Rock Road Trip: The Ultimate Collection

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Wild Thing (edit)
cover recording of:
Wild Thing
Texter und Komponist(in):
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH und April Music (in 1981)
The Troggs2:26
2All Right Now (single version)
Techniker(in):
Roy Thomas Baker (producer)
Produzent(in):
Free (60s/70s UK blues rock group) und John Kelly (producer)
Bass:
Andy Fraser (English bassist, member of Free)
Gitarre:
Paul Kossoff
Schlagzeug:
Simon Kirke
Sologesang:
Paul Rodgers
remixer:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
Free (60s/70s UK blues rock group) (in 1970)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich und Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
All Right Now von Free (60s/70s UK blues rock group)
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:12
3I’m Waiting for the Man
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1967), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
I’m Waiting for the Man
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music, Screen Gems und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Velvet Underground4:39
4Easy Livin’
recording engineer:
Peter Gallen (von 1972-03 bis 1972-04)
assistierende(r) Techniker(in):
Ashley Howe
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron
Mix:
Rafe McKenna
E-Bass:
Gary Thain (von 1972-03 bis 1972-04)
Gitarre:
Mick Box (von 1972-03 bis 1972-04)
Orgel:
Ken Hensley (von 1972-03 bis 1972-04)
Schlagzeug:
Lee Kerslake (von 1972-03 bis 1972-04)
vocals:
David Byron (von 1972-03 bis 1972-04)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze (in 1972), Bronze Records Ltd. (in 1972), Castle Copyrights Ltd. (in 1972), Legacy Records Ltd. (in 1972), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1972, in 2017), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich (von 1972-03 bis 1972-04) und Astoria Theatre (London) in Westminster, London (Greater London), England, Vereinigtes Königreich (am 2003-11-08)
produced at:
Lansdowne Studios (known as CTS Lansdowne Studios since 1987) in London (Greater London), England, Vereinigtes Königreich
recording of:
Easy Livin’ (von 1972-03 bis 1972-04)
Texter und Komponist(in):
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled “Sydney”) und Umble Tunes Ltd.
Uriah Heep4.252:36
5Sweet Home Alabama (album version)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1974)
recording of:
Sweet Home Alabama
sonstige Unterstützung:
Ronnie Van Zant
Verfasser(in):
Ed King (US guitarist, bassist & songwriter), Gary Rossington und Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd3:37
6Maggie May (single version)
Bearbeitung von:
Maggie May (without “Henry” prelude) von Rod Stewart
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart33:42
7Caroline
Techniker(in):
Damon Lyon-Shaw und Richard Manwaring (Producer)
Produzent(in):
Roger Glover und Status Quo (UK boogie rock band)
arranger:
Status Quo (UK boogie rock band)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (UK) (in 1973), Phonogram Ltd. (not for release label use!) (in 1973) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1973)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Caroline
Verfasser(in):
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Valley Music Ltd (publisher)
Status Quo4.353:46
8Ramblin’ Man
Techniker(in):
Johnny Sandlin (recording engineer, producer and VP at Capricorn Records), Ovie Sparks und Buddy Thornton
Produzent(in):
The Allman Brothers Band und Johnny Sandlin (recording engineer, producer and VP at Capricorn Records)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1972-10)
Conga:
Jai Johanny Johanson (in 1972-10)
Gitarre:
Les Dudek (in 1972-10)
Gitarre [lead guitar] und Sologesang:
Dickey Betts (in 1972-10)
Klavier und Hintergrundgesang:
Gregg Allman (in 1972-10) und Chuck Leavell (in 1972-10)
Orgel:
Gregg Allman (in 1972-10)
Schlagzeug:
Jai Johanny Johanson (in 1972-10) und Butch Trucks (in 1972-10)
vocals:
Gregg Allman (in 1972-10)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
aufgenommen bei:
Capricorn Sound Studio in Macon, Georgia, Vereinigte Staaten (in 1972-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Ramblin’ Man (in 1972-10)
Texter und Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Australia Pty. Ltd.
The Allman Brothers Band4.54:49
9You Ain’t Seen Nothing Yet (single version)
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:53
10Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969), Transtone Productions (in 1970) und Craft Recordings (US jazz label; reissue division of Concord) (in 2023)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.053:59
11Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:24
12Route 66 (album version)
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
cover recording of:
(Get Your Kicks on) Route 66 (am 1961-01-19)
Texter und Komponist(in):
Bobby Troup
publisher:
Chappell Morris Ltd., E. H. Morris, LondonTown Music, Inc., Troup-London, LLC, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und Burke-Van Heusen, Inc. (am 1946-04-22)
Chuck Berry42:52
13Pictures of Matchstick Men
recording of:
Pictures of Matchstick Men
Texter und Komponist(in):
Francis Rossi
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Valley Music Ltd (publisher)
Status Quo3:15
14Who Do You Love?
cover recording of:
Who Do You Love?
