Alfred Hitchcock Presents… Signatures in Suspense

~ Release by Alfred Hitchcock (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Theme from 'Alfred Hitchcock Presents'
recording of:
Theme from “Alfred Hitchcock Presents” (Funeral March of a Marionette)
additional composer:
Lyn Murray
composer:
Charles Gounod (French composer)
is based on:
Marche funèbre d’une marionnette (Funeral March of a Marionette, original, for piano solo, 1872)
part of:
Alfred Hitchcock Presents (American TV series 1955–1965)
Charles Gounod0:25
2Theme from 'Dial M for Murder'
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1954-06-14)
recording of:
Theme (Dial M for Murder)
composer:
Dimitri Tiomkin
Dimitri Tiomkin & His Orchestra3:18
3Theme from 'I Confess'
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (on 1954-06-14)
recording of:
Theme (I Confess)
composer:
Dimitri Tiomkin
Dimitri Tiomkin & His Orchestra3:29
4Juke Box #6 (from 'Rear Window')
orchestra:
The Paramount Studio Orchestra
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (in 1954)
recording of:
Juke Box #6 (Rear Window)
composer:
Franz Waxman
Franz Waxman & the Paramount Studio Orchestra2:29
5Scene d’Amour (from 'Vertigo')
orchestra:
The Paramount Studio Orchestra
conductor:
Muir Mathieson
phonographic copyright (℗) by:
Varese Sarabande Records (not for release label use!) (in 1996)
recorded at:
Paramount Recording Studios in Hollywood, Los Angeles, California, United States (from 1958-05 until 1958-06)
recording of:
Scène d’amour (Vertigo)
composer:
Bernard Herrmann (composer)
part of:
Vertigo (1958 film)
The Paramount Studio Orchestra, conducted by Muir Mathieson5:06
6The Wild Ride (from 'North by Northwest')
orchestra:
MGM Studio Orchestra
conductor:
Bernard Herrmann (composer)
recorded at:
MGM Music Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California, United States (on 1959-05-14)
recording of:
The Wild Ride (North by Northwest)
composer:
Bernard Herrmann (composer)
part of:
North by Northwest (1959 film score)
The MGM Studio Orchestra, conducted by Bernard Herrmann2:55
7Psycho (A Narrative for Orchestra)
producer:
Tony D’Amato
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1968-12)
conductor:
Bernard Herrmann (composer) (in 1968-12)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1969)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1968-12)
recording of:
Psycho (A Narrative for Orchestra) (in 1968-12)
composer:
Bernard Herrmann (composer)
is based on:
Psycho
The London Symphony Orchestra, conducted by Bernard Herrmann14:29
8Prelude from 'Marnie'
orchestra:
The Universal Studio Orchestra
conductor:
Bernard Herrmann (composer)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States (on 1964-07-06)
recording of:
Marnie: Suite: I. Prelude
composer:
Bernard Herrmann (composer)
The Universal Studio Orchestra, conducted by Bernard Herrmann2:06
9Marnie
orchestra:
The Universal Studio Orchestra
conductor:
Bernard Herrmann (composer)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States (on 1964-07-06)
recording of:
Marnie
composer:
Bernard Herrmann (composer)
The Universal Studio Orchestra, conducted by Bernard Herrmann3:05
10Main Title from 'Torn Curtain'
producer:
Charles “Bud” Dant
orchestra:
The Universal Studio Orchestra
conductor:
John Addison (British composer)
recorded at:
Samuel Goldwyn Studio (renamed since ca. 1999 as "The Lot") in Los Angeles, California, United States (in 1966-06)
recording of:
Main Title (Torn Curtain)
composer:
John Addison (British composer)
The Universal Studio Orchestra, conducted by John Addison2:18
11Prelude (from 'Torn Curtain')
orchestra:
The Universal Studio Orchestra
conductor:
Bernard Herrmann (composer)
recorded at:
Goldwyn Studios Stage 7 in Hollywood, Los Angeles, California, United States (on 1966-03-24)
recording of:
Torn Curtain: I. Prelude
composer:
Bernard Herrmann (composer)
The Universal Studio Orchestra, conducted by Bernard Herrmann1:57
12The Ship (from 'Torn Curtain')
orchestra:
The Universal Studio Orchestra
conductor:
Bernard Herrmann (composer)
recorded at:
Goldwyn Studios Stage 7 in Hollywood, Los Angeles, California, United States (on 1966-03-24)
recording of:
The Ship (Torn Curtain)
composer:
Bernard Herrmann (composer)
The Universal Studio Orchestra, conducted by Bernard Herrmann0:55
13The Radiogram (from 'Torn Curtain')
orchestra:
The Universal Studio Orchestra
conductor:
Bernard Herrmann (composer)
recorded at:
Goldwyn Studios Stage 7 in Hollywood, Los Angeles, California, United States (on 1966-03-24)
recording of:
The Radiogram (Torn Curtain)
composer:
Bernard Herrmann (composer)
The Universal Studio Orchestra, conducted by Bernard Herrmann2:01
14March (from 'Topaz')
producer:
Paul Bateman (conductor) and Mike Ross‐Trevor (engineer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
arranger:
Paul Bateman (conductor)
recorded at:
FHS Studios in Praha (Prague), Czechia (in 1993-06)
recording of:
March (Topaz)
orchestrator:
Paul Bateman (conductor)
composer:
Maurice Jarre (composer and conductor) and Paul Francis Webster
The City of Prague Philharmonic, conducted by Paul Bateman2:36
15The London Theme (from 'Frenzy')
producer:
Paul Bateman (conductor) and Mike Ross‐Trevor (engineer)
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
recorded at:
FHS Studios in Praha (Prague), Czechia (in 1993-06)
recording of:
The London Theme (Frenzy)
composer:
Ron Goodwin (English composer)
The City of Prague Philharmonic, conducted by Paul Bateman2:28
16Prelude (from 'The Wrong Man')
orchestra:
Royal Philharmonic Orchestra
conductor:
Elmer Bernstein (American score composer)
recorded at:
[unknown] (only use for recorded at if explicitly stated to be at an unknown place) (from 1992-12-01 until 1992-12-02)
recording of:
Prelude (The Wrong Man)
composer:
Bernard Herrmann (composer)
The Royal Philharmonic Orchestra, conducted by Elmer Bernstein2:09
17End Credits & End Titles (from 'Family Plot')
producer:
Mike Matessino and Robert Townson (soundtrack producer)
mixer:
Michael Matessino
editor:
Mike Matessino
orchestra:
Hollywood Studio Symphony (on 1976-01-12)
conductor:
John Williams (American score composer and conductor) (on 1976-01-12)
phonographic copyright (℗) by:
Varèse Sarabande Records, Inc.
recorded at:
Universal Studios Scoring Stage (Universal Scoring Stage) in Los Angeles, California, United States (on 1976-01-12) and Universal City Studios (from 1976-01-12 until 1976-01-14)
recording of:
Theme (Family Plot) (on 1976-01-12)
orchestrator:
Herbert W. Spencer (composer and orchestrator) and Albert Woodbury
composer:
John Williams (American score composer and conductor)
part of:
Family Plot
The Universal Studio Orchestra, conducted by John Williams2:33
18A Portrait of Hitch (from 'The Trouble with Harry')
producer:
Tony D’Amato
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1968-12)
conductor:
Bernard Herrmann (composer) (in 1968-12)
recorded at:
Decca Studios in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1968-12)
recording of:
A Portrait of “Hitch” (The Trouble With Harry) (in 1968-12)
composer:
Bernard Herrmann (composer)
The London Philharmonic Orchestra, conducted by Bernard Herrmann8:15