Bundle of Joy / Super Blue / The Love Connection

~ Release by Freddie Hubbard (see all versions of this release, 1 available)

Tracklist

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1▼CD: Bundle of Joy / Super Blue
#TitleRatingLength
1Bundle of Joy
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Bundle of Joy (in 1977)
composer:
Freddie Hubbard
5:39
2Rainy Day Song
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Rainy Day Song (in 1977)
composer:
Freddie Hubbard
4:01
3Portrait of Jenny
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
harp:
Dorothy Ashby (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
cover recording of:
Portrait of Jennie (in 1977)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
6:20
4From Now On
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
From Now On (in 1977)
composer:
Freddie Hubbard
4:40
5Tucson Stomp
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Tucson Stomp (in 1977)
composer:
Freddie Hubbard
4:45
6Rahsann
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
saxophone:
Ernie Watts (jazz and blues saxophonist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Rahsann (in 1977)
composer:
Freddie Hubbard
6:40
7I Don’t Want to Lose You
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
cover recording of:
I Don’t Want to Lose You (in 1977)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
arranger:
Jimmy Castor and Gerry Thomas
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
I Don't Want to Lose You
4:04
8From Behind
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
From Behind (in 1977)
composer:
Freddie Hubbard
4:57
9Super Blue
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04) and Dale Oehler (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Super Blue (in 1978)
composer:
Benard Ighner
7:52
10To Her Ladyship
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
guitar:
George Benson (jazz guitarist/singer) (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
To Her Ladyship (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
6:01
11Take It to the Ozone
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Take It to the Ozone (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
7:03
2▼CD: Super Blue / The Love Connection
#TitleRatingLength
1The Gospel Truth
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
The Gospel Truth (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
5:03
2The Surest Thing Can Change
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
The Surest Things Can Change (in 1978)
lyricist and composer:
Gino Vannelli
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Giva Music and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
6:19
3Theme for Kareem
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Theme for Kareem (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
6:08
4The Love Connection
recording engineer:
Don Puluse (from 1979-02 until 1979-03)
executive producer:
George Butler
producer:
Freddie Hubbard and Claus Ogerman
bass:
Stanley Clarke (from 1979-02 until 1979-03)
flugelhorn and trumpet:
Freddie Hubbard (from 1979-02 until 1979-03)
keyboard:
Chick Corea (jazz pianist) (from 1979-02 until 1979-03)
membranophone:
Chester Thompson (US drummer Chester Cortez Thompson) (from 1979-02 until 1979-03)
percussion:
Rubens Bassini (from 1979-02 until 1979-03)
saxophone:
Buddy Collette (from 1979-02 until 1979-03), Joe Farrell (from 1979-02 until 1979-03), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (from 1979-02 until 1979-03) and Ernie Watts (jazz and blues saxophonist) (from 1979-02 until 1979-03)
trombone:
Dick Hyde (from 1979-02 until 1979-03), Phil Ranelin (from 1979-02 until 1979-03) and Phil Teele (from 1979-02 until 1979-03)
trumpet:
Oscar Brashear (from 1979-02 until 1979-03), Chuck Findley (trumpet, trombone, horn player) (from 1979-02 until 1979-03) and Snooky Young (from 1979-02 until 1979-03)
conductor:
Claus Ogerman (from 1979-02 until 1979-03)
arranger:
Claus Ogerman
recorded at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1979-02 until 1979-03)
recording of:
The Love Connection (in 1979)
composer:
Freddie Hubbard
8:20
5Brigitte
recording engineer:
Don Puluse (from 1979-02 until 1979-03)
executive producer:
George Butler
producer:
Freddie Hubbard and Claus Ogerman
flugelhorn and trumpet:
Freddie Hubbard (from 1979-02 until 1979-03)
keyboard:
Chick Corea (jazz pianist) (from 1979-02 until 1979-03)
membranophone:
Chester Thompson (US drummer Chester Cortez Thompson) (from 1979-02 until 1979-03)
percussion:
Rubens Bassini (from 1979-02 until 1979-03)
saxophone:
Buddy Collette (from 1979-02 until 1979-03), Joe Farrell (from 1979-02 until 1979-03), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (from 1979-02 until 1979-03) and Ernie Watts (jazz and blues saxophonist) (from 1979-02 until 1979-03)