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Juicy Lucy3:01
15Tomorrow Night
Atomic Rooster3:14
16Personality Crisis (album version)
recording of:
Personality Crisis
Verfasser(in):
David Johansen und Johnny Thunders (US punk guitarist & singer)
New York Dolls3:42
17Hair of the Dog
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton
Bassgitarre:
Pete Agnew
Gitarre und Synthesizer:
Manny Charlton
Schlagzeug:
Darrell Sweet
Hintergrundgesang:
Pete Agnew und Darrell Sweet
Sologesang:
Dan McCafferty
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Bearbeitung von:
Hair of the Dog von Nazareth
recording of:
Hair of the Dog
Verfasser(in):
Pete Agnew, Manny Charlton, Dan McCafferty und Darrell Sweet
publisher:
Carlin Music Corporation und Mountain Music Ltd.
Nazareth53:21
18Love Is
Baker Gurvitz Army2:49
19Out of Time
Dan McCafferty3:49
20Couldn’t Get It Right
recording of:
Couldn’t Get It Right
Verfasser(in):
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt und Richard Jones (Climax Blues Band)
publisher:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) und Neue Welt Musikverlag
Climax Blues Band53:17
2▼CD
Nr.TitelKünstlerBewertungLänge
1Since You Been Gone (single version)
recording engineer:
Leigh Mantle (in 1979-04) und Dr. Michael Palmer (engineer) (in 1979-04)
Techniker(in):
Gary Edwards (producer, engineer)
Produzent(in):
Roger Glover
Bassgitarre:
Roger Glover (in 1979-04)
Gitarre:
Ritchie Blackmore (in 1979-04)
Keyboard:
Don Airey (in 1979-04)
Schlagzeug:
Cozy Powell (in 1979-04)
Sologesang:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographisches Urheberrecht (℗) von:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) und Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
aufgenommen bei:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, Frankreich (in 1979-04) und Maison Rouge Mobile Studio (in 1979-04)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 82)
cover recording of:
Since You Been Gone (in 1979-04)
Texter und Komponist(in):
Russ Ballard
publisher:
BMG Gold Songs, BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. und Virgin Music (Publishers) Ltd.
Rainbow43:18
2The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.24:28
3One Way or Another
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 298)
recording of:
One Way or Another (von 1978-06 bis 1978-07)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. und Rare Blue Music Inc (in 1978)
Blondie4.153:26
4I Was Made for Lovin’ You (single version)
Produzent(in):
Vini Poncia
E-Bass:
Gene Simmons (KISS bassist and vocalist)
E-Gitarre [lead guitar]:
Ace Frehley (American rock guitarist)
E-Gitarre [rhythm guitar] und Sologesang:
Paul Stanley (KISS frontman)
Gast-Schlagzeug:
Anton Fig
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979)
produced for:
Mad Vincent Productions
Bearbeitung von:
I Was Made for Lovin’ You von KISS (US rock band)
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS44:00
5White Wedding Pt. 1
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Phil Feit (in 1982)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1982) und Steve Stevens (US guitarist and songwriter) (in 1982)
Schlagzeug:
Steve Missal (in 1982)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1982)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Chrysalis Records, Inc. (not for release label use!) (in 1982)
Bearbeitung von:
White Wedding, Part 1 von Billy Idol (English rock singer‐songwriter)
Musikvideos:
White Wedding, Pt. 1 von Billy Idol (English rock singer‐songwriter)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 53)
recording of:
White Wedding (in 1982)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter)
publisher:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Rare Blue Music Inc
Billy Idol33:34
6Is She Really Going Out With Him? (album version)
Joe Jackson3:35
7It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:31
8Fanfare for the Common Man
Produzent(in):
Greg Lake
Bassgitarre:
Greg Lake
Pauke und Schlagzeug:
Carl Palmer
Synthesizer:
Keith Emerson
phonographisches Urheberrecht (℗) von:
Leadclass Ltd (copyrights holder) (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Bearbeitung von:
Fanfare for the Common Man von Emerson, Lake & Palmer
