Memories Are Made of This

~ Release by Dean Martin (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (on 1955-10-28)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
52:17
2That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
4.353:08
3Kiss
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
orchestra:
Gus Levene and His Orchestra (in 1957)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
lyricist:
Haven Gillespie
composer:
Lionel Newman
52:24
4Powder Your Face With Sunshine
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1948)
orchestra:
Paul Weston and His Orchestra (in 1948)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1948)
cover recording of:
Powder Your Face With Sunshine (in 1948)
writer:
Carmen Lombardo and Stanley Rochinski
52:33
5Once in Love With Amy
cover recording of:
Once in Love With Amy (Where’s Charly?)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
2:14
6How D’Ya Like Your Eggs in the Morning?
recording of:
How D’Ya Like Your Eggs in the Morning?
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
2:48
7Vieni Su
2:41
8When You’re Smiling
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
When You’re Smiling (the Whole World Smiles With You)
lyricist:
Mark Fisher (early 20th century songwriter) and Joe Goodwin
composer:
Larry Shay
publisher:
Mills Music, Inc.
53:04
9How Do You Speak to an Angel
cover recording of:
How Do You Speak to an Angel?
lyricist:
Bob Hilliard
composer:
Jule Styne
3:10
10That Lucky Old Sun
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
That Lucky Old Sun
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
3:02
11In Napoli
2:55
12Let Me Go Lover
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Let Me Go, Lover
lyricist:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
composer:
Jenny Lou Carson
is based on:
Let Me Go, Devil
53:03
13In the Cool, Cool, Cool of the Evening
vocals:
Dean Martin (American singer/actor) (on 1951-04-09)
conductor:
Dick Stabile (on 1951-04-09)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (on 1951-04-09)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 24th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1951 winner)
3:01
14That’s My Lover
recording of:
There’s My Lover
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
3:01
15Every Street’s a Boulevard
2:25
16Dreamy Old New England Moon
performer:
Paul Weston
cover recording of:
Dreamy Old New England Moon
writer:
Morty Berk, Frank Capano (songwriter) and Max C. Freedman (American songwriter and lyricist)
2:33
17Just for Fun
recording of:
Just For Fun (My Friend Irma)
writer:
Ray Evans (American songwriter) and Jay Livingston
2:47
18My One, My Only, My All
recording of:
My Own, My Only, My All
writer:
Ray Evans (American songwriter) and Jay Livingston
3:00
19Absence Makes the Heart Grow Fonder
recording of:
Absence Makes the Heart Grow Fonder (for Somebody Else)
writer:
Sam M. Lewis (1930s lyricist), Harry Warren (US composer and lyricist) and Joe Young (US lyricist)
3:00
20Bye Bye Blackbird
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
3:04
2▼CD
#TitleRatingLength
1Sway
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (on 1954-04-22)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
42:45
2Mambo Italiano
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (on 1954-11-26)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (on 1954-11-26)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
2:21
3The Naughty Lady of Shady Lane
vocals:
Dean Martin (American singer/actor)
cover recording of:
The Naughty Lady of Shady Lane
writer:
Roy Bennett (US songwriter) and Sid Tepper
52:56
4Under the Bridges of Paris
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Under the Bridges of Paris (on 1954-04-22)
lyricist:
Jean Rodor
composer:
Vincent Scotto
translator:
Dorcas Cochran
publisher:
Fortin Euromusic, Unichappell Music and Zodiac Music Corp.
translated version of:
Sous les ponts de Paris
52:49
5Money Burns a Hole in My Pocket
recording of:
Money Burns a Hole in My Pocket
lyricist:
Bob Hilliard
composer:
Jule Styne
3:03
6Long, Long Ago
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (jazz bassist) (on 1954-09-07)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-09-07)
guitar:
John Collins (US jazz guitarist) (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (in 1954, on 1954-09-07) and Dean Martin (American singer/actor) (in 1954, on 1961-09-07)
orchestra:
Billy May and His Orchestra (in 1954) and Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Long, Long Ago (Dean Martin & Nat King Cole version) (on 1954-09-07)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
version of:
Long, Long Ago (Original version for voice and piano)
2:21
7Two Sleepy People
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory")
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
2:56
8If
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1950)
orchestra:
Paul Weston and His Orchestra (in 1950)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1950)
cover recording of:
If (Song, popular in the 1950s) (in 1950)
lyricist:
Stanley J. Damerell and Robert Hargreaves (songwriter)
writer:
H. Tilsley
composer:
Tolchard Evans
2:49
9I’ll Always Love You
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Dick Stabile and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
2:36
10Baby, Obey Me
2:36
11Don’t Rock the Boat, Dear
2:36
12I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
1:57
13Come Back to Sorrento
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
Come Back to Sorrento
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer) (in 1902)
translator:
Claude Aveling
translated version of:
Torna a Surriento
3:16
14You and Your Beautiful Eyes
2:10
15Three Wishes
recording of:
Three Wishes
writer:
Jack Elliott (1927-2001 US film composer) and Harold Spina (composer/conductor)
2:39
16Rain
cover recording of:
Rain
writer:
Eugene Ford (songwriter), Carey Morgan and Arthur Swanstrom
2:42
17All I Have to Give
2:52
18Have a Little Sympathy
recording of:
Have a Little Sympathy
writer:
Sammy Gallop and Ben Weisman
2:23
19You Belong to Me
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price and Redd Stewart
publisher:
Hill & Range Inc. (publisher) and Ridgeway Music Co, Inc.
33:05
20Ma come Bali
2:46