The Definitive Rare Albums Collection 1960-1966

~ Release by Bill Evans (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Conversations With Myself (1963) / At Shelly's Manne-Hole (1963)
#TitleRatingLength
1'Round Midnight
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
recording of:
’Round Midnight (on 1963-02-09)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
6:33
2How About You?
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
How About You? (on 1963-02-09)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
2:50
3Theme From "Spartacus"
instrumental recording of:
Love Theme (Spartacus) (on 1963-05-20)
lyricist:
Terry Callier and Alex North (US composer)
composer:
Alex North (US composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Cristal Publishing, Northern Music (song publisher), Northern Music Corp., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) and USI A Music Publishing
sub-publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ジ・インプレッションズ, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:11
4Blue Monk
recording engineer:
Ray Hall (engineer) (on 1963-05-20)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-05-20)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-05-20)
recording of:
Blue Monk (on 1963-05-20)
publisher:
Thelonious Monk
composer:
Thelonious Monk
4:34
5Stella by Starlight
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Stella by Starlight (on 1963-02-09)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
4:54
6Hey, There
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Hey There (The Pajama Game) (on 1963-02-09)
lyricist and composer:
Richard Adler (musical composer/lyricist) and Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (from 1954 until 2010), J & J Ross Co. (from 2011 to present) and Lakshmi Puja Music Ltd. (from 2011 to present)
part of:
The Pajama Game (musical)
4:30
7N.Y.C.'s No Lark
recording engineer:
Ray Hall (engineer) (on 1963-02-06)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-06)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-06)
recording of:
N.Y.C.’s No Lark (on 1963-02-06)
composer:
Bill Evans (pianist)
5:35
8Just You, Just Me
recording engineer:
Ray Hall (engineer) (on 1963-02-09)
engineer:
Val Valentin
producer:
Creed Taylor
piano:
Bill Evans (pianist) (on 1963-02-09)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-02-09)
instrumental recording of:
Just You, Just Me (on 1963-02-09)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
2:34
9Isn't It Romantic?
live instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1963-05-14)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
4:38
10The Boy Next Door
recording engineer:
Wally Heider (on 1963-05-30)
bass:
Chuck Israels (on 1963-05-30)
drums (drum set):
Larry Bunker (on 1963-05-30)
piano:
Bill Evans (pianist) (on 1963-05-30)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-30)
live instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (on 1963-05-30)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 musical film soundtrack)
5:21
11Wonder Why
producer:
Orrin Keepnews
bass:
Chuck Israels (on 1963-05-19)
drums (drum set):
Larry Bunker (on 1963-05-19)
piano:
Bill Evans (pianist) (on 1963-05-19)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-19)
live instrumental recording of:
Wonder Why (Rich, Young and Pretty) (on 1963-05-19)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
5:12
12Swedish Pastry
recording engineer:
Wally Heider (on 1963-05-31)
bass:
Chuck Israels (on 1963-05-31)
drums (drum set):
Larry Bunker (on 1963-05-31)
piano:
Bill Evans (pianist) (on 1963-05-31)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-31)
live recording of:
Swedish Pastry (on 1963-05-31)
composer:
Barney Kessel
publisher:
Jewel Music Publishing Co., Inc. (publisher; do NOT use as release label)
5:49
13Our Love Is Here to Stay
recording engineer:
Wally Heider (on 1963-05-30)
bass:
Chuck Israels (on 1963-05-30)
drums (drum set):
Larry Bunker (on 1963-05-30)
piano:
Bill Evans (pianist) (on 1963-05-30)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-30)
live instrumental recording of:
Love Is Here to Stay (on 1963-05-30)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
4:47
14'Round Midnight
live recording of:
’Round Midnight (on 1963-05-14)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
7:33
15Stella by Starlight
recording engineer:
Wally Heider (on 1963-05-30)
bass:
Chuck Israels (on 1963-05-30)
drums (drum set):
Larry Bunker (on 1963-05-30)
piano:
Bill Evans (pianist) (on 1963-05-30)
recorded at:
Shelly’s Manne Hole in Hollywood, Los Angeles, California, United States (on 1963-05-30)