recording of:
Fanfare for the Common Man (ELP arrangement)
Komponist(in):
Aaron Copland (composer)
arranger:
Keith Emerson, Greg Lake und Carl Palmer
publisher:
Boosey & Hawkes Music Publishers, Ltd
Arrangement von:
Fanfare for the Common Man (for brass and percussion orchestra)
Emerson, Lake & Palmer42:58
9Race With the Devil
Girlschool2:51
10Overkill
Techniker(in):
Trevor Hallesy (von 1978-12 bis 1979-01) und Ashley Howe (von 1978-12 bis 1979-01)
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc) (von 1978-12 bis 1979-01)
E-Bass und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (von 1978-12 bis 1979-01)
E-Gitarre:
Eddie Clarke (Motörhead guitarist) (von 1978-12 bis 1979-01)
Schlagzeug:
Phil “Philthy Animal” Taylor (former Motörhead drummer) (von 1978-12 bis 1979-01)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (von 1978-12 bis 1979-01) und Sound Development Studios in London (Greater London), England, Vereinigtes Königreich (von 1978-12 bis 1979-01)
Musikvideos:
Overkill von Motörhead
recording of:
Overkill (Motörhead song) (von 1978-12 bis 1979-01)
Verfasser(in):
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) und Phil Taylor (former Motörhead drummer)
publisher:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.155:12
11Cherry Bomb
arranger:
Scott Anderson (The Runaways co -writer, -ordinator, -arranger), Kim Fowley und The Runaways (US 1970s all girl rock group)
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1976), Phonogram, Inc. (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Criterion Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 52)
recording of:
Cherry Bomb
Texter:
Kim Fowley
Komponist(in):
Joan Jett
publisher:
Careers–BMG Music Publishing, Inc., Jett Pack Music, Inc. und Peermusic Ltd. (BMI)
The Runaways4.152:19
12Rock ’n’ Roll Outlaw
Rose Tattoo3:21
13I Want You
Techniker(in):
Zebra Johanson (engineer)
Produzent(in):
Andy McCoy und Michael Monroe (lead singer of Hanoi Rocks)
Mix:
Bosse Waldersten
Bassgitarre:
Sami Yaffa (bassist)
Gitarre:
Andy McCoy und Nasty Suicide
Saxophon und Sologesang:
Michael Monroe (lead singer of Hanoi Rocks)
Schlagzeug:
Keimo Hirvonen und Jesper Sporre (Gyp Casino)
arranger:
Andy McCoy und Michael Monroe (lead singer of Hanoi Rocks)
phonographisches Urheberrecht (℗) von:
Johanna Kustannus Oy (company) und Love Kustannus
aufgenommen bei:
Park Studio in Stockholm, Stockholms län (Stockholm county), Schweden und Photosonic Studio in Helsinki, Uusimaa, Finnland (in 1980)
recording of:
I Want You
Texter und Komponist(in):
Andy McCoy
Hanoi Rocks3:13
14Angel Witch
Keyboard-Programmierung:
Sev Lewkowicz (keyboard player)
assistierende(r) Techniker(in):
Jools Cooper (engineer) und Nick Rogers (engineer/mixing)
Techniker(in):
Mark Dearnley, John Gallen (UK music producer, recording & mix engineer.) und Ashley Howe
Produzent(in):
Martin Smith (UK musician, producer and engineer, b. 1945)
Bassgitarre, Keyboard und Hintergrundgesang:
Kevin Riddles
Gitarre und Sologesang:
Kevin Heybourne
Perkussion und Schlagzeug:
Dave Hogg
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1980), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Angel Witch
Texter und Komponist(in):
Kevin Heybourne
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Angel Witch3.353:24
15Please Don’t Touch
Produzent(in):
Vic Maile
Bassgitarre:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12) und Enid Williams (in 1980-12)
Gitarre [Lead Guitar]:
Eddie Clarke (Motörhead guitarist) (in 1980-12) und Kelly Johnson (in 1980-12)
Gitarre [Rhythm Guitar]:
Kim McAuliffe (in 1980-12)
Schlagzeug:
Denise Dufort (in 1980-12)
Sologesang:
Kelly Johnson (in 1980-12) und Lemmy Kilmister (“Lemmy” from Motörhead) (in 1980-12)
cover recording of:
Please Don’t Touch (in 1980-12)
Komponist(in):
Frederick Heath und Guy Robinson (UK songwriter)
publisher:
EMI Blackwood Music Inc.
Girlschool & Motörhead32:48
16Butcher Baby
recording of:
Butcher Baby
Texter:
Rod Swenson
Komponist(in):
Richie Stotts
Plasmatics3:34
17Hard Ride
Raven3:06
18Riding With the Angels
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
cover recording of:
Riding With the Angels
Texter und Komponist(in):
Russ Ballard
publisher:
Union Square Music Publishing Ltd.
