The Real ’80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Jessie’s Girl
producer:
Keith Olsen (US producer and engineer)
arranger:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Keith Olsen (US producer and engineer) and Rick Springfield
phonographic copyright (℗) by:
BMG Entertainment (in 1981), BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981), RCA Records, Inc. (this is a company, only use in companies fields such as Copyright and Manufacturer - for the label use RCA) (in 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 2001) and Wizard Records (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 20) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 55)
recording of:
Jessie’s Girl
lyricist and composer:
Rick Springfield
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Muscleman Music, PolyGram Music Publishing Ltd., Portal Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Wizard Music
Rick Springfield4.43:13
2I Can’t Go for That
phonographic copyright (℗) by:
BMG Music (in 1981), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1981) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1981)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates4.53:43
3Broken Wings
engineer:
Paul DeVilliers
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister3.854:36
4Hold Me Now
recording engineer, engineer and mixer:
Phil Thornalley
drums (drum set) programming:
Tom Bailey (Thompson Twins)
producer:
Tom Bailey (Thompson Twins) and Alex Sadkin
congas and synthesizer [Prophet V]:
Joe Leeway
double bass [contrabass], guitar, harmonica, piano and synthesizer:
Tom Bailey (Thompson Twins)
drums (drum set), marimba, percussion and xylophone:
Alannah Currie
background vocals:
Alannah Currie and Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographic copyright (℗) by:
Arista Records Ltd. (not for release label use!) (in 1983), BMG Arista Records Ltd. (in 1983), BMG Eurodisc Ltd. (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983), Arista Records Ltd. (not for release label use!) (in 1984) and Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984)
music videos:
Hold Me Now by Thompson Twins
recording of:
Hold Me Now (Thompson Twins song)
writer:
Alannah Joy Currie, Joseph Martin Leeway and Thomas Alexander Bailey (Thompson Twins)
vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie and Joe Leeway
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) and Point Music Ltd.
Thompson Twins4.54:44
5Under the Milky Way
assistant engineer:
Duane Seykora
engineer:
Shep Lonsdale
producer:
The Church, Greg Ladanyi and Waddy Wachtel
mixer:
Greg Ladanyi, Shep Lonsdale and Waddy Wachtel
bass and lead vocals:
Steve Kilbey
drums (drum set):
Richard Ploog
guitar:
Peter Koppes and Marty Willson-Piper
keyboard:
Greg Kuehn
synclavier:
Awesome Welles
phonographic copyright (℗) by:
The Church (in 2009)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1987, in 1988) and The Church Pty Limited (in 1988, in 2005)
part of:
triple j’s Hottest 100 of Australian Songs (number: 29) and VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 84)
recording of:
Under the Milky Way
writer:
Karin Jansson and Steve Kilbey
publisher:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) and Universal/MCA Music Publishing Pty Ltd
The Church4.354:55
6You Don’t Want Me Anymore
recording of:
You Don't Want Me Anymore
lyricist and composer:
Ken Goorabian
Steel Breeze3:22
7Make Me Lose Control
producer:
Jimmy Ienner (producer) and Bob Irwin
phonographic copyright (℗) by:
Arista Records, LLC (holding company - file NO releases here!) (in 1988)
recording of:
Make Me Lose Control
writer:
Eric Carmen and Dean Pitchford
publisher:
Eric Carmen Music and Pitchford Music
Eric Carmen54:45
8The One That You Love
Air Supply4:11
9Call It Love
engineer, producer and mixer:
David Cole (American recording engineer and producer)
lead vocals:
Rusty Young
phonographic copyright (℗) by:
BMG Music (in 1989)
recording of:
Call It Love
writer:
Billy Crain, Ronnie Guilbeau and Rick Lonow
publisher:
Atlantic Music Corp. (BMI), Frankly Scarlett Music, Songs of Universal, Inc. (BMI), Atlantic–Gibron Music (from 1988 to ????), Jasperilla Music Co. (from 1988 to present) and Storky Music (from 1988 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Poco4:14
10Talk It Over
recording of:
Talk It Over
writer:
Irwin Levine and Sandy Linzer
Grayson Hugh44:15
2▼CD
#TitleArtistRatingLength
1Turn Up the Radio
producer:
Neil Kernon
recording of:
Turn Up the Radio
writer:
Steven Isham, Steve Lynch, Steve Plunkett, Randy Rand and Keni Richards
publisher:
Black Casper Music, Ish Music, Lynch Mob Music, Plunkrock Music and Songs of Universal, Inc. (BMI)
Autograph3.54:36
2We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:54
3Angel Eyes
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 65)
recording of:
Angel Eyes
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter) and Fred Koller
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Lucrative Music (BMI) and Universal Music Careers
The Jeff Healey Band44:22
4Straight From the Heart
recording of:
Straight From the Heart
writer:
Dickey Betts and Johnny Cobb
publisher:
Milene Music. Inc (ASCAP) and Pangola Publishing
The Allman Brothers Band3:46
5No Money Down
recording engineer:
David Greenberg (Rockin’ Reel Studios engineer)
drum machine programming:
Fernando Saunders
mixer:
Bruce Lampcov
bass guitar and background vocals:
Fernando Saunders
guitar:
Eddie Martinez (guitar) and Lou Reed
percussion:
J.T. Lewis (jazz drummer) and Sammy Merendino
tenor saxophone:
Rick Bell (US Saxophone)
lead vocals:
Lou Reed
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
No Money Down (official video) by Lou Reed
recording of:
No Money Down
lyricist and composer:
Lou Reed
Lou Reed43:09
6Someday, Someway
recording of:
Someday, Someway
lyricist and composer:
Marshall Crenshaw
publisher:
Belwin Mills Music Ltd. and MHC Music
Robert Gordon2:25
7Digging Your Scene
additional recording engineer and additional mixer:
Michael Baker (producer)
producer:
Peter Wilson (UK Producer)
strings arranger:
Peter Wilson (UK Producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1986) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) and Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:14
8Just Got Lucky
producer:
Alan Shacklock
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recording of:
Just Got Lucky
writer:
Chris Bostock and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1983)
JoBoxers33:41
9Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:31
10I Wouldn’t Want to Be Like You
assistant engineer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK) and Patrick Stapley
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
bass guitar:
David Paton (of Pilot)
drums (drum set):
Stuart Tosh
guitar:
Ian Bairnson
keyboard:
Eric Woolfson
lead vocals:
Lenny Zakatek
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
I Wouldn’t Want to Be Like You
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
American Woolfsongs Ltd. and Irving Music, Inc.