live instrumental recording of:
Stella by Starlight (on 1963-05-30)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
4:58
16All the Things You Are
live instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1963-05-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
8:00
2▼CD: Jazz in the Space Age (1960) / Know What I Mean (1961)
#TitleRatingLength
1Chromatic Universe, Pt. 1
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1960-05)
bass:
Milt Hinton (in 1960-05)
drums (drum set):
Don Lamond (in 1960-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1960-05)
guitar:
Howard Collins (Guitarist) (in 1960-05) and Barry Galbraith (in 1960-05)
piano:
Paul Bley (in 1960-05) and Bill Evans (pianist) (in 1960-05)
tenor saxophone:
David Young (tenor sax) (in 1960-05)
trombone:
David Baker (American jazz composer, trombonist and cellist) (in 1960-05) and Frank Rehak (US jazz trombonist) (in 1960-05)
trumpet:
Al Kiger (in 1960-05) and Ernie Royal (in 1960-05)
recording of:
Chromatic Universe (in 1960-05)
composer:
George Russell (American jazz pianist and composer)
3:34
2Dimensions
alto saxophone:
Hal McKusick (on 1960-08-01)
bass:
Milt Hinton (on 1960-08-01)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-08-01)
trombone:
Bob Brookmeyer (on 1960-08-01)
trumpet:
Marky Markowitz (on 1960-08-01)
recording of:
Dimensions (on 1960-08-01)
composer:
George Russell (American jazz pianist and composer)
13:11
3Chromatic Universe, Pt. 2
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1960-05)
bass:
Milt Hinton (in 1960-05)
drums (drum set):
Don Lamond (in 1960-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1960-05)
guitar:
Howard Collins (Guitarist) (in 1960-05) and Barry Galbraith (in 1960-05)
piano:
Paul Bley (in 1960-05) and Bill Evans (pianist) (in 1960-05)
tenor saxophone:
David Young (tenor sax) (in 1960-05)
trombone:
David Baker (American jazz composer, trombonist and cellist) (in 1960-05) and Frank Rehak (US jazz trombonist) (in 1960-05)
trumpet:
Al Kiger (in 1960-05) and Ernie Royal (in 1960-05)
recording of:
Chromatic Universe (in 1960-05)
composer:
George Russell (American jazz pianist and composer)
3:47
4The Lydiot
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1960-05)
bass:
Milt Hinton (in 1960-05)
drums (drum set):
Don Lamond (in 1960-05)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1960-05)
guitar:
Howard Collins (Guitarist) (in 1960-05) and Barry Galbraith (in 1960-05)
piano:
Paul Bley (in 1960-05) and Bill Evans (pianist) (in 1960-05)
tenor saxophone:
David Young (tenor sax) (in 1960-05)
trombone:
David Baker (American jazz composer, trombonist and cellist) (in 1960-05) and Frank Rehak (US jazz trombonist) (in 1960-05)
trumpet:
Al Kiger (in 1960-05) and Ernie Royal (in 1960-05)
recording of:
The Lydiot (in 1960-05)
composer:
George Russell (American jazz pianist and composer)
10:05
5Waltz From Outer Space
alto saxophone:
Hal McKusick (on 1960-08-01)
bass:
Milt Hinton (on 1960-08-01)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1960-08-01)
trombone:
Bob Brookmeyer (on 1960-08-01)
trumpet:
Marky Markowitz (on 1960-08-01)
recording of:
Waltz from Outer Space (on 1960-08-01)
composer:
George Russell (American jazz pianist and composer)
6:59
6Chromatic Universe, Pt. 3
baritone saxophone:
Sol Schlinger (saxophone, jazz) (in 1960-05)
bass:
Milt Hinton (in 1960-05)
drums (drum set):
Don Lamond (in 1960)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1960-05)
guitar:
Howard Collins (Guitarist) (in 1960-05) and Barry Galbraith (in 1960-05)
piano:
Paul Bley (in 1960-05) and Bill Evans (pianist) (in 1960-05)
tenor saxophone:
David Young (tenor sax) (in 1960-05)
trombone:
David Baker (American jazz composer, trombonist and cellist) (in 1960-05) and Frank Rehak (US jazz trombonist) (in 1960-05)
trumpet:
Al Kiger (in 1960-05) and Ernie Royal (in 1960-05)
recording of:
Chromatic Universe (in 1960-05)
composer:
George Russell (American jazz pianist and composer)
4:52
7Waltz for Debby
recording of:
Waltz for Debby (instrumental) (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music Publishers Inc. and Kensington Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
5:17
8Goodbye
instrumental recording of:
Goodbye (on 1961-01-27)
lyricist and composer:
Gordon Jenkins
writer:
Benny Goodman (clarinetist and bandleader)
publisher:
Devalbo Inc, La Salle Music Publishers, Inc., LaSalle Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Peermusic (UK) Limited, Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic), Universal Music Corp. (USA, affiliated with ASCAP) and WB Music Corp. (1929–2019)
6:17
9Who Cares?
