Bundle of Joy / Super Blue / The Love Connection

~ Release by Freddie Hubbard (see all versions of this release, 1 available)

Tracklist

1▼CD: Bundle of Joy / Super Blue
#TitleRatingLength
1Bundle of Joy
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Bundle of Joy (in 1977)
composer:
Freddie Hubbard
5:39
2Rainy Day Song
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Rainy Day Song (in 1977)
composer:
Freddie Hubbard
4:01
3Portrait of Jenny
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
harp:
Dorothy Ashby (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
cover recording of:
Portrait of Jennie (in 1977)
lyricist:
Gordon Burdge
composer:
J. Russel Robinson
6:20
4From Now On
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
From Now On (in 1977)
composer:
Freddie Hubbard
4:40
5Tucson Stomp
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Tucson Stomp (in 1977)
composer:
Freddie Hubbard
4:45
6Rahsann
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
saxophone:
Ernie Watts (jazz and blues saxophonist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
Rahsann (in 1977)
composer:
Freddie Hubbard
6:40
7I Don’t Want to Lose You
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
cover recording of:
I Don’t Want to Lose You (in 1977)
writer:
Thom Bell (keyboards, songwriter, producer) and Linda Creed
arranger:
Jimmy Castor and Gerry Thomas
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
version of:
I Don't Want to Lose You
4:04
8From Behind
producer:
Bert DeCoteaux
baritone saxophone:
Ernie Fields (in 1977)
bass guitar:
Henry Davis (US soul/funk bassist) (in 1977)
drums (drum set):
Ed Greene (drummer) (in 1977) and Carlos Vega (in 1977)
guitar:
Jay Graydon (in 1977), Craig McMullen (in 1977) and David T. Walker (in 1977)
keyboard:
Michael Stanton (keyboardist) (in 1977)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1977)
tenor saxophone:
Azar Lawrence (in 1977)
trombone:
George Bohanon (in 1977) and Garnett Brown (in 1977)
trumpet:
Bobby Bryant (in 1977), Freddie Hubbard (in 1977), Nolan Smith (in 1977) and Snooky Young (in 1977)
recording of:
From Behind (in 1977)
composer:
Freddie Hubbard
4:57
9Super Blue
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04) and Dale Oehler (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
cover recording of:
Super Blue (in 1978)
composer:
Benard Ighner
7:52
10To Her Ladyship
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
guitar:
George Benson (jazz guitarist/singer) (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
To Her Ladyship (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
6:01
11Take It to the Ozone
recording engineer:
Don Puluse (from 1978-03-30 until 1978-04-04)
assistant engineer:
Ted Brosnan
engineer:
Don Puluse
producer:
Dale Oehler
assistant mixer:
Derek Du Nann
mixer:
Don Hahn (engineer)
bass:
Ron Carter (US jazz double-bassist) (from 1978-03-30 until 1978-04-04)
brass and flugelhorn and trumpet:
Freddie Hubbard (from 1978-03-30 until 1978-04-04)
drums (drum set):
Jack DeJohnette (from 1978-03-30 until 1978-04-04)
flute:
Hubert Laws (from 1978-03-30 until 1978-04-04)
keyboard:
Kenny Barron (from 1978-03-30 until 1978-04-04)
tenor saxophone:
Joe Henderson (US jazz tenor saxophonist) (from 1978-03-30 until 1978-04-04)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1978-03-30 until 1978-04-04) and CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (from 1978-03-30 until 1978-04-04)
mixed at:
A&M Mastering Studios in Hollywood, Los Angeles, California, United States and A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Take It to the Ozone (in 1978)
composer:
Freddie Hubbard
publisher:
Hubtones Music (Freddie Hubbard)
7:03
2▶CD: Super Blue / The Love Connection