The Pros and Cons of Hitch Hiking (pressed by Columbia Records Pressing Plant, Pitman)

~ Veröffentlichung von Roger Waters (alle Versionen dieser Veröffentlichung ansehen, 17 vorhanden)

Anmerkung

Recorded in England at Olympic, Eel Pie
& The Billiard Room between Feb & Dec 1983
Mastered at the Mastering Lab Los Angeles
Thanks to Dave Christopher & Celestia Fox
This album is dedicated to Carolyne

Disc manufactured in Japan by CBS / Sony, Tokyo, Japan.
© 1984 CBS Inc. / ℗ 1984 CBS Inc. / "Columbia" are
trademarks of CBS Inc.. except in Canada where they are trademarks of CBS Canada Ltd.
Printed in U.S.A.

Copyright © 1984 by Pink Floyd Music Publishers Ltd., London
Published and administered in the USA by Unichappell Music, Inc. (BMI)

On back cover and booklet, barcode is printed as 0 7464-39290-2, with missing check number (8).

Anmerkung zuletzt geändert am 2013-01-04 14:38 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
14:30 AM (Apparently They Were Travelling Abroad)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:30 AM (Apparently They Were Travelling Abroad) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.753:12
24:33 AM (Running Shoes)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:33 AM (Running Shoes) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
44:08
34:37 AM (Arabs With Knives and West German Skies)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:37 AM (Arabs With Knives and West German Skies) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.652:17
44:39 AM (For the First Time Today, Part 2)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:39 AM (For the First Time Today, Part 2) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.652:03
54:41 AM (Sexual Revolution)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:41 AM (Sexual Revolution) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
4.354:49
64:47 AM (The Remains of Our Love)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:47 AM (The Remains of Our Love) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.653:09
74:50 AM (Go Fishing)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:50 AM (Go Fishing) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
zusätzlicher Texter:
A.A. Milne
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.657:00
84:56 AM (For the First Time Today, Part 1)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:56 AM (For the First Time Today, Part 1) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.651:38
94:58 AM (Dunroamin, Duncarin, Dunlivin)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
4:58 AM (Dunroamin, Duncarin, Dunlivin) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
3.53:04
105:01 AM (The Pros and Cons of Hitch Hiking, Part 10)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
5:01 AM (The Pros and Cons of Hitch Hiking, Part 10) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
4.354:37
115:06 AM (Every Stranger’s Eyes)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
E-Gitarre:
Eric Clapton (von 1983-02 bis 1983-12)
Klavier:
Michael Kamen (American score composer) (von 1983-02 bis 1983-12)
vocals:
Roger Waters (von 1983-02 bis 1983-12)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
5:06 AM (Every Stranger’s Eyes) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
44:49
125:11 AM (The Moment of Clarity)
assistierende(r) Techniker(in):
Laura Boisan
Techniker(in):
Andy Jackson (UK recording engineer/prog musician)
Produzent(in):
Michael Kamen (American score composer) und Roger Waters
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984)
recording of:
5:11 AM (The Moment of Clarity) (von 1983-02 bis 1983-12)
Texter und Komponist(in):
Roger Waters
publisher:
Unichappell Music, Inc. und Pink Floyd Music Publishers Ltd. (in 1984)
41:28

Nennungen

Veröffentlichung

hergestellt in:Japan
gedruckt in:Vereinigte Staaten
Fotografie:Alex Henderson (trombonist)
mastering:Mike Reese (mastering engineer)
Doug Sax
Bassgitarre und Gitarre:Roger Waters (von 1983-02 bis 1983-12)
Gast-E-Gitarre:Eric Clapton (von 1983-02 bis 1983-12)
Gast-Hammond-Orgel und Gitarre:Andy Bown (von 1983-02 bis 1983-12)
Gast-Klavier:Michael Kamen (American score composer) (von 1983-02 bis 1983-12)
Gast-membranophone:Andy Newmark (von 1983-02 bis 1983-12)
Gast-Perkussion:Ray Cooper (percussionist) (von 1983-02 bis 1983-12)
Gast-Saxophon:David Sanborn (von 1983-02 bis 1983-12)
Horn:Kevin Flanagan (von 1983-02 bis 1983-12)
Raphael Ravenscroft (von 1983-02 bis 1983-12)
Vic Sullivan (von 1983-02 bis 1983-12)
Orchester:National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (von 1983-02 bis 1983-12)
conductor:Michael Kamen (American score composer)
Gast Hintergrundgesang:Madeline Bell (von 1983-02 bis 1983-12)
Doreen Chanter (von 1983-02 bis 1983-12)
Katie Kissoon (von 1983-02 bis 1983-12)
vocals:Roger Waters (von 1983-02 bis 1983-12)
arranger:Michael Kamen (American score composer)
illustration:Gerald Scarfe
design:Gerald Scarfe
Roger Waters
hergestellt von:CBS/Sony (imprint used in Japan, South Korea and Southeast Asia 1968–1991; also used in Spain until 1997)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:CBS, Inc. (US broadcasting company; file no releases here!) (in 1984)
aufgenommen bei:Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich (von 1983-02 bis 1983-12)
Olympic Sound Studios (1958–1966 before moving to Barnes) in London (Greater London), England, Vereinigtes Königreich (von 1983-02 bis 1983-12)
The Billiard Room in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1983-02 bis 1983-12)
mastered at:The Mastering Lab (Hollywood, 1967–2008) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/893057 [Info]
ASIN:US: B0000025ZF [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/roger_waters/the_pros_and_cons_of_hitch_hiking_f3/ [Info]