The Complete Albums Collection 1958-1963

~ Release by Blue Mitchell (see all versions of this release, 1 available)

Tracklist

1▶CD: Big 6 / Out Of The Blue
2▶CD: Blue Soul / Blue's Moods
3▼CD: Smooth As The Wind / A Sure Thing
#TitleRatingLength
1Smooth As The Wind
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
recording of:
Smooth as the Wind (from 1961-03-29 until 1961-03-30)
composer:
Tadd Dameron
5:13
2But Beautiful
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
But Beautiful (in 1961-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
3:36
3The Best Things In Life Are Free
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
The Best Things in Life Are Free (Good News) (in 1961-03)
lyricist:
Lew Brown and Buddy DeSylva
composer:
Ray Henderson
publisher:
Chappell & Co.
part of:
Good News (1947 film)
3:19
4Peace
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
Peace (on 1961-12-27)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc. (in 1970)
3:56
5For Heaven's Sake
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
For Heaven’s Sake (on 1961-12-27)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
3:33
6The Nearness Of You
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
instrumental recording of:
The Nearness of You (on 1960-12-27)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
3:23
7A Blue Time
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
4:54
8Strollin'
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (on 1960-12-27)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1960-12-27)
French horn:
Willie Ruff (on 1960-12-27)
piano:
Tommy Flanagan (on 1960-12-27)
trombone:
Julian Priester (on 1960-12-27) and Britt Woodman (on 1960-12-27)
trumpet:
Burt Collins (on 1960-12-27), Bernie Glow (on 1960-12-27), Blue Mitchell (American trumpet player) (on 1960-12-27) and Clark Terry (American swing trumpeter) (on 1960-12-27)
conductor:
Benny Golson (American jazz saxophonist and composer) (on 1960-12-27)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1960-12-27)
recording of:
Strollin' (on 1960-12-27)
composer:
Horace Silver
publisher:
Ecaroh Music, Inc.
3:17
9For All We Know
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
For All We Know (1934 song) (in 1961-03)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1934)
composer:
J. Fred Coots (in 1934)
publisher:
Bienstock Publishing Company (ASCAP affiliated) (ended), Cromwell Music, Inc. (ended), EMI Feist Catalog Inc. (ended), Leo Feist, Inc. (ended), Redwood Music Ltd. (Carlin) (ended), Tro-Cromwell Music, Inc. (ended), John F. Coots Jr. Trust Music, Sis ’n Bro Music Company and Toy Town Tunes, Inc.
3:22
10I'm A Fool To Want You
engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Tommy Williams (jazz bassist) (from 1961-03-29 until 1961-03-30)
drums (drum set):
Charlie Persip (American jazz drummer) (from 1961-03-29 until 1961-03-30)
French horn:
Willie Ruff (from 1961-03-29 until 1961-03-30)
piano:
Tommy Flanagan (from 1961-03-29 until 1961-03-30)
trombone:
Jimmy Cleveland (US jazz trombonist) (from 1961-03-29 until 1961-03-30) and Urbie Green (from 1961-03-29 until 1961-03-30)
trumpet:
Burt Collins (from 1961-03-29 until 1961-03-30), Bernie Glow (from 1961-03-29 until 1961-03-30), Blue Mitchell (American trumpet player) (from 1961-03-29 until 1961-03-30) and Clark Terry (American swing trumpeter) (from 1961-03-29 until 1961-03-30)
conductor:
Benny Golson (American jazz saxophonist and composer) (from 1961-03-29 until 1961-03-30)
arranger:
Tadd Dameron and Benny Golson (American jazz saxophonist and composer)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1961-03-29 until 1961-03-30)
instrumental recording of:
I’m a Fool to Want You (in 1961-03)
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:37
11West Coast Blues
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-28)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1962-03-28)
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
French horn:
Julius Watkins (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-28) and Clark Terry (American swing trumpeter) (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
5:39
12I Can't Get Started
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-07)
bass:
Sam Jones (US jazz bassist) (on 1962-03-07)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-07)
French horn:
Julius Watkins (on 1962-03-07)
piano:
Wynton Kelly (on 1962-03-07)
tenor saxophone:
Jimmy Heath (on 1962-03-07)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-07) and Clark Terry (American swing trumpeter) (on 1962-03-07)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-07)
3:46
13Blue On Blue
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-08)
bass:
Sam Jones (US jazz bassist) (on 1962-03-08)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-08)
French horn:
Julius Watkins (on 1962-03-08)
piano:
Wynton Kelly (on 1962-03-08)
tenor saxophone:
Jimmy Heath (on 1962-03-08)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-08) and Clark Terry (American swing trumpeter) (on 1962-03-08)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-08)
4:46
14A Sure Thing
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-08)
bass:
Sam Jones (US jazz bassist) (on 1962-03-08)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-08)
French horn:
Julius Watkins (on 1962-03-08)
piano:
Wynton Kelly (on 1962-03-08)
tenor saxophone:
Jimmy Heath (on 1962-03-08)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-08) and Clark Terry (American swing trumpeter) (on 1962-03-08)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-08)
4:31
15Hootie Blues
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-07)
bass:
Sam Jones (US jazz bassist) (on 1962-03-07)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-07)
French horn:
Julius Watkins (on 1962-03-07)
piano:
Wynton Kelly (on 1962-03-07)
tenor saxophone:
Jimmy Heath (on 1962-03-07)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-07) and Clark Terry (American swing trumpeter) (on 1962-03-07)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-07)
5:22
16Hip To It
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
alto saxophone and flute:
Jerome Richardson (on 1962-03-28)
baritone saxophone:
Pat Patrick (American jazz musician) (on 1962-03-28)
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
French horn:
Julius Watkins (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
trumpet:
Blue Mitchell (American trumpet player) (on 1962-03-28) and Clark Terry (American swing trumpeter) (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
4:57
17Gone With The Wind
recording engineer:
Ray Fowler (US recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (on 1962-03-28)
drums (drum set):
Albert “Tootie” Heath (on 1962-03-28)
piano:
Wynton Kelly (on 1962-03-28)
tenor saxophone:
Jimmy Heath (on 1962-03-28)
arranger:
Jimmy Heath
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1962-03-28)
5:59
4▶CD: The Cup Bearers / Step Lightly