“Rahsaan”: The Complete Mercury Recordings of Roland Kirk

~ Release by Roland Kirk (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Blues for Alice (alternate take)
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (on 1961-08-16)
woodwind:
Roland Kirk (on 1961-08-16)
recording of:
Blues for Alice (on 1961-08-16)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:14
2Blues for Alice
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (on 1961-08-16)
woodwind:
Roland Kirk (on 1961-08-16)
recording of:
Blues for Alice (on 1961-08-16)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
4:09
3My Delight
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (from 1961-08-16 to present)
woodwind:
Roland Kirk (on 1961-08-16)
4:30
4The Haunted Melody
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (on 1961-08-16)
woodwind:
Roland Kirk (on 1961-08-16)
3:40
5A Sack Full of Soul
recorded in:
New York, New York, United States (on 1961-08-16)
double bass:
Art Davis (US jazz double bassist) (on 1961-08-16)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-16)
piano:
Richard Wyands (on 1961-08-16)
woodwind:
Roland Kirk (on 1961-08-16)
4:40
6We Free Kings
recorded in:
New York, New York, United States (on 1961-08-17)
double bass [bass]:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
4:48
7Spring Will Be a Little Late This Year
recorded in:
New York, New York, United States (on 1961-08-17)
double bass [bass]:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
instrumental recording of:
Spring Will Be a Little Late This Year (on 1961-08-17)
lyricist and composer:
Frank Loesser
4:08
8Moon Song
recorded in:
New York, New York, United States (on 1961-08-17)
double bass:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
instrumental recording of:
Moon Song (on 1961-08-17)
lyricist:
Sam Coslow (in 1932)
composer:
Arthur Johnston (American composer and songwriter) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:23
9Some Kind of Love
recorded in:
New York, New York, United States (on 1961-08-17)
double bass:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
6:12
10Three for the Festival
recorded in:
New York, New York, United States (on 1961-08-17)
bass:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
3:10
11You Did It, You Did It
recorded in:
New York, New York, United States (on 1961-08-17)
double bass [bass]:
Wendell Marshall (on 1961-08-17)
drums (drum set):
Charlie Persip (American jazz drummer) (on 1961-08-17)
piano:
Hank Jones (piano) (on 1961-08-17)
woodwind:
Roland Kirk (on 1961-08-17)
2:27
2▼CD
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1Get Out of Town
producer:
Jack Tracy
bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
Get Out of Town (from 1962-04-17 until 1962-04-18)
lyricist and composer:
Cole Porter (composer) (in 1938)
part of:
Leave It to Me!
4:53
2Rolando
producer:
Jack Tracy
double bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
3:49
3I Believe in You
producer:
Jack Tracy
bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
I Believe in You (How to Succeed in Business Without Really Trying) (from 1962-04-17 until 1962-04-18)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
4:29
4Where Monk and Mingus Live / Let’s Call This
producer:
Jack Tracy
double bass [bass]:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
medley including a recording of:
Let’s Call This (from 1962-04-17 until 1962-04-18)
composer:
Thelonious Monk
4:10
5Domino
producer:
Jack Tracy
double bass [bass]:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
instrumental recording of:
Domino (André Claveau song) (in 1962)
lyricist:
Jacques Plante
composer:
Louis Ferrari (musette accordionist and composer)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
4:07
6E.D.
