100 Hits: Mum

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Stars
engineer and mixer:
Daren Klein
co-producer:
Mick Hucknall (lead singer of Simply Red)
producer:
Stewart Levine (record producer and saxophonist)
recording of:
Stars
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:11
2Runaway
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1995) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1995)
edit of:
Runaway (album version) by The Corrs
recording of:
Runaway
writer:
Andrea Corr, Caroline Corr, Jim Corr and Sharon Corr
publisher:
PolyGram Music Publishing
The Corrs3:48
3High and Dry
cover recording of:
High and Dry
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
Warner Chappell Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
50/50
Jamie Cullum4:54
4Fields of Gold
acoustic guitar:
Eva Cassidy
electric guitar:
Keith Grimes
vocals:
Eva Cassidy
remaster of:
Fields of Gold by Eva Cassidy
cover recording of:
Fields of Gold
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Music Publishing Germany (GmbH & Co. KG), EMI Music Publishing Ltd. (PRS‐affiliated) and Steerpike Ltd. (PRS-affiliated)
Eva Cassidy4.154:43
5There She Goes
cover recording of:
There She Goes (The La’s)
lyricist and composer:
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Sixpence None the Richer3.352:43
6She’s the One
recording of:
She’s the One
lyricist and composer:
Karl Wallinger
publisher:
Universal/Polygram Music Publishing
World Party4:48
7Pure Shores
programming:
Sean Spuehler
producer:
William Orbit (English musician, composer and record producer)
mixer:
Mark “Spike” Stent (producer, engineer)
vocals:
Melanie Blatt and Shaznay Lewis
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2000)
part of:
The Downloader’s Music Source Book (number: 380)
recording of:
Pure Shores
composer:
Shaznay Lewis and William Orbit (English musician, composer and record producer)
All Saints3.654:28
8My Lovin’ (You’re Never Gonna Get It)
recording engineer:
Steve Counter
additional engineer:
Neil King (sound engineer) and Michael Semanick
assistant engineer:
John Jackson (engineer)
producer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
mixer:
Ken Kessie
arranger:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 2022)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
Can Am Studios in Tarzana, Los Angeles, California, United States
samples:
The Payback by James Brown (The Godfather of Soul)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 2) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 471)
recording of:
My Lovin’ (You’re Never Gonna Get It)
writer:
Denzil Foster (songwriter, musician, producer) and Thomas McElroy (songwriter, musician, producer)
publisher:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing and Irving Music (BMI) (from 1992 to present)
En Vogue4.64:44
9Overload
recording of:
Overload
writer:
Keisha Buchanan, Mutya Buena, Siobhán Donaghy, Felix Howard (British model & songwriter), John Lipsey, Cameron McVey and Paul Simm (English musician, composer, engineer and producer)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and SM Publishing (UK) Limited (Sony Music, 2009–2020)
Sugababes34:37
10Mulder and Scully
assistant engineer:
Jason Harris (engineer)
engineer:
Joe Gibb
producer:
Catatonia (Welsh alternative rock band, ~1992–2001) and TommyD
mixer:
Roland Herrington and TommyD
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1998)
recorded at:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, United Kingdom
recording of:
Mulder and Scully
lyricist and composer:
Cerys Matthews (lead singer, Catatonia) and Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.54:12
11One Week
recording engineer and engineer:
David Leonard (US producer and engineer) and Susan Rogers (US sound engineer)
miscellaneous support:
Ed (task: Dans la Maison) and Tyler (task: Dans la Maison)
producer:
Barenaked Ladies, David Leonard (US producer and engineer) and Susan Rogers (US sound engineer)
mixer:
David Leonard (US producer and engineer)
acoustic guitar:
Ed
drums (drum set):
Tyler
electric guitar:
Ed and Kevin
electric upright bass [electric double bass]:
Jim
keyboard:
Kevin
vocals:
Ed and Steven (Barenaked Ladies)
recorded at:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, United States (in 1998-02) and Phase One Studios in Toronto, Ontario, Canada (in 1998-03)
mixed at:
East Iris Studios in Nashville, Tennessee, United States (from 1998-03 until 1998-04)
music videos:
One Week by Barenaked Ladies
recording of:
One Week
lyricist and composer:
Ed Robertson
publisher:
Treat Baker Music and WB Music Corp. (1929–2019)
Barenaked Ladies4.12:50
12Every Morning
programming and producer:
David Kahne
engineer:
Steve Gallagher (engineer), David Kahne and John Travis (producer, audio engineer, mixer and songwriter)
mixer:
David Kahne and John Travis (producer, audio engineer, mixer and songwriter)
recording of:
Every Morning
additional writer:
Richard Bean (US singer and timbal percussionist), Pablo Tellez and Abel Zarate
writer:
David Kahne and Sugar Ray (US alternative rock band)
Sugar Ray3.853:42
13I Love You Always Forever
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 408)
recording of:
I Love You Always Forever
lyricist and composer:
Donna Lewis
publisher:
donna lewis ltd and Warner/Chappell Music, Inc.
