The Pros and Cons of Hitch Hiking (pressed by Columbia Records Pressing Plant, Pitman)
~ Release by Roger Waters (see all versions of this release, 17 available)
Annotation
Recorded in England at Olympic, Eel Pie
& The Billiard Room between Feb & Dec 1983
Mastered at the Mastering Lab Los Angeles
Thanks to Dave Christopher & Celestia Fox
This album is dedicated to Carolyne
Disc manufactured in Japan by CBS / Sony, Tokyo, Japan.
© 1984 CBS Inc. / ℗ 1984 CBS Inc. / "Columbia" are
trademarks of CBS Inc.. except in Canada where they are trademarks of CBS Canada Ltd.
Printed in U.S.A.
Copyright © 1984 by Pink Floyd Music Publishers Ltd., London
Published and administered in the USA by Unichappell Music, Inc. (BMI)
On back cover and booklet, barcode is printed as 0 7464-39290-2, with missing check number (8).
Annotation last modified on 2013-01-04 14:38 UTC.
Tracklist
| 1CD | |||
|---|---|---|---|
| # | Title | Rating | Length |
| 1 | 4:30 AM (Apparently They Were Travelling Abroad)
| 3:12 | |
| 2 | 4:33 AM (Running Shoes)
| 4:08 | |
| 3 | 4:37 AM (Arabs With Knives and West German Skies)
| 2:17 | |
| 4 | 4:39 AM (For the First Time Today, Part 2)
| 2:03 | |
| 5 | 4:41 AM (Sexual Revolution)
| 4:49 | |
| 6 | 4:47 AM (The Remains of Our Love)
| 3:09 | |
| 7 | 4:50 AM (Go Fishing)
| 7:00 | |
| 8 | 4:56 AM (For the First Time Today, Part 1)
| 1:38 | |
| 9 | 4:58 AM (Dunroamin, Duncarin, Dunlivin)
| 3:04 | |
| 10 | 5:01 AM (The Pros and Cons of Hitch Hiking, Part 10)
| 4:37 | |
| 11 | 5:06 AM (Every Stranger’s Eyes)
| 4:49 | |
| 12 | 5:11 AM (The Moment of Clarity)
| 1:28 | |
Credits
Release
| manufactured in: | Japan |
|---|---|
| printed in: | United States |
| photography: | Alex Henderson (trombonist) |
|---|---|
| mastering: | Mike Reese (mastering engineer) Doug Sax |
| bass guitar and guitar: | Roger Waters (from 1983-02 until 1983-12) |
| guest electric guitar: | Eric Clapton (from 1983-02 until 1983-12) |
| guest Hammond organ and guitar: | Andy Bown (from 1983-02 until 1983-12) |
| guest membranophone: | Andy Newmark (from 1983-02 until 1983-12) |
| guest percussion: | Ray Cooper (percussionist) (from 1983-02 until 1983-12) |
| guest piano: | Michael Kamen (American score composer) (from 1983-02 until 1983-12) |
| guest saxophone: | David Sanborn (from 1983-02 until 1983-12) |
| horn: | Kevin Flanagan (from 1983-02 until 1983-12) Raphael Ravenscroft (from 1983-02 until 1983-12) Vic Sullivan (from 1983-02 until 1983-12) |
| orchestra: | National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1983-02 until 1983-12) |
| conductor: | Michael Kamen (American score composer) |
| guest background vocals: | Madeline Bell (from 1983-02 until 1983-12) Doreen Chanter (from 1983-02 until 1983-12) Katie Kissoon (from 1983-02 until 1983-12) |
| vocals: | Roger Waters (from 1983-02 until 1983-12) |
| arranger: | Michael Kamen (American score composer) |
| illustration: | Gerald Scarfe |
| design: | Gerald Scarfe Roger Waters |
| manufactured by: | CBS/Sony (imprint used in Japan, South Korea and Southeast Asia 1968–1991; also used in Spain until 1997) |
|---|---|
| copyrighted (©) by and phonographic copyright (℗) by: | CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) |
| recorded at: | Eel Pie Studios in London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) The Billiard Room in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1983-02 until 1983-12) |
|---|---|
| mastered at: | The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California, United States |
| Discogs: | https://www.discogs.com/release/893057 [info] |
|---|---|
| ASIN: | US: B0000025ZF [info] |
| other databases: | https://rateyourmusic.com/release/album/roger_waters/the_pros_and_cons_of_hitch_hiking_f3/ [info] |
Release group
| included in: | The Collection |
|---|
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