producer:
Jack Tracy
bass:
Vernon Martin (from 1962-04-17 until 1962-04-18)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (from 1962-04-17 until 1962-04-18)
piano:
Wynton Kelly (from 1962-04-17 until 1962-04-18)
woodwind:
Roland Kirk (from 1962-04-17 until 1962-04-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
2:25
7I Didn’t Know What Time It Was
producer:
Jack Tracy
double bass [bass]:
Vernon Martin (on 1962-04-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-04-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-04-17)
woodwind:
Roland Kirk (on 1962-04-17)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (in 1962)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
2:19
8Someone to Watch Over Me
producer:
Jack Tracy
double bass [bass]:
Vernon Martin (on 1962-04-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-04-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-04-17)
woodwind:
Roland Kirk (on 1962-04-17)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
instrumental recording of:
Someone to Watch Over Me (Oh, Kay!) (in 1962)
lyricist:
Ira Gershwin (in 1926)
composer:
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Crazy for You (1992 musical)
part of:
Oh, Kay! (1926 musical)
3:45
9Termini’s Corner
producer:
Jack Tracy
double bass [bass]:
Vernon Martin (on 1962-04-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-04-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-04-17)
woodwind:
Roland Kirk (on 1962-04-17)
edit of:
Termini’s Corner (breakdown take and intercuts) (matrix PB7508-6 and -int.1, -int.2) by Rahsaan Roland Kirk
2:21
10When the Sun Comes Out
producer:
Jack Tracy
double bass [bass]:
Vernon Martin (on 1962-04-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-04-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-04-17)
woodwind:
Roland Kirk (on 1962-04-17)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
instrumental recording of:
When the Sun Comes Out (on 1962-04-17)
lyricist:
Ted Koehler (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
S.A. Music Co. and Ted Koehler Music Co.
2:45
11Ad Lib
producer:
Jack Tracy
double bass [bass]:
Vernon Martin (on 1962-04-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1962-04-17)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1962-04-17)
woodwind:
Roland Kirk (on 1962-04-17)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
0:27
12Stitt’s Tune
recorded in:
New York, New York, United States (on 1962-06-23)
bass and double bass:
Sam Jones (US jazz bassist) (on 1962-06-23)
drums (drum set):
Louis Hayes (on 1962-06-23)
flute:
James Moody (jazz saxophonist) (on 1962-06-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1962-06-23)
tenor saxophone:
Tubby Hayes (on 1962-06-23) and James Moody (jazz saxophonist) (on 1962-06-23)
vibraphone:
Tubby Hayes (on 1962-06-23)
woodwind:
Jimmy Gloomy (jazz saxophonist) (on 1962-06-23) and Roland Kirk (on 1962-06-23)
phonographic copyright (℗) by:
Fontana Records (not for release label use! company behind the Fontana imprint)
9:59
13I See With My Third ‘I’
recorded in:
New York, New York, United States (on 1962-06-23)
bass and double bass:
Sam Jones (US jazz bassist) (on 1962-06-23)
drums (drum set):
Louis Hayes (on 1962-06-23)
flute:
James Moody (jazz saxophonist) (on 1962-06-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1962-06-23)
tenor saxophone:
Tubby Hayes (on 1962-06-23) and James Moody (jazz saxophonist) (on 1962-06-23)
vibraphone:
Tubby Hayes (on 1962-06-23)
woodwind:
Jimmy Gloomy (jazz saxophonist) (on 1962-06-23) and Roland Kirk (on 1962-06-23)
phonographic copyright (℗) by:
Fontana Records (not for release label use! company behind the Fontana imprint)
9:33
14Medley: If I Had You / Alone Together / For Heaven’s Sake
recorded in:
New York, New York, United States (on 1962-06-23)
bass and double bass:
Sam Jones (US jazz bassist) (on 1962-06-23)
drums (drum set):
Louis Hayes (on 1962-06-23)
flute:
James Moody (jazz saxophonist) (on 1962-06-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1962-06-23)
tenor saxophone:
Tubby Hayes (on 1962-06-23) and James Moody (jazz saxophonist) (on 1962-06-23)
vibraphone:
Tubby Hayes (on 1962-06-23)
woodwind:
Jimmy Gloomy (jazz saxophonist) (on 1962-06-23) and Roland Kirk (on 1962-06-23)
phonographic copyright (℗) by:
Fontana Records (not for release label use! company behind the Fontana imprint)
medley including a instrumental recording of:
Alone Together (on 1962-06-23)
lyricist:
Howard Dietz (librettist)
composer:
Schwartz & Dietz (Howard Dietz and Arthur Schwartz (lyricist and composer respectively)) and Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
medley including a instrumental recording of:
For Heaven’s Sake (on 1962-06-23)
composer:
Elise Bretton, Sherman Edwards and Donald Meyer
publisher:
Songs of Universal, Inc. (BMI)
medley including a instrumental recording of:
If I Had You (jazz standard) (on 1962-06-23)
writer:
James Campbell (British songwriter and music publisher), Reginald Connelly and Ted Shapiro
publisher:
Campbell Connelly & Co. Ltd., Campbell Connelly Inc. (ASCAP affiliated), EMI Robbins Catalog Inc. (ASCAP) and Robbins Music Corp.