Donna Lewis3.83:59
14Never Stop
recording of:
Never Stop
lyricist and composer:
Jan Kincaid
The Brand New Heavies3:54
15Just Can’t Get Enough
producer:
Nouvelle Vague (French bossa nova cover band)
double bass:
Nicolas Deutsch
lead vocals:
Eloisia
cover recording of:
Just Can’t Get Enough
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (ended), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nouvelle Vague4.53:08
16Forget About Tomorrow
programming:
John Dunne
engineer:
Adrian Bushby and Matt Sime
producer:
Grant Nicholas and Gil Norton (British record producer)
mixer:
Adrian Bushby
cello:
Sophie Harris (cellist), Joy Hawley and Ann Lines
double bass:
Elizabeth Bradley (double bass) and Billy McGee (double bassist and strings arranger)
viola:
Catherine Bradshaw (violist), Peter Collyer, Susan Dench (violist), Clare Finnimore (violist) and R. Nelson
violin:
Bridget Davey (violinist), Harriet Davies (violinist), Richard George (violinist), Jayne Harris, Jonathan Hill (violinist), Kathy Shore, Helen Paterson, Leo Payne (violin), Clare Thompson (violinist), Chris Tombling (violinist), Emma Welton and Gregory Warren Wilson (British violinist and poet)
strings arranger:
Audrey Riley
additional arranger:
Grant Nicholas and Gil Norton (British record producer)
phonographic copyright (℗) by:
The Echo Label Limited (in 2002)
recording of:
Forget About Tomorrow
lyricist and composer:
Grant Nicholas
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Feeder43:51
17Easy
additional producer:
Faith No More (in 1993) and Matt Wallace (US producer & engineer) (in 1993)
producer:
Faith No More (from 1992-01 until 1992-03) and Matt Wallace (US producer & engineer) (from 1992-01 until 1992-03)
additional keyboard:
Billy Gould (in 1993)
drums (drum set):
Mike Bordin (American drummer) (from 1992-01 until 1992-03)
electric bass guitar:
Billy Gould (from 1992-01 until 1992-03)
electric guitar:
Jim Martin (ex-Faith No More guitarist) (from 1992-01 until 1992-03)
keyboard:
Roddy Bottum (from 1992-01 until 1992-03)
lead vocals:
Mike Patton (Faith No More, Mr. Bungle, Fantômas, etc.) (from 1992-01 until 1992-03)
phonographic copyright (℗) by:
Slash Records (company, do not use as release label!)
remix of:
Easy (1992 first version – with spoken word intro) by Faith No More
music videos:
Easy by Faith No More
part of:
New York Post: 100 Greatest Covers (2007) (number: 9)
cover recording of:
Easy (from 1992-01 until 1993)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Faith No More4.53:07
18Wonderful Tonight
Damage4:05
19I Don’t Want to Talk About It
cover recording of:
I Don’t Want to Talk About It
lyricist and composer:
Danny Whitten
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music and Rondor Music
Everything but the Girl4.353:36
20Beautiful
cover recording of:
Beautiful
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Stuck in the Throat
The Lemonheads3:48
2CD
#TitleArtistRatingLength
1We Are Family
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 444)
recording of:
We Are Family
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge43:38
2Don’t Leave Me This Way
performer:
Sarah Jane Morris and The Communards (in 1986)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song) (in 1986)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards with Sarah Jane Morris34:51
3Venus
producer:
Stock Aitken Waterman
drums (drum set):
Linn 9000 (Linn 9000)
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1986) and London Records Ltd (London Records Ltd., not release label) (in 2023)
music videos:
Venus by Bananarama
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 2) and New York Post: 100 Greatest Covers (2007) (number: 73)
cover recording of:
Venus (Shocking Blue (I’m Your Venus))
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) and The International Music Network
is based on:
The Banjo Song
recording of:
Venus (Shocking Blue (I’m Your Venus))
lyricist and composer:
Robbie van Leeuwen
publisher:
ATV Music Ltd., Dayglow Music (publisher) and The International Music Network
is based on:
The Banjo Song
Bananarama43:50
4Say I’m Your Number One
recording of:
Say I’m Your Number One
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music
Princess3:30
5When I’m Good and Ready
producer:
Mike Stock (of Stock Aitken Waterman) and Pete Waterman
recording of:
When I'm Good and Ready
writer:
Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd.