instrumental recording of:
Who Cares? (Of Thee I Sing) (on 1961-01-27)
lyricist:
Ira Gershwin (in 1931)
composer:
George Gershwin (composer) (in 1931)
publisher:
New World Music (new age music) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Of Thee I Sing: Act II
5:58
10Venice
recording of:
Venice (on 1961-03-13)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
publisher:
MJQ Music, Inc. and Rayven Music
2:56
11Toy
recording of:
Toy (on 1961-02-21)
composer:
Clifford Jordan
publisher:
Upam Music Co.
5:10
12Elsa
recording of:
Elsa (on 1961-02-21)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
5:52
13Nancy (with the Laughing Face)
instrumental recording of:
Nancy (With the Laughing Face) (on 1961-01-27)
lyricist:
Phil Silvers (actor)
composer:
Jimmy Van Heusen
publisher:
Barton Music Corp., Chappell/Morris Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
4:08
14Know What I Mean?
recording of:
Know What I Mean? (on 1961-03-13)
composer:
Bill Evans (pianist)
publisher:
Orpheum Music
4:55
3▼CD: The Blues and the Abstract Truth (1962) / Pike's Peak (1962)
#TitleRatingLength
1Stolen Moments
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
instrumental recording of:
Stolen Moments (original instrumental version) (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer) (in 1960)
publisher:
Alameda Music Co, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Noslen Music Company (Oliver Nelson)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
8:45
2Hoe-Down
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
recording of:
Hoe‐Down (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer)
publisher:
Noslen Music Company (Oliver Nelson)
4:42
3Cascades
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
recording of:
Cascades (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer)
publisher:
Noslen Music Company (Oliver Nelson)
5:31
4Yearnin'
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
recording of:
Yearnin’ (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer)
publisher:
Noslen Music Company (Oliver Nelson)
6:22
5Butch and Butch
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
recording of:
Butch and Butch (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer)
publisher:
Noslen Music Company (Oliver Nelson)
4:34
6Teenie's Blues
recording engineer:
Rudy van Gelder (on 1961-02-23)
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone and flute:
Eric Dolphy (on 1961-02-23)
alto saxophone and tenor saxophone:
Oliver Nelson (saxophone, arranger, composer) (on 1961-02-23)
baritone saxophone:
George Barrow (on 1961-02-23)
double bass:
Paul Chambers (US jazz bassist) (on 1961-02-23)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1961-02-23)
piano:
Bill Evans (pianist) (on 1961-02-23)
trumpet:
Freddie Hubbard (on 1961-02-23)
arranger:
Oliver Nelson (saxophone, arranger, composer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1961-02-23)
recording of:
Teenie’s Blues (on 1961-02-23)
composer:
Oliver Nelson (saxophone, arranger, composer)
publisher:
Noslen Music Company (Oliver Nelson)
6:38
7Why Not?