7:32
15Afternoon in Paris
recorded in:
New York, New York, United States (on 1962-06-23)
bass and double bass:
Sam Jones (US jazz bassist) (on 1962-06-23)
drums (drum set):
Louis Hayes (on 1962-06-23)
flute:
James Moody (jazz saxophonist) (on 1962-06-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1962-06-23)
tenor saxophone:
Tubby Hayes (on 1962-06-23) and James Moody (jazz saxophonist) (on 1962-06-23)
vibraphone:
Tubby Hayes (on 1962-06-23)
woodwind:
Jimmy Gloomy (jazz saxophonist) (on 1962-06-23) and Roland Kirk (on 1962-06-23)
phonographic copyright (℗) by:
Fontana Records (not for release label use! company behind the Fontana imprint)
recording of:
Afternoon in Paris (on 1962-06-23)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
5:52
16Lady ‘E’
recorded in:
New York, New York, United States (on 1962-06-23)
bass and double bass:
Sam Jones (US jazz bassist) (on 1962-06-23)
drums (drum set):
Louis Hayes (on 1962-06-23)
flute:
James Moody (jazz saxophonist) (on 1962-06-23)
piano:
Walter Bishop, Jr. (American jazz pianist) (on 1962-06-23)
tenor saxophone:
Tubby Hayes (on 1962-06-23) and James Moody (jazz saxophonist) (on 1962-06-23)
vibraphone:
Tubby Hayes (on 1962-06-23)
woodwind:
Jimmy Gloomy (jazz saxophonist) (on 1962-06-23) and Roland Kirk (on 1962-06-23)
phonographic copyright (℗) by:
Fontana Records (not for release label use! company behind the Fontana imprint)
3:20
3▼CD
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1Meeting on Termini’s Corner
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Meeting on Termini’s Corner (on 1962-09-06)
composer:
Roland Kirk
3:41
2Domino
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
instrumental recording of:
Domino (André Claveau song) (on 1962-09-06)
lyricist:
Jacques Plante
composer:
Louis Ferrari (musette accordionist and composer)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
3:14
3Time
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
celesta [celeste]:
Andrew Hill (jazz pianist) (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Time (on 1962-09-06)
writer:
Richie Powell
3:13
43-In-1 Without the Oil
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
3-In-1 Without the Oil (on 1962-09-06)
composer:
Roland Kirk
2:35
5A Stritch in Time
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
A Stritch in Time (on 1962-09-06)
composer:
Rahsaan Roland Kirk
5:06
6Lament
producer:
Jack Tracy
bass:
Vernon Martin (on 1962-09-06)
drums (drum set):
Henry Duncan (Jazz drummer) (on 1962-09-06)
piano:
Andrew Hill (jazz pianist) (on 1962-09-06)
woodwind:
Roland Kirk (on 1962-09-06)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!)
