Tracklist

1CD: Messiah, Part 1
2CD: Messiah, Part 2
#TitleArtistRatingLength
1Messiah: XXII. Chorus: Behold the lamb of God
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:19
2Messiah: XXIII. Song: He was despised (Alto)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
contralto vocals:
Carolyn Watkinson (mezzo-soprano and contralto) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel510:10
3Messiah: XXIV. Chorus: Surely He hath bourne our griefs, XXV. Chorus: And with His stripes we are healed
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:51
4Messiah: XXVI. Chorus:: All we like sheep have gone astray
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel54:07
5Messiah: XXVII. Recitative: All they that see Him laugh Him to scorn (Tenor), XXVIII. Chorus: He trusted in God
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:59
6Messiah: XXIX. Recitative: Thy rebuke hath broken His heart (Tenor), XXX. Song: Behold, and see if there be any sorrow (Tenor), XXXI. Recitative: He was cut off out of the land of the living (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Judith Nelson (soprano) (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:38
7Messiah: XXXII. Song: But thou didst not leave His soul in hell (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
soprano vocals:
Judith Nelson (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:23
8Messiah: XXXIII. Chorus: Lift up your heads, O ye gates
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:15
9Messiah: XXXIV. Recitative: Unto which of the angels said He at any time (Tenor), XXXV. Chorus: Let all the angels of God worship Him
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel51:44
10Messiah: XXXVI. Song: Thou art gone up on high (Soprano 2)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
solo bass vocals:
David Thomas (British operatic bass) (in 1979)
soprano vocals:
Emma Kirkby (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:54
11Messiah: XXXVII. Chorus: The Lord gave the word
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel51:14
12Messiah: XXXVIII. Song: How beautiful are the feet (Soprano 1)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
is based on:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:05
13Messiah: XXXIX. Chorus: Their sound is gone out
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel51:21
14Messiah: XL. Song: Why do the nations so furiously rage together? (Bass), XLI. Chorus: Let us break asunder
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
bass vocals and solo bass vocals:
David Thomas (British operatic bass) (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:15
15Messiah: XLII. Recitative: He that dwelleth in Heaven (Tenor), XLIII. Song: Thou shalt break them (Tenor)
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
tenor vocals:
Paul Elliott (US tenor vocalist, member of Theatre of Voices) (in 1979)
orchestra:
Academy of Ancient Music (in 1979)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (in 1979)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel52:11
16Messiah: XLIV. Chorus: Hallelujah
engineer:
Martin Atkinson (engineer) and John Dunkerley (engineer)
instruments and orchestra:
Academy of Ancient Music (in 1979)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1979)
soprano vocals:
Judith Nelson (soprano)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1979)
chorus master:
Simon Preston (organist, conductor, composer) (in 1979)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1980)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1979)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1979)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
Georg Friedrich Händel53:48
3CD: Messiah, Part 3

Credits

Release

part of:Florilegium (L'Oiseau-Lyre) (order: 24)
ASIN:US: B00000E2QT [info]