Samson3:39
19Gangster of Love
recording of:
Gangster of Love
Texter und Komponist(in):
Johnny “Guitar” Watson
publisher:
Booty Ooty Music (publisher; do NOT use as release label), Lynnal Music, Virjon Music (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Johnny “Guitar” Watson3:45
20Swords of a Thousand Men
Produzent(in):
Bob Andrews (keyboardist and producer) und Alan Winstanley (English record producer)
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1981), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Swords of a Thousand Men
Texter und Komponist(in):
Edward Tudor-Pole
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tenpole Tudor4.22:55
3▼CD
Nr.TitelKünstlerBewertungLänge
1Real Wild Child (Wild One)
recording of:
Wild One (Real Wild Child)
Verfasser(in):
Johnny Greenan, Johnny O’Keefe und Dave Owens (US songwriter, known for "Wild One")
publisher:
Melodie der Welt (publisher), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited und Southern Music (publisher)
Iggy Pop3:34
2Never Enough (single version)
Produzent(in):
Mark Saunders (UK record producer) (in 1990-07) und Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (in 1990-07)
Mix:
Mark Saunders (UK record producer) (in 1990-07)
Bassgitarre:
Simon Gallup
Gitarre:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) und Porl Thompson
Schlagzeug:
Boris Williams
Sologesang:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Musikvideos:
Never Enough von The Cure
recording of:
Never Enough
Texter:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
Komponist(in):
Simon Gallup, Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson und Boris Williams
publisher:
Fiction Songs Ltd.
The Cure44:26
3Wind of Change
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991)
recording of:
Wind of Change
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions13:40
4Too Much Too Young
Little Angels4:21
5On a Storyteller’s Night
Techniker(in) und Produzent(in):
Kit Woolven (in 1985)
Bassgitarre:
Wally Lowe (in 1985)
Gitarre:
Tony Clarkin (in 1985)
Keyboard:
Mark Stanway (in 1985)
Schlagzeug:
Jim Simpson (in 1985)
Hintergrundgesang:
Tony Clarkin (in 1985) und Wally Lowe (in 1985)
Sologesang:
Bob Catley (in 1985)
arranger:
Magnum (Birmingham UK melodic rock band) (in 1985)
aufgenommen bei:
The Abattoir Studios in Birmingham, West Midlands, England, Vereinigtes Königreich (in 1985)
recording of:
On a Storyteller’s Night (Magnum) (in 1985)
Texter und Komponist(in):
Tony Clarkin (in 1985)
Magnum4:59
6Bad Bad Boy
Produzent(in):
Roger Glover
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Bad Bad Boy
Verfasser(in):
Pete Agnew, Manny Charlton, Dan McCafferty und Darrell Sweet
publisher:
Carlin Music Corporation, Intersong Music und Mountain Music Ltd.
Nazareth3:55
7Just Like Jesse James
recording engineer:
Sir Arthur Payson
assistierende(r) Techniker(in):
George Cowan (US engineer), Bridget Daly, Debbie Johnson (engineer), Jay Lean, Richard McKernan, Craig Porteils (producer, engineer) und Duane Seykora
zusätzliche(r) Techniker(in):
Bruce Robb
Produzent(in):
Desmond Child
Mix:
Mick Guzauski
Akustikgitarre und E-Gitarre:
John Putnam
Bassgitarre:
Hugh McDonald (bassist)
Gitarre:
John McCurry
Keyboard:
Alan St. Jon
Schlagzeug:
Bobby Chouinard
Hintergrundgesang:
Desmond Child, Brenda Russell (US singer-songwriter & keyboardist) und Diane Warren (US songwriter)
Sologesang:
Cher
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1989) und The David Geffen Company (legal rights relating to Geffen Records) (in 1989, in 1990)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten, Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Complex Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Just Like Jesse James
Verfasser(in):
Desmond Child und Diane Warren (US songwriter)
publisher:
April Music Inc., Desmobile Music Co., Inc. (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), SBK April Music Inc. (vom 1989 bis ????), Desmobile Inc. (vom 1989 bis heute) und Realsongs (vom 1989 bis heute)
Cher44:03
8I Got Mine
Produzent(in):
Tony Platt (UK engineer and producer) (von 1983-02 bis 1983-03)
Mix:
Tony Platt (UK engineer and producer) (in 1983-03)
Bassgitarre und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (von 1983-02 bis 1983-03)
Gitarre:
Brian Robertson (Thin Lizzy & Motörhead) (von 1983-02 bis 1983-03)
Schlagzeug:
Phil “Philthy Animal” Taylor (former Motörhead drummer) (von 1983-02 bis 1983-03)
aufgenommen bei:
Eel Pie Studios in London (Greater London), England, Vereinigtes Königreich (von 1983-02 bis 1983-03) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1983-02 bis 1983-03)
recording of:
I Got Mine (von 1983-02 bis 1983-03)
Verfasser(in):
Ian Fraser Kilmister (“Lemmy” from Motörhead), Phil Taylor (former Motörhead drummer) und Brian Robertson (Thin Lizzy & Motörhead)
publisher:
EMI Intertrax Music Inc. (BMI-affiliated)
Motörhead5:21
9Really Gonna Rock Tonight
Produzent(in):
Chris Tsangarides
phonographisches Urheberrecht (℗) von:
Orionstar Ltd. (in 1984), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Really Gonna Rock Tonight (in 1980)
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
publisher:
Maxwood Music Ltd.