recording of:
Lament (on 1962-09-06)
composer:
J.J. Johnson (jazz/bop trombonist/session leader)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:40
7A Breath in the Wind
recorded in:
Chicago, Illinois, United States (in 1962-10)
drums (drum set):
George Cook or Charles Crosby ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1962-10)
flute:
Roland Kirk (in 1962-10)
guitar:
Mose Fowler (in 1962-10)
organ:
Eddie Baccus (jazz organist) (in 1962-10)
5:09
8Land of Peace
recorded in:
New York, New York, United States (on 1963-02-25)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-02-25)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-25)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-25)
trombone:
Charles Greenlee (on 1963-02-25)
trumpet:
Virgil Jones (on 1963-02-25)
woodwind:
Roland Kirk (on 1963-02-25)
5:54
9Lonesome August Child
recorded in:
New York, New York, United States (on 1963-02-25)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-02-25)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-25)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-25)
trombone:
Charles Greenlee (on 1963-02-25)
trumpet:
Virgil Jones (on 1963-02-25)
woodwind:
Roland Kirk (on 1963-02-25)
4:36
10Limbo Boat
recorded in:
New York, New York, United States (on 1963-02-25)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-02-25)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-25)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-25)
trombone:
Charles Greenlee (on 1963-02-25)
trumpet:
Virgil Jones (on 1963-02-25)
woodwind:
Roland Kirk (on 1963-02-25)
3:02
11Hay Ro
recorded in:
New York, New York, United States (on 1963-02-25)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-02-25)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-25)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-25)
trombone:
Charles Greenlee (on 1963-02-25)
trumpet:
Virgil Jones (on 1963-02-25)
woodwind:
Roland Kirk (on 1963-02-25)
3:04
12Waltz of the Friends
recorded in:
New York, New York, United States (on 1963-02-25)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-02-25)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-25)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-25)
trombone:
Charles Greenlee (on 1963-02-25)
trumpet:
Virgil Jones (on 1963-02-25)
woodwind:
Roland Kirk (on 1963-02-25)
4:40
4▼CD
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1This Is Always
double bass:
Richard Davis (American jazz bassist) (on 1963-02-26)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-26)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-26)
trombone:
Tom McIntosh (on 1963-02-26)
trumpet:
Virgil Jones (on 1963-02-26)
woodwind:
Rahsaan Roland Kirk (on 1963-02-26)
arranger:
Benny Golson (American jazz saxophonist and composer)
instrumental recording of:
This Is Always (on 1963-02-26)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
4:20
2Reeds and Deeds
alto saxophone [stritch], flute and tenor saxophone:
Rahsaan Roland Kirk (on 1963-02-26)
double bass:
Richard Davis (American jazz bassist) (on 1963-02-26)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-26)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-26)
trombone:
Tom McIntosh (on 1963-02-26)
trumpet:
Virgil Jones (on 1963-02-26)
arranger:
Benny Golson (American jazz saxophonist and composer)
5:20
3Song of the Countrymen
double bass:
Richard Davis (American jazz bassist) (on 1963-02-26)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (on 1963-02-26)
piano:
Harold Mabern (American jazz pianist) (on 1963-02-26)
trombone:
Tom McIntosh (on 1963-02-26)
trumpet:
Virgil Jones (on 1963-02-26)
woodwind:
Rahsaan Roland Kirk (on 1963-02-26)
6:56
4Ecclusiastics
double bass:
Richard Davis (American jazz bassist) (on 1963-06-11)
drums (drum set):
Albert “Tootie” Heath (on 1963-06-11)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-11)
trombone:
Charles Greenlee (on 1963-06-11) and Tom McIntosh (on 1963-06-11)
trumpet:
Virgil Jones (on 1963-06-11) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-06-11)
tuba:
Don Butterfield (on 1963-06-11)
woodwind:
Roland Kirk (on 1963-06-11)
arranger:
Benny Golson (American jazz saxophonist and composer)
recording of:
Ecclusiastics (on 1963-06-11)
composer:
Charles Mingus
4:30
5By Myself
double bass:
Richard Davis (American jazz bassist) (on 1963-06-11)
drums (drum set):
