The Complete Albums Collection 1958-1963

~ Release by Blue Mitchell (see all versions of this release, 1 available)

Tracklist

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1▼CD: Big 6 / Out Of The Blue
#TitleArtistRatingLength
1Blues March
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Blues March (from 1958-07-02 until 1958-07-03)
composer:
Benny Golson (American jazz saxophonist and composer)
Blue Mitchell, Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones10:27
2Big Six
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Big Six (from 1958-07-02 until 1958-07-03)
composer:
William Boone, Jr.
Blue Mitchell, Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones6:45
3There Will Never Be Another You
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
cover recording of:
There Will Never Be Another You (from 1958-07-02 until 1958-07-03)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
Blue Mitchell, Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones5:06
4Brother 'Ball
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Brother 'Ball (from 1958-07-02 until 1958-07-03)
composer:
Blue Mitchell (American trumpet player)
Blue Mitchell, Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones7:27
5Jamph
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Jamph (from 1958-07-02 until 1958-07-03)
composer:
Curtis Fuller
Blue Mitchell, Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones3:50
6Sir John
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Sir John (from 1958-07-02 until 1958-07-03)
composer:
Blue Mitchell (American trumpet player)
Blue Mitchell, Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones8:09
7Promenade
recorded in:
New York, New York, United States (from 1958-07-02 until 1958-07-03)
producer:
Orrin Keepnews
bass:
Wilbur Ware (from 1958-07-02 until 1958-07-03)
drums (drum set):
Philly Joe Jones (US jazz drummer) (from 1958-07-02 until 1958-07-03)
piano:
Wynton Kelly (from 1958-07-02 until 1958-07-03)
tenor saxophone:
Johnny Griffin (from 1958-07-02 until 1958-07-03)
trombone:
Curtis Fuller (from 1958-07-02 until 1958-07-03)
trumpet:
Blue Mitchell (American trumpet player) (from 1958-07-02 until 1958-07-03)
recording of:
Promenade (from 1958-07-02 until 1958-07-03)
composer:
William Boone, Jr.
Blue Mitchell, Curtis Fuller, Johnny Griffin, Wynton Kelly, Wilbur Ware, Philly Joe Jones1:41
8Blues On My Mind
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
Blue Mitchell, Benny Golson, Wynton Kelly, Sam Jones, Art Blakey9:08
9It Could Happen To You
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
instrumental recording of:
It Could Happen to You (on 1959-01-05)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Chappell & Co., Sony/ATV Harmony and Sony/ATV Music Publishing LLC (1995–2020)
sub-publisher:
Gehrmans Musikförlag, Sony/ATV Harmony UK and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Mitchell, Benny Golson, Wynton Kelly, Paul Chambers, Art Blakey5:55
10Boomerang
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
Blue Mitchell, Benny Golson, Wynton Kelly, Sam Jones, Art Blakey5:03
11Sweet Cakes
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
Blue Mitchell, Benny Golson, Wynton Kelly, Sam Jones, Art Blakey6:13
12Missing You
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
instrumental recording of:
Missing You (on 1959-01-05)
writer:
Ronnell Bright
Blue Mitchell, Benny Golson, Wynton Kelly, Paul Chambers, Art Blakey5:41
13When The Saints Go Marching In
engineer:
Jack Higgins (recording engineer) (on 1959-01-05)
producer:
Orrin Keepnews
bass:
Paul Chambers (US jazz bassist) (on 1959-01-05)
drums (drum set):
Art Blakey (on 1959-01-05)
piano:
Wynton Kelly (on 1959-01-05)
tenor saxophone:
Benny Golson (American jazz saxophonist and composer) (on 1959-01-05)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-01-05)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1959-01-05)
instrumental recording of:
When the Saints Go Marching In (on 1959-01-05)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13983)
version of:
When the Saints Go Marching In
Blue Mitchell, Benny Golson, Wynton Kelly, Paul Chambers, Art Blakey7:04
2▼CD: Blue Soul / Blue's Moods
#TitleArtistRatingLength
1Minor Vamp
recorded in:
New York, New York, United States (on 1959-09-24)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-24)
piano:
Wynton Kelly (on 1959-09-24)
tenor saxophone:
Jimmy Heath (on 1959-09-24)
trombone:
Curtis Fuller (on 1959-09-24)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-24)
Blue Mitchell Sextet3:43
2The Head
recorded in:
New York, New York, United States (on 1959-09-24)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-24)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-24)
piano:
Wynton Kelly (on 1959-09-24)
tenor saxophone:
