Shakespeare's Musick

~ Release by Philip Pickett, Musicians of The Globe (see all versions of this release, 1 available)

Annotation

7-CD compilation in the L'Oiseau-Lyre series.

Annotation last modified on 2020-01-24 00:16 UTC.

Tracklist

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1▼CD: Shakespeare's Musick: Songs and Dances from Shakespeare's Plays
#TitleArtistRatingLength
1Hollis Berrie
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Hollis Berrie (in 1995-04)
composer:
English anon. ([anonymous], special purpose artist)
[anonymous]1:46
2Daphne
recording engineer:
Gosia Jankowska, Roger de Schot and Ko Witteveen (engineer)
executive producer:
Costa Pilavachi
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer), Fiona Gale and Gosia Jankowska
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04, in 1996-05)
conductor:
Philip Pickett (musician) (in 1995-04, in 1996-05)
balance engineer:
Martha de Francisco (classical producer and engineer) and Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04) and Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1996-05)
[anonymous]2:36
3My Robin Is to the Greenwood Gone
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Robin is to the greenwood gone [The Schoole of Musicke, no. 21] (in 1995-04)
composer:
[anonymous] (special purpose artist)
lute arranger:
Thomas Robinson (English renaissance composer, fl. 1600) (in 1603)
part of:
The Schoole of Musicke
[anonymous]1:37
4Tickle my Toe
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Tickle My Toe (in 1995-04)
composer:
English Renaissance anon. ([anonymous], special purpose artist)
[anonymous]1:31
5It Was a Lover and his Lass
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
soprano vocals:
Libby Crabtree (in 1995-04) and Rachel Elliot (soprano) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
First Book of Ayres: It Was a Lover and His Lass (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer) (until 1600)
is based on:
A Lover and His Lass (original poem)
part of:
First Book of Ayres
Thomas Morley3:16
6Kemp’s Jig
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Kemp's Jig (in 1995-04)
written in:
England, United Kingdom
writer:
[traditional] (special purpose artist)
publisher:
Logo Songs Ltd.
[anonymous]1:22
7Take, O Take Those Lips Away
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Rosalind Waters (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Take, Oh Take Those Lipps Away (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Wilson (English baroque composer and lutenist)
John Wilson2:51
8Bonny Sweet Robin
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
harpsichord:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
Giles Farnaby4:24
9Farewell, Dear Love
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
The First Booke of Songes or Ayres: XII. Farwell, Dear Love (in 1995-04)
composer:
Robert Jones (English lutenist and composer)
Robert Jones4:58
10Tarletones Riserrectione
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Tarleton's Riserrectione, P. 59 (for lute solo) (in 1995-04)
composer:
John Dowland (English Renaissance composer, lutenist, and singer)
part of:
John Dowland's lute works (number: P. 59)
John Dowland1:41
11Hold, Lingel, Hold
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
mezzo-soprano vocals:
Jeanette Ager (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]2:34
12How Should I your True Love Know (Walsingham)
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
soprano vocals:
Meredith Hall (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]1:19
13Walsingham
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]0:46
14Get You Hence
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04) and Rosalind Waters (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Get you hence (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson?1:25
15The First Book of Consort Lessons (1599): La Coranto
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: La coranto (in 1995-04)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:34
16The First Book of Consort Lessons (1599): La Coranto
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Coranto (or Jig) in C, MB 28/45 (in 1995-04)
composer:
William Byrd (English composer)
William Byrd1:10
17Hark, Hark! The Lark
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Hark, Hark! the Lark (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson?1:27
18The First Book of Consort Lessons (1599): La Volta
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: Lavolto (in 1995-04)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:38
19The First Book of Consort Lessons (1599): La Volta (William Byrd arrangement)
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
arranger:
William Byrd (English composer)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
La Volta No. 2 in G minor, MB 91 (in 1995-04)
composer:
William Byrd (English composer)
part of:
Musica Britannica Volume 27's catalogue of William Byrd's keyboard music (number: 91) and Fitzwilliam Virginal Book (number: FVB 155)
part of:
Fitzwilliam Virginal Book
Thomas Morley1:20
20The Poor Soul Sat Sighing (The Willow Song)
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Meredith Hall (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
The Willow Song (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
[traditional] (special purpose artist)
[anonymous]9:52
21Robin
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
[anonymous]2:10
22O Mistress Mine
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
baritone vocals:
Roderick Williams (British baritone and composer) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: O Mistress Mine (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:42
23O Mistris Mine