The Alan Parsons Project3.83:22
3▼CD
#TitleArtistRatingLength
1Funky Town
cover recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Pseudo Echo33:42
2Jump (for My Love)
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
mixer:
Michael Brooks (mixer) and James C. Tract
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1982)
recording of:
Jump (for My Love)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
publisher:
Anidraks Music (publisher), ATV Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sony/ATV Songs LLC
The Pointer Sisters43:59
3Jump to It
recording engineer and mixer:
Michael Brauer (engineer)
producer:
Luther Vandross
bass and synthesizer:
Marcus Miller (jazz musician)
congas:
Crusher Bennett
drums (drum set):
Yogi Horton
guitar:
Doc Powell
keyboard:
Nat Adderley, Jr.
background vocals:
Tawatha Agee, Phillip Ballou, Michelle Cobbs, Cissy Houston, Fonzi Thornton, Luther Vandross and Brenda White (Brenda Kutz White)
instruments arranger:
Marcus Miller (jazz musician)
synthesizer arranger:
Marcus Miller (jazz musician)
vocals arranger:
Luther Vandross
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982)
recording of:
Jump to It
writer:
Marcus Miller (jazz musician) and Luther Vandross
publisher:
EMI April Music Inc. and Uncle Ronnie's Music Co. Inc.
Aretha Franklin4:16
4I’ll Always Love You
Taylor Dayne4:18
5Waiting for a Star to Fall
drum machine programming:
George Merrill
producer:
Arif Mardin
assistant mixer:
Jim Dineen
mixer:
David Leonard (US producer and engineer)
alto saxophone:
Andy Snitzer
bass guitar, piano and synthesizer:
George Merrill
drums (drum set):
Denny Fongheiser and Michael Jochum
guitar:
John Goux
synthesizer [Crowning touch]:
Joe Mardin
additional vocals:
Susan Boyd
vocals:
George Merrill and Shannon Rubicam
phonographic copyright (℗) by:
BMG Music (in 1988) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1988)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Waiting for a Star to Fall
writer:
George Merrill and Shannon Rubicam
publisher:
Irving Music, Inc., Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Boy Meets Girl Music (from 1987 to present) and Irving Music (BMI) (from 1987 to present)
Boy Meets Girl3.44:28
6A Woman Needs Love (Just Like You Do)
engineer, producer and mixer:
Ray Parker Jr.
vocals:
Arnell Carmichael and Ray Parker Jr.
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981)
recording of:
A Woman Needs Love (Just Like You Do)
lyricist and composer:
Ray Parker Jr.
publisher:
Raydiola Music
sub-publisher:
渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Ray Parker Jr.54:04
7Come Go With Me
background vocals:
Carmen Bruno (IT | Carmen Gioia Bruno, Exposé member), Ann Curless and Jeanette Jurado
lead vocals:
Jeanette Jurado
recording of:
Come Go With Me
lyricist and composer:
Lewis A. Martineé
Exposé4:17
8’65 Love Affair
producer:
Paul Davis (American singer) and Ed Seay
vocals:
Paul Davis (American singer)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981)
recorded at and mixed at:
Web IV Recording Studio in Atlanta, Georgia, United States
recording of:
’65 Love Affair
lyricist and composer:
Paul Davis (American singer)
publisher:
Paul and Jonathan Songs, Sony/ATV Songs LLC, Web IV Music Inc. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Paul Davis53:51
9Living Inside Myself
assistant engineer:
Doug Parry and Ric Romano (engineer)
engineer:
Norm Kinney
producer:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) and Ross Vannelli
bass guitar:
Neil Stubenhaus
drums (drum set):
Vince Colaiuta (drummer)
lead vocals:
Gino Vannelli
arranger:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) and Ross Vannelli
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1981) and Arista Records, LLC (holding company - file NO releases here!) (in 1981)
recorded at and mixed at:
Smoketree Ranch in Chatsworth, California, United States
recording of:
Living Inside Myself
lyricist and composer:
Gino Vannelli
publisher:
Black Keys Music (ended), En Forme Music and Whirling Rainbow Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Gino Vannelli54:22
109 to 5
producer:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
bass guitar:
Abraham Laboriel (in 1980)
drums (drum set):
Richard Schlosser (drummer) (in 1980)
guitar:
Jeff Baxter (in 1980) and Martin K. Walsh (in 1980)
percussion:
Leonard Castro (in 1980)
piano:
Larry Knechtel (in 1980)
saxophone:
Tom Saviano (in 1980)
trombone:
William Reichenbach (jazz trombonist) (in 1980)
trumpet:
Jerry Hey (in 1980)
background vocals:
Anita Ball (in 1980), Denise Maynelli (in 1980) and Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographic copyright (℗) by:
BMG Entertainment (in 1980) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 191)
recording of:
9 to 5 (in 1980)
lyricist and composer:
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music and Velvet Apple Music
part of:
The 53rd Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1980 nominee)
Dolly Parton3.552:41