Jimmy Heath (on 1959-09-24)
trombone:
Curtis Fuller (on 1959-09-24)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-24)
Blue Mitchell Sextet4:29
3The Way You Look Tonight
recorded in:
New York, New York, United States (on 1959-09-30)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-30)
piano:
Wynton Kelly (on 1959-09-30)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-30)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1959-09-30)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
Blue Mitchell Sextet3:23
4Park Avenue Petite
recorded in:
New York, New York, United States (on 1959-09-30)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-30)
piano:
Wynton Kelly (on 1959-09-30)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-30)
Blue Mitchell Sextet3:58
5Top Shelf
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
Blue Mitchell Sextet4:09
6Waverley Street
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
Blue Mitchell Sextet5:00
7Blue Soul
recorded in:
New York, New York, United States (on 1959-09-30)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-30)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-30)
piano:
Wynton Kelly (on 1959-09-30)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-30)
Blue Mitchell Sextet4:12
8Polka Dots and Moonbeams
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
instrumental recording of:
Polka Dots and Moonbeams (on 1959-09-28)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Blue Mitchell Sextet5:50
9Nica's Dream
recorded in:
New York, New York, United States (on 1959-09-28)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1959-09-28)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1959-09-28)
piano:
Wynton Kelly (on 1959-09-28)
tenor saxophone:
Jimmy Heath (on 1959-09-28)
trombone:
Curtis Fuller (on 1959-09-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1959-09-28)
recording of:
Nica’s Dream (on 1959-09-28)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc., Universal Music Publishing MGB France and フジパシフィックミュージック (Fujipacific Music, Inc.)
Blue Mitchell Sextet6:36
10I'll Close My Eyes
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
I’ll Close My Eyes (from 1960-08-24 until 1960-08-25)
lyricist:
Buddy Kaye
composer:
Billy Reid (UK orchestra leader and songwriter)
publisher:
Colgems-EMI Music Inc. and Peter Maurice Music
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks5:59
11Avars
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks4:08
12Scrapple From The apple
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
recording of:
Scrapple From the Apple (from 1960-08-24 until 1960-08-25)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
translator:
Harrie Geelen
part of:
The Real Book (compilation of jazz standards, volume I)
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks4:01
13Kinda Vague
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks6:29
14Sir John
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
recording of:
Sir John (from 1960-08-24 until 1960-08-25)
composer:
Blue Mitchell (American trumpet player)
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks6:08
15When I Fall In Love
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
When I Fall in Love (from 1960-08-24 until 1960-08-25)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks5:44
16Sweet Pumpkin
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
Sweet Pumpkin (from 1960-08-24 until 1960-08-25)
writer:
Ronnell Bright
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks4:21
17I Wish I Knew
recorded in:
New York, New York, United States (from 1960-08-24 until 1960-08-25)
recording engineer:
Ray Fowler (US recording engineer) (from 1960-08-24 until 1960-08-25)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1960-08-24 until 1960-08-25)
drums (drum set):
Roy Brooks (from 1960-08-24 until 1960-08-25)
piano:
Wynton Kelly (from 1960-08-24 until 1960-08-25)
trumpet:
Blue Mitchell (American trumpet player) (from 1960-08-24 until 1960-08-25)
instrumental recording of:
I Wish I Knew (from 1960-08-24 until 1960-08-25)
lyricist:
Mack Gordon
composer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
Blue Mitchell, Wynton Kelly, Sam Jones, Roy Brooks4:28
3▼CD: Smooth As The Wind / A Sure Thing
#TitleRatingLength
1Smooth As The Wind
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
recording of:
Smooth as the Wind (from 1961-03-29 until 1961-03-30)
composer:
Tadd Dameron
5:13
2But Beautiful
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
But Beautiful (in 1961-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
3:36
3The Best Things In Life Are Free
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
The Best Things in Life Are Free (Good News) (in 1961-03)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Chappell & Co.