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
O mistress mine, MB 28/83 (in 1995-04)
composer:
William Byrd (English composer)
William Byrd5:09
24Full Fathom Five
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Full Fathom Five Thy Father Lies (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer) (in 1611)
Robert Johnson2:00
25Where the Bee Sucks, There Suck I
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
lute:
Jacob Heringman (American lutenist) (in 1995-04)
soprano vocals:
Joanne Lunn (British soprano vocalist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Where the Bee Sucks (in 1995-04)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Robert Johnson (English renaissance composer)
Robert Johnson0:56
26The First Book of Consort Lessons (1599): Can She Excuse
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: Can She Excuse (in 1995-04)
composer:
Thomas Morley (English Renaissance composer)
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:29
27The First Book of Consort Lessons (1599): The Frog Galliard
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: The Frog Galliard (in 1995-04)
lute arranger:
Thomas Morley (English Renaissance composer)
is based on:
The Frog Galliard, P. 23a
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley2:00
28The First Book of Consort Lessons (1599): Go from my Window
recording engineer:
Roger de Schot
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Fiona Gale
virginal:
Gary Cooper (conductor/keyboardist) (in 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1995-04)
conductor:
Philip Pickett (musician) (in 1995-04)
balance engineer:
Ko Witteveen (engineer)
recorded at:
The Warehouse in London (Greater London), England, United Kingdom (in 1995-04)
recording of:
Consort Lessons, Book 1: Go From My Window (Fitzwilliam virginal book, nos. 9 (I) and 42 (II)) (in 1995-04)
virginal arranger:
Thomas Morley (English Renaissance composer)
arrangement of:
Fitzwilliam Virginal Book, no. 9: Goe from my window
is based on:
Go From My Window, P. 64
part of:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley4:00
2▼CD: Oberon, the Faery Prince: A Masque of Prince Henries
#TitleArtistRatingLength
1Oberon, the Faery Prince: Almande
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Augustine Bassano0:52
2Oberon, the Faery Prince: Almande 5: The Princes Masque I
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson0:47
3Oberon, the Faery Prince: Almande 16
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Jerome Bassano0:53
4Oberon, the Faery Prince: Almande 6: The Princes Masque II
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson0:45
5Oberon, the Faery Prince: Trumpet Ensemble Sonata no. 53
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Hendrik Lübeck1:07
6Oberon, the Faery Prince: Pavana
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Augustine Bassano1:45
7Oberon, the Faery Prince: Dulcina
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
[anonymous]1:30
8Oberon, the Faery Prince: Alman
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
[anonymous]0:59
9Oberon, the Faery Prince: Buzz, Quoth the Blue Fly
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-11), Joseph Cornwell (tenor) (in 1994-11), Simon Davies (tenor) (in 1994-11) and Andrew King (operatic tenor) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Edward Nelham1:00
10Oberon, the Faery Prince: Now My Cunning Lady, Moon
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-11), Joseph Cornwell (tenor) (in 1994-11), Simon Davies (tenor) (in 1994-11) and Andrew King (operatic tenor) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson3:47
11Oberon, the Faery Prince: The Satyrs Dance
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson2:24
12Oberon, the Faery Prince: Melt Earth to Sea
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Peter Holman0:57
13Oberon, the Faery Prince: Melt Earth to Sea
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Peter Holman1:53
14Oberon, the Faery Prince: Dulcina
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
[anonymous]0:38
15Oberon, the Faery Prince: Seek You, Majesty, to Strike?
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Tom Finucane (lutist) (in 1994-11) and Jacob Heringman (American lutenist) (in 1994-11)
soprano vocals:
Julia Gooding (soprano) (in 1994-11) and Helen Parker (vocalist) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson1:36
16Oberon, the Faery Prince: The Fairies Dance
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson1:46
17Oberon, the Faery Prince: The Solemn Rites Are Well Begun
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Tom Finucane (lutist) (in 1994-11)
tenor vocals:
Andrew King (operatic tenor) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Alfonso Ferrabosco II1:57
18Oberon, the Faery Prince: The First of the Princes
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson2:15
19Oberon, the Faery Prince: Nay, Nay, You Must Not Stay
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Jacob Heringman (American lutenist) (in 1994-11)
tenor vocals:
Paul Agnew (tenor and conductor) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Alfonso Ferrabosco II1:43
20Oberon, the Faery Prince: The Second of the Princes
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson2:13
21Oberon, the Faery Prince: Not Yet O You in This Night Blest
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Tom Finucane (lutist) (in 1994-11) and Jacob Heringman (American lutenist) (in 1994-11)
soprano vocals:
Libby Crabtree (in 1994-11) and Helen Groves (British soprano) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson1:47
22Oberon, the Faery Prince: Pavan
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Anthony Holborne1:51
23Oberon, the Faery Prince: Coranto: The Fairie-round
