100 Hits: Mum

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:34
2Walk On By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:52
3I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:11
4My Girl
tecnico di registrazione:
Tom Dowd
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1965-07)
chitarra :
Steve Cropper (nel 1965-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1965-07)
sassofono baritono :
Floyd Newman (nel 1965-07)
sassofono tenore :
Andrew Love (nel 1965-07)
tastiera :
Isaac Hayes (nel 1965-07) e Booker T. Jones (nel 1965-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1965-07) e Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07)
voce di accompagnamento:
Earl Sims (nel 1965-07)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione cover di:
My Girl (nel 1965-07)
paroliere:
Smokey Robinson
compositore:
Smokey Robinson e Ronald White (soul singer, founding member of The Miracles)
editore:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Otis Redding3.82:55
5Stand by Me
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
voce:
Ben E. King (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1960, nel 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1961, nel 1986), Progressive Music Publishing Company Inc. (nel 1981) e Trio Music Co., Inc. (nel 1981)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 131) e BILLIONS CLUB
registrazione di:
Stand by Me (il 1960-10-27)
editore:
Mike Stoller
autore:
Ben E. King, Jerry Leiber e Mike Stoller
editore:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:55
6Sweet Love
tecnico:
Barney Perkins
produttore:
Michael J. Powell
produttore esecutivo:
Anita Baker
chitarra :
Greg Moore (US guitarist & songwriter)
chitarra basso :
Freddie Washington (US session bassist)
membranofono :
Ricky Lawson
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Dean Gant
voce di accompagnamento:
Jim Gilstrap, Bunny Hull e Darryl Phinnessee
voce di accompagnamento e voce principale:
Anita Baker
video musicali:
Sweet Love di Anita Baker
registrazione di:
Sweet Love
compositore:
Anita Baker, Gary Bias (jazz saxophonist) e Louis A. Johnson
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:18
7The Very Thought of You
produttore:
Andre Fischer (US drummer and funk/soul/pop producer)
tecnico di missaggio:
Al Schmitt
basso :
Andy Simpkins
batteria :
Harold Jones (jazz drummer)
pianoforte :
Clare Fischer
voce:
Natalie Cole
arrangiatore aggiunto:
Clare Fischer
orchestratore:
Michel Legrand
diritti fonografici (℗) detenuti da:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (nel 1991)
mixata presso:
Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
The Very Thought of You
paroliere e compositore:
Ray Noble
editore:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) e Warner Bros. Music (publisher; do NOT use as release label)
Natalie Cole4:15
8Glory of Love (Theme From the Karate Kid, Part II)
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:23
9Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:52
10I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:01
11Let’s Dance
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
registrazione di:
Let’s Dance
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea34:16
12Drive
tecnico di registrazione:
Nigel Green (engineer)
produttore:
The Cars e Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Mike Shipley (audio engineer, mixer, producer)
basso :
Benjamin Orr (co-lead singer for The Cars)
batteria :
David Robinson (US rock drummer)
chitarra :
Elliot Easton e Ric Ocasek
tastiera :
Greg Hawkes
voce:
Elliot Easton, Greg Hawkes, Ric Ocasek e Benjamin Orr (co-lead singer for The Cars)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1984) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrata presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
video musicali:
Drive di The Cars
registrazione di:
Drive
editore:
Ric Ocasek
paroliere e compositore:
Ric Ocasek
editore:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) e Warner/Chappell Music Ltd. (1996–2019)
The Cars43:56
13Stay on These Roads
produttore:
Alan Tarney
registrazione di:
Stay on These Roads
paroliere e compositore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music
a‐ha44:46
14How Men Are
registrazione di:
How Men Are
paroliere e compositore:
Roddy Frame
Aztec Camera43:39
15What a Fool Believes
tecnico:
Donn Landee
tecnico aggiunto:
Loyd Clifft
produttore:
Ted Templeman
batteria :
John Hartman (drummer for the Doobie Brothers) (nel 1978-08)
chitarra :
Jeff “Skunk” Baxter (nel 1978-08) e Patrick Simmons (nel 1978-08)
chitarra basso :
Tiran Porter (nel 1978-08)
congas aggiunto e voce aggiuntiva:
Bobby LaKind (nel 1978-08)
sintetizzatore :
Michael McDonald (R&B & soul singer) (nel 1978-08) e Bill Payne (nel 1978-08)
sintetizzatore aggiunto:
Bill Payne (nel 1978-08)
tastiera e voce principale:
Michael McDonald (R&B & soul singer) (nel 1978-08)
voce:
Patrick Simmons (nel 1978-08)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti (nel 1978-08)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 147) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 343)
registrazione di:
What a Fool Believes (nel 1978-08)
autore:
Ken Loggins e Mike McDonald (R&B & soul singer)
editore:
Milk Money Music (nel 1978) e Snug Music (nel 1978)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:44
16When I Need You
tecnico di registrazione:
Howard Steele (US producer, sound engineer) (nel 1976)
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Willie Weeks (US bass player) (nel 1976)
batteria :
Jeff Porcaro (nel 1976)
chitarra :
Dean Parks (American session guitarist) (nel 1976)
pianoforte elettrico :
Michael Omartian (nel 1976)
sassofono :
George Palisky, Jr. (nel 1976)
sintetizzatore :
James Newton Howard (American score composer) (nel 1976)
voce:
Leo Sayer (nel 1976)
arrangiatore sintetizzatore :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1976), Chrysalis Records, Inc. (not for release label use!) (nel 1976), Rhino Records, Inc. (company credits only; not for release label use!) (nel 1977), Silverbird Ltd. (nel 1977) e Warner Music H.K. Ltd. (nel 1997)
registrazione cover di:
When I Need You (nel 1976)
paroliere:
Carole Bayer Sager
compositore:
Albert Hammond
editore:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) e Windswept Music (London) Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
17Ooh La La
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
armonium e pianoforte :
Ian McLagan
batteria e percussione :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra acustica :
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
voce principale:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 246)
registrazione di:
Ooh La La
paroliere:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
compositore:
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
WB Music Corp. (1929–2019)
Faces3.753:30
18Guitar Man
tecnico:
Armin Steiner
produttore:
David Gates (singer/songwriter, lead singer of Bread)
produttore associato:
James Griffin (soft rock singer/songwriter/guitarist)
batteria e percussione :
Michael Botts
chitarra :
David Gates (singer/songwriter, lead singer of Bread) e James Griffin (soft rock singer/songwriter/guitarist)
chitarra basso :
David Gates (singer/songwriter, lead singer of Bread)
pianoforte :
James Griffin (soft rock singer/songwriter/guitarist)
arrangiatore:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e Warner Music International (trademark of Warner Music International the company) (nel 1973)
registrata presso:
Elektra Sound Recorders in Los Angeles, California, Stati Uniti
registrazione di:
The Guitar Man
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–Columbia Music, Inc.
Bread43:45
19It’s All About
Marti Pellow5:06
20How Wonderful You Are
registrazione di:
How Wonderful You Are
paroliere e compositore:
Gordon Haskell
editore:
Corner Shop Music Ltd, Peermusic III, Ltd. (BMI) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Gordon Haskell3:58
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parte di:100 Hits (UK Demon Music Group) (numero: 50) (ordine: 75)