Shakespeare's Musick

~ Pubblicazione di Philip Pickett, Musicians of The Globe (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

7-CD compilation in the L'Oiseau-Lyre series.

Annotazione modificata l'ultima volta il 2020-01-24 00:16 UTC.

Elenco tracce

1▼CD: Shakespeare's Musick: Songs and Dances from Shakespeare's Plays
#TitoloArtistaValutazioneDurata
1Hollis Berrie
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Hollis Berrie (nel 1995-04)
compositore:
English anon. ([anonymous], special purpose artist)
[anonymous]1:46
2Daphne
tecnico di registrazione:
Gosia Jankowska, Roger de Schot e Ko Witteveen (engineer)
produttore:
Martha de Francisco (classical producer and engineer)
produttore esecutivo:
Costa Pilavachi
editor:
Martha de Francisco (classical producer and engineer), Fiona Gale e Gosia Jankowska
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04, nel 1996-05)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04, nel 1996-05)
tecnico di bilanciamento:
Martha de Francisco (classical producer and engineer) e Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04) e Henry Wood Hall (London) in London (Greater London), England, Regno Unito (nel 1996-05)
[anonymous]2:36
3My Robin Is to the Greenwood Gone
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Robin is to the greenwood gone [The Schoole of Musicke, no. 21] (nel 1995-04)
compositore:
[anonymous] (special purpose artist)
arrangiatore liuto :
Thomas Robinson (English renaissance composer, fl. 1600) (nel 1603)
parte di:
The Schoole of Musicke
[anonymous]1:37
4Tickle my Toe
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Tickle My Toe (nel 1995-04)
compositore:
English Renaissance anon. ([anonymous], special purpose artist)
[anonymous]1:31
5It Was a Lover and his Lass
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
voce di soprano:
Libby Crabtree (nel 1995-04) e Rachel Elliot (soprano) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
First Book of Ayres: It Was a Lover and His Lass (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
Thomas Morley (English Renaissance composer) (fino al 1600)
si basa su:
A Lover and His Lass (original poem)
parte di:
First Book of Ayres
Thomas Morley3:16
6Kemp’s Jig
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Kemp's Jig (nel 1995-04)
scritta a:
England, Regno Unito
autore:
[traditional] (special purpose artist)
editore:
Logo Songs Ltd.
[anonymous]1:22
7Take, O Take Those Lips Away
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
voce di soprano:
Rosalind Waters (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Take, Oh Take Those Lipps Away (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
John Wilson (English baroque composer and lutenist)
John Wilson2:51
8Bonny Sweet Robin
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
clavicembalo :
Gary Cooper (conductor/keyboardist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
Giles Farnaby4:24
9Farewell, Dear Love
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
voce di baritono:
Roderick Williams (British baritone and composer) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
The First Booke of Songes or Ayres: XII. Farwell, Dear Love (nel 1995-04)
compositore:
Robert Jones (English lutenist and composer)
Robert Jones4:58
10Tarletones Riserrectione
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Tarleton's Riserrectione, P. 59 (for lute solo) (nel 1995-04)
compositore:
John Dowland (English Renaissance composer, lutenist, and singer)
parte di:
John Dowland's lute works (numero: P. 59)
John Dowland1:41
11Hold, Lingel, Hold
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
voce di mezzosoprano:
Jeanette Ager (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
[anonymous]2:34
12How Should I your True Love Know (Walsingham)
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
voce di soprano:
Meredith Hall (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
[anonymous]1:19
13Walsingham
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
[anonymous]0:46
14Get You Hence
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
voce di baritono:
Roderick Williams (British baritone and composer) (nel 1995-04)
voce di soprano:
Joanne Lunn (British soprano vocalist) (nel 1995-04) e Rosalind Waters (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Get you hence (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
Robert Johnson (English renaissance composer)
Robert Johnson?1:25
15The First Book of Consort Lessons (1599): La Coranto
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Consort Lessons, Book 1: La coranto (nel 1995-04)
compositore:
Thomas Morley (English Renaissance composer)
parte di:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:34
16The First Book of Consort Lessons (1599): La Coranto
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
virginale :
Gary Cooper (conductor/keyboardist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Coranto (or Jig) in C, MB 28/45 (nel 1995-04)
compositore:
William Byrd (English composer)