Sybil43:33
6Only in My Dreams
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) and Don Feinberg
programming and producer:
Fred Zarr
assistant engineer:
Bill Esses
mixer:
Doc Dougherty and “Little” Louie Vega (US house DJ/producer)
bass:
Gary Down
guitar:
Ira Siegel
keyboard and synthesizer:
Fred Zarr
percussion:
Bashiri Johnson
saxophone:
Jeff Smith (US saxophonist)
tom-tom:
Billy Amendola
background vocals:
La‐Rita Gaskin and Norma Jean Wright
background vocals and lead vocals:
Debbie Gibson
arranger:
Debbie Gibson and Fred Zarr
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recorded at:
Z Studio in Brooklyn, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 95) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 479)
recording of:
Only in My Dreams
lyricist and composer:
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (from 1987 to ????) and Deborah Ann’s Music (from 1987 to ????)
Debbie Gibson43:50
7Somewhere in My Heart
producer:
Michael Jonzun
recording of:
Somewhere in My Heart
lyricist and composer:
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.64:01
8Suspicious Minds
cover recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Fine Young Cannibals3.153:58
9Just What I Always Wanted
producer:
Tony Mansfield (producer & songwriter)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recording of:
Just What I Always Wanted
lyricist and composer:
Teddy Johns
Mari Wilson3:23
10Self Control
executive producer:
Jack White (German producer Horst Nußbaum)
producer:
Robbie Buchanan (Canadian producer) and Jack White (German producer Horst Nußbaum)
arranger:
Robbie Buchanan (Canadian producer) and Harold Faltermeier
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
music videos:
Self Control by Laura Branigan
cover recording of:
Self Control (in 1984)
lyricist:
Steve Piccolo
additional writer:
Harro Steffen
composer:
Giancarlo Bigazzi and Raffaele Riefoli (Italian pop singer)
publisher:
Careers Music, Inc., Edition Sunrise Publishing Inc., Sugar Musik Verlags GmbH (publisher) and Sugarmusic Spa (publisher, do NOT use as label)
Laura Branigan4.24:06
11I Don’t Care
recording of:
I Don't Care
writer:
Marcella Detroit, Siobhan Fahey, Richard Feldman and Edward Shearmur (English score composer)
is based on:
Façade: Hornpipe
Shakespears Sister4:27
12Sealed With a Kiss
producer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
phonographic copyright (℗) by:
PWL Records Ltd. (not release use)
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Jason Donovan22:32
13(You Are My) All and All
Joyce Sims6:09
14Superwoman
recording of:
Superwoman
writer:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) and Daryl Simmons
publisher:
Green Skirt Music (publisher), Hip Trip (publisher) and Kear Music (publisher)
Karyn White4:33
15Lean on Me
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 94)
cover recording of:
Lean on Me
lyricist and composer:
Bill Withers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Interior Music (Les Disques du Crépuscule sub‐label), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Club Nouveau3.55:29
16Living on the Ceiling
producer:
Mike Howlett
sitar:
Deepak
tabla:
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) and Dennis Weinreich
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1982)
recording of:
Living on the Ceiling
writer:
Neil Arthur (singer, songwriter, producer) and Stephen Luscombe
publisher:
Complete Music Ltd.