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Anthony Holborne1:14
24Oberon, the Faery Prince: Coranto: As it Fell on Holie Eve
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Anthony Holborne0:55
25Oberon, the Faery Prince: Galliard
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Anthony Holborne0:59
26Oberon, the Faery Prince: Galliard
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Anthony Holborne1:08
27Oberon, the Faery Prince: Almaine: The Honie-suckle
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Anthony Holborne1:02
28Oberon, the Faery Prince: Almaine: The Night Watch
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Anthony Holborne1:04
29Oberon, the Faery Prince: Gentle Knights
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Tom Finucane (lutist) (in 1994-11)
tenor vocals:
Joseph Cornwell (tenor) (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Alfonso Ferrabosco II2:26
30Oberon, the Faery Prince: The Third of the Princes
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Robert Johnson1:38
31Oberon, the Faery Prince: O Yet How Early, and Before Her Time
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
lute:
Jacob Heringman (American lutenist) (in 1994-11)
soprano vocals:
Meredith Hall (in 1994-11)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Alfonso Ferrabosco II2:21
32Oberon, the Faery Prince: Trumpet Ensemble Sonata no. 34 "Meister Thomas Fideler"
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Magnus Thomsen0:55
33Oberon, the Faery Prince: Almande
recording engineer:
Thijs Hoekstra
producer:
Martha de Francisco (classical producer and engineer)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-11)
conductor:
Philip Pickett (musician) (in 1994-11)
balance engineer:
Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-11)
Alfonso Ferrabosco II1:42
3▼CD: Purcell's Shakespeare: Purcell's Setting and Interpolation Made into Shakespeare's Plays
#TitleArtistRatingLength
1Timon of Athens: Act I - The Masque of Cupid and Bacchus. Overture
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 1. Overture (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell5:45
2Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 1 Duet: "Hark how the songsters of the grove"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 2. Duet "Hark! How the songsters of the grove" (in 1994-12)
lyricist:
Thomas Shadwell
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:50
3Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 2 Solo: "Love in their little veins inspires"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 3. Solo "Love in their little veins inspires" (Cupid) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:27
4Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 3 Trio: "But ah! how much are our delights"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 4. Trio "But ah! How much are our delights" (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell0:53
5Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 4 & 5 Solo & chorus: "Hence with your trifling deity"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 5. Solo "Hence with your trifling deity" (Bass) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
recording of:
Timon of Athens, Z. 632: 6. Chorus "But over us no griefs prevail" (Trio) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:34
6Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 6 Solo: "Come all to me"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 7. Solo "Come, come all to me" (Cupid) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:15
7Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 7 Chorus: "Who can resist such mighty charms?"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 8. Chorus "Who can resist such mighty charms" (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:55
8Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 8 Solo: "Return, revolting rebels!"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 9. Solo "Return, revolting rebels" (Bacchus (Bass)) (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1694)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:16
9Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 9 Solo: "The cares of lovers"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 10. Solo "The cares of lovers" (Cupid) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:53
10Timon of Athens: Act I - The Masque of Cupid and Bacchus. No. 10 Solo: "Love quickly is pall'd"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 11. Solo "Love quickly is pall'd" (Alto) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell1:19
11Timon of Athens: Act I - The Masque of Cupid and Bacchus. Nos. 11 & 12 Duet & Chorus: "Come, let us agree"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Shepherd I]:
William Purefoy (in 1994-12)
baritone vocals [Bacchus]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Shepherd II]:
Nicholas Hurndall Smith (in 1994-12)
bass vocals [Shepherd III]:
Simon Grant (bass-baritone) (in 1994-12)
countertenor vocals [Satyr I]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
soprano vocals [Cupid]:
Libby Crabtree (in 1994-12)
soprano vocals [Nymph I]:
Julia Gooding (soprano) (in 1994-12)
soprano vocals [Nymph II]:
Helen Parker (vocalist) (in 1994-12)
tenor vocals [Satyr II]:
Andrew King (operatic tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Timon of Athens, Z. 632: 12. Duet "Come, let us agree" (Cupid (Soprano) and Bacchus (Bass)) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Timon of Athens (semi-opera)
Henry Purcell2:33
12If Music Be the Food of Love, Z.379
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
soprano vocals:
Meredith Hall (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
If Music Be the Food of Love (in 1994-12)