part of:
Good News (1947 film)
3:19
4Peace
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
Peace (on 1961-12-27)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc. (in 1970)
3:56
5For Heaven's Sake
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
For Heaven’s Sake (on 1961-12-27)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
3:33
6The Nearness Of You
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
instrumental recording of:
The Nearness of You (on 1960-12-27)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:23
7A Blue Time
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
4:54
8Strollin'
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
Strollin' (on 1960-12-27)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
3:17
9For All We Know
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
For All We Know (1934 song) (in 1961-03)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
3:22
10I'm A Fool To Want You
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
I’m a Fool to Want You (in 1961-03)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:37
11West Coast Blues
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-28)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1962-03-28)
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
French horn:
Julius Watkins (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-28) and Clark Terry (American swing trumpeter) (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
5:39
12I Can't Get Started
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-07)
bass:
Sam Jones (US jazz bassist) (on 1962-03-07)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-07)
French horn:
Julius Watkins (on 1962-03-07)
piano:
Wynton Kelly (on 1962-03-07)
tenor saxophone:
Jimmy Heath (on 1962-03-07)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-07) and Clark Terry (American swing trumpeter) (on 1962-03-07)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-07)
3:46
13Blue On Blue
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-08)
bass:
Sam Jones (US jazz bassist) (on 1962-03-08)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-08)
French horn:
Julius Watkins (on 1962-03-08)
piano:
Wynton Kelly (on 1962-03-08)
tenor saxophone:
Jimmy Heath (on 1962-03-08)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-08) and Clark Terry (American swing trumpeter) (on 1962-03-08)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-08)
4:46
14A Sure Thing
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-08)
bass:
Sam Jones (US jazz bassist) (on 1962-03-08)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-08)
French horn:
Julius Watkins (on 1962-03-08)
piano:
Wynton Kelly (on 1962-03-08)
tenor saxophone:
Jimmy Heath (on 1962-03-08)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-08) and Clark Terry (American swing trumpeter) (on 1962-03-08)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-08)
4:31
15Hootie Blues
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-07)
bass:
Sam Jones (US jazz bassist) (on 1962-03-07)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-07)
French horn:
Julius Watkins (on 1962-03-07)
piano:
Wynton Kelly (on 1962-03-07)
tenor saxophone:
Jimmy Heath (on 1962-03-07)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-07) and Clark Terry (American swing trumpeter) (on 1962-03-07)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-07)
5:22
16Hip To It
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-28)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1962-03-28)
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
French horn:
Julius Watkins (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-28) and Clark Terry (American swing trumpeter) (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
4:57
17Gone With The Wind
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
5:59
4▼CD: The Cup Bearers / Step Lightly
#TitleArtistRatingLength
1Turquoise
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
Blue Mitchell, Junior Cook, Cedar Walton, Gene Taylor, Roy Brooks5:04
2Why Do I Love You?
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
Blue Mitchell, Junior Cook, Cedar Walton, Gene Taylor, Roy Brooks5:28
3Dingbat Blues
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
Blue Mitchell, Junior Cook, Cedar Walton, Gene Taylor, Roy Brooks5:41
4Capers
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
Blue Mitchell, Junior Cook, Cedar Walton, Gene Taylor, Roy Brooks6:04
5Cup Bearers
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
Blue Mitchell, Junior Cook, Cedar Walton, Gene Taylor, Roy Brooks6:15
6How Deep Is The Ocean?