William Byrd1:10
17Hark, Hark! The Lark
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
voce di soprano:
Joanne Lunn (British soprano vocalist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Hark, Hark! the Lark (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
Robert Johnson (English renaissance composer)
Robert Johnson?1:27
18The First Book of Consort Lessons (1599): La Volta
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Consort Lessons, Book 1: Lavolto (nel 1995-04)
compositore:
Thomas Morley (English Renaissance composer)
parte di:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:38
19The First Book of Consort Lessons (1599): La Volta (William Byrd arrangement)
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
virginale :
Gary Cooper (conductor/keyboardist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
arrangiatore:
William Byrd (English composer)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
La Volta No. 2 in G minor, MB 91 (nel 1995-04)
compositore:
William Byrd (English composer)
parte di:
Musica Britannica Volume 27's catalogue of William Byrd's keyboard music (numero: 91) e Fitzwilliam Virginal Book (numero: FVB 155)
parte di:
Fitzwilliam Virginal Book
Thomas Morley1:20
20The Poor Soul Sat Sighing (The Willow Song)
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
voce di soprano:
Meredith Hall (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
The Willow Song (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
[traditional] (special purpose artist)
[anonymous]9:52
21Robin
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
[anonymous]2:10
22O Mistress Mine
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
voce di baritono:
Roderick Williams (British baritone and composer) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Consort Lessons, Book 1: O Mistress Mine (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
Thomas Morley (English Renaissance composer)
parte di:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:42
23O Mistris Mine
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
virginale :
Gary Cooper (conductor/keyboardist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
O mistress mine, MB 28/83 (nel 1995-04)
compositore:
William Byrd (English composer)
William Byrd5:09
24Full Fathom Five
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
voce di soprano:
Joanne Lunn (British soprano vocalist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Full Fathom Five Thy Father Lies (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
Robert Johnson (English renaissance composer) (nel 1611)
Robert Johnson2:00
25Where the Bee Sucks, There Suck I
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
liuto :
Jacob Heringman (American lutenist) (nel 1995-04)
voce di soprano:
Joanne Lunn (British soprano vocalist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Where the Bee Sucks (nel 1995-04)
paroliere:
William Shakespeare (English poet and playwright)
compositore:
Robert Johnson (English renaissance composer)
Robert Johnson0:56
26The First Book of Consort Lessons (1599): Can She Excuse
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Consort Lessons, Book 1: Can She Excuse (nel 1995-04)
compositore:
Thomas Morley (English Renaissance composer)
parte di:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley1:29
27The First Book of Consort Lessons (1599): The Frog Galliard
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Consort Lessons, Book 1: The Frog Galliard (nel 1995-04)
arrangiatore liuto :
Thomas Morley (English Renaissance composer)
si basa su:
The Frog Galliard, P. 23a
parte di:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley2:00
28The First Book of Consort Lessons (1599): Go from my Window
tecnico di registrazione:
Roger de Schot
produttore:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) e Fiona Gale
virginale :
Gary Cooper (conductor/keyboardist) (nel 1995-04)
orchestra:
Musicians of The Globe (UK early / baroque music ensemble) (nel 1995-04)
direttore d'orchestra:
Philip Pickett (musician) (nel 1995-04)
tecnico di bilanciamento:
Ko Witteveen (engineer)
registrata presso:
The Warehouse in London (Greater London), England, Regno Unito (nel 1995-04)
registrazione di:
Consort Lessons, Book 1: Go From My Window (Fitzwilliam virginal book, nos. 9 (I) and 42 (II)) (nel 1995-04)
arrangiatore virginale :
Thomas Morley (English Renaissance composer)
arrangiamento di:
Fitzwilliam Virginal Book, no. 9: Goe from my window
si basa su:
Go From My Window, P. 64
parte di:
Consort Lessons, Book 1 (Dances for Broken Consort)
Thomas Morley4:00
2▶CD: Oberon, the Faery Prince: A Masque of Prince Henries
3▶CD: Purcell's Shakespeare: Purcell's Setting and Interpolation Made into Shakespeare's Plays
4▶CD: Thomas Linley Jr.: Ode on the Witches and Fairies of Shakespeare
5▶CD: The Enchanted Island - Music for a Restoration "Tempest"
6▶CD: Henry Rowley Bishop: Shakespeare at the Covent Garden
7▶CD: Nutmeg and Ginger: Spicy Ballads from Shakespeare's London

Accreditamenti