piano:
Bill Evans (pianist) (in 1961-11)
recording of:
Why Not (in 1961-11)
composer:
Dave Pike (jazz vibraphone and marimba player)
6:47
8In a Sentimental Mood
instrumental recording of:
In a Sentimental Mood (in 1961-11)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
6:32
9Vierd Blues
recording of:
Vierd Blues (in 1961-11)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter) (in 1956)
publisher:
Prestige Music Co. (US, affiliated with BMI)
5:59
10Besame Mucho
recorded in:
New York, New York, United States (from 1962-02-06 until 1962-02-08)
producer:
Mike Berniker
double bass [bass]:
Herbie Lewis (from 1962-02-06 until 1962-02-08)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1962-02-06 until 1962-02-08)
piano:
Bill Evans (pianist) (from 1962-02-06 until 1962-02-08)
vibraphone:
Dave Pike (jazz vibraphone and marimba player) (from 1962-02-06 until 1962-02-08)
instrumental recording of:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez) (from 1962-02-06 until 1962-02-08)
lyricist and composer:
Consuelo Velázquez (in 1940)
publisher:
Peer International Corporation (BMI)
6:54
11Wild Is the Wind
instrumental recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (in 1961-11)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
9:32
4▼CD: The Rare Sweden Broadcast (1964) / The Rare France Broadcast (1965) / The Rare UK Broadcast (1965) / The Rare Norway Broadcast (1966)
#TitleArtistRatingLength
1My Foolish Heart
live instrumental recording of:
My Foolish Heart (in 1964)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
Bill Evans Trio4:40
2Israel
recording of:
Israel (Miles Davis/John Carisi's song) (in 1964)
composer:
John Carisi (American trumpeter and composer)
publisher:
Beechwood Music
Bill Evans Trio4:18
3Detour Ahead
Bill Evans Trio5:10
4My Melancholy Baby
live instrumental recording of:
My Melancholy Baby (in 1965)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (songwriter, composer, and pianist) (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Bill Evans Trio9:02
5Elsa
live recording of:
Elsa (in 1965)
composer:
Earl Zindars
publisher:
Zindars Music and Zindars Publishing
Bill Evans Trio4:57
6Summertime
live instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1965)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Bill Evans Trio4:55
7Come Rain or Come Shine
live instrumental recording of:
Come Rain or Come Shine (in 1965)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Bill Evans Trio5:14
8RE: Person I Knew
live recording of:
Re: Person I Knew (in 1965)
composer:
Bill Evans (pianist)
publisher:
Folkways Music, Kensington Music Ltd. and TRO-Acorn Music
Bill Evans Trio4:19
9How My Heart Sings
live recording of:
How My Heart Sings (in 1965)
composer:
Earl Zindars (in 1962)
publisher:
Zindars Publishing
Bill Evans Trio4:04
10Who Can I Turn To?
live instrumental recording of:
Who Can I Turn To (When Nobody Needs Me) (in 1965)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. and TRO Muscal Comedy Productions, Inc.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Bill Evans Trio5:54
11Very Early
recorded in:
Oslo, Norway (on 1966-10-28)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-28)
drums (drum set):
Alex Riel (on 1966-10-28)
piano:
Bill Evans (pianist) (on 1966-10-28)
recording of:
Very Early (on 1966-10-28)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp., Folkways Music, Folkways Music Publishers Inc. and TRO-Acorn Music
Bill Evans Trio4:56
12Stella by Starlight
recorded in:
Oslo, Norway (on 1966-10-28)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-28)
drums (drum set):
Alex Riel (on 1966-10-28)
piano:
Bill Evans (pianist) (on 1966-10-28)
instrumental recording of:
Stella by Starlight (on 1966-10-28)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
Bill Evans Trio4:21
13If You Could See Me Now
recorded in:
Oslo, Norway (on 1966-10-28)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-28)
drums (drum set):
Alex Riel (on 1966-10-28)
piano:
Bill Evans (pianist) (on 1966-10-28)
instrumental recording of:
If You Could See Me Now (jazz standard) (on 1966-10-28)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Bill Evans Trio4:40
14Autumn Leaves
recorded in:
Oslo, Norway (on 1966-10-28)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-28)
drums (drum set):
Alex Riel (on 1966-10-28)
piano:
Bill Evans (pianist) (on 1966-10-28)
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics) (on 1966-10-28)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
Bill Evans Trio4:27
15Time Remembered
recorded in:
Oslo, Norway (on 1966-10-28)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-28)
drums (drum set):
Alex Riel (on 1966-10-28)
piano:
Bill Evans (pianist) (on 1966-10-28)
recording of:
Time Remembered (on 1966-10-28)
composer:
Bill Evans (pianist)
publisher:
Acorn Music Corp.
Bill Evans Trio3:47
16Nardis
recorded in:
Oslo, Norway (on 1966-10-28)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-28)
drums (drum set):
Alex Riel (on 1966-10-28)
piano:
Bill Evans (pianist) (on 1966-10-28)
recording of:
Nardis (on 1966-10-28)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
Bill Evans Trio5:07
17Five
recorded in:
Oslo, Norway (on 1966-10-28)
bass:
Eddie Gomez (jazz double bassist) (on 1966-10-28)
drums (drum set):
Alex Riel (on 1966-10-28)
piano:
Bill Evans (pianist) (on 1966-10-28)
recording of:
Five (on 1966-10-28)
composer:
Bill Evans (pianist)
publisher:
Folkways Music Publishers Inc., TRO-Acorn Music and TRO-Folkways Music Publishers, Inc.
Bill Evans Trio2:56