trombone:
Dick Hyde (from 1979-02 until 1979-03), Phil Ranelin (from 1979-02 until 1979-03) and Phil Teele (from 1979-02 until 1979-03)
trumpet:
Oscar Brashear (from 1979-02 until 1979-03), Chuck Findley (trumpet, trombone, horn player) (from 1979-02 until 1979-03) and Snooky Young (from 1979-02 until 1979-03)
conductor:
Claus Ogerman (from 1979-02 until 1979-03)
arranger:
Claus Ogerman
recorded at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1979-02 until 1979-03)
recording of:
Brigitte (in 1979)
composer:
Freddie Hubbard
publisher:
Hubtones Music Co. (Freddie Hubbard)
6:59
6This Dream
recording engineer:
Don Puluse (from 1979-02 until 1979-03)
executive producer:
George Butler
producer:
Freddie Hubbard and Claus Ogerman
flugelhorn and trumpet:
Freddie Hubbard (from 1979-02 until 1979-03)
keyboard:
Chick Corea (jazz pianist) (from 1979-02 until 1979-03)
membranophone:
Chester Thompson (US drummer Chester Cortez Thompson) (from 1979-02 until 1979-03)
percussion:
Rubens Bassini (from 1979-02 until 1979-03)
saxophone:
Buddy Collette (from 1979-02 until 1979-03), Joe Farrell (from 1979-02 until 1979-03), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (from 1979-02 until 1979-03) and Ernie Watts (jazz and blues saxophonist) (from 1979-02 until 1979-03)
trombone:
Dick Hyde (from 1979-02 until 1979-03), Phil Ranelin (from 1979-02 until 1979-03) and Phil Teele (from 1979-02 until 1979-03)
trumpet:
Oscar Brashear (from 1979-02 until 1979-03), Chuck Findley (trumpet, trombone, horn player) (from 1979-02 until 1979-03) and Snooky Young (from 1979-02 until 1979-03)
conductor:
Claus Ogerman (from 1979-02 until 1979-03)
arranger:
Claus Ogerman
recorded at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1979-02 until 1979-03)
recording of:
This Dream (in 1979)
composer:
Claus Ogerman
9:06
7Little Sunflower
recording engineer:
Don Puluse (from 1979-02 until 1979-03)
executive producer:
George Butler
producer:
Freddie Hubbard and Claus Ogerman
flugelhorn and trumpet:
Freddie Hubbard (from 1979-02 until 1979-03)
keyboard:
Chick Corea (jazz pianist) (from 1979-02 until 1979-03)
membranophone:
Chester Thompson (US drummer Chester Cortez Thompson) (from 1979-02 until 1979-03)
percussion:
Rubens Bassini (from 1979-02 until 1979-03)
saxophone:
Buddy Collette (from 1979-02 until 1979-03), Joe Farrell (from 1979-02 until 1979-03), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (from 1979-02 until 1979-03) and Ernie Watts (jazz and blues saxophonist) (from 1979-02 until 1979-03)
trombone:
Dick Hyde (from 1979-02 until 1979-03), Phil Ranelin (from 1979-02 until 1979-03) and Phil Teele (from 1979-02 until 1979-03)
trumpet:
Oscar Brashear (from 1979-02 until 1979-03), Chuck Findley (trumpet, trombone, horn player) (from 1979-02 until 1979-03) and Snooky Young (from 1979-02 until 1979-03)
vocals:
Al Jarreau (jazz, pop and r&b singer-songwriter) (from 1979-02 until 1979-03)
conductor:
Claus Ogerman (from 1979-02 until 1979-03)
performer:
Al Jarreau (jazz, pop and r&b singer-songwriter)
arranger:
Claus Ogerman
recorded at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1979-02 until 1979-03)
recording of:
Little Sunflower (with lyrics) (from 1979-02 until 1979-03)
lyricist:
Al Jarreau (jazz, pop and r&b singer-songwriter)
composer:
Freddie Hubbard
is based on:
Little Sunflower
9:21
8Lazy Afternoon
recording engineer:
Don Puluse (from 1979-02 until 1979-03)
executive producer:
George Butler
producer:
Freddie Hubbard and Claus Ogerman
flugelhorn and trumpet:
Freddie Hubbard (from 1979-02 until 1979-03)
keyboard:
Chick Corea (jazz pianist) (from 1979-02 until 1979-03)
membranophone:
Chester Thompson (US drummer Chester Cortez Thompson) (from 1979-02 until 1979-03)
percussion:
Rubens Bassini (from 1979-02 until 1979-03)
saxophone:
Buddy Collette (from 1979-02 until 1979-03), Joe Farrell (from 1979-02 until 1979-03), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (from 1979-02 until 1979-03) and Ernie Watts (jazz and blues saxophonist) (from 1979-02 until 1979-03)
trombone:
Dick Hyde (from 1979-02 until 1979-03), Phil Ranelin (from 1979-02 until 1979-03) and Phil Teele (from 1979-02 until 1979-03)
trumpet:
Oscar Brashear (from 1979-02 until 1979-03), Chuck Findley (trumpet, trombone, horn player) (from 1979-02 until 1979-03) and Snooky Young (from 1979-02 until 1979-03)
conductor:
Claus Ogerman (from 1979-02 until 1979-03)
arranger:
Claus Ogerman
recorded at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1979-02 until 1979-03)
instrumental recording of:
Lazy Afternoon (The Golden Apple, 1954) (from 1979-02 until 1979-03)
orchestrator and composer:
Jerome Moross (American composer and conductor)
lyricist:
John Latouche
publisher:
Chappell & Co., Inc. (USA), Sony/ATV Tunes LLC (ASCAP) and Warner Chappell Music, Inc.
part of:
The Golden Apple (musical)
10:08