The 80’s Collection: 1980: Alive and Kicking

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
2CD
Nr.TitelKünstlerBewertungLänge
1The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang [girl-group backup vocals]:
The ‘B’ Girls und Deborah Harry
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
Blondie4.154:37
2We Are Glass
phonographisches Urheberrecht (℗) von:
Beggars Banquet (in 1980)
recording of:
We Are Glass
Texter und Komponist(in):
Gary Numan
publisher:
Numan Music Ltd.
Gary Numan4:44
3Someone’s Looking at You
Produzent(in):
Robert John Lange
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Someone’s Looking at You
Texter und Komponist(in):
Bob Geldof
The Boomtown Rats54:26
4To Cut a Long Story Short
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980)
mixed at:
Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
To Cut a Long Story Short
Texter und Komponist(in):
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PDC Music Publishing Pty. Ltd. und Reformation Publishing Co. Ltd.
Spandau Ballet3.53:23
5No Doubt About It
recording of:
No Doubt About It
Verfasser(in):
Mike Burns (songwriter Michael Gerard Burns), Steve Glen und David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:29
6Cupid / I’ve Loved You for a Long Time
Bearbeitung von:
Medley: Cupid / I’ve Loved You for a Long Time von The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
medley including a cover recording of:
Cupid
Texter und Komponist(in):
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Kags Music Corp.
medley including a recording of:
I've Loved You for a Long Time
Texter und Komponist(in):
Michael Zager
Detroit Spinners43:55
7Use It Up and Wear It Out
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980)
Bearbeitung von:
Use It Up and Wear It Out von Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
recording of:
Use It Up and Wear It Out
Verfasser(in):
Lawrence Russell Brown (lyricist) und Sandy Linzer
publisher:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.55:00
8Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
Vapors3.63:46
9Jump to the BeatStacy Lattisaw3.53:35
10I’m Alive
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Akustikgitarre, Gitarre und Synthesizer und Hintergrundgesang und Sologesang:
Jeff Lynne (von 1979-05 bis 1980)
Bassgitarre und Hintergrundgesang:
Kelly Groucutt (von 1979-05 bis 1980)
Keyboard, Klavier und Synthesizer:
Richard Tandy (keyboardist for Electric Light Orchestra) (von 1979-05 bis 1980)
Saiteninstrumente:
Louis Clark (von 1979-05 bis 1980)
Schlagzeug, Perkussion und Pauke:
Bev Bevan (English rock drummer) (von 1979-05 bis 1980)
conductor:
Louis Clark (von 1979-05 bis 1980)
Interpret(in):
Electric Light Orchestra (British rock group) (von 1979-05 bis 1980)
phonographisches Urheberrecht (℗) von:
Jet Inc. (in 1980), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (von 1979-05 bis 1980)
recording of:
I’m Alive (von 1979-05 bis 1980)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Xanadu (1980 film soundtrack)
Electric Light Orchestra33:43
11What You’re Proposing
Produzent(in):
John Eden (producer) und Status Quo (UK boogie rock band)
arranger:
John Eden (producer) und Status Quo (UK boogie rock band)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1980) und Phonogram Ltd. (not for release label use!) (in 1980)
recording of:
What You’re Proposing
Verfasser(in):
Bernie Frost und Francis Rossi
publisher:
Birchwood Music Ltd., Dump Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher) und EMI Music Publishing Ltd. (PRS‐affiliated)
Status Quo4:17
12Escape (The Pina Colada Song)
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 89)
recording of:
Escape (The Piña Colada Song)
Texter und Komponist(in):
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:53

Nennungen

Veröffentlichungsgruppe

Teil von:The 80’s Collection (Time‐Life Music) (Nummer: 17) (Reihenfolge: 17)