lyricist:
Col. Henry Heveningham
composer:
David Dickau
part of:
Roud Folk Song Index (number: 51627)
Col. Henry Heveningham4:03
13Dido and Aeneas: Act 2 - The Witshes's Scene. Prelude for the Witches: "Wayward sisters"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (English mezzo) (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell4:35
14Dido and Aeneas: Act 2 - The Witshes's Scene. "But, ere we this perform"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (English mezzo) (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:18
15Dido and Aeneas: Act 2 - The Witshes's Scene. "In our deep vaulted cell"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (English mezzo) (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (in 1994-12)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:07
16Dido and Aeneas: Act 2 - The Witshes's Scene. Echo Dance of Furies
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
baritone vocals:
Benjamin Bevan (in 1994-12)
baritone vocals [Sorceress]:
Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Witch]:
Benjamin Bevan (in 1994-12) and Nicholas Hurndall Smith (in 1994-12)
bass-baritone vocals [Witch]:
Mark Rowlinson (in 1994-12)
mezzo-soprano vocals and mezzo-soprano vocals [Witch]:
Sally Bruce-Payne (in 1994-12)
mezzo-soprano vocals [Witch I]:
Teresa Shaw (in 1994-12)
soprano vocals:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Witch II]:
Catherine King (English mezzo) (in 1994-12)
soprano vocals [Witch]:
Meredith Hall (in 1994-12), Helen Parker (vocalist) (in 1994-12) and Rosalind Waters (in 1994-12)
tenor vocals [Echo]:
Angus Smith (tenor) (in 1994-12)
tenor vocals [Witch]:
Andrew King (operatic tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:55
17The Tempest: Act 4. Air: "Dear pretty youth" (Dorinda)
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
soprano vocals:
Julia Gooding (soprano) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Dear Pretty Youth (in 1994-12)
composer:
Henry Purcell (Baroque composer)
part of:
The Tempest, Z. 631
Henry Purcell2:23
18King Richard II: Act 4. Song: "Retir'd from any mortal's sight"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
soprano vocals:
Helen Groves (British soprano) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
Henry Purcell4:04
19The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 14: "See, even Night herself is here"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here" (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:42
20The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 15: "I am come to lock all fast"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast" (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:28
21The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 16: "One charming night"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "One charming night" (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:18
22The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 17: "Hush, no more"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more" (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell5:07
23The Fairy Queen: Act 2 - Entrance of Night, Mystery, Secrecy and Sleep, with Attendants. No. 18: Dance for the Followers of the Night
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night" (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell4:02
24The Fairy Queen: Act 4 - Symphony: No. 30a: (Allegro)
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell0:37
25The Fairy Queen: Act 4 - Symphony: No. 30b: Canzona
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:25
26The Fairy Queen: Act 4 - Symphony: No. 30c: Largo
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell1:25
27The Fairy Queen: Act 4 - Symphony: No. 30d: Allegro - Adagio - Allegro
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
partial recording of:
The Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell3:08
28The Fairy Queen: Act 4 - Solo & Chorus. No. 31: "Now the night"
recording engineer:
Jean‐Marie Geijsen
producer:
Martha de Francisco (classical producer and engineer)
editor:
Thijs Hoekstra and Jean van Vugt
alto vocals [Attendant]:
William Purefoy (in 1994-12)
baritone vocals [Attendant]:
Benjamin Bevan (in 1994-12), Nicholas Hurndall Smith (in 1994-12) and Roderick Williams (British baritone and composer) (in 1994-12)
baritone vocals [Sleep]:
Roderick Williams (British baritone and composer) (in 1994-12)
bass-baritone vocals [Attendant]:
Mark Rowlinson (in 1994-12)
countertenor vocals [Attendant] and countertenor vocals [Secrecy]:
Christopher Robson (operatic counter-tenor) (in 1994-12)
mezzo-soprano vocals [Attendant]:
Sally Bruce-Payne (in 1994-12)
soprano vocals [Attendant solo]:
Helen Parker (vocalist) (in 1994-12)
soprano vocals [Attendant]:
Helen Groves (British soprano) (in 1994-12) and Rosalind Waters (in 1994-12)
soprano vocals [Mystery]:
Meredith Hall (in 1994-12)
soprano vocals [Night]:
Libby Crabtree (in 1994-12)
tenor vocals [Attendant]:
Simon Davies (tenor) (in 1994-12) and Angus Smith (tenor) (in 1994-12)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (in 1994-12)
conductor:
Philip Pickett (musician) (in 1994-12)
balance engineer:
Martha de Francisco (classical producer and engineer) and Jan Wesselink
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
The Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away" (in 1994-12)
composer:
Henry Purcell (Baroque composer) (in 1692)
part of:
The Fairy Queen, Z. 629 (Britten-Pears-Holst concert version)
Henry Purcell2:20
4▶CD: Thomas Linley Jr.: Ode on the Witches and Fairies of Shakespeare
5▶CD: The Enchanted Island - Music for a Restoration "Tempest"
6▶CD: Henry Rowley Bishop: Shakespeare at the Covent Garden
7▶CD: Nutmeg and Ginger: Spicy Ballads from Shakespeare's London