The 80’s Collection: 1980: Alive and Kicking

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1What’s Another Year
voce:
Johnny Logan (nel 1987)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1987)
registrazione di:
What's Another Year (nel 1987)
paroliere e compositore:
Shay Healy (Irish songwriter)
editore:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing Germany GmbH (1967–2001) e Melodie der Welt J. Michel KG (German publisher; read annotation)
Johnny Logan2:58
2Crying
tecnico:
Billy Sherrill (US songwriter/producer/arranger)
produttore:
Larry Butler (US country music producer, songwriter & pianist)
mixata presso e lavorazione tecnica effettuata presso:
Jack Clement Recording Studio in Nashville, Tennessee, Stati Uniti
registrazione cover di:
Crying
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd e Acuff-Rose Publications, Inc. (BMI) (il 1961-08-16)
parte di:
50/50
Don McLean33:50
3Never Knew Love Like This Before
produttore:
Reggie Lucas e James Mtume (jazz/funk musician)
arrangiatore archi e arrangiatore strumenti a fiato [Horn Arrangements] :
Wade Marcus
arrangiatore voci:
Tawatha Agee, Reggie Lucas e James Mtume (jazz/funk musician)
diritti fonografici (℗) detenuti da:
20th Century-Fox Record Corporation (nel 1977)
registrata presso e mixata presso:
Sigma Sound Studios (New York) in New York, New York, Stati Uniti
registrazione di:
Never Knew Love Like This Before
autore:
Reggie Lucas e James Mtume (jazz/funk musician)
editore:
Frozen Butterfly Publishing Co.
Stephanie Mills5:23
4Carrie
registrazione di:
Carrie (1979 song)
autore:
Terry Britten e B.A. Robertson
Cliff Richard3:44
5One Day I’ll Fly AwayRandy Crawford4:20
6January February
produttore:
Alan Tarney
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980) e Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1980)
registrazione di:
January, February
paroliere e compositore:
Alan Tarney
editore:
ATV Music Ltd. (nel 1980)
Barbara Dickson3:47
7I Hear You Now
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1979)
registrazione di:
I Hear You Now
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
Spheric B.V., Topographic Music, Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Bros., Inc. (not for release label use!)
Jon and Vangelis4:15
8I Could Be So Good for YouDennis Waterman3:16
9Girls Can Get It
registrazione di:
Girls Can Get It
paroliere e compositore:
Leslie Pearl
Dr. Hook3:18
10Gotta Pull Myself Together
registrazione di:
Gotta Pull Myself Together
autore:
Ben Findon (songwriter and producer), Mike Myers (UK producer/songwriter) e Bob Puzey
The Nolans4.52:46
11Runaway Boys
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980) e EMI America Records, Inc. (holding – file NO releases here!) (nel 1982)
registrazione di:
Runaway Boys
autore:
Slim Jim Phantom e Brian Setzer
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.653:02
12An Englishman in New York
produttore:
Godley & Creme
registrata da:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
registrazione di:
Strange Apparatus (An Englishman in New York)
paroliere:
Lol Creme e Kevin Godley
autore:
Lol Creme
compositore:
Kevin Godley
editore:
St. Anne’s Music Ltd.
Godley & Creme4.55:52
2CD
#TitoloArtistaValutazioneDurata
1The Tide Is High
assistente tecnico:
Gary Boatner (engineer) e Doug Schwartz (mastering engineer)
tecnico:
Lenise Bent
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (nel 1980)
chitarra :
Frank Infante (nel 1980) e Chris Stein (nel 1980)
chitarra basso :
Nigel Harrison (nel 1980)
percussione ospite :
Alex Acuña (nel 1980), Ollie E. Brown (US drummer, session musician & record producer) (nel 1980) e Emil Richards (nel 1980)
tastiera :
Jimmy Destri (nel 1980)
timpani :
Chris Stein (nel 1980)
voce di accompagnamento [girl-group backup vocals]:
The ‘B’ Girls e Deborah Harry
voce principale:
Deborah Harry (nel 1980)
arrangiatore strumenti:
Jimmie Haskell
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2001), Capitol Records (imprint of Capitol Records, Inc.) (nel 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2001) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2001)
registrata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980) e United Western Recorders in Hollywood, Los Angeles, California, Stati Uniti (nel 1980)
registrazione cover di:
The Tide Is High (nel 1980)
autore:
John Holt (nel 1967)
autore aggiunto:
Howard Barrett (nel 1967) e Tyrone Evans (nel 1967)
editore:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group e Sparta Florida Music Group Ltd.
Blondie4.154:37
2We Are Glass
diritti fonografici (℗) detenuti da:
Beggars Banquet (nel 1980)
registrazione di:
We Are Glass
paroliere e compositore:
Gary Numan
editore:
Numan Music Ltd.
Gary Numan4:44
3Someone’s Looking at You
produttore:
Robert John Lange
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Someone’s Looking at You
paroliere e compositore:
Bob Geldof
The Boomtown Rats54:26
4To Cut a Long Story Short
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980)
mixata presso:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito
registrazione di:
To Cut a Long Story Short
paroliere e compositore:
Gary Kemp
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. e Reformation Publishing Co. Ltd.
Spandau Ballet3.53:23
5No Doubt About It
registrazione di:
No Doubt About It
autore:
Mike Burns (songwriter Michael Gerard Burns), Steve Glen e David Most
editore:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:29
6Cupid / I’ve Loved You for a Long Time
edit di:
Medley: Cupid / I’ve Loved You for a Long Time di The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
medley che comprende una registrazione cover di:
Cupid
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
medley che comprende una registrazione di:
I've Loved You for a Long Time
paroliere e compositore:
Michael Zager
Detroit Spinners43:55
7Use It Up and Wear It Out
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980)
edit di:
Use It Up and Wear It Out di Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
registrazione di:
Use It Up and Wear It Out
autore:
Lawrence Russell Brown (lyricist) e Sandy Linzer
editore:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.55:00
8Turning Japanese
produttore:
Vic Coppersmith‐Heaven
basso elettrico [bass guitar] :
Steve Smith (UK bassist for the Vapors)
batteria :
Howard Smith (UK drummer for the Vapors)
chitarra e voce principale:
David Fenton
chitarra [lead guitar] :
Edward Bazalgette
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 30)
registrazione di:
Turning Japanese
paroliere e compositore:
David Fenton
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) e Glenwood Music Corp.
Vapors3.63:46
9Jump to the BeatStacy Lattisaw3.53:35
10I’m Alive
tecnico:
Mack (German rock producer/engineer Reinhold Mack)
produttore:
Jeff Lynne
archi :
Louis Clark (dal 1979-05 al 1980)
batteria, percussione e timpani :
Bev Bevan (English rock drummer) (dal 1979-05 al 1980)
chitarra acustica, chitarra e sintetizzatore e voce di accompagnamento e voce principale:
Jeff Lynne (dal 1979-05 al 1980)
chitarra basso e voce di accompagnamento:
Kelly Groucutt (dal 1979-05 al 1980)
tastiera, pianoforte e sintetizzatore :
Richard Tandy (keyboardist for Electric Light Orchestra) (dal 1979-05 al 1980)
direttore d'orchestra:
Louis Clark (dal 1979-05 al 1980)
esecutore:
Electric Light Orchestra (British rock group) (dal 1979-05 al 1980)
diritti fonografici (℗) detenuti da:
Jet Inc. (nel 1980), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (dal 1979-05 al 1980)
registrazione di:
I’m Alive (dal 1979-05 al 1980)
paroliere e compositore:
Jeff Lynne
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
Xanadu (1980 film soundtrack)
Electric Light Orchestra33:43
11What You’re Proposing
produttore:
John Eden (producer) e Status Quo (UK boogie rock band)
arrangiatore:
John Eden (producer) e Status Quo (UK boogie rock band)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1980) e Phonogram Ltd. (not for release label use!) (nel 1980)
registrazione di:
What You’re Proposing
autore:
Bernie Frost e Francis Rossi
editore:
Birchwood Music Ltd., Dump Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher) e EMI Music Publishing Ltd. (PRS‐affiliated)
Status Quo4:17
12Escape (The Pina Colada Song)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1979) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 89)
registrazione di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:53

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Gruppo di pubblicazioni

parte di:The 80’s Collection (Time‐Life Music) (numero: 17) (ordine: 17)