The Real ’80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Turn Up the Radio
producer:
Neil Kernon
recording of:
Turn Up the Radio
writer:
Steven Isham, Steve Lynch, Steve Plunkett, Randy Rand and Keni Richards
publisher:
Black Casper Music, Ish Music, Lynch Mob Music, Plunkrock Music and Songs of Universal, Inc. (BMI)
Autograph3.54:36
2We Built This City
assistant engineer:
Paul Ericksen (recording engineer)
engineer:
Jeremy Smith (producer/engineer)
producer:
Jeremy Smith (producer/engineer) and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
mixer:
Bill Bottrell
other vocals [DJ voice]:
Les Garland (American entertainment executive) (in 1985)
arranger:
Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
phonographic copyright (℗) by:
BMG Music (in 1985) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985)
mixed at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
remixed at:
The Soundcastle (former LA location) in Silver Lake, Los Angeles, California, United States
recording of:
We Built This City (in 1985)
writer:
Dennis Lambert, Martin Page, Bernie Taupin and Peter Wolf (Austrian classical/jazz composer/producer, keyboards for Zappa)
publisher:
BMG Music, BMG Songs, Inc., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Concord Copyrights London Limited, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Little Mole Music, Petwolf Music, Tuneworks Music Co., Universal Music Careers, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Music–MGB Songs, Warner/Chappell Music Ltd. (1996–2019), Zomba Enterprises (ASCAP-affiliated) and Zomba Enterprises, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Starship3.94:54
3Angel Eyes
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 65)
recording of:
Angel Eyes
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter) and Fred Koller
publisher:
BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Lucrative Music (BMI) and Universal Music Careers
The Jeff Healey Band44:22
4Straight From the Heart
recording of:
Straight From the Heart
writer:
Dickey Betts and Johnny Cobb
publisher:
Milene Music. Inc (ASCAP) and Pangola Publishing
The Allman Brothers Band3:46
5No Money Down
recording engineer:
David Greenberg (Rockin’ Reel Studios engineer)
drum machine programming:
Fernando Saunders
mixer:
Bruce Lampcov
bass guitar and background vocals:
Fernando Saunders
guitar:
Eddie Martinez (guitar) and Lou Reed
percussion:
J.T. Lewis (jazz drummer) and Sammy Merendino
tenor saxophone:
Rick Bell (US Saxophone)
lead vocals:
Lou Reed
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
No Money Down (official video) by Lou Reed
recording of:
No Money Down
lyricist and composer:
Lou Reed
Lou Reed43:09
6Someday, Someway
recording of:
Someday, Someway
lyricist and composer:
Marshall Crenshaw
publisher:
Belwin Mills Music Ltd. and MHC Music
Robert Gordon2:25
7Digging Your Scene
additional recording engineer and additional mixer:
Michael Baker (producer)
producer:
Peter Wilson (UK Producer)
strings arranger:
Peter Wilson (UK Producer)
phonographic copyright (℗) by:
RCA/Ariola Ltd. (in 1986) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1986)
recording of:
Digging Your Scene
lyricist and composer:
Robert Howard (pop songwriter)
publisher:
BMG Music Publishing Ltd., RCA Music Ltd. (publisher) (in 1986) and Trashsongs (publisher) (in 1986)
The Blow Monkeys3.754:14
8Just Got Lucky
producer:
Alan Shacklock
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recording of:
Just Got Lucky
writer:
Chris Bostock and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1983)
JoBoxers33:41
9Love Plus One
producer:
Bob Sargeant
drums (drum set):
Blair Cunningham
guitar:
Graham Jones (Haircut 100)
instruments:
Leslie Nemes
percussion:
Marc Fox (Percussionist for the 80s New Wave band Haircut 100)
saxophone:
Phil Smith (Saxophonist)
vocals:
Nick Heyward
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1982) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 90)
recording of:
Love Plus One
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut One Hundred43:31
10I Wouldn’t Want to Be Like You
assistant engineer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK) and Patrick Stapley
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
bass guitar:
David Paton (of Pilot)
drums (drum set):
Stuart Tosh
guitar:
Ian Bairnson
keyboard:
Eric Woolfson
lead vocals:
Lenny Zakatek
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1977)
recorded at and mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
recording of:
I Wouldn’t Want to Be Like You
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
American Woolfsongs Ltd. and Irving Music, Inc.
The Alan Parsons Project3.83:22
3▶CD