Albert “Tootie” Heath (on 1963-06-11)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-11)
trombone:
Charles Greenlee (on 1963-06-11) and Tom McIntosh (on 1963-06-11)
trumpet:
Virgil Jones (on 1963-06-11) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-06-11)
tuba:
Don Butterfield (on 1963-06-11)
woodwind:
Roland Kirk (on 1963-06-11)
arranger:
Benny Golson (American jazz saxophonist and composer)
instrumental recording of:
By Myself (on 1963-06-11)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Chappell & Co., Inc. (USA) and Round Hill Songs III
part of:
The Band Wagon (1953 film)
4:23
6Roland Speaks
double bass:
Richard Davis (American jazz bassist) (on 1963-06-11)
drums (drum set):
Albert “Tootie” Heath (on 1963-06-11)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-11)
trombone:
Charles Greenlee (on 1963-06-11) and Tom McIntosh (on 1963-06-11)
trumpet:
Virgil Jones (on 1963-06-11) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-06-11)
tuba:
Don Butterfield (on 1963-06-11)
woodwind:
Roland Kirk (on 1963-06-11)
arranger:
Benny Golson (American jazz saxophonist and composer)
3:07
7A Nightingale Sang in Berkeley Square
double bass:
Richard Davis (American jazz bassist) (on 1963-06-11)
drums (drum set):
Albert “Tootie” Heath (on 1963-06-11)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-11)
trombone:
Charles Greenlee (on 1963-06-11) and Tom McIntosh (on 1963-06-11)
trumpet:
Virgil Jones (on 1963-06-11) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-06-11)
tuba:
Don Butterfield (on 1963-06-11)
woodwind:
Roland Kirk (on 1963-06-11)
orchestra:
The Benny Golson Orchestra (on 1963-06-11)
arranger:
Benny Golson (American jazz saxophonist and composer)
instrumental recording of:
A Nightingale Sang in Berkeley Square (on 1963-06-11)
lyricist:
Eric Maschwitz (Holt Marvell)
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
5:16
8Variations on a Theme of Hindemith
double bass:
Richard Davis (American jazz bassist) (on 1963-06-11)
drums (drum set):
Albert “Tootie” Heath (on 1963-06-11)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-11)
trombone:
Charles Greenlee (on 1963-06-11) and Tom McIntosh (on 1963-06-11)
trumpet:
Virgil Jones (on 1963-06-11) and Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1963-06-11)
tuba:
Don Butterfield (on 1963-06-11)
woodwind:
Roland Kirk (on 1963-06-11)
arranger:
Benny Golson (American jazz saxophonist and composer)
3:30
9I’ve Got Your Number
recorded in:
New York, New York, United States (on 1963-06-12)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-06-12)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1963-06-12)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-12)
woodwind:
Roland Kirk (on 1963-06-12)
instrumental recording of:
I’ve Got Your Number (on 1963-06-12)
writer:
Cy Coleman and Carolyn Leigh
part of:
Little Me
5:58
10Between the Fourth and the Fifth Step
recorded in:
New York, New York, United States (on 1963-06-12)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-06-12)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1963-06-12)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-12)
woodwind:
Roland Kirk (on 1963-06-12)
3:43
11April Morning
recorded in:
New York, New York, United States (on 1963-06-12)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-06-12)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1963-06-12)
piano:
Harold Mabern (American jazz pianist) (on 1963-06-12)
woodwind:
Roland Kirk (on 1963-06-12)
3:45
12Get in the Basement
recorded in:
New York, New York, United States (on 1963-06-12)
double bass:
Abdullah Rafik (US jazz bassist) (on 1963-06-12)
drums (drum set):
Sonny Brown (US jazz drummer) (on 1963-06-12)
woodwind:
Roland Kirk (on 1963-06-12)
4:06
13Abstract Improvisation
recorded in:
New York, New York, United States (on 1963-06-12)
woodwind:
Roland Kirk (on 1963-06-12)
1:59
5▼CD
#TitleRatingLength
1Narrow Bolero (alternate take)
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
8:25
2Narrow Bolero
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
6:43
3My Heart Stood Still
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live instrumental recording of:
My Heart Stood Still (in 1963-10)
lyricist:
Lorenz Hart (in 1927)
composer:
Richard Rodgers (composer) (in 1927)
publisher:
Harms, Inc., Laurence Harms, Inc., Warner Bros. (holding: file NO releases), Warner Bros., Inc. (not for release label use!) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
