Tracklist

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1CD: Messiah, Part 1
#TitleArtistRatingLength
1Messiah: I. Sinfony
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel52:52
2Messiah: II. Recitative: Comfort ye my people (Tenor), III. Song: Every valley shal be exalted (Tenor)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel56:36
3Messiah: IV. Chorus: And the glory of the Lord
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel52:51
4Messiah: V. Recitative: Thus saith the Lord (Bass), VI. Song: But who may abide the day of HIs coming (Soprano 2)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
bass vocals and solo bass vocals:
David Thomas (British operatic bass) (in 1979)
soprano vocals:
Emma Kirkby (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel55:31
5Messiah: VII. Chorus: And He shall purify
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel52:43
6Messiah: VIII. Recitative: Behold, a virgin shall conceive (Alto), IX. Song: O thou that tellest good tidnings to Zion (Alto & Chorus)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel56:15
7Messiah: X. Recitative: For behold, darkness shall cover the earth (Bass), XI. Song: The people that walked in darkness (Bass)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
bass vocals and solo bass vocals:
David Thomas (British operatic bass) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel55:36
8Messiah: XII. Chorus: For unto us a child is born
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel54:15
9Messiah: XIII. Pifa
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel50:52
10Messiah: XIV.a Recitative: There were shepherds abiding in the field (Soprano 1), XIV.b Recitative: And lo, the angel of the Lord came upon them (Soprano 1), XV. Recitative: And the angel said unto them (Soprano 1), XVI. Recitative: And suddenly there was with the angel (Soprano 1), XVII. Chorus: Glory to God
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano) (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel53:22
11Messiah: XVIII. Song: Rejoice greatly, O daughter of Zion (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Judith Nelson (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel54:09
12Messiah: XIX. Recitative: Then shall the eyes of the blind (Soprano 1), XX. Song: He shall feed His flock (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Judith Nelson (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel55:04
13Messiah: XXI. Chorus: His yoke is easy, and His burthen is light
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
Georg Friedrich Händel52:34
2CD: Messiah, Part 2
#TitleArtistRatingLength
1Messiah: XXII. Chorus: Behold the lamb of God
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:19
2Messiah: XXIII. Song: He was despised (Alto)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel510:10
3Messiah: XXIV. Chorus: Surely He hath bourne our griefs, XXV. Chorus: And with His stripes we are healed
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:51
4Messiah: XXVI. Chorus:: All we like sheep have gone astray
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel54:07
5Messiah: XXVII. Recitative: All they that see Him laugh Him to scorn (Tenor), XXVIII. Chorus: He trusted in God
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:59
6Messiah: XXIX. Recitative: Thy rebuke hath broken His heart (Tenor), XXX. Song: Behold, and see if there be any sorrow (Tenor), XXXI. Recitative: He was cut off out of the land of the living (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Judith Nelson (soprano) (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:38
7Messiah: XXXII. Song: But thou didst not leave His soul in hell (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Judith Nelson (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:23
8Messiah: XXXIII. Chorus: Lift up your heads, O ye gates
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:15
9Messiah: XXXIV. Recitative: Unto which of the angels said He at any time (Tenor), XXXV. Chorus: Let all the angels of God worship Him
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel51:44
10Messiah: XXXVI. Song: Thou art gone up on high (Soprano 2)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
solo bass vocals:
David Thomas (British operatic bass) (in 1979)
soprano vocals:
Emma Kirkby (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:54
11Messiah: XXXVII. Chorus: The Lord gave the word
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel51:14
12Messiah: XXXVIII. Song: How beautiful are the feet (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:05
13Messiah: XXXIX. Chorus: Their sound is gone out
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel51:21
14Messiah: XL. Song: Why do the nations so furiously rage together? (Bass), XLI. Chorus: Let us break asunder
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
bass vocals and solo bass vocals:
David Thomas (British operatic bass) (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:15
15Messiah: XLII. Recitative: He that dwelleth in Heaven (Tenor), XLIII. Song: Thou shalt break them (Tenor)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:11
16Messiah: XLIV. Chorus: Hallelujah
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:48
3CD: Messiah, Part 3
#TitleArtistRatingLength
1Messiah: XLV. Song: I know that my redeemer liveth (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Judith Nelson (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel55:35
2Messiah: XLVI. Chorus: Since by man came death
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel52:02
3Messiah: XLVII. Recitative: Behold, I tell you a mystery (Bass), XLVIII. Song: The trumpet shall sound (Bass)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
bass vocals and solo bass vocals:
David Thomas (British operatic bass) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel59:00
4Messiah: XLIX. Recitative: Then shall be brought to pass (Alto), L. Duet: O death, where is thy sting (Alt & Tenor)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel51:22
5Messiah: LI. Chorus: But thanks be to God
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel52:19
6Messiah: LII. Song: If God be for us (Soprano 2)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Emma Kirkby (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel54:22
7Messiah: LIII. Chorus: Worthy is the lamb that was slain
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel53:44
8Messiah: LIV. Chorus: Amen
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
Georg Friedrich Händel53:23

Credits

Release

part of:Florilegium (L'Oiseau-Lyre) (order: 24)
ASIN:US: B00000E2QT [info]