht” (early one-verse version)
part of:
5 Lieder, op. 49
Johannes Brahms1:57
21Muß es eine Trennung geben, op. 33 No. 12
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
soprano vocals:
Maria Müller (soprano) (from 1942 until 1944)
recording of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33: Nr. 12. Muß es eine Trennung geben (from 1942 until 1944)
lyricist:
Johann Ludwig Tieck (German poet, † 1853)
composer:
Johannes Brahms (German composer)
part of:
Romanzen aus L. Tiecks "Die schöne Magelone", op. 33
Johannes Brahms2:58
22Abendregen, op. 70 No. 4
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
tenor vocals:
Julius Patzak (tenor) (from 1942 until 1944)
recording of:
4 Gesänge, op. 70: Nr. 4. Abendregen (from 1942 until 1944)
lyricist:
Gottfried Keller (Swiss writer, † 1890)
composer:
Johannes Brahms (German composer)
part of:
4 Gesänge, op. 70
Johannes Brahms4:43
23An die Nachtigall, op. 46 No. 4
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
tenor vocals:
Julius Patzak (tenor) (from 1942 until 1944)
recording of:
4 Lieder, op. 46: Nr. 4. An die Nachtigall (from 1942 until 1944)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Johannes Brahms (German composer)
part of:
4 Lieder, op. 46
Johannes Brahms2:50
24Meine Lieder, op. 106 No. 4
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
baritone vocals:
Karl Schmitt-Walter (baritone) (from 1942 until 1944)
recording of:
5 Lieder, op. 106: Nr. 4. Meine Lieder (from 1942 until 1944)
lyricist:
Adolf Frey (Swiss writer)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 106
Johannes Brahms2:08
25Sommerabend, op. 85 No. 1
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
baritone vocals:
Karl Schmitt-Walter (baritone) (from 1942 until 1944)
recording of:
6 Lieder, op. 85: Nr. 1. Sommerabend (from 1942 until 1944)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 85
Johannes Brahms2:07
26In Waldeinsamkeit, op. 85 No. 6
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
baritone vocals:
Karl Schmitt-Walter (baritone) (from 1942 until 1944)
recording of:
6 Lieder, op. 85: Nr. 6. In Waldeinsamkeit (from 1942 until 1944)
lyricist:
Carl von Lemcke
composer:
Johannes Brahms (German composer) (in 1878-05)
part of:
6 Lieder, op. 85
Johannes Brahms2:36
27Heimweh II, op. 63 No. 8
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
tenor vocals:
Walther Ludwig (tenor) (from 1942 until 1944)
recording of:
9 Lieder und Gesänge, op. 63: Nr. 8. Heimweh II (from 1942 until 1944)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
9 Lieder und Gesänge, op. 63
Johannes Brahms3:02
28Verrat, op. 105 No. 5
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
bass vocals:
Herbert Alsen (operatic bass) (from 1942 until 1944)
recording of:
5 Lieder, op. 105: Nr. 5. Verrat (from 1942 until 1944)
lyricist:
Carl von Lemcke
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 105
Johannes Brahms3:55
29Zigeunerlieder, op. 103 . He Zigeuner, greife in die Saiten ein
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 1. He, Zigeuner, greife in die Saiten ein! (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:05
30Zigeunerlieder, op. 103 . Hochgetürmte Rimaflut
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 2. Hochgetürmte Rimaflut, wie bist du trüb (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:28
31Zigeunerlieder, op. 103 . Wißt ihr, wann mein Kindchen
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 3. Wißt ihr, wann mein Kindchen am allerschönsten ist? (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:14
32Zigeunerlieder, op. 103 . Lieber Gott, du weißt
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 4. Lieber Gott, du weißt, wie oft bereut ich hab' (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:14
33Zigeunerlieder, op. 103 . Brauner Bursche führt zum Tanze
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 5. Brauner Bursche führt zum Tanze (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:16
34Zigeunerlieder, op. 103 . Röslein dreie in der Reihe
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 6. Röslein dreie in der Reihe blühn so rot (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:21
35Zigeunerlieder, op. 103 . Kommt mir manchmal in den Sinn
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 7. Kommt dir manchmal in den Sinn (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms2:25
36Zigeunerlieder, op. 103 . Rote Wolken zieh'n am Firmament
piano:
Michael Raucheisen (pianist) (from 1942 until 1944)
mezzo-soprano vocals:
Gertrude Pitzinger (contralto) (from 1942 until 1944)
recording of:
Zigeunerlieder, op. 103: Nr. 11. Rote Abendwolken ziehn am Firmament (from 1942 until 1944)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer) (from 1887 until 1888)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:00
4▶CD

Credits

Release

part of:Quadromania (order: 11)
ASIN:US: B00023GOZA [info]