Blancmange54:00
17Young at Heart
producer:
Bob Andrews (keyboardist and producer) and Colin Fairley
cover recording of:
Young at Heart (Bananarama song)
writer:
Sara Dallin, Siobhan Fahey, Robert Hodgens and Keren Woodward
The Bluebells2.53:26
18La Bamba
producer:
Mitchell Froom
performer:
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographic copyright (℗) by:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) and Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Los Lobos4.152:53
19Birdhouse in Your Soul
recording engineer and mixer:
Roger Moutenot
producer:
Clive Langer and Alan Winstanley (English record producer)
electric guitar:
John Flansburgh
keyboard, background vocals and lead vocals:
John Linnell
trumpet [sampled]:
Frank London
violin:
Mark Feldman (American violinist)
recording of:
Birdhouse in Your Soul
writer:
John Flansburgh and John Linnell
publisher:
TMBG Music
They Might Be Giants4.553:20
20Legs
engineer:
Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
edit of:
Legs by ZZ Top
recording of:
Legs
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic and Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.353:37
3CD
#TitleArtistRatingLength
1Young Hearts Run Free
producer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
bass guitar:
Scotty Edwards (bassist)
congas:
Eddie Bongo
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Jay Graydon and Ray Parker
keyboard:
Michael Boddicker, Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer) and Sonny Burke (soul/jazz/funk keyboardist)
percussion:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
synthesizer:
Monty Stark
vibraphone:
Vic Feldman
background vocals:
Jim Gilstrap, Lani Groves, Angie Johnson, Fleming McWilliams, Rochelle Runnells and June D. Williams
lead vocals:
Candi Staton
arranger:
Sylvester Rivers (Soul / funk keyboardist, songwriter, arranger, and producer)
recorded at:
Sound City Studios in Van Nuys, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 424)
recording of:
Young Hearts Run Free
lyricist and composer:
Dave Crawford (US soul songwriter, keyboard player, singer & producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Da Ann Music (ASCAP-affiliated), Ghati Music Inc. and IQ Music Ltd.
Candi Staton4.24:10
2I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) (in 1978) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (in 1978)
background vocals and lead vocals:
Chaka Khan (in 1978)
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
3Thinking of You
recording of:
Thinking of You
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner/Chappell North America
Sister Sledge4:25
4Wishing on a Star
recording of:
Wishing on a Star
lyricist and composer:
Billie Calvin (Billie Rae Calvin)
publisher:
Warner/Chappell North America
Rose Royce44:52
5Sha‐La‐La (Make Me Happy)
recording of:
Sha-La-La (Make Me Happy)
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer)
Al Green4.652:57
6I Can’t Stand the Rain
part of:
Cachitos Nochevieja 2022 (number: 24) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 197)
recording of:
I Can’t Stand the Rain (in 1973)
writer:
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) and Ann Peebles
publisher:
Irving Music, Inc. and JEC Publishing (in 1977)
Ann Peebles4.252:29
7Let’s Go Round AgainAverage White Band54:08
8Give Me Just a Little More Time
Chairmen of the Board2:40
9Band of Gold
phonographic copyright (℗) by:
Holland Group Productions Inc. (in 1970)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 278) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 391)
recording of:
Band of Gold (Freda Payne song)
writer:
Ronald Dunbar (Songwriter, A&R director and record producer), Edythe Wayne, Edythe Wayne (Motown producer & songwriter) and Edythe Wayne (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
publisher:
Chelsea Music Publishing Co., Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Universal/MCA Music Ltd. (not for release label use!)
Freda Payne4.52:54
10Good Times
bass:
Bernard Edwards (American bassist and record producer) (in 1979)
drums (drum set):
Tony Thompson (drummer, best known for his work in CHIC) (in 1979)
electric piano:
Raymond Jones (in 1979)
guitar:
Nile Rodgers (in 1979)
piano:
Rob Sabino (in 1979)
lead vocals:
Alfa Anderson (in 1979) and Luci Martin (in 1979)
performer:
Chic (US disco group) (in 1979)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1979)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 68) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 224)
recording of:
Good Times (in 1979)
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs and Tommy Jymi Inc.
Chic53:42
11Strut Your Funky Stuff
producer:
James Bolden (French singer and songwriter), Jack Robinson (disco songwriter, producer, composer) and Vivienne Savoie Robinson
arranger:
James Bolden (French singer and songwriter), Jack Robinson (disco songwriter, producer, composer) and Vivienne Savoie Robinson
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!)
remixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Strut Your Funky Stuff
writer:
James Bolden (French singer and songwriter), Jack Robinson (disco songwriter, producer, composer) and Vivienne Savoie Robinson
publisher:
NDE Music (pub.), Peermusic III, Ltd. (BMI), Pepino Jacques and Robin Song Music (affiliated to SACEM)
Frantique45:44
12Ain’t No Stopping Us Now
edit of:
Ain’t No Stoppin’ Us Now (LP version) by McFadden & Whitehead
recording of:
Ain’t No Stoppin’ Us Now
writer:
Jerry Cohen, Gene McFadden and John Whitehead
publisher:
Mijac Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
McFadden & Whitehead43:37
13Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:48
14You Might Need Somebody
Randy Crawford4:18
15Why
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
lead vocals:
Carly Simon
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
recording of:
Why
lyricist and composer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music and Sony/ATV Songs LLC
quotes lyrics from:
Why
Carly Simon53:34
16At Seventeen
engineer:
Larry Alexander (producer/engineer), Brooks Arthur and Russ Payne
producer:
Brooks Arthur
acoustic guitar:
Al Gorgoni (guitarist, composer, arranger, and producer), Janis Ian and Dave Snider (guitarist)
classical guitar:
Sal DiTroia and Janis Ian
double bass:
Richard Davis (American jazz bassist)
drums (drum set) and percussion:
Barry Lazarowitz
flugelhorn:
Burt Collins
valve trombone:
Alan Raph
lead vocals:
Janis Ian
horn arranger:
Janis Ian
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
At Seventeen
lyricist and composer:
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. and Mine Music Ltd.
Janis Ian4.254:43
17You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Chuck Rainey (American bassist)
clavinet:
John Barns
drums (drum set):
Steve Gadd (drummer)
guitar:
Larry Carlton and Ray Parker Jr.
background vocals:
Clydie King, Becky Louis and Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page (conductor, composer, arranger and record producer)
strings arranger:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
Chrysalis (in 1976) and Silverbird Ltd. (in 1976)
recording of:
You Make Me Feel Like Dancing
lyricist:
Leo Sayer
composer:
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music and Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:38
18Respect
recording engineer:
Tom Dowd (on 1967-02-14)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
Aretha Franklin3.92:25
19Do You Know the Way to San Jose?
recording of:
Do You Know the Way to San Jose
lyricist:
Hal David (in 1968)
composer:
Burt Bacharach (in 1968)
publisher:
Blue Seas Music, Inc. and JAC Music Co., Inc.
Dionne Warwick2:57
20Chuck E’s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:31
4CD
#TitleArtistRatingLength
1I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:34
2Walk On By
vocals:
Dionne Warwick
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 129)
recording of:
Walk On By
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:52
3I Got You Babe
vocals:
Sonny Bono (in 1965) and Cher (in 1965)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 331) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 444)
recording of:
I Got You Babe (in 1965)
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) and Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:11
4My Girl
recording engineer:
Tom Dowd
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
guitar:
Steve Cropper (in 1965-07)
keyboard:
Isaac Hayes (in 1965-07) and Booker T. Jones (in 1965-07)
tenor saxophone:
Andrew Love (in 1965-07)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) and Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
background vocals:
Earl Sims (in 1965-07)
recorded at:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, United States (from 1965-07-09 until 1965-07-10)
cover recording of:
My Girl (in 1965-07)
lyricist:
Smokey Robinson
composer:
Smokey Robinson and Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Otis Redding42:55
5Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) and Trio Music Co., Inc. (in 1981)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
6Sweet Love
engineer:
Barney Perkins
executive producer:
Anita Baker
producer:
Michael J. Powell
bass guitar:
Freddie Washington (US session bassist)
guitar:
Greg Moore (US guitarist & songwriter)
keyboard:
Dean Gant
membranophone:
Ricky Lawson
percussion:
Paulinho da Costa (Brazilian percussionist)
background vocals:
Jim Gilstrap, Bunny Hull and Darryl Phinnessee
background vocals and lead vocals:
Anita Baker
music videos:
Sweet Love by Anita Baker
recording of:
Sweet Love
composer:
Anita Baker, Gary Bias (jazz saxophonist) and Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) and Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:18
7The Very Thought of You
producer:
Andre Fischer (US drummer and funk/soul/pop producer)
mixer:
Al Schmitt
bass:
Andy Simpkins
drums (drum set):
Harold Jones (jazz drummer)
piano:
Clare Fischer
vocals:
Natalie Cole
additional arranger:
Clare Fischer
orchestrator:
Michel Legrand
phonographic copyright (℗) by:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
cover recording of:
The Very Thought of You
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
Natalie Cole4:15
8Glory of Love (Theme From the Karate Kid, Part II)
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:23
9Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America and Woolnough Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1981 winner)
Christopher Cross53:52
10I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.955:01
11Let’s Dance
engineer:
Justin Shirley‐Smith
producer:
Jon Kelly (engineer at Air London Studios) and Chris Rea
recording of:
Let’s Dance
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea34:16
12Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:56
13Stay on These Roads
producer:
Alan Tarney
recording of:
Stay on These Roads
lyricist and composer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music
a‐ha44:46
14How Men Are
recording of:
How Men Are
lyricist and composer:
Roddy Frame
Aztec Camera43:39
15What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:44
16When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistant engineer:
Dana Latham
producer:
Richard Perry (producer)
bass:
Willie Weeks (US bass player) (in 1976)
drums (drum set):
Jeff Porcaro (in 1976)
electric piano:
Michael Omartian (in 1976)
guitar:
Dean Parks (American session guitarist) (in 1976)
saxophone:
George Palisky, Jr. (in 1976)
synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
synthesizer arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) and Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
lyricist:
Carole Bayer Sager
composer:
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) and Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
recording of:
When I Need You
lyricist:
Carole Bayer Sager
composer:
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) and Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
17Ooh La La
assistant engineer:
Phil Chapman (engineer)
engineer and producer:
Glyn Johns
acoustic guitar:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
drums (drum set) and percussion:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
harmonium and piano:
Ian McLagan
lead vocals:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 246)
recording of:
Ooh La La
lyricist:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
composer:
Ronnie Lane and Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
WB Music Corp. (1929–2019)
Faces3.753:30
18Guitar Man
engineer:
Armin Steiner
associate producer:
James Griffin (soft rock singer/songwriter/guitarist)
producer:
David Gates (singer/songwriter, lead singer of Bread)
bass guitar:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set) and percussion:
Michael Botts
guitar:
David Gates (singer/songwriter, lead singer of Bread) and James Griffin (soft rock singer/songwriter/guitarist)
piano:
James Griffin (soft rock singer/songwriter/guitarist)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and Warner Music International (trademark of Warner Music International the company) (in 1973)
recorded at:
Elektra Sound Recorders in Los Angeles, California, United States
recording of:
The Guitar Man
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–Columbia Music, Inc.
Bread43:45
19It’s All About
Marti Pellow5:06
20How Wonderful You Are
recording of:
How Wonderful You Are
lyricist and composer:
Gordon Haskell
publisher:
Corner Shop Music Ltd, Peermusic III, Ltd. (BMI) and Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Gordon Haskell3:58
5CD
#TitleArtistRatingLength
1Dreams
programming:
Oliver Leiber and Peter Rafelson
assistant engineer:
Matt Silva
engineer:
Stuart Grusin, Oliver Leiber, Phillip Begley (engineer) (lead vocals [vocals]) and Barry Rudolph
co-producer:
Peter Rafelson
producer:
Oliver Leiber
mixer:
Rob Chiarelli (US mixer)
guitar:
Oliver Leiber
lead vocals:
Andrea Corr
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1997) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
produced for:
Noise Club, Inc. (Oliver Leiber production company)
recorded at:
Ollywood Studios in Hollywood, Los Angeles, California, United States, Rafelson Recording in Los Angeles, California, United States and Westland Studios in Dublin, County Dublin, Leinster, Ireland
mixed at:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
cover recording of:
Dreams
lyricist and composer:
Stevie Nicks
publisher:
Gentoo Music, Inc., Kobalt Music Publishing Ltd. (publisher) and Welsh Witch Music (BMI affiliated) (in 1977)
The Corrs43:55
2Never Ever
recording of:
Never Ever
writer:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis and Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. and STL Songs Ltd.