Gary Moore2.53:47
10In a Big Country (radio edit)
recording of:
In a Big Country
Texter:
Stuart Adamson
Komponist(in):
Stuart Adamson, Mark Brzezicki, Tony Butler (English rock bassist with Big Country) und Bruce Watson (member of Big Country)
publisher:
10 Music Ltd., Big Country Music Ltd., BMG Gold Songs, EMI 10 Music und Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1983)
Big Country3:50
11Two Tribes
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 27)
recording of:
Two Tribes
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.23:22
12(I Just) Died in Your Arms Tonight
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:23
13The Spirit
assistierende(r) Techniker(in):
Steve Prestage (in 1980)
Techniker(in):
Jeff Glixman (in 1980)
Produzent(in):
Jeff Glixman
Bassgitarre:
Wally Lowe (in 1980)
Gitarre:
Tony Clarkin (in 1980)
Keyboard:
Mark Stanway (in 1980)
Schlagzeug:
Kex Gorin (in 1980)
Sologesang:
Bob Catley (in 1980)
arranger:
Magnum (Birmingham UK melodic rock band) (in 1980)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1980)
mixed at:
Axis Sound Studio in Atlanta, Georgia, Vereinigte Staaten (in 1981)
recording of:
The Spirit (Magnum) (in 1980)
Texter und Komponist(in):
Tony Clarkin
publisher:
Aviation Music (publisher; do NOT use as release label)
Magnum4:17
14Life Goes On
The Damned4:07
15Rip and Tear
L.A. Guns4:11
16To Hell and Back
Venom3:00
17Gypsy Road (album version)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Gypsy Road
Texter und Komponist(in):
Tom Keifer
publisher:
Chappell & Co., Inc. (USA)
Cinderella3:49
18Nothin’ but a Good Time
Techniker(in):
Duane Baron
Produzent(in):
Tom Werman
Mix:
Duane Baron, John Purdell und Tom Werman
Bassgitarre:
Bobby Dall
Gitarre:
C.C. DeVille
Schlagzeug:
Rikki Rockett
Sologesang:
Bret Michaels
recording of:
Nothin’ but a Good Time
Verfasser(in):
Bobby Dall, C.C. DeVille, Bret Michaels und Rikki Rockett
publisher:
Cyanide Publishing
Poison4.53:43
19Painted Moon
assistierende(r) Produzent(in):
The Silencers (Scottish rock band) (Aufgabe: with help from)
Produzent(in):
Dave Bascombe
Mix:
Mark Wallis
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1987), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Painted Moon
Verfasser(in):
Charles Burns und Jimme O’Neill
publisher:
BMG Music Publishing Ltd. (in 1991)
The Silencers4:01
20Man of the World (1998 remaster)
recording of:
Man of the World
Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Fleetwood Music Ltd. und Palan Music Publishing Ltd.
Fleetwood Mac2:59
4▼CD
Nr.TitelKünstlerBewertungLänge
1Are You Gonna Go My Way?