One Dam Thing After Another
5:51
4[untitled #1]
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
5:57
5Mood Indigo (alternate take)
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live instrumental recording of:
Mood Indigo (1930 jazz composition and song) (from 1963-10 to present)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
7:15
6Cabin in the Sky
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Jazzhus Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live instrumental recording of:
Cabin in the Sky (from 1940 musical Cabin in the Sky) (in 1963-10)
lyricist:
John Latouche (in 1940)
composer:
Vernon Duke (in 1940)
part of:
Cabin in the Sky
7:47
7On the Corner of King and Scott Streets
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
4:41
8Untitled Blues
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
harmonica:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
6:18
6▼CD
#TitleRatingLength
1The Monkey Thing
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
harmonica:
Sonny Boy Williamson (Aleck “Sonny Boy Williamson” Miller, 1912–1965) (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
5:56
2Will You Still Be Mine
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live instrumental recording of:
Will You Still Be Mine? (in 1963-10)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
8:40
3One for My Baby
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live instrumental recording of:
One for My Baby (and One More for the Road) (in 1963-10)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
3:54
4We’ll Be Together Again
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live instrumental recording of:
We’ll Be Together Again (in 1963-10)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
5:22
5Mingus-Griff Song
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
8:39
6Mood Indigo
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live instrumental recording of:
Mood Indigo (1930 jazz composition and song) (in 1963-10)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
6:53
7Medley: Rock-A-Bye Baby / Nearness of You / [untitled # 3]
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
live medley including a instrumental recording of:
The Nearness of You (in 1963-10)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
12:35
8Half a Triple
double bass:
Don Moore (jazz bassist) (in 1963-10) and Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (in 1963-10)
drums (drum set):
J.C. Moses (in 1963-10)
piano:
Tete Montoliu (in 1963-10)
woodwind:
Roland Kirk (in 1963-10)
recorded at:
Club Montmartre (1961–1976) in Copenhagen, Capital Region of Denmark, Denmark (in 1963-10)
4:54
7▼CD
#TitleRatingLength
1Japan (take 7)
recorded in:
Los Angeles, California, United States (on 1964-05-26)
flute and tenor saxophone:
Rahsaan Roland Kirk (on 1964-05-26)
3:05
2Japan (take 9)
recorded in:
Los Angeles, California, United States (on 1964-05-26)
flute and tenor saxophone:
Rahsaan Roland Kirk (on 1964-05-26)
3:10
3Japan (take 10)
recorded in:
Los Angeles, California, United States (on 1964-05-26)
flute and tenor saxophone:
Rahsaan Roland Kirk (on 1964-05-26)
3:08
4Berkshire Blues
double bass:
Michael Fleming (bass) (on 1964-05-26)
melodica:
Rahsaan Roland Kirk (on 1964-05-26)
trumpet:
Bobby Bryant (on 1964-05-26)
tuba:
Red Callender (on 1964-05-26)
vocals:
Rahsaan Roland Kirk (on 1964-05-26)
2:48
5Dirty Money Blues
recorded in:
Los Angeles, California, United States (on 1964-05-26)
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
flute:
Rahsaan Roland Kirk (on 1964-05-26)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
vocals:
Rahsaan Roland Kirk (on 1964-05-26)
3:44
6Dirty Money Blues (alternate take)
recorded in:
Los Angeles, California, United States (on 1964-05-26)
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
flute:
Rahsaan Roland Kirk (on 1964-05-26)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
vocals:
Rahsaan Roland Kirk (on 1964-05-26)
3:45
7Ad Lib (Hip Chops)
recorded in:
Los Angeles, California, United States (on 1964-05-26)
flute and saxophone [manzello]:
Rahsaan Roland Kirk (on 1964-05-26)
3:09
8The Things I Love
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
3:15
9Petite Fleur
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