All Saints3.653:59
3The Sea
recording of:
The Sea
writer:
Paul Godfrey, Ross Godfrey and Skye Edwards (Skye Edwards, singer for Morcheeba)
Morcheeba5:49
4Fairground
recording of:
Fairground
lyricist and composer:
Mick Hucknall (lead singer of Simply Red)
Simply Red4:23
5Sing It Back (Boris Musical mix)
engineer and mixer:
Mark Brydon
additional producer:
Boris D’Lugosch and Michael Lange
producer:
Moloko (English‐Irish electronic music duo)
additional keyboard:
Günther Gerl
bass and guitar:
M. Bartel
lead vocals:
Róisín Murphy
remixer:
Boris D’Lugosch and Michael Lange
phonographic copyright (℗) by:
The Echo Label Ltd. (in 1999)
produced for and remixed for:
Elusive Productions
remix of:
Sing It Back (album version) by Moloko (English‐Irish electronic music duo)
edit of:
Sing It Back (Boris Musical mix) by Moloko (English‐Irish electronic music duo)
recording of:
Sing It Back
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and Chrysalis Music Publishing
Moloko3.454:39
6Female of the Species
engineer and mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Stephen Lironi
fretless bass and lead vocals:
Tommy Scott (Frontman of UK band Space)
percussion:
Gerard Lynch
piano [classical piano]:
Stephen Lironi
phonographic copyright (℗) by:
Gut Records (in 1996) and Gut Records Ltd. (company credits only; do NOT use as release label) (in 1996)
music videos:
Female of the Species by Space (alternative dance/indie rock band)
recording of:
Female of the Species
writer:
Tommy Scott (Frontman of UK band Space) and Space (alternative dance/indie rock band)
publisher:
EMI Music Publishing (do not use as a release label!), Gut Music and Hit and Run Music
Space33:19
7You’re Gorgeous
recording of:
You're Gorgeous
lyricist and composer:
Stephen Jones (Babybird)
Babybird3:45
8Mysterious Girl
Peter Andre3:37
9You’re the One I Love (C&J original edit)
recording of:
You’re the One I Love
writer:
Stevie Bensusen and Shaun LaBelle
publisher:
EMI Music (do not use as release label! this is a music publisher) and Shaun L. Music
Shola Ama3:55
10Shine
producer:
Aswad (British reggae group), The Beatmasters (British producer trio) and Carlton “Bubblers” Ogilvie
remixer:
Beatmasters (British producer trio)
recording of:
Shine
writer:
Joe Cang, Brinsley Forde, Angus Gaye and Dennis Anthony Robinson
Aswad33:40
11Things Can Only Get Better
producer:
D:Ream (Northern Irish pop rock & dance group) and Tom Frederikse
remix of:
Things Can Only Get Better by D:Ream (Northern Irish pop rock & dance group)
edit of:
Things Can Only Get Better (7" D:REAM Mix) by D:Ream (Northern Irish pop rock & dance group)
recording of:
Things Can Only Get Better
writer:
Peter Cunnah and Jamie Petrie
D:Ream3.54:00
12Each Time
additional producer:
Mark Jolley
producer:
Beckford, Reid and Reid
guitar:
Andrew Smith (UK bassist/guitarist)
remixer:
Marcellus Fernandes (aka Mark Frank) and Mark Jolley
phonographic copyright (℗) by:
Telstar Records Ltd. (in 1998)
mixed for:
Jerv Management Ltd
produced for:
Jerv Management Ltd and Prima Productions
recorded at:
E17 Studios and Sarm West Recording Studio in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Each Time
writer:
Jon Beckford, Terry Coldwell, Brian Harvey (E-17), John Hendy, Ivor Reid and Mark Reid
publisher:
PolyGram Music Publishing Ltd. and Strongsongs Ltd
East 1723:55
13Just the Way You Are
recording of:
Just the Way You Are
writer:
Robert Forster (Australian singer-songwriter & guitarist), Linda McCartney, Paul McCartney (The Beatles), Grant McLennan, Giuliano Sacchetto and Giordano Trivellato
Milky3:32
14Still on Your Side
BBMak3:52
15Robert De Niro’s Waiting
vocals:
Bananarama
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1984)
recording of:
Robert De Niro's Waiting
composer:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) and Keren Woodward
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), In a Bunch Music (publisher), J&S Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama2.353:29
16You Are My World
producer:
Mike Thorne (UK producer & keyboardist)
recording of:
You Are My World
writer:
Richard Coles (British radio presenter, priest and ex member of Communards) and Jimmy Somerville
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Rocket Music Ltd.
The Communards34:31
17I Love to Boogie
recording of:
I Love to Boogie
lyricist and composer:
Marc Bolan
publisher:
Wizard (Bahamas) Ltd.
T. Rex52:16
18Baby I Love You
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Ramones3:48
19Close to You
Terry Hall3:58
20JCB Song
recording of:
JCB
writer:
Luke Concannon and John Parker (UK folk)
Nizlopi4:00

Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 50) (order: 75)