assistierende(r) Techniker(in):
Greg DiGesu
Techniker(in) und Mix:
Henry Hirsch
zusätzliche(r) Techniker(in):
David Domanich
Produzent(in):
Lenny Kravitz
Akustikgitarre und E-Gitarre:
Craig Ross (guitarist) (in 1998-12)
Bass:
Lenny Kravitz (in 1998-01) und Tony Breit (in 1998-12)
Schlagzeug, Schlagzeug [junkanoo] und Hintergrundgesang und Sologesang:
Lenny Kravitz (in 1998-12)
Synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
Texter:
Lenny Kravitz
Komponist(in):
Henry Hirsch, Lenny Kravitz und Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Lenny Kravitz3.853:32
2Bohemian Like You
Produzent(in):
David Sardy (American score composer) und Courtney Taylor‐Taylor
Mix:
David Sardy (American score composer)
Bass und Keyboard:
Zia McCabe
Gast-Orgel:
Erik Gavriluk
Gitarre:
Peter Holmström und Courtney Taylor‐Taylor
Schlagzeug und Hintergrundgesang:
Brent DeBoer
Slide-Gitarre:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Musikvideos:
Bohemian Like You von The Dandy Warhols
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 449)
recording of:
Bohemian Like You
Texter und Komponist(in):
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Dandy Warhols Music (BMI)
The Dandy Warhols4.153:29
3All I Wanna Do
Techniker(in):
Blair Lamb
Produzent(in):
Bill Bottrell
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 405)
recording of:
All I Wanna Do
Verfasser(in):
David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow (American singer-songwriter and musician) und Kevin Gilbert (singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Ignorant Music (ASCAP-affiliated), Old Crow Music (Sheryl Crow’s publishing label), Reservoir One America, Sony/ATV Tunes LLC (ASCAP), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), WC Music Corp. und Zen of Iniquity
Sheryl Crow3.94:34
4Cats in the Cradle
Techniker(in) und Mix:
Mark Dodson (UK producer) und Randy Long
Produzent(in):
Mark Dodson (UK producer)
Bassgitarre:
Cordell Crockett (in 1992)
Gitarre:
Klaus Eichstadt (in 1992) und Dave Fortman (in 1992)
Schlagzeug:
Mark Davis (US drummer for Ugly Kid Joe) (in 1992)
Hintergrundgesang:
Jennifer Barry (in 1992)
Sologesang:
Whitfield Crane (in 1992)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1992)
cover recording of:
Cat’s in the Cradle (in 1992)
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.84:03
5Screamager
Therapy?2:41
6My Favourite Game
assistierende(r) Techniker(in):
Lars Göransson (1970s Swedish folk singer)
Techniker(in) und Produzent(in):
Tore Johansson
Mix:
Tore Johansson und Staffan Schöler (engineer)
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Schlagzeug:
Bengt Lagerberg
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group) (in 1998)
mixed at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und New York City Center in New York, New York, Vereinigte Staaten
engineered at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Teil von:
Cachitos Nochevieja 2022 (Nummer: 57)
recording of:
My Favourite Game
Texter:
Nina Persson
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Cardigans3.753:38
7Celebrity Skin
Produzent(in):
Michael Beinhorn
zusätzliche(r) Produzent(in):
Eric Erlandson
Mix:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1998), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 16)
recording of:
Celebrity Skin
Verfasser(in):
Billy Corgan, Eric Erlandson und Courtney Love (US rock vocalist, widow to Kurt Cobain)
publisher:
Echo Echo Tunes, Mother May I Music (Publisher associated with the band Hole (2)), Songs of Kobalt Music Publishing, Strictly Confidential und Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole4.452:43
8What’s Up
recording engineer:
David Tickle (in 1992)
Mastering:
Stephen Marcussen (mastering engineer)
Techniker(in):
Mark Hensley
zusätzliche(r) Techniker(in):
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
vocals:
Christa Hillhouse (in 1992) und Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992, in 1993)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat und Stuck in the Throat Music
4 Non Blondes4.354:14
9She’s a Star (album version)
recording of:
She’s a Star
Texter:
Tim Booth
Komponist(in):
Tim Booth, Jim Glennie und Larry Gott
James3:41
10The Riverboat Song (album version)
Ocean Colour Scene4:57
11Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:53
12Zombie (edit)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) und Universal–Songs of PolyGram International, Inc.