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
Blue Mitchell, Junior Cook, Cedar Walton, Gene Taylor, Roy Brooks6:44
7Tiger Lily
recording engineer:
Ray Fowler (US recording engineer) (from 1962-08-28 until 1962-08-30)
producer:
Orrin Keepnews
bass:
Gene Taylor (US jazz bassist) (from 1962-08-28 until 1962-08-30)
drums (drum set):
Roy Brooks (from 1962-08-28 until 1962-08-30)
piano:
Cedar Walton (from 1962-08-28 until 1962-08-30)
tenor saxophone:
Junior Cook (from 1962-08-28 until 1962-08-30)
trumpet:
Blue Mitchell (American trumpet player) (from 1962-08-28 until 1962-08-30)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1962-08-28 until 1962-08-30)
Blue Mitchell, Junior Cook, Cedar Walton, Gene Taylor, Roy Brooks8:31
8Mamacita
recording engineer:
Rudy van Gelder (on 1963-08-13)
producer:
Alfred Lion
alto saxophone:
Leo Wright (on 1963-08-13)
bass:
Gene Taylor (US jazz bassist) (on 1963-08-13)
drums (drum set):
Roy Brooks (on 1963-08-13)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-08-13)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-08-13)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-08-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-08-13)
recording of:
Mamacita (on 1963-08-13)
composer:
Joe Henderson (US jazz tenor saxophonist)
Blue Mitchell, Leo Wright, Joe Henderson, Herbie Hancock, Gene Taylor, Roy Brooks5:50
9Sweet And Lovely
recording engineer:
Rudy van Gelder (on 1963-08-13)
producer:
Alfred Lion
alto saxophone:
Leo Wright (on 1963-08-13)
bass:
Gene Taylor (US jazz bassist) (on 1963-08-13)
drums (drum set):
Roy Brooks (on 1963-08-13)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-08-13)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-08-13)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-08-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-08-13)
Blue Mitchell, Leo Wright, Joe Henderson, Herbie Hancock, Gene Taylor, Roy Brooks7:46
10Andrea
recording engineer:
Rudy van Gelder (on 1963-08-13)
producer:
Alfred Lion
alto saxophone:
Leo Wright (on 1963-08-13)
bass:
Gene Taylor (US jazz bassist) (on 1963-08-13)
drums (drum set):
Roy Brooks (on 1963-08-13)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-08-13)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-08-13)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-08-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-08-13)
Blue Mitchell, Leo Wright, Joe Henderson, Herbie Hancock, Gene Taylor, Roy Brooks5:16
11Step Lightly
recording engineer:
Rudy van Gelder (on 1963-08-13)
producer:
Alfred Lion
alto saxophone:
Leo Wright (on 1963-08-13)
bass:
Gene Taylor (US jazz bassist) (on 1963-08-13)
drums (drum set):
Roy Brooks (on 1963-08-13)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-08-13)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-08-13)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-08-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-08-13)
recording of:
Step Lightly
composer:
Joe Henderson (US jazz tenor saxophonist)
arranger:
Bob Belden and Joe Henderson (US jazz tenor saxophonist)
Blue Mitchell, Leo Wright, Joe Henderson, Herbie Hancock, Gene Taylor, Roy Brooks8:31
12Cry Me A River
recording engineer:
Rudy van Gelder (on 1963-08-13)
producer:
Alfred Lion
alto saxophone:
Leo Wright (on 1963-08-13)
bass:
Gene Taylor (US jazz bassist) (on 1963-08-13)
drums (drum set):
Roy Brooks (on 1963-08-13)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-08-13)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-08-13)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-08-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-08-13)
Blue Mitchell, Leo Wright, Joe Henderson, Herbie Hancock, Gene Taylor, Roy Brooks6:47
13Bluesville
recording engineer:
Rudy van Gelder (on 1963-08-13)
producer:
Alfred Lion
alto saxophone:
Leo Wright (on 1963-08-13)
bass:
Gene Taylor (US jazz bassist) (on 1963-08-13)
drums (drum set):
Roy Brooks (on 1963-08-13)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1963-08-13)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1963-08-13)
trumpet:
Blue Mitchell (American trumpet player) (on 1963-08-13)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1963-08-13)
Blue Mitchell, Leo Wright, Joe Henderson, Herbie Hancock, Gene Taylor, Roy Brooks4:09