flute:
Rahsaan Roland Kirk (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
3:13
10March on, Swan Lake
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
4:00
11Tears Sent by You
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
6:01
12My Heart at Thy Sweet Voice
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
saxophone [stritch]:
Rahsaan Roland Kirk (on 1964-07-22)
3:24
13Gifts and Messages
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
4:08
14Hip Chops
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
flute and saxophone [manzello]:
Rahsaan Roland Kirk (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
3:35
15Blues for C & T
alto saxophone [stritch] and tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
3:08
16Where Does the Blame Lie
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
2:52
17Vertigo Ro
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
oboe and tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
4:08
18Jive Elephant
double bass:
Michael Fleming (bass) (on 1964-07-22)
drums (drum set):
Steve Ellington (jazz drummer) (on 1964-07-22)
piano:
Horace Parlan (American‐Danish jazz pianist) (on 1964-07-22)
tenor saxophone:
Rahsaan Roland Kirk (on 1964-07-22)
2:56
8▼CD
#TitleRatingLength
1I Talk With the Spirits
producer:
Bobby Scott (vocals, piano, US musician & producer)
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
vibraphone:
Bob Moses (jazz drummer/composer) (from 1964-09-16 until 1964-09-17)
vocals:
Miss C.J. Albert (US jazz pianist and singer) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
3:57
2Serenade to a Cuckoo
producer:
Bobby Scott (vocals, piano, US musician & producer)
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
vocals:
Miss C.J. Albert (US jazz pianist and singer) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
recording of:
Serenade to a Cuckoo (from 1964-09-16 until 1964-09-17)
composer:
Rahsaan Roland Kirk
4:35
3Medley: We’ll Be Together Again / People From Funny Girl
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
medley including a instrumental recording of:
People (Funny Girl) (from 1964-09-16 until 1964-09-17)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
medley including a instrumental recording of:
We’ll Be Together Again (from 1964-09-16 until 1964-09-17)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:42
4Ruined Castles
producer:
Bobby Scott (vocals, piano, US musician & producer)
celesta:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
1:19
5Trees
producer:
Bobby Scott (vocals, piano, US musician & producer)
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
6:23
6Fugue’n and Alludin’
producer:
Bobby Scott (vocals, piano, US musician & producer)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
vibraphone:
Bob Moses (jazz drummer/composer) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
0:44
7Django
producer:
Bobby Scott (vocals, piano, US musician & producer)
celesta and piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
4:51
8My Ship
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
instrumental recording of:
My Ship (from "Lady in the Dark”; catch-all for versions outside the theatrical context) (from 1964-09-16 until 1964-09-17)
lyricist:
Ira Gershwin
composer:
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp. and WB Music Corp. (1929–2019)
version of:
Lady in the Dark: My Ship
5:06
9A Quote From Clifford Brown
producer:
Bobby Scott (vocals, piano, US musician & producer)
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
4:26
10The Business Ain’t Nothin’ but the Blues
producer:
Bobby Scott (vocals, piano, US musician & producer)
double bass:
Michael Fleming (bass) (from 1964-09-16 until 1964-09-17)
drums (drum set):
Walter Perkins (Chicago jazz drummer) (from 1964-09-16 until 1964-09-17)
flute:
Roland Kirk (from 1964-09-16 until 1964-09-17)
piano:
Horace Parlan (American‐Danish jazz pianist) (from 1964-09-16 until 1964-09-17)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (from 1964-09-16 until 1964-09-17)
5:03
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Credits

Release

art direction and design:Heyqlow Kobayashi (graphic designer)
editor, mastering and transferrer:Kiyoshi Tokiwa (recording engineer/editor)
compiler:Kiyoshi "Boxman" Koyama
Discogs:https://www.discogs.com/release/4783352 [info]
ASIN:DE: B0000047B7 [info]