The Cranberries5:08
13More Than Words (radio edit)
Extreme3:41
14Memory Lain, Hugh (live)
Caravan5:03
15That’s When I Think of You
phonographisches Urheberrecht (℗) von:
James Barton (drummer) (in 1998), Garry Frost (in 1998), Philip Frost (in 1998) und Eric Weideman (Australian singer/songwriter) (in 1998)
phonographisches Urheberrecht (℗) von:
Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
That’s When I Think of You
Verfasser(in):
Garry Frost und Eric Weideman (Australian singer/songwriter)
publisher:
Orient Pacific Music Pty. Ltd., Origin Music Publishing Pty Ltd und Warner Chappell Music (publisher as Warner/Chappell Music)
19274:13
16Stare Too Long
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Stare Too Long (in 2000)
Texter:
Pepper Keenan
Komponist(in):
Mike Dean (bassist/vocalist for Corrosion of Conformity), Pepper Keenan, Reed Mullin und Woody Weatherman
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Corrosion of Conformity4:56
17Don’t Worry About Me
Joey Ramone3:55
18New Rose
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Interpret(in):
Captain Sensible, Brian James (UK punk rock guitarist), Rat Scabies und Dave Vanian
recording of:
New Rose
Texter und Komponist(in):
Brian James (UK punk rock guitarist)
publisher:
Rock Music Co., Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Damned4.52:43
19Scream (radio edit)
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Stephen McGrath
Gitarre:
Steve Stevens (US guitarist and songwriter)
Keyboard:
Derek Sherinian
Schlagzeug:
Brian Tichy
Sologesang:
Billy Idol (English rock singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 2005)
recording of:
Scream
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Brian Tichy
publisher:
Bad Trip Tunes, Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Wixen Music Publishing, Inc. und Wixen Music UK Ltd.
Billy Idol3:53
20Overnight Sensation (Digitally Remastered)
Raspberries5:23
5▼CD
Nr.TitelKünstlerBewertungLänge
1Lightning Bolt
recording of:
Lightning Bolt
Verfasser(in):
Iain Archer und Jake Bugg
publisher:
Kobalt Music Services Ltd. (UK) und Soul Kitchens Music Ltd
Jake Bugg2:24
2Have a Nice Day
Produzent(in):
Marshall Bird und Steve Bush (engineer/mixer)
recording of:
Have a Nice Day
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3.853:25
3Pompeii
Programmierung und Produzent(in):
Mark Crew (songwriter, record producer and mix engineer) und Dan Smith (member of UK band Bastille)
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre [bass]:
William Farquarson (bassist, Bastille)
Keyboard [keyboards]:
Mark Crew (songwriter, record producer and mix engineer)
Keyboard [keyboards] und Klavier:
Dan Smith (member of UK band Bastille)
Schlagzeug:
Chris “Woody” Wood (drummer, Bastille)
Hintergrundgesang [backing vocals]:
Ian Dudfield, Ralph Pelleymounter (Lead singer of To Kill A King), Josh Platman und Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
aufgenommen bei:
Unit 24 (Mark Crew's studio) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Pompeii von Bastille (British indie pop band)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 12), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 297)
recording of:
Pompeii
Texter und Komponist(in):
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.953:34
4The Power of Love
Techniker(in):
Stuart Bruce und Stephen Lipson
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luís Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
Saiteninstrumente arranger und zusätzlich arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
The Power of Love
Verfasser(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) und Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) und Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29
5America
recording of:
America
Verfasser(in):
Johnny Borrell und Andy Burrows (songwriting drummer)
publisher:
Sony/ATV Music Publishing (UK) Ltd.
Razorlight4:10
6Last Resort (album version)
Techniker(in):
David Dominguez
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
D Rock
Editing:
James Murray (US engineer)
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
aufgenommen bei und mixed at:
NRG Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Last Resort von Papa Roach
recording of:
Last Resort
Texter und Komponist(in):
David Buckner, Tobin Esperance, Jerry Horton und Jacoby Shaddix
publisher:
BMG Gold Songs, I Make Dumb Music, Reservoir Media Music und Viva La Cucaracha Music
Papa Roach3.753:21
7Blurry (radio edit)
Puddle of Mudd4:19
8My Songs Know What You Did in the Dark (Light Em Up)
zusätzliche Programmierung:
Patrick Vaughn Stump, Jake Sinclair, Joe Trohman und Butch Walker
assistierende(r) Techniker(in):
Todd Stopera
Techniker(in):
Matt Still, Jake Sinclair und Laura Sisk
Produzent(in):
Butch Walker
zusätzliche(r) Produzent(in):
Fall Out Boy (pop punk band)
assistierende(r) Mix:
Matty Green (mix engineer)
Mix:
David Sardy (American score composer) und Mark “Spike” Stent (producer, engineer)
Bassgitarre:
Pete Wentz
Gitarre [guitars] und Keyboard [keyboards]:
Patrick Vaughn Stump und Joe Trohman
Schlagzeug [drums] und Perkussion:
Andy Hurley (rock drummer from the US)
zusätzlich Keyboard [keyboards] und Perkussion und zusätzlich Hintergrundgesang [backing vocals]:
Jake Sinclair und Butch Walker
Hintergrundgesang [backing vocals]:
Andy Hurley (rock drummer from the US), Joe Trohman und Pete Wentz
Sologesang:
Patrick Vaughn Stump
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2013)
aufgenommen bei:
Rubyred Recordings in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Hillside Manor in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mix Suite LA in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Rubyred Recordings in Venice, Los Angeles, California (Kalifornien), Vereinigte Staaten, Silent Sound Studios in Atlanta, Georgia, Vereinigte Staaten und Sonora Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2013 (Nummer: 40)
recording of:
My Songs Know What You Did in the Dark (Light 'em Up)
Texter und Komponist(in):
Fall Out Boy (pop punk band), John Hill (producer and songwriter, aka Johnny Rodeo) und Butch Walker
publisher:
Chicago X Softcore Songs (in 2013), EMI April Music Inc. (in 2013), I Eat Publishing for Breakfast (in 2013), Rodeo-Man Music (in 2013) und Sony/ATV Songs LLC (in 2013)
Fall Out Boy3.753:08
9Kryptonite (2009 Remaster)
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down43:56
10Smooth Criminal
assistierende(r) Techniker(in):
Justin Harvey
Techniker(in) und Editing:
James Murray (US engineer)
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
Dan Certa
zusätzliches Editing:
John Ewing (engineer) und Brian Virtue
E-Bass [bassadilla], Gitarre und Hintergrundgesang:
Tye Zamora
E-Gitarre:
Terence Corso
Schlagzeug:
Mike Cosgrove
Sologesang:
Dryden Mitchell
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
aufgenommen bei und mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Smooth Criminal von Alien Ant Farm
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 6) und The Downloader’s Music Source Book (Nummer: 355)
cover recording of:
Smooth Criminal
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music und Warner-Tamerlane Publ. Co. (publisher; do NOT use as release label)
Teil von:
MJ: The Musical
Alien Ant Farm4.23:28
11What’s My Age Again?
recording engineer und Techniker(in):
Sean O’Dwyer (US producer & engineer)
assistierende(r) Techniker(in):
Darrell Harvey (engineer), John Nelson (engineer) und Robert Read (Engineer)
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Bassgitarre und Sologesang:
Mark Hoppus
Gitarre und Hintergrundgesang:
Tom DeLonge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug:
Travis Barker (American producer and drummer of blink-182)
arranger:
blink‐182
Schlagzeug-Techniker:
Mike Fasano
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 84)
recording of:
What’s My Age Again?
Verfasser(in):
Travis Barker (American producer and drummer of blink-182), Tom DeLonge und Mark Hoppus
publisher:
Fun With Goats (beendet), Beat Poet Music, EMI April Music Inc., HMNIM Music und Jolly Old Saint Dick
blink‐1824.32:28
12Fat Lip (album version)
Sum 413:00
13All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Smash Mouth4.73:19
14Buddy Holly
assistierende(r) Techniker(in):
Hal Belknap, David Heglmeier und Daniel Smith (engineer)
Techniker(in):
Chris Shaw (US producer & engineer)
Produzent(in):
Ric Ocasek
Bassgitarre [bass]:
Matt Sharp (Weezer/The Rentals)
Gitarre:
Brian Bell (guitarist) und Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
Schlagzeug:
Patrick Wilson (Weezer/The Special Goodness)
vocals:
Brian Bell (guitarist), Rivers Cuomo (US singer, guitarist & songwriter of Weezer) und Matt Sharp (Weezer/The Rentals)
Interpret(in):
Weezer (American rock band)
phonographisches Urheberrecht (℗) von:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1994)
aufgenommen bei und mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1993-08 bis 1993-09)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 15), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 484) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 497)
recording of:
Buddy Holly (von 1993-08 bis 1993-09)
Texter, Verfasser(in) und Komponist(in):
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
uraufgeführt von:
Weezer (American rock band)
publisher:
E.O. Smith Music
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Weezer4.12:40
15The Gush
recording of:
The Gush
Verfasser(in):
Raging Speedhorn
Raging Speedhorn3:53
16The Reason (UK radio mix)
Hoobastank3:53
17Underdog
You Me at Six2:24
18The Kill (Bury Me) (edit)
phonographisches Urheberrecht (℗) von:
Capitol Records LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2006) und Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2007)
recording of:
The Kill
Texter und Komponist(in):
Jared Leto
publisher:
Apocraphex Music
Thirty Seconds to Mars3:46
19Promises, Promises
The Cooper Temple Clause3:20
20Ain’t No Easy Way
Black Rebel Motorcycle Club2:36

Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, ULTIM5CD) (Nummer: 039) (Reihenfolge: 29)